166
The Divine Comedy by Dante Alighieri

The divine comedy.inferno

Embed Size (px)

Citation preview

Page 1: The divine comedy.inferno

The Divine

Comedy by Dante Alighieri

Page 2: The divine comedy.inferno
Page 3: The divine comedy.inferno

Background of the Work• for the Medieval faithful, Hell was the place of turmoil, chaos, pain, despair, wretchedness, and a general bad time. • the Christians certainly took on these definitions of Hell, and used that fear aspect to its fullest.

Page 4: The divine comedy.inferno

• this early view of Hell is vividly depicted in Dante Alighieri’s

“ Inferno”, which is probably the most recognised non-religious depiction of Hell. • Divine Comedy includes “ Purgatorio” and

“ Paradiso”.

Page 5: The divine comedy.inferno

• his work combines the positive values of Christian thought and chivalric idealism. • the cosmographical idea on which the poem is founded is extremely simple. The earth is a fixed point in the center of the Universe.

Page 6: The divine comedy.inferno

• the Northern Hemisphere is inhabited by the race of Adam.

• Purgatory is an isolated mountain in the seas of the Southern Hemisphere, which was unexplored at the time at which the poem was written.

• the Nine Heavens extend, one beyond the other, above the earth on every side, the ninth being infinite in extent.

Page 7: The divine comedy.inferno

About the Author

• Dante Alighieri was born in 1265 in Florence , Italy, to a family of moderate wealth that had a history of involvement in the complex Florentine political scene.

Page 8: The divine comedy.inferno

• Around 1285, Dante married a woman chosen for him by his family, although he remained in love with another woman – Beatrice, whose true historical identity remains a mystery- and continued to yearn her after her sudden death in 1290.

Page 9: The divine comedy.inferno

• three years later , he published Vita Nouva ( the New Life ), which describes his tragic love for her. • around the time of Beatrice’s death, Dante began a serious study of philosophy and intensified his political involvement in Florence.

Page 10: The divine comedy.inferno

• He held a number of significant public offices at a time of great political unrest in Italy , and, in 1302, he was exiled for life by the leaders of the Black Guelphs, the political faction in power at the time.

• All of Dante’s work on The Comedy later called The Divine Comedy and consisting of three books: was done after his exile.

Page 11: The divine comedy.inferno

• he completed Inferno, which depicts an allegorical journey through Hell, around 1314. • Dante roamed from court to court in Italy, writing and occasionally lecturing, until his death from a sudden illness in 1321.

Page 12: The divine comedy.inferno

Description of the Characters

• Dante- the author and protagonist of Inferno; the focus of all action and interaction with other characters.

• Virgil- Dante’s guide through the depths of Hell. Virgil lived in the first century B.C in what is now Northern Italy.

Page 13: The divine comedy.inferno

• Beatrice- one of the blessed in Heaven, Beatrice aids Dante’s journey by asking an angel to find Virgil and bid him guide Dante through Hell. Dante’s great love.

Page 14: The divine comedy.inferno

• Charon- a figure that Dante appropriates from Greek mythology, Charon is an old man who ferries souls across the river Acheron to Hell.• Paolo and Francesca da Rimini- a pair of lovers condemned to the Second Circle of Hell for an adulterous love affair.•

Page 15: The divine comedy.inferno

• Lucifer- the prince of Hell, also referred to as Dis.

- resides at the bottom of the Ninth (and final ) Circle of Hell, beneath the Earth’s surface, with his body jutting though the planet’s center.

Page 16: The divine comedy.inferno

• Minos -  The king of Crete in Greek mythology, Minos is portrayed by Dante as a giant beast who stands at the Second Circle of Hell, deciding where the souls of sinners shall be sent for torment. Upon hearing a given sinner’s confession, Minos curls his tail around himself a specific number of times to represent the circle of Hell to which the soul should be consigned.

Page 17: The divine comedy.inferno

• Pope Boniface VIII -  A notoriously corrupt pope who reigned from 1294 to 1303, Boniface made a concerted attempt to increase the political might of the Catholic Church and was thus a political enemy of Dante, who advocated a separation of church and state.

Page 18: The divine comedy.inferno

• Farinata -  A Ghibelline political leader from Dante’s era who resides among the Heretics in the Sixth Circle of Hell. Farinata is doomed to continue his intense obsession with Florentine politics, which he is now helpless to affect.

Page 19: The divine comedy.inferno

• Phlegyas -  The boatman who rows Dante and Virgil across the river Styx.• Filippo Argenti -  A Black Guelph, a political enemy of Dante who is now in the Fifth Circle of Hell. Argenti resides among the Wrathful in the river Styx.

Page 20: The divine comedy.inferno

• Nessus -  The Centaur (half man and half horse) who carries Dante through the First Ring of the Seventh Circle of Hell.• Pier della Vigna -  A former

advisor to Emperor Frederick II, della Vigna committed suicide when he fell into disfavor at the court. He now must spend eternity in the form of a tree.

