ProHD the solution for Professionals
ProHD is the universal toolEconomical
FlexibleFuture Proof
Semir NouriEuropean Product Manager
Creation Products
Why Progressive HD?
Is HD 720p a big improvement? We already have 625 lines in PAL!Wouldn’t 1080i be better? Doesn’t it offer more resolution?
1080i720p
576i (PAL) = ?
Overall Conclusion?
1080i720p
576i (PAL) =
This is not a reliable comparison
576i has around 400 lines of vertical resolution1080i offers around 780 lines of vertical resolution720p has 720 Lines of vertical resolutionTherefore…
1080p
1080i
A More Realistic Comparison
720p576i (PAL)
Comparison of Signal Resolution
This compares the resolution of the resulting signalWhich has nothing to do with the specified pixel count
Why JVC Chose Progressive ?
All new displays are progressive in nature
More efficient to compress
Easier to process and convert
More economical for broadcasting
IT friendly for streaming and distribution
The HDV HD Formats
Intended for Consumer Applications but usable for Professionals Identical frame rates and Line counts as ATSC/EBU 720p and 1080i offer visually similar Quality Quantization is 8 Bit @ 4:2:0 like DV MPEG-2 Compression 18~22 Mbit/s GoP 6 bzw. 12
The JVC HD Strategy
Affordable HD with Professional features
Progressive Scan: for best compatibility with new display technology
Exchangeable Lens System: manual Focus and Zoom ideal for Professional users
MPEG-2 Compression: for high efficiency and economical Storage and Editing solutions
Tapeless Solution: for fast and reliable editing workflow
Complete Product Family: to cater for every need and budget
Strategic Partnerships for a complete solution
Tape-less Workflow Solutions Editing Solutions Archiving Solutions Wireless HD Links Battery Options Lens Adaptations
ProHD the most successful product Line ever launched Many Satisfied Customers, Many great Projects
Claude Lelouch in France “Karger” Ö-Film, Germany My Boy “011Films” in Spain Italy and Morocco And many More
This is a testimonial of flexibility and Robustness
ProHD the most successful product Line ever launched
Product Features :
Exchangeable lens (Fujinon 16x) 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder HDV and DV PAL in one Camcorder 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s Output in 720p with 50p and 60p also in 1080i with 50i and 60i TC Sync over Firewire Image Upside Down function for Cinema adapters LCD mirror mode Focus Assist Effect Adjust Function 2 Audio XLR connectors Compact, ergonomically designed Easy Focusing with « Focus Assist» Optional adapter for 1/2" lenses Available versions:
HD200E without DV/HDV input incl. 16x lens: € 6750,-- + vat. HD201E with DV/HDV input incl. 16x lens : € 7350,-- +vat.
* with optional Hard disk recorder DR-HD100 TM
HDV and HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC)
The Products; GY-HD200/201
JVC GY-HD200
Product Features :
Exchangeable lens (Fujinon 16x) 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder HDV and DV PAL in one Camcorder 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s Output in 720p with 50p and 60p also in 1080i with 50i and 60i TC Sync over Firewire TC in and TC out over BNC HDSDI out with Embedded Audio (!) GENLOCK input Image Upside Down function for Cinema adapters LCD mirror mode Focus Assist Effect Adjust Function Optional Studio Adapter with 26 pin compatible with RMP-210 IDX V-Mount for longer battery life Improved Audio indicators 2 Audio XLR connectors Compact, ergonomically designed Easy Focusing with « Focus Assist» Optional adapter for 1/2" lenses Available versions:
GY-HD251E only with DV/HDV input incl. 16x lens : € 9450,-- +vat. GY-HD251CHE only with DV/HDV input incl. 16x lens : € 8950,-- +vat.
