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Page 1: Question 3 — Medieval English Cycle Plays · Question 3 — Medieval English Cycle Plays(20 marks) ‘The presentation of religious material in English Cycle Plays was fundamentally

Question 3 — Medieval English Cycle Plays (20 marks)

‘The presentation of religious material in English Cycle Plays was fundamentallyhopeful.’

Discuss this statement in relation to performance styles and dramatic forms and conventions inAT LEAST THREE texts set for study.

Texts set for study:

York, The Creation, and the Fall of LuciferChester, Noah’s FloodTowneley/Wakefield, The Second Shepherds’ PlayTowneley/Wakefield, Herod the GreatYork, The CrucifixionYork, The Judgement

OR

Question 4 — Dario Fo (20 marks)

‘Dario Fo creates political comment and comedy by throwing simple charactersinto difficult situations.’

Discuss Fo’s use of characterisation in performance to achieve his purposes, referring to ATLEAST TWO texts set for study.

Texts set for study:

Accidental Death of an AnarchistCan’t Pay? Won’t Pay!Mistero BuffoTrumpets and Raspberries

OR

– 4 –

In your answer you will be assessed on how well you:

■ demonstrate knowledge and understanding of drama and theatre relevant to the question

■ express your point of view and use appropriate supporting evidence

■ present a sustained, logical and well-structured answer to the question

Page 2: Question 3 — Medieval English Cycle Plays · Question 3 — Medieval English Cycle Plays(20 marks) ‘The presentation of religious material in English Cycle Plays was fundamentally
Page 3: Question 3 — Medieval English Cycle Plays · Question 3 — Medieval English Cycle Plays(20 marks) ‘The presentation of religious material in English Cycle Plays was fundamentally
Page 4: Question 3 — Medieval English Cycle Plays · Question 3 — Medieval English Cycle Plays(20 marks) ‘The presentation of religious material in English Cycle Plays was fundamentally
Page 5: Question 3 — Medieval English Cycle Plays · Question 3 — Medieval English Cycle Plays(20 marks) ‘The presentation of religious material in English Cycle Plays was fundamentally
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