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PROJECT SITTANNAVASAL By S. Swaminathan ([email protected] ) With Murugapandian & MV Kiran

Sittannavasal – A proposal for preserving its paintings

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Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal – building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan

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Page 1: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL

By

S. Swaminathan([email protected])

WithMurugapandian & MV Kiran

Page 2: Sittannavasal – A proposal for preserving its paintings

PUDUKKOTTAIoccupies a significant place as a cultural centre

With its wealth of temple archaeology,

sculpture and painting,

it is of interest for the historian, the archaeologist and the connoisseur in the

field of art.

Page 3: Sittannavasal – A proposal for preserving its paintings

Pudukkottai is famous for its cave temples and those in Sittannavasal, Kudumiyamalai, Tirugokarnam and Tirumayam are cultural monuments

Page 4: Sittannavasal – A proposal for preserving its paintings

Pudukkottai region has a great Jaina tradition

It was one of the most important Jaina centres in Tamilnadu, in the past

There are a number of Jaina vestigesfound scattered

throughout the district

The district can boast of having the highest number of centrally protected Jaina relics/monuments in Tamilnadu

Page 5: Sittannavasal – A proposal for preserving its paintings

World-famous for its mural paintings in a Jaina cave temple

Next to Ajanta paintings, these paintings hold an important place

in the art history of India

These are some of the earliest frescoes in South India

and only examples of early Jaina frescoes

SITTANNAVASAL

Page 6: Sittannavasal – A proposal for preserving its paintings

Originally, the entire cave temple was plastered and painted, except the floor

But today, we can see only patches, here and there

thanks to the ravages wrought by time and nature and vandalism

Even these are barely visible now

Page 7: Sittannavasal – A proposal for preserving its paintings

The most painful fact is that most damage was man-made and in the last 50 years or so.

Here is a photograph of the painting taken in black and white in 1940s.

Now, only traces remainThen

Page 8: Sittannavasal – A proposal for preserving its paintings

Man made markings have obliterated many of the precious inscriptions and marred the rest

The complex can boast of Tamil Inscriptions from 3rd century BC to 13th century AD

Page 9: Sittannavasal – A proposal for preserving its paintings

If this rate of decay continues,

these priceless treasures,

which withstood for about 1200 years,

will be completely lost for ever

in the next few decades.

Page 10: Sittannavasal – A proposal for preserving its paintings

We, the inheritors of a great heritage, need to protect ours from further deterioration

We also need to create awareness among people

Page 11: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL

is conceived towards this.

Page 12: Sittannavasal – A proposal for preserving its paintings

The project aims atbuilding a full-scale replica ofthe cave temple with its painting recreated to its original state

to offer an opportunity to appreciate our lost glory and

to preserve the monument, particularly the paintings, from further damage

by keeping the original cave under controlled conditions

PROJECT SITTANNAVASAL: Objectives

Page 13: Sittannavasal – A proposal for preserving its paintings

And, building thematic pavilions around the recreated Arivar Koil

that highlights those features of Indian heritage for which the Sittannavasal monuments are famous for

to improve awareness of our heritageamong the public

PROJECT SITTANNAVASAL: Objectives

Page 14: Sittannavasal – A proposal for preserving its paintings

Also,setup in the complex

a Centre for Jainology

for undertaking research, documentation and publication

PROJECT SITTANNAVASAL: Objectives

Page 15: Sittannavasal – A proposal for preserving its paintings

And,incorporating features for attracting

touristscultural troupes and corporate houses

PROJECT SITTANNAVASAL: Objectives

Page 16: Sittannavasal – A proposal for preserving its paintings

Recreated Arivar Koil

PROJECT SITTANNAVASAL: An Artist’s View

Page 17: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

In-door pavilion

Page 18: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The recreated temple and the pavilions

Page 19: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with the recreated temple

Recreated Arivar Koil

Page 20: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with Our-door pavilions

Page 21: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with the recreated templein-door and out-door pavilions

Page 22: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with the recreated templein-door and out-door pavilions

Chithram – In-door pavilion

Page 23: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with the recreated templein-door and out-door pavilions

Gnanam – In-door pavilion

Page 24: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: An Artist’s View

The complex with the recreated templein-door and out-door pavilions

Souvenir Sales

Page 25: Sittannavasal – A proposal for preserving its paintings

Recreated ARIVAR-KOILRecreated Arivar Koil, with its paintings done as much as possible true to the original

