Download pptx - The Baroque Era ch 15, 14

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Page 1: The Baroque Era ch 15, 14

The Baroque Erach 15, 14

George Frideric HandelOratorio

Page 2: The Baroque Era ch 15, 14

J. S. Bach & G. F. HandelBach likeend of Baroque (1685-1750)large outputmany diverse styles &

genres; sacred & secular

Bach unlikepolyphony Renaissancemusic—little acceptance in

lifetime; forgotten afterNO OPERA!few outside influences

Handelend of Baroque (1685-1759)large outputmany diverse styles &

genres; sacred & secular

Handelhomophony Classical

eramusic popular during & after

lifetime much OPERA!Germany Italy England

Page 3: The Baroque Era ch 15, 14

Handel in England

WritingOpera

Page 4: The Baroque Era ch 15, 14

Handel in England

Opera

Opera

Page 5: The Baroque Era ch 15, 14

Handel in England

Oratorio

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Opera & OratorioOperalikelarge-scale workbased on story linerecitatives, arias, ensemblesorchestra

Opera unlikeItalian languagePlots: mythology, aristocrats,

historic figuresLittle chorusNO narratorMuch visual

Oratoriolarge-scale workbased on story linerecitatives, arias, ensemblesorchestra

OratorioEnglish languageplots: O.T. stories

Chorus = VIMPNarrator = VIMPNO Visual

Page 7: The Baroque Era ch 15, 14

HandelEv’ry Valley shall be Exalted from

MessiahAria from OratorioI=

word painting

Overview

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Page 8: The Baroque Era ch 15, 14

HandelHallelujah Chorus from Messiah

Chorus from OratorioI= Frequent and sudden texture

changesMonophony, polyphony, homophony

Overview

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12

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