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Documentary codes and conventions

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Page 1: Documentary codes and conventions

Documentary Codes and Conventions

Page 2: Documentary codes and conventions

Narrative Structure, Themes

Usually single stranded to not overcomplicate and to educate

It depends on the subject matter if the documentary is open or closed

Most of the documentaries are non-linear, however there are some linear documentaries e.g. 9/11

The subject of the documentary depends on the channel and the audience

Page 3: Documentary codes and conventions

Camerawork

The interviewee is to the left or right off centre, usually a medium close-up, close-up, mid shot or a big close-up.

Always follows the rule of thirds – eye line is the third of the way down screen.

The interviewee is always sat on a chair that doesn’t swivel or move around, and the interviewee is sat stationary – this ensures that the framing is consistent and does not move.

There are a variety of different camera shots used which are tilting panning, zooming, tracking, crab shots and crane shots which are all used to keep the audience interested

Zoom in or out or pann across a photo or use a manual focus to create a shallow depth of field to draw the audience attention.

Page 4: Documentary codes and conventions

Mise-En-Scene

Lighting is used to highlight key points of interest.

The light is bright where it needs to be and low key where it needs to be to create the atmosphere e.g. reconstruction.

Background is always appropriate for the subject matter and interviewee.

Always filmed with light behind the camera never with the light in front of the interviewee.

Page 5: Documentary codes and conventions

Sound

The voiceover is the glue that holds the narrative together.

The voiceover links everything together, links the topics, introduces and concludes.

The delivery of the voiceover is calm, clear, the voice is not expressive and spoken in Standard English.

The music is always appropriate for the programme and is related to the topic.

Page 6: Documentary codes and conventions

Editing

Mostly standard cutting keeping effects to a minimum.

Dissolve, slow motion and fast motion are used.

The questions are cut out, cutaways are used to avoid jump cuts.

The answers the interviewee have to make sense without the questions.

Short segments need to be used.

The interviews can’t be longer than a minute at a time.

A roll- interview, B roll- cutaways.

Page 7: Documentary codes and conventions

Archive Material

A range of archive material is used to keep the audience interested and to demonstrate things.

Archive material is also used to sustain interest and to help the audience understand some things that are being talked about.

The archive material are things such as: magazines, photos, films, newspapers, webpages and audio footage.

Page 8: Documentary codes and conventions

Graphics

Set out in two lines where the first line is larger font size with the name of the interviewee. The second line is the subline that anchors the relevance to the topic.

The graphics are usually on the right or left hand side of the screen.

White is the most conventional colour for graphics.

Simple font style and simple colours are used.

The title is creative