Shahnaaz Begum 13ME Editing Timeline The Possession

• 0:01 – Studio and production ident, fade from black to establishing shots • 0:02 – Straight cut • 0:03 – Straight cuts • 0:04 – Fade in, into bedroom scene• 0:06 – Straight cut• 0:07 – Fade out into outside scene • 0:08 – Fade out, extreme high shot of car • 0:10 – Jump cut • 0:12 – Establishing shot of house • 0:15 – Straight cut • 0:16 – L Cut • 0:20 – Straight cut • 0:21 – L Cut • 0:23 – Dissolve • 0:24 – Morph• 0:26 – Dissolve to black • 0:28 – Straight cut • 0:31 – Morph, L cut • 0:33 – Dissolve • 0:34 – 0:41 Straight cut (x6)• 0:42 – Fade to black • 0:43 – Extreme high shot • 0:44 – Fade in • 0:46 – Dissolve to black• 0:47 – Jump cut • 0:48 – Straight cut • 0:49 – Dissolve • 0:52 – Dissolve • 0.53 – 0:56 Straight cut (x7)• 0:57 – Dissolve • 0:58 – 1.11 Rapid Jump cuts (x18) • 1.12 – Dissolve• 1.13 – 1:18 Jump cuts (x4) • 1:20 – Jump cut • 1.22 – Straight cut, close up • 1:23 – 1:26 Straight cuts (x4)• 1:27 – Dissolve • 1:28 – Jump cut • 1:29 – Jump cut • 1.30 – 1.36 Straight cut (x4)• 1.37 – Tone card• 1.38 – 1.43 (x4) – Jump cuts • 1.44 – Black out • 1.45 – Jump cut • 1.46 – Tone card • 1.47 – 1.49 – Jump cuts (x3) • 1.50 – Tone card• 1.51- 1.57 – Jump cuts (x12)

Shahnaaz Begum 13ME Editing Timeline The Possession

• 1.58 – Fade to black • 1.59 – Morph • 2.00 – 2.14 – Jump cuts (x20)• 2.15 – Fade to black