38
Contemporary Media Issues Introduction to Section B of the Exam Part Three

03. g325 contemporary media issues intro to section b - postmodern audiences

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Contemporary Media Issues

Introduction to Section B of the Exam

Part Three

Page 2: 03. g325 contemporary media issues   intro to section b - postmodern audiences

So what did we learn last time?That to do well in this exam you’ve got to learn

some potentially difficult media theory.You must write about the past, present and future

of your topic in your exam.You’ve got to be able to give examples AND a

personal opinion on what the theorists have said.You also learnt a bit about Postmodern Media.I hope.

Introduction to Section B – Review

Page 3: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Postmodern Media - Advertising

Traditional advertising use to look like this…

Page 4: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Postmodern Media – Cadbury’s Gorilla

Now it looks like this…

How is the Cadbury’s Gorilla advert an example of Postmodernism?

Page 5: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Postmodern Media - Advertising

It’s playing with the idea of representation making no attempt to appear ‘real’ or ‘true’ (Baudrillard)

It exists in a ‘fetishised hyperreality’ (Strinati) Like all advertising it is an example of ‘the world of the commodit

y’ (Debord) – a ‘spectacle’ that is empty and insubstantial It is a parody (or pastiche?) of ‘traditional’ adverts that make claims

about a products efficacy or usefulness or taste (Jameson) It’s intertextual (Jameson) as it references the the song ‘In the Air

Tonight’ and the writer (a famous drummer) Phil Collins It’s playing with our idea of what an advert should be

(postmodernism) It lacks seriousness and is merely about making surface

associations between the brand and the audiences awareness The ‘narrative’ is unrealistic (and unimportant) and it relies on the

strangeness of the central image to connect with the audience (Lyotard)

Page 6: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Introduction to Section B - Part Three

You’ll learn more about postmodern media;

You’ll learn about cultural studies;How broadband internet created Web 2.0How that has started to change the world,

almost;What We-media is and what ‘citizen

journalism’ is about…

Page 7: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Media Studies = Cultural Studies

The theoretical idea behind Section B of the exam is to do with an academic approach called ‘cultural studies’.

It means you are not just looking at texts and what they 'mean' or how they are 'consumed' by people. You are looking at the audience and what it does with media.

Page 8: 03. g325 contemporary media issues   intro to section b - postmodern audiences

By looking at how culture is used and transformed by social groups, cultural studies sees people not simply

as consumers, but as potential producers of new social values and cultural languages.

Toby Miller (2006)

Page 9: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Media Studies = Cultural Studies

This quote raises three questions:

1. What is culture?

2. What are social groups?

3. What are these new social values and cultural languages that are being created?

So let’s start with culture…

Page 10: 03. g325 contemporary media issues   intro to section b - postmodern audiences

What is Culture?

Whole books are devoted to just trying to answer this question! Chris Jenks (1993) described four definitions of culture:

i. As a state of mind (the 'cultured' person);ii. As a collective pursuit of civilisation (an advanced

culture is a society that has progressed);

iii. As artistic and intellectual activity (doing ‘art’ and ‘drama’ is ‘cultural’ - this is perhaps the most common use of the term);

iv. As a social category - the things that people do, our ways of life.

Page 11: 03. g325 contemporary media issues   intro to section b - postmodern audiences

What is Culture?

We’re most concerned with the last definition.

The important thing for YOU to remember is that because we only study 'popular culture' we do not distinguish between what is and what is not 'cultural'.

Postmodern Media sees little difference between ‘high’ and ‘low’ culture.

Page 12: 03. g325 contemporary media issues   intro to section b - postmodern audiences

We’re going to use more adverts to put this new way of approaching media studies to the test.

Remember we are looking at how people use the advert.

1. In what ways is it ‘cultural’?

2. What social groups are represented in it and are likely to be the audience for it?

3. Where are they likely to view this?

4. What traditional social values does it emphasize?

5. What cultural languages does it use?

6. How is it postmodern?

Cultural Studies – a new approach

Page 13: 03. g325 contemporary media issues   intro to section b - postmodern audiences

The Volkswagen Passat advert and cultural studies.

Cultural Studies – a new approach

Page 14: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Postmodern Media – Volkswagon Passat

In what ways is it ‘cultural’? It’s ‘artistic’ – use of b/w & blues music – it reflects society… What social groups are represented in it and are likely to be

the audience for it? Family – white – wealthy – successful – stylish – American – New

Yorkers Aspirational – parents – gender? – concerned with safety Where are they likely to view this? Then - at home? – cinema? Now – YouTube – Internet - Website What traditional social values does it emphasize? Family – security – importance of childhood What cultural languages does it use? Art film – b/w – mise en scene – urban – camera work How is it postmodern?

