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Codes and Conventions of Thriller Jade Dibble

Codes and conventions of thriller

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Page 1: Codes and conventions of thriller

Codes and Conventions of Thriller

Jade Dibble

Page 2: Codes and conventions of thriller

Music

-Builds tension-Quiet-Slow-Piano-High Pitched-Suspenseful-Sudden

Page 3: Codes and conventions of thriller

Editing

-Quick Cut-Low-lighting-Darkness-Montage of shots-Shots are arranged tonot expose identity of theantagonist.

Page 4: Codes and conventions of thriller

Cinematography

-Close ups & Extreme close ups to show emotions of character-Shots of the antagonist do not reveal their identity, but shots gradually become more revealing of it, this ranges from shadow shots to over the shoulder shots.

Page 5: Codes and conventions of thriller

Theorists &

-Propp/Character Roles• Typically male protagonist hero•Antagonist gradually revealed identity throughout

-Todorov•Equilibrium, male protagonist tries to restore the equilibrium from the disequilibrium created by the antagonist.

Page 6: Codes and conventions of thriller

Mise-En-Scene

-Typically urban locations-Darkly dressed antagonist-False sense of normality-Blood/gore/danger/violence-Vehicles/cars/motorcyles-Weapons/torture