55
Tehching (Sam) Hsieh July, 1983 STATEMENT We, LINDA MONTANO and TEHCHING HSIEH, plan to do a one year performance. We will stay together for one year and never be alone. We will be in the same room at the same Nme, when we are inside. We will be Ned together at the waist with an 8 foot rope. We will never touch each other during the year. The performance will begin on July 4, 1983, at 6 p.m., and conNnue unNl July 4, 1984, at 6 p. m. —Linda Montano —Tehching Hsieh

Socially Engaged Art part 3

Embed Size (px)

Citation preview

Tehching  (Sam)    Hsieh  

 July,  1983            STATEMENT            We,  LINDA  MONTANO  and  TEHCHING  HSIEH,  plan  to  do  a  one  year  performance.            We  will  stay  together  for  one  year  and  never  be  alone.  We  will  be  in  the  same  room  at  the  same  Nme,  when  we  are  inside.  We  will  be  Ned  together  at  the  waist  with  an  8  foot  rope.  We  will  never  touch  each  other  during  the  year.            The  performance  will  begin  on  July  4,  1983,  at  6  p.m.,  and  conNnue  unNl  July  4,  1984,  at  6  p.  m.            —Linda  Montano          —Tehching  Hsieh  

Tehching  (Sam)    Hsieh  

(pronounced  dur-­‐ching  shay)  

Cage  piece  1978-­‐79  

Tehching  (Sam)    Hsieh  

Time  Clock  Piece  1980-­‐81  

Tehching  (Sam)    Hsieh  

Outdoor  Piece  1981-­‐82    Tehching  Hsieh’s  work  is  oVen  referred  to  as  Endurance  Art,  which  is  generally  performed  over  a  long  period  of  Nme  that  may  test  the  physical  or  emoNonal  stamina  of  the  arNst  or  audience.      

Final  QuesNons?  Comments?  

Marina  Abramović  Imponderalia  1977  

Imponderalia  1977  

Working  in  a  wide  range  of  media,  Marina  Abramović  is  best  known  for  her  provocaNve  performance  works,  employing  her  own  body  as  both  subject  and  medium.    

Marina  Abramović  

   Rela=on  in  Time  1977        2010  

   Rela=on  in  Time  1977  2010  

Between  1976  and  1988,  Abramović  collaborated  with  German  photographer  and  performance  arNst  Ulay  to  create  performance  works  that  explore  such  binaries  as  male  and  female,  ac)ve  and  passive,  through  the  execuNon  of  repeNNve,  exhausNng,  and  oVen  painful  acNons.  

The  Lovers  1988  

In  1988,  Ulay  and  Abramovic  decided  to  end  their  relaNonship  and  to  mark  this  with  a  performance,  which  became  the  legendary  endpoint  of  their  collaboraNon.  AVer  years  of  negoNaNons  with  the  Chinese  authoriNes,  the  arNsts  got  the  permission  to  carry  out  'The  Lovers:  The  Great  Wall  Walk',  in  which  they  started  to  walk  from  different  ends  of  the  Chinese  Wall  in  order  to  meet  in  the  middle  and  say  good-­‐bye  to  each  other.  Their  trip  took  90  days  to  complete.    

Marina  Abramović  

The  Ar=st  Is  Present  1970’s  2010  

Marina  Abramović  The  Ar=st  Is  Present  1970’s  2010  

Amir  Baradaran    

Marina  Abramović  

Ulay’s  surprise  visit!  

Joseph  Beuys  

“I  Like  America  and  America  Likes  Me”  1974  

Joseph  Beuys  

“I  Like  America  and  America  Likes  Me”  1974  

     Happenings  

Joseph  Beuys  

Explaining  PainNngs  to  a  Dead  Hare  

PROJECT  ROW  HOUSES  

History:    Project  Row  Houses  was  founded  in  1993  by  arNst  and  community  acNvist  Rick  Lowe  along  with  James  Be7son,  Bert  Long,  Jesse  Lo:,  Floyd  Newsum,  Bert  Samples,  and  George  Smith.  They  sought  to  establish  a  posiNve,  creaNve  and  transformaNve  presence  in  this  historic  community.    