Page 21: The divine comedy.inferno

•Geryon -  The massive serpentine monster that transports Dante and Virgil from the Seventh to the Eighth Circle of Hell.

Page 22: The divine comedy.inferno

•Malacoda -  The leader of the Malabranche, the demons who guard the Fifth Pouch of the Eighth Circle of Hell. Malacoda (his name means “evil tail”) intentionally furnishes Virgil and Dante with erroneous directions.•

Page 23: The divine comedy.inferno

• Vanni Fucci -  A thief punished in the Seventh Pouch of the Eighth Circle of Hell who prophesies the defeat of the White Guelphs. A defiant soul, Fucci curses God and aims an obscene gesture at Him before Dante journeys on.

Page 24: The divine comedy.inferno

• Ulysses -  The great hero of the Homeric epics the Iliad and the Odyssey. Ulysses was a bold and cunning man who is now imprisoned in the Eighth Pouch of the Eighth Circle of Hell among those guilty of Spiritual Theft.

Page 25: The divine comedy.inferno

• Count Ugolino -  A traitor condemned to the Second Ring of the Ninth Circle of Hell. Ugolino gnaws on the head of another damned traitor, Archbishop Ruggieri. When Ruggieri imprisoned Ugolino and his sons, denying them food, Ugolino was driven to eat the corpses of his starved sons.

Page 26: The divine comedy.inferno

• Fra Alberigo and Branca d’Oria - Sinners condemned to the Third Ring of the Ninth Circle of Hell. Fra Alberigo and Branca d’Oria are unlike the other sinners Dante encounters: their crimes were deemed to be so great that devils snatched their souls from their living bodies; thus, their souls reside in Hell while their bodies live on, now guided and possessed by demons.

Page 27: The divine comedy.inferno

Character Web

Page 28: The divine comedy.inferno

Setting of the Story• Beginning with the plot being set during Easter week 1300• in Inferno, Purgatorio and Paradiso

Page 29: The divine comedy.inferno

Inferno Plot

Page 30: The divine comedy.inferno
Page 31: The divine comedy.inferno

Canto IMidway along the journey of our life

I woke to find myself in some dark woods,for I had wandered off from the straight path.

How hard it is to tell what it was like,this wood of wilderness, savage and stubborn(the thought of it brings back all my old

fears),

Page 32: The divine comedy.inferno

• in the Middle Ages life was often thought of as a journey, a pilgrimage, the goal of which was God and Heaven; and in the first line of the Divine Comedy , Dante establishes the central motif of his poem- it is the story of man’s pilgrimage to God. • Born in 1265, Dante was thirty-five

years old, which is one half of man’s biblical life span of seventy years.

Page 33: The divine comedy.inferno
Page 34: The divine comedy.inferno

• The spotted leopard-Represents the Fraud ( Canto XVI, 11. 106-108)

Reigns over the Eight and Ninth Circles where the Fraudulent are punished. ( Cantos XVII-XXXIV)• The Lion-Symbolizes all forms of

Violence which are punished in the seventh cicrcle. ( XII – XVII)

• The she-wolf - Represents the different types of Concupisence or Incontinence which are punished in Circles 2-5 ( Cantos V-VIII)

Page 35: The divine comedy.inferno

Canto I, 62-66While I was moving down to that low place, my eyes made out a figure coming toward me of one grown weak, perhaps from too much silence.And when I saw him standing in this wasteland, “ Have pity on my soul,” I cried to him, “whichever you are , shade or living man!”

Page 36: The divine comedy.inferno

Canto I, 67-75“No longer living man, though once I was,”

he said, ”and my parents were from Lombardy,both of them were Mantuans by birth.

I was born, though somewhat late, sub Julio,and lived in Rome when good Augustus

reigned, when still the false and lying gods were worshipped.I was a poet and sang of that just a man, son of Anchises, who sailed off from Troy after the burning of proud Ilium.

Page 37: The divine comedy.inferno

• in the Aeneid Virgil relates the post bellum travels and deeds of Aeneas ( son of Anchises) who, destined by the gods, founded on Italian soil the nation which in the course of time, would become the Roman Empire.

Page 38: The divine comedy.inferno

Canto I, 85“O light and honor of the other poets, may my long years of study, and that deep love that made me search your verses, help me now!You are my teacher, the first of all my authors, and you alone the one from whom I took the beautiful style that was to bring me honor…

Page 39: The divine comedy.inferno

Reasons why Dante the Poet choses Virgil to be his guide

• Virgil was a poet and an Italian.• In the Aeneid is recounted the

hero’s descent to Hell. • Middle Ages, Virgil was considered

a prophet, a judgment stemming from the interpretation of some obscure lines in the Fourth Eclogue as foretelling the coming of Christ.

