GOYA

IES SANTA CATALINA

BURGO DE OSMA (SORIA)

4º ESO. HISTORY

Bilingual space.

History teacher, Nicanor Otín Nebreda

“I have had three masters, Nature, Velasquez, and Rembrandt” (Francisco de Goya)

1.746-1828

• Was born in Fuendetodos, Zaragoza, in 1746

•At age 14, Goya entered apprenticeship with the painter José Luzán in Zaragoza

• In Madrid he studied with Anton Raphael Mengs, a painter who was popular with Spanish royalty.

• Back in Zaragoza and painted parts of the cupolas of the Basilica of the Pillar and the frescoes of San Antonio de la Florida

Early years

BAYEUby Goya

MENGSselfportrait

GoyaSelfportrait 1771-1775

SPAIN THROUGH THE GENIUS OF GOYA

• ONE OF THE GREATEST ARTISTS OF THE UNIVERSAL PAINTING

• DIFFICULT TO SITUATE HIS WORK IN ANY ARTISTIC MOVEMENTS

• HE ANTICIPATED IMPRESSIONIST, EXPRESIONISTS AND SURREALIST

MONET. Impresión, sol naciente

IMPRESSIONISM

GOYA’S INFLUENCE

Emil Nolde

Máscaras. Vida cotidiana

III, 1911.

EXPRESSIONISM

GOYA’S INFLUENCE

SURREALISM

TEMPTATION OF SAN ANTHONY

GOYA’S INFLUENCE

His early paintings are still Baroque art

La “Adoración del Nombre de Dios por los ángeles” en la bóveda del Coro de la Santa Capilla (El Coreto). Del Pilar de Zaragoza

FIRST PAINTINGS

Goya. Cúpula del Pilar 1780

FIRST PAINTINGS

1774-1791 TAPESTRY CARTOONS

• HE PAINTED PATTERNS THAT SERVED AS MODELS FOR THE WEAVING OF TAPESTRIES IN THE ROYAL TAPESTRY FACTORY

• REPRESENT THE LEISURE ACTIVITIES OF DIFFERENT SOCIAL CLASSES

• RELATED TO ROCOCO ESTHETIC

• CHEERFUL VIEW , CAREFREE, RICH AND BRIGHT COLOURS.

EL QUITASOL

TAPESTRY CARTOONS

EL QUITASOL

El cacharrero

He designed about 42 patterns; many of them were used to decorate and insulate the stone walls of El Escorial and the Palacio Real del Pardo.

TAPESTRY CARTOONS

LOS ZANCOS

TAPESTRY CARTOONS

MAJOS Y MAJAS EN SAN ISIDROMAJOS Y MAJAS EN SAN ISIDRO TAPESTRY

CARTOONS

LA GALLINA

CIEGA

BUCOLIC AND POPULAR SCENES

TAPESTRY CARTOONS

EL MANIQUÍ DE PAJA

TAPESTRY CARTOONS

GOYA "Majas en el balcón" (1812-1835,)MANET "El balcon" (1868-1869) GOYA’S INFLUENCE

1792-1808• ROYAL PAINTER

• PERSONAL CRISIS

• REVOLUTIONARY EVENTS IN FRANCE

• PREDILECTION FOR THE SORDID OF THE LIFE

• CAPRICHOS: SATIRE OF THE SOCIETY AND THE HUMAN CONDITION

• COMPLAINT TO CHANGE THE WORLD

Frescoes of San Antonio de la Florida 1.798

MANUEL GODOY. 1.801

PORTRAITS

Carlos IV

PORTRAITS

LA FAMILIA DEL INFANTE D.LUIS

PORTRAITS

ERNST LUDWIG KIRCHNER

GOYA’S INFLUENCE

Jovellanos

PORTRAITS

LOS DUQUES DE OSUNA Y SUS

HIJOS

PORTRAITS

THE FAMILY OF CHARLES IV

PORTRAITS

THE COUNTESS OF ALBA

PORTRAITS

14. ¡Qué sacrificio!

LOS CAPRICHOS1793-1799

LOS CAPRICHOS

¿De qué mal morirá?

LOS CAPRICHOS

El sueño de la razón produce

monstruos

LOS CAPRICHOS

Caprichos. Trágala perro

LOS CAPRICHOS

CAPRICHOS. Devota

profesión

LOS CAPRICHOS

INDEPENDENCE WAR 1.808-1.813

• THE PESSIMISM IS ACCENTUATED

• REFLECTS THE CRUELTY OF WAR

• IT IS THE ABSOLUTE DEFEAT OF THE REASON

LOS DESASTRES 1808-1814A SERIES OF ENGRAVINGS

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The Disasters of War

Desastres de la guerra

Desastres de la guerra

Desastres de la guerra

Desastres de la guerra

CARGA DE LOS MAMELUCOSTHE SECOND OF MAY OR THE CHARGE OF MAMELUKES 1814

INDEPENDENCE WAR

INDEPENDENCE WAR

FUSILAMIENTOS DE LA MONCLOA 1814

INDEPENDENCE WAR

FUSILAMIENTOS DE LA MONCLOA

INDEPENDENCE WAR

Picasso. Massacre in Korea 1951.

GOYA’S INFLUENCE

Manet. Execution of Emperor

Maximilian. 1867.

Manet. Study for "The Execution of Emperor Maximilian"

PICASSO “Massacre in Korea” 

GOYA’S INFLUENCE

Portrait of the Duke of Wellington

INDEPENDENCE WAR

EL COLOSO

1808-1812.

Discípulo de Goya indeterminado

AFTER THE WAR

• SUFFERED ILLNESS AND DEAFNESS

• HE TOOK REFUGE IN HIS HOUSE WHERE HE DECORATED THE WALLS WITH HIS BLACK PAINTINGS

FERNANDO VII 1814

("Deaf Man's House")

BLACK PAINTINGS 1819-1823

Riña a garrotazos 1819-1823

THE BLACK PAINTINGS ARE PESSIMISTIC AND CONSIDERED AS PRECURSORS TO EXPRESSIONISM

BLACK PAINTINGS

PEREGRINACIÓN A SAN ISIDRO O EL SANTO OFICIO

BLACK PAINTINGS

La pradera de San Isidro (1788).

La romería de San Isidro (1821-1823)

SATURN DEVOURING HIS SON

BLACK PAINTINGS

Diego Olmos GOYA’S INFLUENCE

BLACK PAINTINGS

Photo made by J. Laurent, toward 1874, showing the state of the work before being moved from the wall of the Quinta del Sordo. You can see a rock and a few possible birds, to which the dog turns his gaze..

Perro semihundido BLACK PAINTINGS

Dos viejas comiendo sopasBLACK PAINTINGS

Francis Bacon .Tres estudios para el retrato de Peter Bear

GOYA’S INFLUENCE

EL BAILE DE LA SARDINA1812-1819

Pictures of Spanish customs, far removed from the themes and aesthetics rococo and neoclassical cartons for tapestries

PROCESIÓN DE DISCIPLINANTES 1812-1819

TRIBUNAL DE LA INQUISICIÓN 1812-1819

BULLFIGHT IN A VILLAGE 1812-1819

DISPARATES

DISPARATES

DISPARATES

THE MILKMAID OF BORDEAUX

EXILE AND DEATH

1824-1828

Self-portrait with cap, 1824.