Located  in  Houston’s  Northern  Third  Ward,  one  of  the  city’s  oldest  African-­‐American  neighborhoods,  Project  Row  Houses  is  founded  on  the  principle  that  art  and  the  community  it  creates  can  be  the  foundaNon  for  revitalizing  depressed  inner-­‐city  neighborhoods.  The  Northern  Third  Ward,  has  long  been  plagued  by  severe  unemployment,  teenage  pregnancy,  crumbling  infrastructure,  and  drug  trafficking.      Addressing  this  situaNon,  Project  Row  Houses  provides  programs  that  encompass  neighborhood  revitalizaNon,  community  service  and  educaNon.  

Seed  money  came  from  the  NaNonal  Endowment  for  the  Arts  and  from  the  Elizabeth  Firestone  Graham  FoundaNon.  The  director  of  the  Menil  CollecNon  gave  his  staff  Mondays  off  to  help  renovate.  Chevron  redid  the  outside  of  a  dozen  buildings.  Hundreds  of  volunteers  pitched  in  to  clear  trash  and  sweep  up  used  needles,  hang  wallboard  and  forNfy  porches.  A  local  church  adopted  a  house,  and  so  did  people  and  families  from  the  neighborhood.  

Rick Lowe, founder of PRH

About:    Project  Row  Houses  (PRH)  is  a  community-­‐based  arts  non-­‐profit  organizaNon  in  Houston’s  northern  Third  Ward,  one  of  the  city’s  oldest  African  American  neighborhoods.  Founded  in  1993  as  a  result  of  the  vision  of  local  African-­‐American  arNsts  wanNng  a  posiNve  creaNve  presence  in  their  own  community.  Central  to  the  vision  of  project  row  houses  is  the  social  role  of  art  as  seen  in  neighborhood  revitalizaNon,  historic  preservaNon,  community  service,  and  youth  educaNon.    

The  programs  of  project  row  houses  are  built  around  Five  Pillars  inspired  by  the  work  of  internaNonally  renowned  arNst  John  Biggers  and  his  principles  concerning  the  components  of  row  house  communiNes:    1.Art  and  Crea)vity  2.  Educa)on  3.  Social  Safety  Nets  4.  Architecture  5.  Sustainability  .    

   Rick  Lowe,  founder  of  Project  Row  Houses  tried  to  think  afresh  what  it  meant  to  be  a  truly  poliNcal  arNst,  beyond  devising  the  familiar  agitprop,  gallery  decoraNon  and  plop-­‐art-­‐style  public  sculpture.  He  considered  what  the  German  arNst  Joseph  Beuys  once  described  as  “the  enlarged  concep=on  of  Art,  which  includes  every  human  ac=on.”  Life  itself  might  be  a  work  of  art,  Mr.  Lowe  realized:  art  can  be  the  way  people  live.  

   And  the  Third  Ward  could  be  his  canvas.  He  was  inspired  by  John  Biggers,  the  late  African-­‐American  muralist  who  painted  black  neighborhoods  of  shotgun  houses  like  the  ones  on  Holman  Street  and  showed  them  to  be  places  of  pride  and  community,  not  poverty  and  crime.  “It  hit  me,”  Mr.  Lowe  recalled,  “that  we  should  find  an  area  like  the  one  that  Biggers  painted  that  was  historically  significant  and  bring  it  to  life.”  

Shotguns By John Biggers

Oil on canvas,1987

   

“People  interested  in  housing  and  social  services  have  a  narrow  focus.  From  a  developer’s  standpoint,  the  houses  we’ve  built  are  not  cost-­‐effec=ve.  But  to  me,  they’re  not  just  housing.  They  tell  a  story  about  a  community.”  

….  

Kaomi  Vazquez  (senior)  Urban  Slang  Workshop  

2013  

     

The  Aristocrats  2013  

By  Nina  Pankov  (sophomore)  

Performance  Art  Unit  

Other estimates state the number is closer to 290 deaths per week in Mexico… Fyi: An average of 170 people are killed each week in the USA’s gun-related deaths (this figure takes non-drug war deaths into consideration as well)

Pedro Reyes

Palas  por  pistolas  (pistols  into  spades)  2008  

In 2008 Reyes collected 1,527 firearms From the city of Culiacán, a city plagued by drug kingpins.