Page 40: The divine comedy.inferno

• Just as Virgil, the pagan Roman poet, cannot enter the Christian Paradise because he lived before the birth of Christ and lacks knowledge of Christian salvation, so Reason can only guide the Pilgrim to a certain point, in order to enter the Paradise, the Pilgrim’s guide must be Christian Grace or Revelation ( Theology) in the Figure of Beatrice.

Page 41: The divine comedy.inferno

Canto I, 130-136And I to him: “Poet, I beg of you, in the name of God, that God you never knew, save me from this evil place and worse, lead me there to the place you spoke about that I may see the gate Saint Peter guards and those whose anguish you have told me of.”Then he moved on, and I moved close behind him.

Page 42: The divine comedy.inferno

Canto II, 10-36“O poet come to guide me, tell me if you think my worth sufficient before you trust me to this arduous road…” “but why am I to go? Who allows me to? I am not Aeneas, I am not Paul, neither I nor any man would think me worthy; and so, if I should undertake the journey, I fear it might turn out an act of folly-you are wise, you see more than my words express.”

Page 43: The divine comedy.inferno

• The Virgin Mary took pity on the Pilgrim in his despair and instructed St. Lucia to him. The Saint turned to Beatrice because of Dante’s great love for her and Beatrice in turn went down to Hell, into Limbo; and asked Virgil to guide her friend.

Page 44: The divine comedy.inferno

Canto II, 71-79…I am Beatrice, who urges you to go; I come from the place I am longing to return to; love moved me, as it moves me now to speak. When I return to stand before my Lord, often I shall sing your praises to him.’.. And I began, ‘ O Lady Grace, through whom alone mankind may go beyond all worldly things contained within the sphere…’

Page 45: The divine comedy.inferno

Canto II, 140-143“Let us start, for both our wills, joined now are one.You are my guide, you are my lord and my teacher.”These were my words to him and, when he moved, I entered on that deep and rugged road.

Page 46: The divine comedy.inferno
Page 47: The divine comedy.inferno

I saw these words spelled out in somber colorsInscribed along the ledge above a gate;“Master,” I said, “these words I see are cruel.”He answered me, speaking with experience:“Now here you must leave all distrust behind; let all your cowardice die on this spot. We are at the place where earlier I said you could expect to see the suffering race of souls who lost the good of intellect.”

Canto III, 10-18

Page 48: The divine comedy.inferno

Canto III, 31-39And I, in the midst of all this circling horror, began, “Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?” and he to me: “ This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, but undecided in neutrality.

Page 49: The divine comedy.inferno

Canto III, 43-51And I: “Master, what torments do they suffer that make such bitterness ring through their screams?” He answered: “ I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven’s mercy and its justice turn from them. Let’s not discuss them; look and pass them by.”

Page 50: The divine comedy.inferno

• the first tormented souls whom the Pilgrim meets are not in Hell itself but in the Vestibule leading to it. In a sense they are the most loathsome sinners of all because in life they performed neither meritorious nor reprehensible acts. Heaven has damned them but Hell will not accept them.

Page 51: The divine comedy.inferno

Canto III, 72-78 “Master, I would like to know: who are these people, and what law is this that makes those souls so eager for the crossing-as I can see, even in this dim light?”And he: “ All this will be made plain to you as soon as we shall come to stop awhile upon the sorrowful shore of Acheron.”

Page 52: The divine comedy.inferno

• In the River Acheron, they were greeted by the infernal boatman Charon, who served as the boatman of classical mythology who transports the souls of the dead across the Acheron into Hades.

Page 53: The divine comedy.inferno
Page 54: The divine comedy.inferno

Canto III, 100-108But all those souls there, naked, in despair, changed color and their teeth began to chatter at the sound of his announcement of their doom. They were cursing god, cursing their mother and father, the human race, and the time, the place, the seed of their beginning, and their day of birth. Then all together, weeping bitterly, they packed themselves along the wicked shore that waits for everyman who fears not God.

Page 55: The divine comedy.inferno

Canto III, 133-136Out of the tear-drenched land a wind arose

which blasted forth into a reddish light,

knocking my senses out of me completely,and I fell as one falls tired into sleep.

Page 56: The divine comedy.inferno

• the swoon ( or sleep) as a transitional device is used again at the end of Canto V. Also in the opening lines of Canto I where the Pilgrim’s awaking from sleep serves an introductory purpose.

Page 57: The divine comedy.inferno

Canto IV, 1-4

A heavy clap of thunder! I awoke from the deep sleep that drugged my mind-startled, the way one is when shaken out of sleep.

Page 58: The divine comedy.inferno

Canto IV

• The Pilgrim is led by Virgil to the First Circle of Hell, known as Limbo, where the sad shades of the virtues non-Christians dwell.

• The souls here, including Virgil, suffer no physical torment, but they must live, in desire, without hope of seeing God.

