71
WELCOME LOVE OF LUXURY

Istituto Marangoni

Embed Size (px)

Citation preview

Page 1: Istituto Marangoni

WELCOMELOVE OF LUXURY

Page 2: Istituto Marangoni

14/10/2016 Milano privileged & confidential 2

GLOBAL LOCAL CULTURES

Page 3: Istituto Marangoni
Page 4: Istituto Marangoni

SCHOOL DIRECTOR: CHARLOTTE GORSE

Page 5: Istituto Marangoni

FASHIONISTA

Page 6: Istituto Marangoni

madeinbritaly

Page 7: Istituto Marangoni

LONDON FASHION: BE THE BEST

Page 8: Istituto Marangoni

/ August 2015 / privileged & confidential/8

FIGHTING FOR TALENT SINCE 1935

enhancing generations of

fashion & design professionals

over 4000 studentsover 45000 graduates

Page 9: Istituto Marangoni

EXPERIENCE THE WORLD

a unique life experience where cultures &people are united by their intense interest in fashion & design

5 schools4000 students106 nationalities4 official languages

Page 10: Istituto Marangoni

LONDON

MILANO

PARIS

SHANGHAI

Page 11: Istituto Marangoni

FIRENZE

Page 12: Istituto Marangoni

/ August 2015 / privileged & confidential/12

the avant garde

the coolest artistic & creative area of Londonnew styles & trends in fashion, art & designthe right place to watch the future with visual & cultural stimulation all around

