2. Paper Marbling. A method of aqueous surface design,which
produces patterns similar to smooth marble or other stone. 3. Paper
Marbling. Patterns are created by oating colour on Water,or
size,followed by transfer to an absorbent surface. 4. Paper
Marbling. Patterns are created by oating colour on water,or
size,followed by transfer to an absorbent surface. 5. Paper
Marbling. Patterns are created by oating colour on water,or
size,followed by transfer to an absorbent surface. 6. Paper
Marbling. Patterns are created by oating colour on water,or
size,followed by transfer to an absorbent surface. 7. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 8. Paper
Marbling. ll.1; it vi ll ll. "Ev? lA": :'. (!lH v~"I W,J._ 111u.
f>-1-ES!N Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 9. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 10. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 11. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 12. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 13. Paper
Marbling. Widely applied to writing surfaces,book
covers,endpapers.Each print is a unique monotype. 14. Paper
Marbling. Several techniques pigment applied to water with a brush
and manipulated by blowing or fanning. 15. Paper Marbling. Several
techniques pigment applied to water with a brush and manipulated by
blowing or fanning. 16. Several techniques pigment applied to water
with a brush and manipulated by blowing or fanning. 17. Paper
Marbling. Several techniques pigment applied to water with a brush
and manipulated by blowing or fanning. 18. Paper Marbling.
Suminagashi- ancient Japanese technique of decorating paper with
inks.Colours are stirred to create concentric spiral designs. 19.
Paper Marbling. Suminagashi ancient Japanese technique of
decorating paper with inks.Colours are stirred to create concentric
spiral designs. 20. Paper Marbling. Suminagashi ancient Japanese
technique of decorating paper with inks.Colours are stirred to
create concentric spiral designs. 21. PaperMarbling. Suminagashi
ancient Japanese technique of decorating paper with inks.Colours
are stirred to create concentric spiral designs. 22. Paper
Marbling. Ebru traditional Islamic and Turkish painting art,and can
be described as painting on water. 23. Paper Marbling. Ebru
traditional Islamic and Turkish painting art,and can be described
as painting on water. 24. Paper Marbling. Ebru traditional Islamic
and Turkish painting art,and can be described as painting on water.
25. Paper Marbling. Turkish papermaking became advanced in the art
of its decoration.Ebru papers used as backgrounds to important
ofcial papers. 26. Paper Marbling. Used to prevent document
alteration in the same way as the use of complicated designs on
banknotes. 27. Paper Marbling. Prized by booklovers in Europe from
17th century became known as Turkishpapers. 28. Paper Marbling.
Prized by booklovers in Europe from 17th century became known as
Turkishpapers. 29. Paper Marbling. Prized by booklovers in Europe
from 17th century became known as Turkishpapers. 30. Paper
Marbling. European travelers took note of this art form and began
importing marbled paper into Europe around 1600. 31. Europeans
tried to reproduce the designs each time the art of marbling
captivateda new artist,and their works took on new
appearances,tempered by cultural identity,availability of materials
and creativity. Paper Marbling. 32. Paper Marbling. Kiezelmarmers
pebble or stone marbles Getrokken Mar mers drawn marbles Kammarmers
combed marbles Schaduwmarmers shadow marbles Fantasiemarmer fantasy
marbles CombinatieMarbers combination marblesOvermarmer over
marblesMarbled paper styles may be roughly classified by technique-
33. Paper Marbling. About 90% technique and 10% control,marbling
can yield many pattern types 34. ,9 4 aper9Marbling. r~ ; .French
Curl1/0:2 +3 5 1 .*3 57 9 II About 90% technique and 10%
control,marbling can yield many pattern types-,Modern 20th
Century,French Curl on WideComb pattern 35. Paper 3 Marbling. /
Dutch PatternAbout 90% technique and 10% control,marbling can yield
many pattern typesDutch pattern 36. Paper .Marbling. Stone or
SpotAbout 90% technique and 10% control,marbling can yield many
pattern typesStone or Spot pattern 37. " aper JMarbling. Spanish
MoirI About 90% technique and 10% control,marbling can yield many
pattern types-,Spanish Moir pattern 38. 4- StormontI About 90%
technique and 10% control,marbling can yield many pattern
types-Stormont pattern 39. -4 Paper pf Marbling. "hitch 1-"3.
"~About 90% technique and 10% control,marbling can yield many
pattern types Shell pattern 40. Paper Marbling. Nonpareil or
SmallCombedAbout 90% technique and 10% control,marbling can yield
many pattern typesNonpareil or SmallCombed 41. ing. Paper1]. :
MarblW . .., . . .r .1. . .. r-. .1.._ ...4 . ,. .aw. ... ... m..
.. ..4 M. .. . ...- . .mmn. _A. n.u AWGQAW.. P@. ... ... _.W W n I
C t . .L a P V. . n a m . d 1 . m V.m cona;m. ... . . . . .,...
..qR$WM. .. .... / _A@hhm. b.. %. ,_. D ..._ . _ .... . . daamlw .
%mA 1.. . . .T . . .47. . .x . ..... . ,E- VH1 .5. _d,r.t n 0 C % O
I M m G1 .1 n h C C t % O 0/ t . .u . m A.1.1 :. 42. Paper %
Marbling. About 90% technique and 10% control,marbling can yield
many pattern types Italian pattern 43. Paper Marbling. By the 19305
only a handful of professional marblers still active.The craft of
paper marbling is Viewed as artisanal. 44. ArtistMarblers still
produce beautiful papers and keep their trade secrets closely
guarded- marbling is affected by humidity,temperature,type of
paper,quality of ink and paint,thickness of size,shaky hands and
even dust particles! Paper Marbling. 45. Paper Marbling. The
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