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DUET(Corrente)
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32 DIJET(Poionaise)
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33DUET(Allegro)
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3 4 D{JET
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FFI= * f i- :3 -
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-nat if F + ^. + * * . * * ? i?+* 4 +-
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o- -- - -- -F l - F l - r r r l
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l- iv F 7'- .)a)A)t ==l= -===
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8 DUE?Slow1ywith expression Khatchafurian
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SECTION3 & 4 MALLETS
Hand Posit ionThereare three basic methods of holding four mai lets.cross Grip: The mal letsare held between he thumb andand the third f inger.The mai lets cross in thefor vibraphonewhere rarge spreads" are notMusserGrip:
to a par t icu larnotef rom lef t t o r ightas
foref inger,ndbetween he foref ingerpalmof the hand. h isgr ip s popularnormal lyequi red.The mal le tsare he ld between he thumb and fore f inger nd beneath he four th andf i f th f inger 'The mal le tsdo not cross.Th is gr ip is popular or mar imbawhere largespreads"and mal le t ndependence re requ i red.BurtonGrip: The mallets are held beneath he foref ingerand in the palm of the hand,perpendicularo the othermal let . hemal let icross n the palm of the hanct .This gr ip is popular or both vibraphone nd marimba.t a l iowsa greatdeal ofpower ndcontrol n theouts idemal lets .tsassClefTheuseof thebass lefhasbecome tandardn marimba otat ion. hestudent houldmemorizethisc lefandbeabre o read rueni lyn bothbass nd rebre refs.
Spaces
Mal le tAss ignmentThe Ass ignmentof a spec i f ic mal le tmal le tnota t ion.Mal le tsare numbered is becoming standard n three and fourfo l lows:
1
When a number appears above orstr ike hat note.
4a\ \\Le
3?/f t \ fRigh t
cor respondingmal le t
-;
below a note , the should be used to
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40 TECHNIQI-IE c
* Techniccl Erercues may be practiced fn cll maior cnd mfnor keys.