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STORYBOARD. Padamoose Productions ‘Esther’. The gummy bear won’t be in the shots. It’s just hard to upload 60 odd black and white pictures that all look the same without some kind thing to set them apart from each other. HI EXAMINER.

Storyboard Part One

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Padamoose Productions' 'Esther' in storyboard form. Part one. Oh my lord there's so many.

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Page 1: Storyboard Part One

STORYBOARD.Padamoose Productions ‘Esther’. The gummy bear won’t be in the

shots. It’s just hard to upload 60 odd black and white pictures that all look the same without some kind thing to

set them apart from each other.

HI EXAMINER.

Page 2: Storyboard Part One

Long, tracking shot of a front door. Credits in white, ‘cracked’ font appear in the bottom left hand corner in time to slow, music-box effect music. The shot starts at the beginning of a path and follows it down. The lighting is dark, with only streetlights and the light from the window to give light. Bad film/shaky camera effect. 30 seconds.

Page 3: Storyboard Part One

Fade in/out dissolve into an establishing high angle shot of a pentagram on a wooden surface in a loft, surrounded by candles and a mirror. There is dark lighting, with only candles and an off-camera artificial light source to give it light. The music continues. 2-3 seconds.

Page 4: Storyboard Part One

Fade in/out dissolve into the production company logo ‘Padamoose Productions’ in a cracked font. The production logo is white text on a black background. The music continues. 3 seconds.

Page 5: Storyboard Part One

Mid-shot of Jess putting a candle in front of a mirror in the loft. She faces away from the camera. The lighting is dark, with most lighting coming from the candle. The music continues. 4 seconds.

Page 6: Storyboard Part One

Fade in/out dissolve to studio credit ‘Waxy Studios’ in a handwritten type font. The text is black, on a static TV-like image, with a ‘bad film’ effect on it to make it appear to move. The music continues. 3 seconds.

Page 7: Storyboard Part One

Fade in/out dissolve to a close up of a rocking horse, which rattles giving diegetic sound. The shot then tracks to a close up of Jess, only her face is really shown. She wears dark clothing and a cape. The lighting is still dark, the shot is in the loft and the music continues. 3 seconds.

Page 8: Storyboard Part One

A long shot of Sarah on a sofa in a living room. The artificial lighting of lamps gives a ‘homely’ effect. She wears casual clothing. The shot then tracks her as she crosses the room. The music continues. 10 seconds.

Page 9: Storyboard Part One

Close up of Jess placing down another candle in the loft, next to a bowl. Only her hand and the candle can be seen. The lighting is still dark with the candles giving off the glow. The music continues. 4 seconds.

Page 10: Storyboard Part One

Cut to a mid shot of Sarah opening a fridge door, to reveal lots of bottles and stuff that goes in a fridge. The main light is on in the kitchen. She picks up a bottle, closes to door and walks back towards the living room. The music changes/progresses in speed. 3 seconds.

Page 11: Storyboard Part One

Mid shot of Jess opening a book. The horse can still be seen in the corner. The lighting is still dark and she’s still in a loft. The music continues. 4 seconds.

Page 12: Storyboard Part One

Mid-shot of Sarah as she enters the living room. Artificial lighting. Music continues. The camera follows her from a low angle until she stops in the middle of the room and looks concerned. The lighting does get darker here. 5 seconds.

Page 13: Storyboard Part One

Extreme close up of Jess. The lighting around her is completely dark, so dark that only her face is visible. High angled shot. The music pace quickens and a voice over of a Latin verse begins. 3 seconds.

Page 14: Storyboard Part One

Close up/mid shot of Sarah as she falls to her knees. Artificial lighting at a low key. The music continues and so does the voiceover. 1-2 seconds.

Page 15: Storyboard Part One

Rapidly cut to the high angled extreme close up of Jess as the voiceover and music continue. 2 seconds.

Page 16: Storyboard Part One

Rapidly cut to a tracking mid shot of Sarah falling to the floor. The music, voiceover and lighting continue as before. Blood is apparent on Sarah’s clothing. 1 second.

Page 17: Storyboard Part One

Rapidly cut to the high angled extreme close up of Jess. Lighting, music and voiceover as before. 2 seconds.

Page 18: Storyboard Part One

Rapidly cut to mid shot of Sarah falling from a different angle. Music, lighting, blood and voiceover as before. 3 seconds.

Page 19: Storyboard Part One

Rapidly cut to the high angled extreme close up of Jess. Music, lighting and voiceover as before. 1-2 seconds.

Page 20: Storyboard Part One

Rapidly cut to wide shot of Sarah on the floor, surrounded by blood. Music, lighting and voiceover as before. 1-2 seconds.

Page 21: Storyboard Part One

Rapidly cut to high angled extreme close up of Jess. Lighting, voiceover and music as before. 1 second.

Page 22: Storyboard Part One

Rapidly cut to another wide shot of Sarah on the floor, surrounded by blood. Voiceover, music and lighting as before. 1 second.

Page 23: Storyboard Part One

Rapidly cut to high angled extreme close up of Jess. Lighting, voiceover and music as before. 1-2 seconds.

Page 24: Storyboard Part One

Rapidly cut to mid shot of Sarah laying on the floor, moving a bit and looking up. Lighting, music and voiceover as before. 1-2 seconds.

Page 25: Storyboard Part One

Rapidly cut to high angled extreme close up of Jess. Lighting, music and voiceover as before.

Page 26: Storyboard Part One

Rapidly cut to another mid shot of Sarah looking up. Lighting, music and voiceover as before. <1 second.

Page 27: Storyboard Part One

Rapidly cut to extreme close up of Jess. At the end of the voiceover, she looks up. The lighting is as before. The music continues. 2 seconds.

Page 28: Storyboard Part One

Mid shot/ long shot of Sarah laying dead on the floor. The lighting is the same as before but the music stops. 3 seconds.

Page 29: Storyboard Part One

Fade to black. Title of the film ‘Esther’ appears as white, handwriting-esque font on a black background. 5-6 seconds.

Page 30: Storyboard Part One

Mid shot of Hannah knocking on the door and opening it. The lighting is from a main light and is artificial. She wears normal attire and asks “hey Jess, how are you?” 5 seconds.