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Significance of the Pudukkottai district; Importance of preservation of Sittannavasal monuments; state of its paintings; aims od Project Sittannavasal – building a replica od cave shrine and designing pavilions to showcase development of paintings (Chitram), temple architecture (Mandiram) and Indian scripts (Aksharam) and Jaina contribution to Tamil culture. A presentation by Prof. Subramanian Swaminathan
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PUDUKKOTTAIoccupies a significant place as a cultural centre
With its wealth of temple archaeology,
sculpture and painting,
it is of interest for the historian, the archaeologist and the connoisseur in the
field of art.
Pudukkottai is famous for its cave temples and those in Sittannavasal, Kudumiyamalai, Tirugokarnam and Tirumayam are cultural monuments
Pudukkottai region has a great Jaina tradition
It was one of the most important Jaina centres in Tamilnadu, in the past
There are a number of Jaina vestigesfound scattered
throughout the district
The district can boast of having the highest number of centrally protected Jaina relics/monuments in Tamilnadu
World-famous for its mural paintings in a Jaina cave temple
Next to Ajanta paintings, these paintings hold an important place
in the art history of India
These are some of the earliest frescoes in South India
and only examples of early Jaina frescoes
SITTANNAVASAL
Originally, the entire cave temple was plastered and painted, except the floor
But today, we can see only patches, here and there
thanks to the ravages wrought by time and nature and vandalism
Even these are barely visible now
The most painful fact is that most damage was man-made and in the last 50 years or so.
Here is a photograph of the painting taken in black and white in 1940s.
Now, only traces remainThen
Man made markings have obliterated many of the precious inscriptions and marred the rest
The complex can boast of Tamil Inscriptions from 3rd century BC to 13th century AD
If this rate of decay continues,
these priceless treasures,
which withstood for about 1200 years,
will be completely lost for ever
in the next few decades.
We, the inheritors of a great heritage, need to protect ours from further deterioration
We also need to create awareness among people
PROJECT SITTANNAVASAL
is conceived towards this.
The project aims atbuilding a full-scale replica ofthe cave temple with its painting recreated to its original state
to offer an opportunity to appreciate our lost glory and
to preserve the monument, particularly the paintings, from further damage
by keeping the original cave under controlled conditions
PROJECT SITTANNAVASAL: Objectives
And, building thematic pavilions around the recreated Arivar Koil
that highlights those features of Indian heritage for which the Sittannavasal monuments are famous for
to improve awareness of our heritageamong the public
PROJECT SITTANNAVASAL: Objectives
Also,setup in the complex
a Centre for Jainology
for undertaking research, documentation and publication
PROJECT SITTANNAVASAL: Objectives
And,incorporating features for attracting
touristscultural troupes and corporate houses
PROJECT SITTANNAVASAL: Objectives
Recreated Arivar Koil
PROJECT SITTANNAVASAL: An Artist’s View
PROJECT SITTANNAVASAL: An Artist’s View
In-door pavilion
PROJECT SITTANNAVASAL: An Artist’s View
The recreated temple and the pavilions
PROJECT SITTANNAVASAL: An Artist’s View
The complex with the recreated temple
Recreated Arivar Koil
PROJECT SITTANNAVASAL: An Artist’s View
The complex with Our-door pavilions
PROJECT SITTANNAVASAL: An Artist’s View
The complex with the recreated templein-door and out-door pavilions
PROJECT SITTANNAVASAL: An Artist’s View
The complex with the recreated templein-door and out-door pavilions
Chithram – In-door pavilion
PROJECT SITTANNAVASAL: An Artist’s View
The complex with the recreated templein-door and out-door pavilions
Gnanam – In-door pavilion
PROJECT SITTANNAVASAL: An Artist’s View
The complex with the recreated templein-door and out-door pavilions
Souvenir Sales
Recreated ARIVAR-KOILRecreated Arivar Koil, with its paintings done as much as possible true to the original
PROJECT SITTANNAVASAL: The Heritage Complex
Mandiram: Temple Architecture Pavilionfor Arival Koil is a link in this
Chithram: Indian Paintings Pavilionfor the cave temple houses one among the precious paintings of the country
Aksharam: Indian Scripts Pavilionfor the complex contains inscriptions from the 3rd century BC to the 13th century AD, a unique feature
Gnanam: Jain contribution to Tamil Culturefor this aspect is scarcely appreciatedand Sittannavasal is an appropriate focus
Thematic Pavilions
PROJECT SITTANNAVASAL: The Heritage Complex
PROJECT SITTANNAVASAL: The Heritage Complex
MANDIRAM Temple Architecture Pavilion
Tracing the development from cave temples
through monolithsto structural temples
Exhibits in bold relief, in stucco on granite blocks
positioned in open airalong a winding path
Cave Temples
Structural temples
Monoliths
Lomas-rishi Ajanta Tirugokarnam
Mamallapuram Kodumbalur Thanjavur
Mamallapuram Ellora
Temple Architecture Pavilion; Bold Relief and Model
CHITHRAMIndian Paintings Pavilion
Exhibits forming a rich pageantry of paintingsfrom rock-art till date
Representative specimenslaminated, framed, mounted and put up in-doors
PROJECT SITTANNAVASAL: The Heritage Complex
Indian Paintings Pavilion
Pre-historic rock-art
Ajanta2c.BC-6c.AD
Kanchipuram(Pallava/ 7c-9c. AD) Sittannavasal
(Pandya/ 7c-9c. AD)
Moghul15-19c. AD
Nayak17-18c.AD
Bengal School20c. AD
Lepakshi14-17c. AD
Thanjavur(Chozha/
9-13c. AD)
Jain miniature paintings on palm leaves (11-15c. AD)
AKSHARAMIndian Scripts Pavilion
Tracing the history of Indian scriptsfrom Indus Valley through Brahmi,
to scripts for modern Indian languagesand many Asian languages
Samples written in stucco on granite block with suitable legends
organised as an open-air pavilion
PROJECT SITTANNAVASAL: The Heritage Complex
Indian Scripts Pavilion
Indus Script BrahmiAsoka
BrahmiSamudragupta
NagariPallava
Southern Brahmi/
Battiprolu
BrahmiSittannavasal
VattezhuththuAnaimalai
GranthaMamallapuram
TamilTirugokarnam
BrahmiBhattiprolu
GNANAMJain contribution to Tamil Culture
Focussing on the theme through suitable means
arranged in-doors
PROJECT SITTANNAVASAL: The Heritage Complex
Incorporation of
A CENTRE FOR JAINOLOGYfor research, documentation and information
equipped withlibrary, DTP, reprographylecture/talk/meditation hallsofficeboarding-lodging
PROJECT SITTANNAVASAL: The Heritage Complex
Development of such a heritage complex
along with tourists attractions like heritage gardencamping and picnic areasretreats for corporate houses
and cultural troupes arranging heritage tours
souvenir sales
is expected to make the project commercially viable
PROJECT SITTANNAVASAL: The Heritage Complex
The Project Sittannavasal is to be executed jointly by
Research Foundation for Jainology, Chennai,an organisation of the Jaina community,which is assisting research on Jainology andspreading the message of the Faith
andSudharsanam,
a Pudukkottai-based centre for arts and culturethat is documenting the legacy of Pudukkottai andoffering opportunities to the youth
in appreciating Indian culture.
PROJECT SITTANNAVASAL
Thank You
SudharsanamA centre for Arts and culture2 Palace NagarPudukkottai 622005Tamilnadu, India.Tel:+91-4322-230666
A presentation by…
www.pudukkottai.orgwww.sudharsanam.org