Page 59: The divine comedy.inferno

• They are met by the Four Greatest Poets: Homer, Horace, Ovid and Lucan. As they come closer to the light, the Pilgrim perceives a splendid castle where the greatest non-Christian thinkers dwell together with other famous historical figures. Electra, Aeneas, Caesar, Saladin, Aristotle, Plato, Orpheus, Cicero, Avicenna and Averroes.

Page 60: The divine comedy.inferno
Page 61: The divine comedy.inferno
Page 62: The divine comedy.inferno

Canto IV, 31-39Then the good master said, “ You do not ask what sort of souls are these you see around you. Now you should know before we go on farther, they have not sinned. But their great worth alone was not enough, for they did not know Baptism which is the gateway to the faith you follow, and if they came before the birth of Christ they did not worship God the way one should; I myself a member of this group.

Page 63: The divine comedy.inferno

• according to the Christian doctrine no one outside the Church (i.e., without baptism, the first Sacrament and thus, the “gateway to the faith”) can be saved.

• the souls suspended in Limbo, were virtuous individuals who had no knowledge of Christ and His teachings ( through no fault of their own since the preceded Him) or who, after His coming, died unbaptized.

• they suffer only mental anguish, they have to “live on in desire” without any hope of beholding Him.

Page 64: The divine comedy.inferno
Page 65: The divine comedy.inferno
Page 66: The divine comedy.inferno

1st Circle: LIMBO

• The First Circle of Hell, virtuous individuals who had no knowledge of Christ and His teachings among other historical figures are :

Page 67: The divine comedy.inferno

• Lucretia, wife of Collatinus• Julia, daughter of Julius Caesar and wife of Pompey• Marcia, second wife of Cato of Utica• Cornelia, daughter of Scipio Africanus Major

Page 68: The divine comedy.inferno

Diogenes, the Cyric Philosopher who believed that the only good lies in virtue secured through self-control and abstinence.Anaxagoras, a Greek Philosopher of the Ionian school, his famous students were Pericles and Euripedes

Page 69: The divine comedy.inferno

• Thales, an early Greek philosopher born at Miletus ( water is the elemental principle of all things)

• Dioscorides, Greek natural Scientist and Physician of the first Century A.D.

• Orpheus, mythical Greek poet and musician whose lyrical talent was such that it moved rocks and trees and tamed wild beasts.

Page 70: The divine comedy.inferno

• Tully, celebrated Roman Orator, writer and Philosopher• Linus, a mythical Greek poet

and musician who is credited with inventing the dirge.• Seneca, Lucius Annaeus,

followed the philosophy of the Stoics in his moral treatises also known as the Moralist.

Page 71: The divine comedy.inferno

• Euclid, Greek mathematician, wrote a treatise on geometry ( first codification and exposition of mathematical principles).

• Ptolemy, Greek mathematician, astronomer and geographer.

• Hippocrates, Greek physician, founded the medical profession and introduced the scientific art of healing.

Page 72: The divine comedy.inferno

• Galen, celebrated physicianAvicenna, Arabian philosopher and physician and a prolific writer.Averroes, Arabian Scholar, made a commentary on Aristotle which served as the basis for the work of St. Thomas Aquinas.

Page 73: The divine comedy.inferno
Page 74: The divine comedy.inferno

Canto V, 1-6 This way I went, descending from the first into the second circle, that holds less space but much more pain-stinging the soul to wailing.There stands Minos grotesquely, and he snarls, examining the guilty entrance; he judges and dispatches, tail in coils.

Page 75: The divine comedy.inferno

Canto V, 7-12By this I mean that when the evil soul appears before him, it confesses all, and he who is the expert judge of sins sees what place in Hell the soul belongs to; the times he wraps his tail around himself tells just how far the sinner must go down.

Page 76: The divine comedy.inferno

2nd Circle: LUST• Minos, the bestial judge of Dante’s underworld.• -son of Zeus and Europa. As King of Crete he was revered for his wisdom and judicial gifts. For these qualities, he became chief magistrate of the underworld, in classical literature.

Page 77: The divine comedy.inferno
Page 78: The divine comedy.inferno

Canto V, 16-23“Oh you who come to the place where pain is host,” Minos spoke out when he caught sight of me, putting aside the duties of his office, “ be careful how you enter and whom you trust: it is easy to get in, but don’t get fooled!”And my guide to him: “ Why do you keep on shouting? Do not attempt to stop his fated journey…”

Page 79: The divine comedy.inferno

The punishment consists of being forever whirled about in a dark, stormy wind.

Page 80: The divine comedy.inferno

• Semiramis- the legendary queen of Assyria, who although renowned for her military conquests and civic projects fell prey for her passions and became dissolute to the extent of legalizing lust.

Page 81: The divine comedy.inferno

• Dido- ( Aeneid) queen of Carthage, swore faithfulness to the memory of her dead husband, Sichaeus. However, when the Trojan survivors of the war arrived in part, she fell helplessly in love with their leader, Aeneas,

Page 82: The divine comedy.inferno

• and they lived together as man and wife until the gods reminded Aeneas of his higher destiny: the founding of Rome, and the Roman Empire. Immediately set sail for Italy, and Dido, deserted , committed suicide.

