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¡ 17 STACCATO i I STUDIES | X X X X
Jorge L . Rodríguez fj JP Clarinete X X V Santiago-Chile X X X
g FOR C L A R I N E T x x X X X " X ^ X X X
X X X X X
X N a 1554
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INTERNATIONAL MUSIC COMPANY g 5 W E S T 37th STREET NEW YORK CITY X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X P R I N T E D I N U .
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17 S T A C C A T O S T U D I E S
Jjge L. Rodríguez fiármete
Sa»tiago-ChiU
"Tip of the tongue. tip of the reed" is the golden rule for delicate staccato. Staccato is the musical effect created by detaching note from its neighbors. Adjoining notes must be completely separated by intervals of silence.
I like to believe, and I contrive to créate the same impression in the minds of my students, that the art of staccato playing is one of the easiest things we can hope to accomplish, for there is so litt le movement involved. Actually i t is not so easy, as there is only a small margin of safety. The distance the tongue should travel is probably no more than a quarter of the distance involved in the building of an eye. Therefore futile movement of the mouth and jaws should be avoided: ¡nterference of this nature can only add to the problem.
Allegretto R E G I N A L D K E L L
sempre staccato
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1554 © Copyright 1958 by International Music Company, New York City
A l l e g i r o
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Allegro Moderato
5 sempre staccato
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1554
T h e comparative slow tempo of Andantino is suggested so that the 32"ú notes can be played really short
in contrast to the 16"' notes.
Andantino
Jleggero (light and airy) sempre staccato
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1554
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1554
15
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1554
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18
Allegro Moderato
' p sempre staccato
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