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AUTHENTICITY AS A TALE: TOURISM IN ARCHITECTURAL RESERVES Assist. Prof. Ilinka Terziyska SWU Neofit Rilski

Authenticity as a tale: architectural reserves

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Page 1: Authenticity as a tale: architectural reserves

AUTHENTICITY AS A TALE: TOURISM IN ARCHITECTURAL

RESERVES

Assist. Prof. Ilinka Terziyska

SWU Neofit Rilski

Page 2: Authenticity as a tale: architectural reserves

Subject of the study – authenticity;

Object – architectural reserves in Bulgaria

Aim – to set the basis of a theoretical model of authenticity in heritage tourism.

Method: qualitative study of tourists’ perceptions

Page 3: Authenticity as a tale: architectural reserves

Authenticity – the debate

Object-related 1) Objectivism

Boorstin – pseudo event

MacCannel – staged authenticity

2) Constructivism

Cohen – symbolic authenticity

Bruner – four types of authenticity – verisimilitude, original, true, authority

Activity-related Wang – existential authenticity

Page 4: Authenticity as a tale: architectural reserves

The questionnaire:

1) Would you visit an architectural reserve?

2) Is authentic atmosphere important for you during your visit?

3) What would create the feeling of authentic atmosphere in such a place?

Page 5: Authenticity as a tale: architectural reserves

The word cloud

Page 6: Authenticity as a tale: architectural reserves

Types of authenticity (after Bruner)

TRUE VERISIMILITUDE (reproduction)

Authentic

Historic sites

Fortresses

Revival architecture

Re-enactment of customs & holidays

Hotels with authentic motives in their furnishing

Folk costumes in restaurants

Page 7: Authenticity as a tale: architectural reserves

Some semantic analysis…

Veranda

Чардак

Drinking fountainЧешма

Used mainly in tales and songs;A symbol of prosperity, the public place in thehouse; communication place

Used mainly in tales and songs;Association with romance,Symbol of generosity and prosperity

Page 8: Authenticity as a tale: architectural reserves

The quest for authenticity

… can be a quest for the folk tale, an authentic story of real social structures intermingled with the unreal, the imaginary.

The concept of staged authenticity perceived as fakery should be reconsidered.

Page 9: Authenticity as a tale: architectural reserves

Two subgroups of tale-seekers

Knowledge and Immersion

the Spectator and the Participant

Page 10: Authenticity as a tale: architectural reserves

The model:

Authenticity continuum

museum carnivaltale

Page 11: Authenticity as a tale: architectural reserves

Implications for further research

Additional research is needed to identify:

The profile of tale seekers (the two subgroups); The ratio between tangible and intangible

elements, the genuine and the reproduced; The perspective of the local community.

Page 12: Authenticity as a tale: architectural reserves

Thank you for you attention!