Page 83: The divine comedy.inferno

• Tristan- the central figure of numerous medieval French, German and Italian romances. Sent as a messenger by his uncle, King Mark of Cornwall, to obtain Isolt for him in marriage. Tristan became enamored of her, and she of him.

Page 84: The divine comedy.inferno

After Isolt’s marriage to Mark, the lover’s continued their love affair, and in order to maintain its secrecy, they necessarily employed many deceits and ruses. Mark growing continuously more suspicious of their attachment, finally discovered tem together and ended the incestuous relationship by mortally wounding Tristan with a lance.

Page 85: The divine comedy.inferno

• Francesca- daughter of Guido Vecchio da Polenta .Around 1275 the aristocratic Francesca was married for political reasons to Gianciotto, the physically deformed second son of Malatesta.

Page 86: The divine comedy.inferno

• The love affair developed between Francesca and Giancotto’s younger brother, Paolo. One day, the betrayed husband discovered them in an amorous embrace and slew them both.

Page 87: The divine comedy.inferno
Page 88: The divine comedy.inferno

Canto VI, 1-9When I regained my senses that had fainted at the sight of these two who were kinsmen lovers, a piteous sight confusing me to tears, new suffering and new sinners suffering appeared to me, no matter where I moved or turned my eyes, no matter where I gazed. I am in the third circle, in the round of rain eternal, cursed, cold and falling heavy, unchanging beat, unchanging quality.

Page 89: The divine comedy.inferno

• the shades of this circle are the Gluttons, and their punishment fits their sin. Gluttony, like all the sins of Incontinence, subjects Reason to desire; in this case desire is a voracious appetite. Thus, the shade howls like dogs- in desire without reason; they are sunk in slime, the image of their excess.

Page 90: The divine comedy.inferno
Page 91: The divine comedy.inferno

3rd Circle: GLUTTONS• Cerberus- guarded the

entrance. The three-headed beast, dog like beast who guards the Gluttons. Appears to be a prefiguration of Lucifer and thus another infernal distortion of the Trinity.

Page 92: The divine comedy.inferno

• Ciacco- the only Glutton whom the Pilgrim actually talk to, one of his Florentine contemporaries, whose true identity has never been determined.

• however, more than a proper name, ciacco is a derogatory Italian word for a “pig” or “hog” and is also an adjective, “filthy” or “of swinish nature”

Page 93: The divine comedy.inferno

Canto VI, 103-111 I said, “ Master, will these torments be increased, or lessened, on the final Judgment Day, or will the pain be just the same as now?” And he: “ Remember your philosophy: the closer a thing comes to its perfection, more keen will be its pleasure or its pain. Although this cursed race of punished souls shall never know the joy of true perfection, more perfect will their pain be then than now.”

Page 94: The divine comedy.inferno

in answer to the Pilgrim’s question, Virgil reminds him of the popular doctrine which states that the more a thing is perfect, the more it knows what pleasure is and pain. The perfected state of man from a “technical” point of view will be attained on Judgment Day, when the soul is reunited with the body. Therefore, the damned will feel more torment later than now; similarly, the blessed in Paradise will enjoy God’s beatitude more.

Page 95: The divine comedy.inferno

Canto VI, 112-115

We circled round that curving road while talking of more than I shall not mention at this time, and came to where the ledge begins descending; there we found Plutus, mankind’s arch-enemy.

Page 96: The divine comedy.inferno
Page 97: The divine comedy.inferno

4th Circle: AVARICIOUS AND PRODIGALS

• Plutus, the god of wealth in classical mythology appropriately presides over the miserly and the Prodigal.

Page 98: The divine comedy.inferno
Page 99: The divine comedy.inferno

• The Miserly and the Prodigal, linked together as those who misused their wealth, suffer a joint punishment. Their maternal wealth has become a heavy weight w/c each group must shove against the other, since their attitudes towards wealth on earth were opposed to each other.

Page 100: The divine comedy.inferno

• Part of their punishment is to complete the turn of the Wheel ( Circle) of Fortune against which they had rebelled during their short space of life on earth.

Page 101: The divine comedy.inferno

Canto VII, 45-48

“The ones who have the bald spot on their heads were priests and popes and cardinals, in whom avarice is most likely to prevail.”

Page 102: The divine comedy.inferno

Canto VII, 127-130Then making a wide arc we walked around the pond between the dry bank and the slime, our eyes still fixed on those who gobbled mud. We came, in time, to the foot of a high tower.

Page 103: The divine comedy.inferno
Page 104: The divine comedy.inferno

Canto VIII, 1-5 I must explain, however, that before we finally reached the foot of that high tower, our eyes had been attracted to its summit by two small flames we saw flare up just there;

Page 105: The divine comedy.inferno

5th Circle : WRATH• Phlegyas – the boatman of the Styx, who suddenly appears in a small boat speeding across the river.