* with optional Hard disk recorder DR-HD100
TM
HDV and HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC)
JVC GY-HD251
The Products; GY-HD251E
New Features You Wanted…we Listened
Full 50 and 60 Frames per second recording: Smooth motion for sports and action-rich scenes High quality Slow motion with full resolution images
HDSDI output -> user benefits: End to end digital quality, no signal degradation even with longer cables e.g. with
CCUs Embedded Audio and Time Code for single cable signal transfer…One wire is enough Low latency output signal << 1 frame ideal for live events where lip-sync is
important Expand System compatibility with several output signal options:
720p native, 1080i cross converted, 576i PAL down converted
Genlock input -> user benefits: Synchronize 2 or more cameras in the studio and feed the signal to a mixer or
switcher Live event applications with low latency and several cameras
Time Code inputs and outputs -> user benefits: Get identical time code for 2 or more cameras in a shoot. Multi-Angle shoots with 2 or more cameras are now easy to synchronize in the
editing system Easy synchronization of 2 cameras for 3D applications Works in SD and HD, so the benefit is available in all modes
Other enhancements: Image flip; use inexpensive cinema adapters like red rock micro 3 settings for Focus assist; Adjust the level according to scene content, get more
precise focusing
GY-HD251E Acquisition System Example
NLE
DR-HD100
IEEE1394
BR-HD50
GY-HD250
Tape
1080i
720p
SD
DV cableHDV/DV
Recording format720p 60(HDV)720p 50(HDV)720p 24(HDV)576i 50(DV:GY-HD251E)576i 25(DV:GY-HD251E)
DV cable
(Output signal is NLE dependant)
DV cable
BR-HD50
Now Shipping and new firmware is available with Apple Quicktime support
By recording on a hard drive recording times much longer than 60 min can be achieved. The Direct To Edit (DTE) Technology saves time because it allows direct access to clips recorded on the hard drive. Editing on the external drive is also possible. Recording on two media also increases safety against loss of footage. Loop recording, time lapse and other features increase productivity. The hard drive recorder is available in a a 40GB and a 80GB version.
40 GB = 3h DV, 4h20 min HDV80 GB = 6h DV, 8h30min HDV
Extra Hard Drive for Tapelss Workflow
Today: Disk-Based Produktion Workflow
Dual Media Acquisition Disk + TapeDTE Direct To Edit, no Transfer/Conversion timesLong recording times >8h per disk
Disk
1394
DR-HD100
1394
HD: MPEG Transport Stream (.ts)
HD: MPEG Quicktime (.mov)
HD: …..
DV: .avi-1 and .avi-2
DV: .Quicktime DV (.mov)
DV: .omf
DV: More formats incl. mxf
GY-HD251E Multi-Camera Acquisition System
DV cable
NLE
BR-HD50
HDV/DV
Tape
1080i
720p
SD
Recording format720p 60(HDV)720p 50(HDV)720p 24(HDV)576i 50(DV:GY-HD251E)576i 25(DV:GY-HD251E)
Tape
GY-HD250
GY-HD250
Genlock/Time code
BR-HD50
(Output signal is NLE dependant)
HD SDI
HouseSync
HD Live Switcher
Headset
GY-HD250/KA-HD250
RM-P210
Control
GY-HD251 HD Studio System
Monitoring
GY-HD250/KA-HD250
HD SDI
Control
Component
Marshall V-R70
Headset
Headset
HeadsetMarshall V-R70
More ProHD Advantages
Advantages of low bit rate signals based on HDV Less storage capacity is needed per hour
Economical archiving Longer recording times on any given media User friendly operation
IT Communication channel friendly Use: Microwave, Wimax, DSL…for transfer
Native workflow easier to achieve Shoot, Transfer, Edit and Archive without ever changing the codec
This adapter allows the use of Film prime lenses. Changing the This adapter allows the use of Film prime lenses. Changing the focus and depth of field properties as available in film are possible. focus and depth of field properties as available in film are possible. In a dialogs the speaking person can be put in focusIn a dialogs the speaking person can be put in focus
