22

Click here to load reader

Chapter 9 in Philippine Literature

Embed Size (px)

Citation preview

Page 1: Chapter 9 in Philippine Literature

Period of the New Society

1972-1980

CHAPTER 9

Page 2: Chapter 9 in Philippine Literature

Historical Background

The period of the New Society started on September 21, 1972The Carlos Palanca Awards continued to give annual awards.

Page 3: Chapter 9 in Philippine Literature

Almost all themes in most writing dealt with the development or progress of the country-like the Green Revolution, family planning, proper nutrition, environment, drug addiction and pollution. The New society tried to stop pornography or those writing giving bad influences on the morals of the people.

Page 4: Chapter 9 in Philippine Literature

A. FILIPINO POETRY DURING THE PERIOD OF THE NEW SOCIETY

A few months after the declaration of military rule, the following slogans of the New Society were heard and ready by many:

Page 5: Chapter 9 in Philippine Literature

1.Sa ikauunlad ng bayan Disiplina ang kailangan. 2. Tayo’y kumakain ng gulay Upang humaba ang buhay .

3. Mag plano ng pamilyaNang ang buhay ay lumigaya.

4.Ang pagsunod sa magulang Tanda ng anak na magalang.

5.Tayo,y magbigayan At huwag magsiksikan.

(( Discipline is needed to develop the nation )

(Let’s eat vegetable to lengthen our lives )

( Let’s plan our families so we’ll lead happy lives )

( Let’s plant in order to survive)

( Let’s be generous and not try to outdo each other )

Page 6: Chapter 9 in Philippine Literature

Themes of most poems dealt with patience, regard for native culture, customs, and the beauties of nature and surrounding. Those who wrote poetry during this period were: Ponciano Pineda, Anicento Silvestre, Jose Garcia Revelo, Bienvenido Ramos, Vicente Dimasalang, Cir Lopez Francisco, and Pelagio Sulit Cruz.

Page 7: Chapter 9 in Philippine Literature

Many more composer added their bit during this period. Among them were Freddie Aguilar, Jose Marie Chan and the group Tito, Vic and Joey. Anak of Freddie Aguilar became an instant success because of the spirit and emotions revealed in the song. There were even translation in Japanese and in other languages.

Page 8: Chapter 9 in Philippine Literature

B. THE PLAY UNDER THE NEW SOCIETYthe government led in reviving old plays and dramas, like the Tagalog Zarzuela, Cenaculo and the Embayoka of the Muslim which were presented in the rebuilt Metropolitan theater, the Folk Arts Theater and the Culture Center of the Philippines.

Many schools and organization also presented varied plays.

Page 9: Chapter 9 in Philippine Literature

The Mindanao State University presented a play Sining Embayoka at the Culture Center of the Philippines.

In 1977,the tales of Manuvu, a new stlye of rock of the ballet opera was also added to these presentation. This was performed by Celeste Legaspi, Lea Navarro, Hadji Alejandro, Boy Camara, Anthony Castelo, Rey Dizon and choreographed by Alice Reyes.

Page 10: Chapter 9 in Philippine Literature

The following organizations contributed a lot to the development of plays during this period.

1. PETA of Cecille Guidote and Lino Brocka2. Repertory Philippines: of Rebecca Godines and Zenaida Amador3. Up Repertory of Behn Cervantes

4. Teatro Filipina by Rolando Tinio.

Page 11: Chapter 9 in Philippine Literature

C. RADIO AND TELEVION

Radio continued to be patronized during this period. The play series like SI MATAR , DAHILAN, ITO ANG PALAD KO, and MR. LONELY were the forms of recreation of those without television. Even the new songs were first heard over the airwaves.

Page 12: Chapter 9 in Philippine Literature

However, many performing artists in radio moved over to television because of higher pay. Among these were Augusto Victa, Gene Palamo, Mely Tagasa,Lina Pusing, and Ester Chavez. Popular television plays were GULONG NG PALAD. FLOR DE LUNA, and ANNA LIZA.

SUPERMAN AND TARZAN were also popular with the youth.