-The son of Mars, set fire to Apollo’s temple at Delphi, furiously enraged because Apollo raped his daughter Coronis.

Page 106: The divine comedy.inferno

• Dante makes Phlegyas the demonic guardian of the Styx.• He is well-suited not only for guarding the 5th Circle where the Wrathful are, but also for transporting the Pilgrim to the inner division of Hell, the City of Dis .

Page 107: The divine comedy.inferno

Canto VIII, 36-64“You see that I am one who weeps,” he answered. And then I said to him: “ May you weep and wail stuck here in this place forever, you damned soul, for filthy as you are, I recognize you.”… “Get Filippo Argenti!” they all cried. And at those shouts the florentine, gone mad, turned on himself and bit his body fiercely. We left him there, I’ll say no more about him.

Page 108: The divine comedy.inferno

• The scene with Filippo Argenti is one of the most dramatic in the Inferno. The Pilgrim repulses Filippo with harsh words; later he expresses his wish to Virgil to see the sinner dunked in the mud; when he sees Filippo being attacked viciously he rejoices and thanks God for the sight.

Page 109: The divine comedy.inferno

Canto IX, 124-129I asked, “ Master, what kind of shades are these lying down here, buried in the graves of stone, speaking their presence in such dolorous sighs?”And he replied: ”there lie arch-heretics of every sect, with all of their disciples; more than you think are packed within these tombs.

Page 110: The divine comedy.inferno
Page 111: The divine comedy.inferno

• Heretics are in a circle in Hell which is outside of the three main divisions of Incontinence, Violence, and Fraud.

Page 112: The divine comedy.inferno

6th Circle: HERETICS• A clearly willed sin based on intellectual pride, and because it denies the Christian concept of reality, it is punished outside of the area allocated to the Christian categories of sin.

Page 113: The divine comedy.inferno

• Epicurus- one of the heretics even though he was a pagan, because he denied the immortality of the soul, a truth known even to the ancients.

Page 114: The divine comedy.inferno

• Emperor Frederick II ( 1194-1250) – was an Epicurean• Anastacius the Pope ( 496-

498)- popularly believed for many centuries to be a heretic because, he allowed Photinus, a deacon of Thessalonica who followed the heresy of Acacius to take communion.

- who questions Christ’s divine birth.

Page 115: The divine comedy.inferno
Page 116: The divine comedy.inferno

7th Circle: 1st Ring: Violent

• Minotaur- half-man , half-bull, called as “ infamy of Crete”• Presides over the Circle of Violent

Page 117: The divine comedy.inferno
Page 118: The divine comedy.inferno

• (the story) Pasiphae- wife of King Minos of Crete, conceived an unnatural desire for a bull, which she satisfied by creeping into a wooden cow and having intercourse with the bull.

Page 119: The divine comedy.inferno

• The two see a river of Boiling blood which contains who have inflicted violence upon others.

Page 120: The divine comedy.inferno

• Before they can reach the river they are intercepted by three fierce Centaurs whose task is to keep those who are in river at their proper depth by shooting arrows at them if they attempt to rise

Page 121: The divine comedy.inferno

• Virgil explains to one of the Centaurs ( Chiron ) that this journey of Pilgrim and himself is ordained by God; and he requests him to assign someone to guide the two. And so Chiron gives the task to Nessus, one of the Centaurs.

Page 122: The divine comedy.inferno

Canto XII, 46-48

…But now look down the valley. Coming closer you will see the river of blood that boils the souls of those who through their violence injured others. “

Page 123: The divine comedy.inferno

Phlegethon- the Virgilian river of fire, here one of boiling blood, in which are punished those shades who committed violence against their fellow men.

Page 124: The divine comedy.inferno

• Azzolino: Ezzelino III da Romano (1194-1259)

- a Ghibelline chief and tyrant of the March of Treviso.

- was notoriously cruel and committed such inhuman atrocities that he was called a “son of Satan”

Page 125: The divine comedy.inferno

• Guy de Montfort- one of Charles d’ Anjous emissaries. In order to avenge his father’s death at the hands of Edward I, King of England, stabbed to death the latter’s cousin, Prince Henry, son of Richard, count of Cornwall.

Page 126: The divine comedy.inferno

• Henry’s heart was placed in a golden cup. above the column at the head of London Bridge where it still drip blood above the Thames. The dripping blood signifies that the murder has not yet been avenged.

Page 127: The divine comedy.inferno

• The sinners are sunk in the river to a degree commensurate with the gravity of their crimes.

• A. tyrants- whose crimes of violence are directed against both man and his possessions are sunk deeper than murderers.

• B. Murderers- whose crimes are against men alone.

Page 128: The divine comedy.inferno

• Attila- King of the Huns. Called as the

“ Scourge of God”.• Sextus- who raped and

caused the death of Lucretia, the wife of his cousin.