Pedro Reyes

Palas  por  pistolas  (pistols  into  spades)  2008  

1,527 pistolas 1,527 palas 1,527 árboles

Pedro Reyes

Palas  por  pistolas  (pistols  into  spades)  2008  

1. People bring a gun 2. 1 gun=a voucher for an electronic store 3. The weapons were steamrolled into a flat sheet (at a military base) 4. The metal sheet is melted at a foundry 5. The metal is re-cast into shovels. 6. The shovels are assembled 7. The shovels are used to plant trees in public schools in Culiacán

Pedro Reyes

Palas  por  pistolas  (pistols  into  spades)  2008  

“THIS ‘RITUAL’ HAS A PEDAGOGICAL (educational) PURPOSE OF SHOWING HOW AND AGENT OF DEATH CAN BECOME AN AGENT OF LIFE.”

Pedro Reyes Studied  architecture  

in  the  90’s    

Started  an  experiemental  

project  space  called  “Torre  De  Los  Vientos”  from  1996-­‐2002  

   à  basically  a  

wacky  space  where  you  could  do  fun  and  odd  projects  

Are  these  ….just  shovels?  

Palas  por  pistolas  (pistols  into  spades)  

People bring a gun 1 gun=a voucher for an electronic store The weapons were steamrolled into a flat sheet (at a military base) The melted at a foundry And recast as shovels, which were used to plant trees in public schools in Culiacán PLANTED 1,527 TREES Since then, the shovels get exhibited around the world and are continued to be used to plan trees around the world.

Pedro  reyes  

Imagine  Una proyecto en la Cuidad Juarez, con 6700 armas  

And the project continues!

Pedro Reyes

Imagine  Una proyecto en la Cuidad Juarez, con 6700 armas  

Pedro  reyes  

Imagine  Una proyecto en la Cuidad Juarez, con 6700 armas  

Pedro Reyes

Imagine  Una proyecto en la Cuidad Juarez, con 6700 armas  

Pedro Reyes

Imagine  Una proyecto en la Cuidad Juarez, con 6700 armas  

Meanwhile….at    42nd  street  and  1st  ave…  

Purposes  of  the  united  naNons  

How many nations participate? What do they decide? What do they DO???

the  People’s  united  naNons  (p)un  

Over 200 ordinary people selected by Pedro Reyes and the Queens Museum Come together to represent the 192 nations of the UN.

Pedro Reyes

(p)Un  The People’s United Nations 2013  

Pedro Reyes

(p)Un  The People’s United Nations 2013  

Pedro Reyes

(p)Un  The People’s United Nations 2013  

Pedro Reyes

(p)Un  The People’s United Nations 2013  

What keeps the (real) United Nations from actually getting anything done?

Pedro Reyes

Featuring Urban Bush Women, A dance, poetry, and performance art group!

What country (ies) would you be qualified to represent at the

People’s United Nations? What are two things that you would make a

priority to bring up?

The  Laundromat  Project  

….next  year?  hmp://laundromatproject.org/  

Art  Hist  AXer  school  Wed  June  1st  2:45-­‐3:15    

1.   Nyasiah  2.   Gissell  3.   Ta)ana  4.   Michelle  5.   Myar  6.   Kevin  7.   Taeron  8.   Ruhith  9.   Joie  10.  Kenny    11.  Rasha  12.  Lensei  13.  Brianna  

1.   Ar)e  2.   Nawal  3.   Nyle  4.   Tina  5.   Amina  6.   Sofia  7.   Sam  AYY  8.   Alannis  9.   Jakara  10.  Vicky  PT  11.  Jus)n  12.  RD-­‐D2    13.  Marie  14.  Raphael  15.  Zenzile  16.  Arvin  

Categories:  •  ArNst  Names  •  Artwork  Titles  •  ArNst  IntenNon  •  Museums  and  InsNtuNons    •  Kozak  Surprise