Page 15: 03. g325 contemporary media issues   intro to section b - postmodern audiences

The Chanel No. 5 advert and cultural studies.

Page 16: 03. g325 contemporary media issues   intro to section b - postmodern audiences

In what ways is it ‘cultural’? What social groups are represented in it and are likely

to be the audience for it? Where are they likely to view this? What traditional social values does it emphasize? What cultural languages does it use? How is it postmodern?

Postmodern Media – Chanel No. 5

Page 17: 03. g325 contemporary media issues   intro to section b - postmodern audiences

What are ‘social groups’?

Let’s look in more detail at different kinds of social groups.

This is all about representation.Wherever it is possible to give people a

label based on collective characteristics or traits we can say they are part of a social group.

Some examples…

Page 18: 03. g325 contemporary media issues   intro to section b - postmodern audiences
Page 19: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Fans as a ‘social group’?

1. Interview with Simon Pegg.

2. Extracts from ‘Trekkies’.

Page 20: 03. g325 contemporary media issues   intro to section b - postmodern audiences

By looking at how culture is used and transformed by social groups, cultural studies sees people not simply

as consumers, but as potential producers of new social values and cultural languages.

Toby Miller (2006)

Page 21: 03. g325 contemporary media issues   intro to section b - postmodern audiences

New Social Values and Cultural Languages

The final part of Toby Miller’s quote is all about audiences and how the changing media world is changing audience habits.

Consider the impact of broadband internet on how people use media – how has the gradual updating of the old BT telephone infrastructure (from Web 1.0 to Web 2.0) offered us the chance of creating something culturally new…?

First, some charts…

Page 22: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example - Broadband Internet

Page 23: 03. g325 contemporary media issues   intro to section b - postmodern audiences
Page 24: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example - Broadband Internet

Page 25: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example - Broadband Internet

Page 26: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example - Broadband Internet

So what do these charts tell us about changing social values and cultural languages?

How has broadband changed the way we consume and produce media?

Think about radio?Cinema?Newspapers and magazines?Music?

Page 27: 03. g325 contemporary media issues   intro to section b - postmodern audiences
Page 28: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Web 2.0 is really about normal everyday people using the Web and creating things on it - forget

the acronyms..

Richard MacManus (2005)

Definition – Web 2.0

Postmodern Media involves an active audience

Page 29: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example of Web 2.0 – Mash-Up

Kylie Minogue vs New Order Can’t Get Blue Monday Out Of My Head

(2001) Remixed by Soulwax

Page 30: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example of Web 2.0 – Mash-Up

‘Read My Lips’ - Bush / Blair (2006) by atmo.se

‘Buttery Biscuit Base’ – Masterchef Synaesthesia (2011) by Swede

Mason

Page 31: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Web 2.0 – Overview

Page 32: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Do we 'watch television' in the traditional sense anymore?

What about the powerful 'media institutions' that existed before the age of convergence?

How do Web 2.0 sites allow you to share in a new way?

Is this part of a new shared cultural language? Is there even such a thing as 'audience' in this

postmodern age?

Example - Broadband Internet

Page 33: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Example – Citizen Journalism

Has global internet broadband created 'citizen journalism' that allows us to change social values?

Dan Gillmor argues in his book ‘We, The Media’ (2004) that Web 2.0 enables ordinary people to participate in politics and news by producing their own accounts of real events and commenting immediately on 'official' journalism.

Instead of having what constitutes news decided for us, we decide – a perfect example of ‘we-media’?

Page 34: 03. g325 contemporary media issues   intro to section b - postmodern audiences

YouTube launches citizen journalism channel

YouTube has launched YouTube Direct, a dedicated channel for citizen

journalism, in an attempt to better connect news organisations with user

generated content.Daily Telegraph 18 Nov 2009

How do I know that ‘citizen journalism’ is important? Examples…

Page 35: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Iran Protests: Twitter, the Medium of the Movement

Time Magazine 17 June 2009

Page 36: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Arab Spring Protests 2011 - Tunisia, Egypt, Libya, Syria, Yemen,

Morrocco….

How Facebook Changed the World

(BBC 2011)

Page 37: 03. g325 contemporary media issues   intro to section b - postmodern audiences

London riots: how BlackBerry Messenger played a key rolePolice looking on Facebook and Twitter for signs of unrest spreading missed out – they should have watched BBM (The Guardian 2011)

Page 38: 03. g325 contemporary media issues   intro to section b - postmodern audiences

Short Essay on Web 2.0

Time for some writing:How has the advent of Web 2.0

changed the way audiences create, communicate and consume media?

Remember you’ve got to write about the past, present and future – give examples – use theory to back up your ideas…