• Rinier da Corneto and Rinier Pazzo- two highway robbers famous in Dante’s day.

Page 129: The divine comedy.inferno

2nd Ring: The Suicides• Pier Delle Vigne – chief

counselor of Frederick II of Sicily

• Was accused unjustly of treachery and was imprisoned whereupon he killed himself.

• The sinner also explains how the souls of the Suicides come to this punishment and what will happen to them after the Last Judgment.

Page 130: The divine comedy.inferno

• Around 1248, however, he fell from the emperor’s grace and was placed in jail, where he committed suicide. The dishonor of the imprisonment and the envisaged self-justification through death led him to take his own life by dashing his head against the prison wall.

Page 131: The divine comedy.inferno

• The Wood of the Suicides is described in a series of negatives ( “ no green leaves…no smooth branches,…no fruit)• Profligates- second group of

souls punished who did violence to their earthly goods by not valuing them as they should have just as the Suicides did not value their bodies.

Page 132: The divine comedy.inferno

3rd Ring3 groups: 1. Blasphemers- lie supine on the ground.-Capaneus- one of the 7 kings who assaulted Thebes.

-who died cursing his god Jove.2. Usurers- Crouching- those who scorn “ Nature in herself and in her pupil / Art.3. Sodomites- wander – “never stopping”

Page 133: The divine comedy.inferno

The Pilgrim describes the view he had of the Eight Circle of Hell while descending through the air on Geryon’s back. It consists of ten stone ravines called Malebolge ( Evil Pockets), and across each bolgia/pouch is an arching bridge.

Page 134: The divine comedy.inferno

8th Circle: • 1st Pouch: the Panderers or

the Pimps and the Seducers receive lashings from whips.

Example is Jason the Leader of the Argonauts.• 2nd Pouch: the Flatterers

Who lie in a river of human feces.

Page 135: The divine comedy.inferno

• 3rd Pouch: Simoniacs• Hang upside down in baptismal fonts while their feet burn with fire. • Refers to those offences involving the sale or fraudulent possession of ecclesiastical Offices.

Page 136: The divine comedy.inferno

4th Pouch: Soothsayer/ Astrologists or Diviners

• Heads are twisted completely around so that their hair flows down their fronts and their tears, flow down to their buttocks. • Example are : Amphiaraus,

Tiresias, Aruns, Manto, Eurypylus, Michael Scot, Guido Bonatti, and Asdente.

Page 137: The divine comedy.inferno

• Amphiaraus - a seer and one of the 7 Kings who led the expedition against Thebes. He foresaw that he would die during the siege, and to avoid his fate he hid himself so that he would not have to fight.

Page 138: The divine comedy.inferno

• But his wife Euriphyle revealed his hiding place to Polyrices, and he was forced to go to battle. He met his death when the earth opened up and swallowed him.

Page 139: The divine comedy.inferno

• Tiresias - the famous soothsayer of Thebes referred to by Ovid. • Aruns, the Etruscan diviner who

forecast the Roman civil war and its outcome. • Michael Scot, Scottish

philosopher , magician and augur. • Guido Bonatti, well-known

astrologer and diviner.

Page 140: The divine comedy.inferno

5th Pouch:Barrators/ grafters• Those who accepted bribes• Steep in pitch while demons

tear them apart.• Bonturo Dati- the worst

barrator of all.• Malacoda- the leader of the

devils in this bolgia or pouch. Whose name literally means “ Evil Tail”. Ends this Canto with a fart.

Page 141: The divine comedy.inferno

6th Pouch: The Hypocrites• The punishment must forever

walk in Circles wearing heavy robes made of lead.

• Caiphas- the evil counselor who advised Pontius Pilate to crucify Christ.

• In order to leave this pouch, they must climb up a rockslide.

Page 142: The divine comedy.inferno

7th Pouch: the Thieves• All trapped in a pit of vipers, becoming vipers themselves when bitten; to regain their form, they must bite another thief in turn.

Page 143: The divine comedy.inferno

• Vanni Fucci- a Piostese condemned for stealing the treasure of the sacristy of the church of San Zeno at Pistoia. He makes a prophecy about the coming strife in Florence. • Rampino Foresi- a theft

accused of stealing the treasury of San Iacopo in the church of San Zeno at Pistoia.

Page 144: The divine comedy.inferno

• Puccio Sciancato- one of the three Florentine thieves who does not assume a new shape

Page 145: The divine comedy.inferno

Canto XXVI: 7

. “ But if early in the morning dreams have any truth, you will have the fate, in not too long on time…”

Page 146: The divine comedy.inferno

•According to the ancient and medieval popular tradition, the dreams that men have early in the morning hours before daybreak will come true.

Page 147: The divine comedy.inferno

8th Pouch: • Dante speaks to Ulysses, the great hero of Homer’s epics, not doomed to an eternity among those guilty of Spiritual Theft ( the false counselors) for his role in executing the use of the Trojan Horse.