PROJECT SITTANNAVASAL: The Heritage Complex

Page 26: Sittannavasal – A proposal for preserving its paintings

Mandiram: Temple Architecture Pavilionfor Arival Koil is a link in this

Chithram: Indian Paintings Pavilionfor the cave temple houses one among the precious paintings of the country

Aksharam: Indian Scripts Pavilionfor the complex contains inscriptions from the 3rd century BC to the 13th century AD, a unique feature

Gnanam: Jain contribution to Tamil Culturefor this aspect is scarcely appreciatedand Sittannavasal is an appropriate focus

Thematic Pavilions

PROJECT SITTANNAVASAL: The Heritage Complex

Page 27: Sittannavasal – A proposal for preserving its paintings

PROJECT SITTANNAVASAL: The Heritage Complex

MANDIRAM Temple Architecture Pavilion

Tracing the development from cave temples

through monolithsto structural temples

Exhibits in bold relief, in stucco on granite blocks

positioned in open airalong a winding path

Page 28: Sittannavasal – A proposal for preserving its paintings

Cave Temples

Structural temples

Monoliths

Lomas-rishi Ajanta Tirugokarnam

Mamallapuram Kodumbalur Thanjavur

Mamallapuram Ellora

Temple Architecture Pavilion; Bold Relief and Model

Page 29: Sittannavasal – A proposal for preserving its paintings

CHITHRAMIndian Paintings Pavilion

Exhibits forming a rich pageantry of paintingsfrom rock-art till date

Representative specimenslaminated, framed, mounted and put up in-doors

PROJECT SITTANNAVASAL: The Heritage Complex

Page 30: Sittannavasal – A proposal for preserving its paintings

Indian Paintings Pavilion

Pre-historic rock-art

Ajanta2c.BC-6c.AD

Kanchipuram(Pallava/ 7c-9c. AD) Sittannavasal

(Pandya/ 7c-9c. AD)

Moghul15-19c. AD

Nayak17-18c.AD

Bengal School20c. AD

Lepakshi14-17c. AD

Thanjavur(Chozha/

9-13c. AD)

Jain miniature paintings on palm leaves (11-15c. AD)

Page 31: Sittannavasal – A proposal for preserving its paintings

AKSHARAMIndian Scripts Pavilion

Tracing the history of Indian scriptsfrom Indus Valley through Brahmi,

to scripts for modern Indian languagesand many Asian languages

Samples written in stucco on granite block with suitable legends

organised as an open-air pavilion

PROJECT SITTANNAVASAL: The Heritage Complex

Page 32: Sittannavasal – A proposal for preserving its paintings

Indian Scripts Pavilion

Indus Script BrahmiAsoka

BrahmiSamudragupta

NagariPallava

Southern Brahmi/

Battiprolu

BrahmiSittannavasal

VattezhuththuAnaimalai

GranthaMamallapuram

TamilTirugokarnam

BrahmiBhattiprolu

Page 33: Sittannavasal – A proposal for preserving its paintings

GNANAMJain contribution to Tamil Culture

Focussing on the theme through suitable means

arranged in-doors

PROJECT SITTANNAVASAL: The Heritage Complex

Page 34: Sittannavasal – A proposal for preserving its paintings

Incorporation of

A CENTRE FOR JAINOLOGYfor research, documentation and information

equipped withlibrary, DTP, reprographylecture/talk/meditation hallsofficeboarding-lodging

PROJECT SITTANNAVASAL: The Heritage Complex

Page 35: Sittannavasal – A proposal for preserving its paintings

Development of such a heritage complex

along with tourists attractions like heritage gardencamping and picnic areasretreats for corporate houses

and cultural troupes arranging heritage tours

souvenir sales

is expected to make the project commercially viable

PROJECT SITTANNAVASAL: The Heritage Complex

Page 36: Sittannavasal – A proposal for preserving its paintings

The Project Sittannavasal is to be executed jointly by

Research Foundation for Jainology, Chennai,an organisation of the Jaina community,which is assisting research on Jainology andspreading the message of the Faith

andSudharsanam,

a Pudukkottai-based centre for arts and culturethat is documenting the legacy of Pudukkottai andoffering opportunities to the youth

in appreciating Indian culture.

PROJECT SITTANNAVASAL

Page 37: Sittannavasal – A proposal for preserving its paintings

Thank You

Page 38: Sittannavasal – A proposal for preserving its paintings

SudharsanamA centre for Arts and culture2 Palace NagarPudukkottai 622005Tamilnadu, India.Tel:+91-4322-230666

A presentation by…

www.pudukkottai.orgwww.sudharsanam.org

[email protected]