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Advocacy 201 Taking Your Advocacy to the Next Level The American Association of Museums Online Advocacy Training Series Have no fear! We’ll explain muting, Q&A and other details when we start.

Speak Up For Museums - Advocacy 201

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Page 1: Speak Up For Museums - Advocacy 201

Advocacy 201Taking Your Advocacy to the Next

Level

The American Association of Museums Online Advocacy Training Series

Have no fear! We’ll explain muting, Q&A and other details when we start.

Page 2: Speak Up For Museums - Advocacy 201

Topics

About the Online Training Session Who’s Speaking? Welcome from the American Association of

Museums What Do We Mean by “201”? Points of Influence in the Legislative Process Three “Sustained Advocacy” Strategies

Page 3: Speak Up For Museums - Advocacy 201

About the Online Training

What’s Happening? Mute Only Mode Q&A

– To send a private chat to the Host, click “Host View” on the Users List and then private chat

– To send a public chat, click in the chat box and type a message. Everyone will see the message

Recording and Follow-Up Materials– http://

www.speakupformuseums.org/advocacy_trainings.htm

Page 4: Speak Up For Museums - Advocacy 201

Who’s Speaking?

Page 5: Speak Up For Museums - Advocacy 201

Where are we Starting?

Let’s go to the polls!

Page 6: Speak Up For Museums - Advocacy 201

What Do We Mean By “201”?

Advocacy “101” Actions

Make a phone call or write an e-mail through www.speakupformuseums.org Set up a site visit with elected officials (local, state or federal)Attend Museums Advocacy DayGet those close to the museum (board, friends, supporters) engaged

Advocacy “201” Actions

Build a relationship with relevant staff peopleSet up a forum discussion with elected officials from the communityFollow-up on Museums Advocacy DayGet others in the community engaged through media, etc.

Page 7: Speak Up For Museums - Advocacy 201

What Do We Mean By “201”?

Advocacy “101” Knowledge

The relevant decision-makers at the local, state and federal level and their policy interests / staffing situation.How your museum’s work connects to those legislators and the messages that resonate.Which federal, state and local policy / funding issues may impact your museum.

Advocacy “201” Knowledge

The process in relevant decision-making venues and where your input is most needed / useful.Proactive vs. Reactive approachesWhat sustained advocacy-related tactics work for your situation.Statistics / details on core legislative issues.

Page 8: Speak Up For Museums - Advocacy 201

Points of Influence in the Legislative Process

I’m just a bill, just a lonely old bill, and I’m sitting here on Capitol Hill…

… Surprisingly accurate!

Page 9: Speak Up For Museums - Advocacy 201

Questions to Ask

Timeframe (how long is the legislature meeting?)

How are bills introduced? By whom? How are bills “calendared” at the

Committee and Chamber level? What are the Committee procedures? What is the procedure for floor

amendments/debate? Are there requirements that bills be

considered by certain times? Are there “must pass” bills? If so, are

there germaneness rules? How are differences between chambers

resolved? How do you find this out?

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Introduction

Where do bill ideas come from?– Direct experience with local

issues– “Influentials” (friends, staff,

family, local opinion leaders)– General interests

How do they get written? How do they get introduced (or

how do you find that out)? How can you get ahead of the

curve?

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Referral

What is “Referral?” Who does it? Why is it important?

– Reduce number of steps– Get the bill in to friendly committees

Keeping track How to get engaged (this is a tough one!)

Page 12: Speak Up For Museums - Advocacy 201

Committee Deliberation

Who are the chairs / co-chairs (or ranking) and members?

How does your museum relate specifically to these people?

Who are champions? Who are opponents? Is there an opportunity for public comment? Who

should make those comments? Preparing testimony (and particularly “softball”

questions!)

Page 13: Speak Up For Museums - Advocacy 201

Floor Consideration

Rules vs. Unanimous Consent

“Regular Order” Whipping for Votes

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Resolving Differences Between the Chambers

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Executive Action

What are the Executive’s options?

What are potential legislative responses?

Page 16: Speak Up For Museums - Advocacy 201

Three Sustained Advocacy Techniques

Tracking, Monitoring and Identifying Opportunities

Engaging Others in the Community Leading the Action Effort

Page 17: Speak Up For Museums - Advocacy 201

Tracking, Monitoring and Identifying Opportunities (and Threats!)

What are your proactive “asks”?

What are your “reactive” asks?

What opportunities will you have to provide input?

Where (and who) are the threats?

Page 18: Speak Up For Museums - Advocacy 201

Engaging Others

Usual SuspectsWho already likes you?

– Friends, staff, trustees, funders

Who already uses your services?

– PatronsWho directly benefits?

– Schools, tourism bureaus

… and Moving BeyondWho will benefit indirectly?Who are your polar opposites? Is there a reason they might benefit?Don’t “Network”, “Netplay”Most important: Civility, even with those who are annoying

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Leading the Action Effort

Who should take what action when?

How will they know how to do it?

What resources will they have?

Becoming both a thought and action leader

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What Other Resources Are Available?

Register for Museums Advocacy Day 2012 at www.speakupformuseums.org!

Visit SpeakUpforMuseums.org to sign up for Advocacy Alerts or send letters to your legislators!

Buy Speak Up For Museums: The AAM Guide to Advocacy!

Work with your AAM Government Relations & Advocacy team – they are here to help.

Page 21: Speak Up For Museums - Advocacy 201

Final Questions or Comments?

AAM Contact Information online

Gail Ravnitzky Silberglied Director of Government Relations & AdvocacyPhone: (202) 218-7705Email: [email protected]

Carla (Myers) WilsonAssistant Director of Government Relations & Advocacy Phone: (202) 218-7699Email: [email protected]

Ember Farber, Grassroots & Advocacy ManagerPhone: (202) 218-7703Email: [email protected]