B3 dov winer_narratives_evaminerva2013

Telling Stories with Digital Content and Tools

Dov Winer

MAKASH

Advancing ICT Applications in Education, Culture and Science

EVA/Minerva 2013

The 10th Jerusalem International Conference on the Digitisation of Cultural Heritage

Elements of Storytelling: message, conflict, plot, character

Athena Plus: D5.2 Report on existing tools and devices related

to narrative approaches and requirement functionalities

DECIPHER: curatorial practices capture in an AI supported

environment: example of an Structuralist approach

KLAMMA: Community of Practice Approach to Storytelling

/ Constructionism

Additional examples

Outline

Digital Storytelling Narrative in Social Media Niki Sotiropoulou o-ya.gr nikisot.com

http://www.slideshare.net/nikisot/storytellingclean-23223654?from_search=4

Museum of the Jewish People

http://www.bh.org.il

http://www.bh.org.il/

Storytelling through Social Media: The Modern Narrative Defined

by Ed Schipul, CEO at Schipul - The Web Marketing Company

http://www.slideshare.net/eschipul/storytelling-through-social-media-the-modern-narrative-defined?from_search=1



























The Instructional Value of Storytelling Dr. Patricia McGee (UTSA) Sloan-C Conference

http://www.slideshare.net/drpmcgee/the-instructional-value-of-storytelling?from_search=1




WP5: Creative applications for the re-use of cultural resources

• System that use Europeana data to create virtual exhibitions and cultural

tourist routes

• Create a Semantic Multimedia Content Management System

Structuralist and Constructionist Approaches

Structuralist

• Originated from the analysis of folktales: Propp, 1928 Morphology of the Folktale

• Researchers have developed formal and computational frameworks for the

analysis, automated understanding and generation of narratives

• Distinction between story (fabula) and plot (sjuzhet) that contain the same events

The plot transforms a pure chronology form into one that highlights the conflicts,

how they came about and how they are resolved by the characters

Constructionist

• The narrative mode of knowing consists in organizing the experience with the help

of a scheme assuming the intentionality of human action

• An explanation consists in relating an event to a human project

• The plot rather than the truth or falsity of story elements determines the power of

the narrative as story

• No way to decide of deciding between different stories except by negotiation

DECIPHER

example of a structuralist approach

http://decipher-research.eu/

http://www.seco.tkk.fi/projects/history/

http://www.bbc.co.uk/blogs/researchanddevelopment/2010/03/the-mythology-engine-represent.shtml

http://nil.fdi.ucm.es/index.php?q=node/363

Storytelling in Communities

of Practice

Constructionist approach

http://www.role-project.eu/

http://www.role-project.eu/?p=3571

http://itec.eun.org/web/guest/tell-story

End-user storytelling with a CIDOC CRM - based semantic wiki by V.Ribaud

http://cidoc.meta.se/2010/presentations/pp_ribaud.pdf

Thank you for your attention!

Dov Winer

[email protected]

Presentation available at:

http://www.makash.org.il/docs/story.pdf