Optional Adaptation with P&S Mini35 for ProHDPrice ~€ 8000.– without Lens
Film Prime Lenses and ProHD
ProHD 1/3“ Lenses for All ProHD Cameras
Canon KT20X5BKRS Price € 9 600.--
Fujinon HTS18X4.2BRMM48 Price € 12 100.—
Fujinon TH17X5BRM-29 Price € 3 200.--
Fujinon TH17X5BMD-D29 Price € 4 100.--
Fujinon TH13X3.5BRMU Price € 8 500.--
New Photo Lens Adapters:
Zoerk Leica and Nikon adapters (www.zoerk.com)
- Zoerk Nikon Adapter ZO-HD-ADAPT-NIK, € 250.--- Zoerk Leica Adapter ZO-HD-ADAPT-LEI, € 300.–
- Coming soon tilt lens adaptation
More 3rd Party Accessories for Creation
Headset
HouseSync
Headset
GY-HD250/KA-HD250
RM-HP250
Control
Analog GY-HD251 HD Studio System
HD Live Switcher
GY-HD250/KA-HD250
Control Component
VF-P700
Headset
Headset
Multi-Core cable
Control
RM-LP25RM-LP25
VF-P700
Headset
HouseSync
Headset
GY-HD250/KA-HD250
RM-HP250
Control
Analog GY-HD251 HD Studio System
HD Live Switcher
GY-HD250/KA-HD250
Control
SDI/HDSDI
VF-P700
Headset
Headset
SuperMulti-Core
cable
Control
RM-LP25RM-LP25
VF-P700
SDI/HDSDI
DT-V24L1D (HD-SDI)
DT-V20L1D (HD-SDI)
Designed for Broadcast, Electronic Cinema and Post-Production applications. Native 1920x1080 24” wide-screen LCD panel (DT-V24L1) Built-in Analog and HD-SDI / SD-SDI inputs 1080p 24/24SF support and embedded audio DVI-D input with HDCP, HDMI compatible Professional rotary-type and direct function image controls Blue Check, Color Off, Area Markers and other professional features One-piece space saving design Multiple Remote Control capabilities Rack Mountable (DT-V20L1)
Professional Studio Monitors
24”
20”
Model Name DT-V24L1D DT-V20L1D
LCD SIZE 24 inch TFT-LCD 16:10
20inch TFT-LCD 16:10
Resolution 1920 x 1200 (WUXGA) 1680 x 1050 (WSXGA+)
Brightness 450 cd/m2 (Glare)
450 cd/m2 (Glare)
STD. Input ・ VBS 2 Line BNC ( Bridged) 24” is Gold・ HD/SD SDI with E.Audio (Switched Out) Both model is Gold・ Component / RGB for Video (Bridged) 24” is Gold
・ DVI-D with CP
AUDIO In/Out
With speaker
IN : E.Audio 2Line (BNC)
Selectable LINE IN ×2LINE (RCA)+1LINE(mini Plug)
OUT : Monitor OUT 1 Line (RCA)
Exterior Features ・ Front cabinet : Plastic Rear Cabinet : Metal
・ VESA 100 mounting Hole
・ Mounting structure for Optional screen protector
STD. Function Based on “DT-V1710CG” CRT series image
REMOTE Make or Trigger ( RJ-45 ) or RS-232C ( D-sub9pin ) or RS-485 ( RJ-45 )
Accessory AC Power Code / Tilt stand
POWER AC120 / 220-240V
1080/50P 60P native FHD1080/50P 60P native FHD (( DVI-inputDVI-input ) ) for HD Editing use and for HD Editing use and Class No.1 High-Performance Line-Up Class No.1 High-Performance Line-Up
24inch-Wide 20inch-Wide “DT-VXXL1D” seriesBasic Specification
【 Optional Parts 】
【 General Specifications 】
★★: Studying: Studying
Rack Mount Adapter (for 20inch)
★Screen Protector (for 20 / 24inch)
World first premium!! Gold BNC connector for 24inch and both SDI!!
Input FunctionsInput Functions
HDSDI Embedded AUDIO
Capability of 12ch (for Cinema Editing) ※Current model is 8ch
Audio Level Meter Capability of HD/SD SDI 12ch
NO SYNC FUNCTION No Work or SLEEP or GRAY BACK selectable
MAKE/TRIGGER parallel remote
Control item is assigned to every pin.
RS Remote control RS system change feature RS-232C → RS-485 → RS-485
Twin color TALLY RED or GREEN selectable
INPUT FORMAT and Remote of SystemsFORMAT and Remote of Systems
VIDEO NTSC PAL SECAM BW50 BW60
COMPO/RGB 480i 576i 480p 576p 1080i → Both 50/60Hz 720p→50/60Hz 1080p→24sF/30sF/24/30Hz
HD/SD SDI 480i 576i 480p 576p 1080i → Both 50/60Hz 720p→24/30/50/60Hz 1080p→24sF/30sF/24/30Hz
DVI with HDCP 480i 576i 480p 576p 1080i → Both 50/60Hz720p 1080p → Both 24/25/30/50/60HzVGA60 WVGA60 SVGA60 XGA60 WXGA60 SXGA60 SXGA+60 WSXGA+60 UXGA60(only 24”) WUXGA60(only 24”)
AUDIO Selectable Input Analog L/R LINE INMonitor LINE OUT
REMOTE (RJ45)
MAKE Contact or TRIGGER Pulse selectableRS-485 or RS-232C selectable