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Human Rights and Human Bodies The Road to Guantanamo and the Prohibition on Torture

Human Rights and Human Bodies

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Page 1: Human Rights and Human Bodies

Human Rights and Human BodiesThe Road to Guantanamo and the Prohibition on Torture

Page 2: Human Rights and Human Bodies

The prohibition on tortureBecause of the ways it violates the bodies, torture also violates the fundamental paradoxes of human rights. Not “both . . . and” but “neither . . . nor.”• Neither natural nor social• Neither universal nor particular• Neither equal nor respectful of difference

Page 3: Human Rights and Human Bodies

The prohibition on tortureAccording to Hunt, transforming the European culture of torture to a culture that abhors torture required that human bodies come to be seen as more real than symbolic.

Page 4: Human Rights and Human Bodies

The prohibition on tortureUnder the traditional understanding, the pains of the body did not belong entirely to the individual condemned person. Those pains had the higher religious and political purpose of redemption and reparation of the community. Bodies could be mutilated in the interest of inscribing authority, and broken or burned in the interest of restoring the moral, political, and religious order. In other words, the offender served as a kind of sacrificial victim whose suffering would restore wholeness to the community and order to the state. (94)

Page 5: Human Rights and Human Bodies

The prohibition on tortureAllegorical Portrait of Anna of Austria as Minerva

(ca. 1643) Allegorical Portrait of Diane de Poitiers (ca. 1556)

Page 6: Human Rights and Human Bodies

The prohibition on torture

Portrait of Captain John Pigott (ca. 1700–1763)

Page 7: Human Rights and Human Bodies

How does the film attempt to recreate the “frame”?

Page 8: Human Rights and Human Bodies

How does the film attempt to recreate the “frame”?By returning, via narrative, symbolic force to the real, physical bodies of the detainees, the film can be said to subvert state power rather than reinforcing it.

Page 9: Human Rights and Human Bodies

How does the film attempt to recreate the “frame”?By returning, via narrative, symbolic force to the real, physical bodies of the detainees, the film can be said to subvert state power rather than reinforcing it.

But does it succeed?

Page 10: Human Rights and Human Bodies

How does the film attempt to recreate the “frame”?Two very familiar and very different plots:

• The Nazi Plot

• The Marriage Plot

Page 11: Human Rights and Human Bodies

The Nazi Plot

Nazi “cattle cars”

Page 13: Human Rights and Human Bodies

The Nazi Plot

George Grosz, Nazi Interrogation (1936)

Page 14: Human Rights and Human Bodies

The Nazi Plot

Inglorious Basterds (2009)

Page 15: Human Rights and Human Bodies

The Nazi Plot

http://www.tubechop.com/watch/212255

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The Marriage Plot

A Midsummer Night’s Dream Jane Eyre