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Disrupting 3D ModelsEverardo Reyes
Université Paris 13
CAC.3 | Nov. 27, 2012. Paris
Beyond figures
...toward the study of plastic properties in digital images
Why?to contribute to visual literacy
to try to understand, culturally, visual features in digital media
to foster aesthetic provocations
2D & 3Dspatial distribution
Pixelation filtermainly based on colors
Find edges filtermainly based on shapes
Color scheme 2D distribution made with Rainbow 1.5 (Firefox addon)
List ot color library 2D distributionmade with Rainbow 1.5 (Firefox addon)
Color space visualization 3D distribution made with Color Inspector 3D (ImageJ plugin)
Distributing according to different rules
Hyper-Paintmade with Processing (Irene Gersenowies, 2008)
Exploding 2D Image in 3D Space,made with Processing (E. Reyes, 2012)
Generating Cubes Randomly,made with MEL in Autodesk Maya (E. Reyes, 2012)
Generating Spheres Fractally,made with PyMEL in Autodesk Maya (E. Reyes, 2012)
Disrupting 3D Models,made with Processing (E. Reyes, 2012)
Exploration through interface: parametrizing
Invitation to 3D print a disrupted model?
the POV of visual semiotics
Plastic Signs != Figurative Signs
They are visual elements
We approach them by means of no figurative association, or
representation to the physical world
They complete iconic and iconographic signs
TexturemesColoremes Figuremes
textural element
textural repetition
hue
brigthness
saturation
position
dimension
direction
The expression plane of plastic signs
These are plastic categories which can be measured, mixed,
remixed, and analyzed
When assembled, they create plastic formants... we move toward
other meanings, a plastic language
Greimas said: there is homologation between plastic categories and
meaning, at the form level
Abstract as they are, they may foster meaning effects:
roundness/harshness, flat/jagged, union/dispersion, small/tall, stretched/
squashed.
But is it possible to say that these meaning effects are homological? Is there
a universal or an ideal shape of harshness? Is it useful to categorize plastic
formants? What happens if there is no figurative background as reference?
Motion Structures:
disrupting + indexical
Inception (Nolan, 2010) Paris fold-over sequence
Paris fold-over sequence. Seq. 10
A Kinetic sculpture
Game of Thrones Title Sequence
Average brightness of frames
STL object
optimized for our software
from Web to other media?
CAC.3 websitemade with Tilt (Firefox addon)
Gracias
Everardo Reyes
Université Paris 13