Page 13: Chapter 9 in Philippine Literature

D. FILIPINOS FILMS

A yearly Pista ng mga Pelikulang Pilipino (Yearly Pilipino film Festival) was held during this time. During Festival which lasted usually or a month, only Filipino films were shown in all theaters in metro manila. Prizes and trophies were awarded at the end of Festival in recognition of excellence in film making and in role perfornance.

Page 14: Chapter 9 in Philippine Literature

New kinds of films without sex or romance started to made but which were nevertheless well-received by the public.Among these were:

1.MAYNILA- SA MGA KUKO NG LIWANAG written by Edgardo Reyes and filmed under the direction of Lino Brocka. Bembol Roco was in the lead role.2. MINSA’Y ISANG GAMU-GAMO; Nora Aunor was the principal performer here.3.GANITO KAMI NOON . . PAANO KAYO NGAYON : led by Christopher de leon and Gloria Diaz.4.INSIANG: by Hilda Koronel 5.AGUILA: led by Fernando Poe Jr., Jay Ilagan and Chritopher de leon

Page 15: Chapter 9 in Philippine Literature

E. COMICS, MAGAZINES AND OTHER PUBLICATIONSThe leading papers during this period were:1.BULLETIN TODAY 2.TIMES JOURNAL3.PEOPLES JOURNAL 4.BALITA5.PILIPINO EXPRESS6.PHILIPPINE DAILY EXPRESS7.EVENONG POST8.EVENING EXPRESS

Page 16: Chapter 9 in Philippine Literature

LIWAYWAY had been an old-time favorite of the Filipinos since 1920. Other magazine were:

1.KISLAP2.BULAKLAK3.LOVE LIFE

4.EXTRA HOT5.JINGLE SENSATION

Page 17: Chapter 9 in Philippine Literature

Like mushrooms, comics also proliferated everywhere and were enjoyed by the masses. Among these were:1.PILIPINO2.EXTRA HOT 3.LOVE LIFE4.HIWAGA5.KLASIK6.ESPESYAL

Page 18: Chapter 9 in Philippine Literature

F. PALANCA AWARDEES

Page 19: Chapter 9 in Philippine Literature

SHORT STORY CATEGORY

1972-1973First Prizes- “SPOTS ON THEIR WINGS AND OTHER

STORIES” –Antonio EnriquezSecond Prizes- “ON FRIENDS YOU PIN SUCH HOPES’ –

Ines Taccad CamayoThird Prizes- “THE LIBERATION OF MRS. FIDELA

MAGSILANG” –Jaime A. Lim

1973-1974First Prizes- “THE CRIES OF CHILDREN ON AN APRIL AFTERNOON IN THE YEAR 1957” –Gregorio C. Brillantes

Second Prizes- “THE WHITE DRES” –Estrella D. AlfonThird Prizes- “TELL ME WHO CLEFT THE DEVIL’S FOOT”

-Luning BONIFACIO IRA

HONORABLE MENTION-”SCORING”-JOY T. DAYRIT

Page 20: Chapter 9 in Philippine Literature

1974-75Frist Prize- co-winners

1. THE DAY OF THE LOCUSTS”- Leoncio P. Deriada

2. “ROMANCE AND THE FAITH ON THE MOUNT BANAHAW” –Alfred A. Yuson

Second Price- co winners1.”THE MAN WHO MADE A COVENANT WITH THE WIND- Cirilo

F. Bautista2.”ONCE UPON A CRUISE : GENERATIONS AND OTHER

LANDSCAPES”-Luning Bonifacio Ira

Third Price- co winners1.”THE DOG EATERS-Leonacio P. Deriada

2. “THE PEOPLE’S PRISON-Maura R. Avena3.”DISCOVERY”-Dr. Porfirio F. Villarin,Jr.

4. “A SUMMER GOODBYE”-Linda Ledesma and Benjamin Bautistas

Page 21: Chapter 9 in Philippine Literature

G. AN OVERVIEW OF THE LITERATURE DURING THE NEW SOCIETY

Bilingual education which initiated by the Board of National Education as early as 1958 and contributed up to the period of Martial Rule in September 21,1972, resulted in the deterioration of English in the different levels of education. The focus of education and culture was on problems of national identity, on re-oriented, renewed vigor and a firm resolved to carry out plans and programs.

Page 22: Chapter 9 in Philippine Literature

GROUP 1