THE LONDON SCHOOL OF FASHION

Page 13: Istituto Marangoni

WELCOMELOVE OF LUXURY

Page 14: Istituto Marangoni

NAIVETY

Page 15: Istituto Marangoni

HAUTE COUTURE

PRET A PORTER

CAPSULE PRE/COLLECTIONS

DESIGNER LABELS

HIGH END HIGH STREET

HIGH STREET

MASS MARKET

TRICKLE DOWN/ BUBBLE UP

Page 16: Istituto Marangoni

HAUTE COUTURE

Page 17: Istituto Marangoni

PLEASURE FOR SENSUAL

Page 18: Istituto Marangoni

SUPERIOR RANK

Page 19: Istituto Marangoni

CONNOISSEUR

Page 20: Istituto Marangoni

FLAUNT BEFORE SPECTATORS

Page 21: Istituto Marangoni

GENTLEMAN’S AESTHETIC FUNCTION

Page 22: Istituto Marangoni

OPULENCE IN EVIDENCE

Page 23: Istituto Marangoni

SOCIAL CHARACTER OF PRIVATE LABOUR

Page 24: Istituto Marangoni

SATISFY HUMAN DESIRES

Page 25: Istituto Marangoni

INSIGNIA OF STATION

Page 26: Istituto Marangoni

COMFORTS FOR LEISURE CLASS

Page 27: Istituto Marangoni

CHARACTER OF COMMODITIES

Page 28: Istituto Marangoni

CONSPICUOUSLY WASTEFUL

Page 29: Istituto Marangoni

PRET A PORTER

Page 30: Istituto Marangoni

SOCIAL MOBILITY

Page 31: Istituto Marangoni

PLEASURE OF SENSES

Page 32: Istituto Marangoni

VICARIOUS CONSUMPTION

Page 33: Istituto Marangoni

TASTE IN THE SENSORY

Page 34: Istituto Marangoni

IDEALISATION OF UNIQUENESS

Page 35: Istituto Marangoni

HUNTING TRIBES, BARBARIAN SAVAGES

Page 36: Istituto Marangoni

CAPSULE PRE/COLLECTIONS

Page 37: Istituto Marangoni

UNLIKE THE BLAND & IMPERSONAL

Page 38: Istituto Marangoni

DIFFERENTIATION IN SUB-CLASSES

Page 39: Istituto Marangoni

ANTHROPOLOGICAL FLAVOURS

Page 40: Istituto Marangoni

EMOTIONAL CONSUMER

Page 41: Istituto Marangoni

SOCIAL RELATIONSHIP WITH PRODUCERS

Page 42: Istituto Marangoni

DICEPHERING CULTURE

Page 43: Istituto Marangoni

‘THE EYE’ OF EDUCATION

Page 44: Istituto Marangoni

EXTROVERT ECONOMY

FIGHT FOR YOUR TALENT

Page 45: Istituto Marangoni

INERT THINGS

Page 46: Istituto Marangoni

IN/ OF/ FOR THE CITY BORN

Page 47: Istituto Marangoni

READY-MADE BURDEN

Page 48: Istituto Marangoni

HIGH END HIGH STREET

Page 49: Istituto Marangoni

PSYCHOGEOGRAPHY

Page 50: Istituto Marangoni

WALKING WITH YOUR EYES

Page 51: Istituto Marangoni

PLACE CURATION

Page 52: Istituto Marangoni

ENIGMATIC PRODUCT OF LABOURS

Page 53: Istituto Marangoni

URBAN ENTREPRENEUR

Page 54: Istituto Marangoni

MASS MARKET

Page 55: Istituto Marangoni

WITHOUT PREJUDICE

Page 56: Istituto Marangoni

HIERACHICAL GRADATIONS

Page 57: Istituto Marangoni

DISTINCTION BETWEEN CLASSES

Page 58: Istituto Marangoni

WORLD OF MAKING

0 - 1.25

1.26 - 2.5

2.51 - 3.75

3.76 - 5

5.01 -

6.25 6.26

- 7.5 7.51

- 8.75

8.76 - 10

PRODUcINgcOUNTRIeS

Figure 3: clImate change rIsK Index f o r cotton (2036-2060)

Page 59: Istituto Marangoni

THE GAZE

Page 60: Istituto Marangoni

FASHIONING THEIR OWN IDENTITIES

Page 61: Istituto Marangoni

VINTAGE HACKING

Page 62: Istituto Marangoni

FROM CONSUMER TO DESIGNER

Ethical

Fashion Green

Sourcing

Eco-Friendly

Operation

Figure 29: Sustainability Manifesto

Page 63: Istituto Marangoni

HIGH-VOLUME PRODUCTION

Page 64: Istituto Marangoni

VULGAR ENJOYMENT

Page 65: Istituto Marangoni

EXTRAORDINARY COMMONPLACE

Page 66: Istituto Marangoni

OBSOLESCENCE

Page 67: Istituto Marangoni

WITH THANKS TO:

Bourdieu, P. (1979) Introduction. In: Bourdieu, P. Distinction: A Social

Critique of the Judgement of Taste. Routledge Press

Jenss, H. (2008) Fashioning Uniqueness: Mass Customisation and the

Commodization of Identity. Yale University Press

Hine, T. (2007) Populuxe. New Yorker Publ.

Marx, K. (1867) The Fetishism of the Commodity and its Secret. In: Marx,

K. Capital: Critique of Political Economy. Red & Black Publ.

Veblen, T. (1934) Conspicuous Consumption. In: Veblen, The Theory of

the Leisure Class. Oxford University Press

Page 68: Istituto Marangoni

/ August 2015 / privileged & confidential/68

• prestigious locations• specialised professional tutors• internationalisation• italianness

‘MARANGONI-NESS'

Page 69: Istituto Marangoni

/ August 2015 / privileged & confidential/69

BA Preparatory CourseFoundation Year

BA (Hons) Degree • 3 yearFashion Design Fashion Design & AccessoriesFashion Styling Fashion Business

BA (Hons) Degree Sandwich • 4 yeara third year of work in a fashion firmstudents return to complete their final year of study

MA Preparatory Course

Pre-Sessional Master’s for Fashion

MA Master’s Degree Fashion Design WomenswearFashion Promotion, Communication & MediaFashion & Luxury Brand ManagementContemporary Fashion Buying

PROGRAMMES

Page 70: Istituto Marangoni

/ August 2015 / privileged & confidential/

istituto marangoni’s graduates:Domenico Dolce (Dolce&Gabbana), Franco Moschino, Alessandra Facchinetti (Tod’s), Julie de Libran (Sonia Rikyel) • Maurizio Pecoraro • Rodolfo Paglialunga (Jil Sanders) • Alessandro Sartori (Berluti) • Umit Benan • Marco Mazzoran(Coin) • Elena Gatti (Prada) Giorgia Vernotti (Jil Sander) • Duang Poshyanonda (Harper’s Bazaar Thailand) • Dario Vecchione (Versace) • Rachele Tonelli (Valentino) • Allegra Sacerdoti (Stella McCartney)

70

ALUMNI

Page 71: Istituto Marangoni