Page 148: The divine comedy.inferno

9th Pouch: • the souls of the Sowers of

Scandal and Schism walk in a circle, constantly afflicted by wounds that open and close repeatedly.

• Among them are Mahomet, Ali, Pier da Medicina, Gaius Scribonius Curio, Mosca de Lamberti, Bertran de Born.

Page 149: The divine comedy.inferno

• Bertran de Born, who comes carrying his head in his hand bike a lantern, suffers in Hell for causing the rebellion of Prince Henry. • Mahomet, founder of the

Mohammedian religion, born at Mecca about 570 and died in 632. His punishment is to be split open from the crotch to the chin.

Page 150: The divine comedy.inferno

• Ali, the first of Mahomet’s followers.• Fra Dolcino- the leader of a religious sect banned as heretical by Pope Clement V in 1305. Among their tenets was community of property and sharing of women.

Page 151: The divine comedy.inferno

10th Pouch: Falsifiers

• Suffer from horrible plagues and diseases.• sitting back to back, madly scratching their leprous sores.

Page 152: The divine comedy.inferno

• Griffolino da Arezzo, who led Alberto da Siena to believe that he could teach him how to fly. Alberto paid him well but, upon discovering the fraud, he denounced Griffolino to the bishop of Siena as a magician, and the bishop had him burned.

• Capocchio, burned alive in Siena for alchemy.

Page 153: The divine comedy.inferno

• Myrrha of Cyprus, overpowered by an incestuous desire for her father, King Cinyras of Cyprus, went to his bed where they made love. Discovering the deception, Cinyras vowed to kill her;

Page 154: The divine comedy.inferno

• however, Myrrha escaped and wandered about until the gods took pity on her and transformed her into a myrrh tree, from which Adonis, the child conceived in the incestuous union, was born.

Page 155: The divine comedy.inferno

9th Circle:• He and other giants, including

Ephialtes, are fixed eternally in the pit of Hell; are all chained except Antaeus, who at Virgil’s request , lifts the two poets in his monstrous hand and deposits them below him, on the lake of ice known as Cocytus.

Page 156: The divine comedy.inferno

1st Ring: Caina those who betrayed their kin

1.Mordred- the wicked nephew of King Arthur.2. Focaccia- a treacherous murderer of his cousin Detto de’ Cancellieri3. Sassol Mascheroni- murdered his nephew in order to gain his inheritance.4. Camicion de’ Pazzi- who murdered one Umbertino, a relative

Page 157: The divine comedy.inferno

2nd Ring: Antenora• Those who betrayed their country and party, stand frozen up to their heads• Count Ugolino- who spends eternity growing on the head of the man who imprisoned him in life. Being punished for betraying his country.

Page 158: The divine comedy.inferno

3rd Ring: Ptolomea• Those who betrayed their

guests spend eternity lying on their backs in the frozen lake, their tears making blocks of ice over their eyes.

• Named after Ptolemy, the captain of Jericho, who had Simon, his father-in-law, and two of his sons killed while dining.

Page 159: The divine comedy.inferno

• Friar Alberigo- one of the Jovial Friars, invited his principal opponent, Manfred. Signaled his men for the fruit and murdered the dinner guests. • Ser Branca D’ Oria- murdered his father-in-law after having invited dine with him.

Page 160: The divine comedy.inferno

4th Ring: Judecca

• Those who betrayed their benefactors spend eternity in complete icy submersion

Page 161: The divine comedy.inferno

• they saw a huge mist-shrouded form lurks ahead, and Dante approaches it. It is the giant three-faced Lucifer, plunged waist-deep into the ice. His body pierces the center of the Earth.

Page 162: The divine comedy.inferno

• Where he fell when God hurled him down from Heaven. Each of Lucifer’s mouths chews one of history’s three greatest sinners: Judas , the betrayer of Christ, and Cassius and Brutus, the betrayers of Julius Caesar.

Page 163: The divine comedy.inferno

• Virgil leads Dante on a climb down Lucifer’s massive form, holding on to his frozen tufts of hair.

Page 164: The divine comedy.inferno

Canto XXXIV, 76-84When we had reached the point exactly where the thigh begins, right at the haunch’s curve, my guide with strain and force of every muscle, turned his head toward the shaggy shanks of dis and grabbed the hair as if about to climb… “hold tight, there is no other way,” he said, panting exhausted, “only by these stairs can we leave behind the evil we have seen.”

Page 165: The divine comedy.inferno

“ We climbed, he first and I behind, until,Through a small round opening ahead of usI saw the lovely things the heavens hold,And we came out to see once more the stars.” ( Canto XXXIV, 136-139)

Page 166: The divine comedy.inferno

• The Pilgrim denied sight of the celestial bodies in Hell, now looks up at them again. The direction his journey will now take is upward, toward that Divine Realm of which the stars are the signal for us on earth.