ZDENKO BAŠIĆVjetrove sjene / Shadows of the Wind

Galerija Klovićevi dvoriJezuitski trg 4, Zagreb

Podizanje / Up

ZDENKO BAŠIĆ

Vjetrove sjene / Shadows of the Wind

14. prosinca 2017. – 28. siječnja 2018.December 14th 2017 – January 28th 2018

Organizacija izložbe / Organisation of the exhibitionGalerija Klovićevi dvori, ZagrebKlovićevi Dvori Gallery, Zagreb

Autorice stručne koncepcije i kustosice izložbe / Authors of the professionalconception and curators of the exhibitionKoraljka Jurčec KosDanijela Marković

Prostorna koncepcija izložbe i likovni postav / Spatial conception and art layoutof the exhibitionZdenko BašićKoraljka Jurčec KosDanijela Marković

Vizualni identitet / Visual identityBachrach & Krištofić

Odnosi s javnošću i marketing / Public relations and marketingGordana BralićDora Mlinek

Pedagoški program / Educational programsLiljana Velkovski

Organizacija tehničkog postava / Technical setup organizerDragutin Matas

Rasvjeta / LightingDamir Babić

Tehnička realizacija / Technical realizationDavor MarkotićTomislav AntolićBoris KrepelnikTomo Šetek

Izložba je ostvarena uz financijsku potporu Ministarstva kulture Republike Hrvatske, Gradskog ureda za obrazovanje, kulturu i sport Grada Zagreba i Galerije Klovićevi dvori. / The exhibition has been realised with the financial support of the Ministry of Culture, Zagreb City Office of Education, Culture and Sports and the Klovićevi dvori Gallery.

Sadržaj Content

7Zašto Zdenko Bašić? / Why Zdenko Bašić?

Darko Kreč

11Zdenko Bašić – dobitnik Velike nagrade Šestog hrvatskog biennala ilustracije (2006.–2016.) /

Zdenko Bašić – winner of the Grand Prix at the Sixth Croatian Biennale of Illustration (2006–2016)Danijela Marković

16Reprodukcije / Reproductions

Sjeverozapadni vjetar / Northwest WindMjesečeve sjene / Moonshadows

SteampunkNovi radovi / New Works

75Životopis / Biography

77Nagrada i priznanja / Awards and Acknowledgements

Isabella Mauro

79Filmografija / Filmography

Isabella Mauro

82Bibilografija / Bibliography

Isabella Mauro

89Kataloški popis djela / Catalogue of the Works

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Kao jedan od članova prosudbene komisije UŽIVAO sam uodabiru radova za Šesti hrvatski biennale ilustracije, pod na-zivom Ilustracija i animacija. I kako onda pored velikog brojaodličnih ilustratora (i animatora) odabrati najboljeg?

Kako uopće odrediti tko je najbolji, koje kriterije primijenitikada su svi izvrsni, maštoviti, kada svaka ilustracija naprostožudi za oživljavanjem?

Zašto najbolja ne bi bila Irena (Jukić-Pranjić) čiji filmovi „kaood šale“ putuju velikim svjetskim festivalima animiranogfilma ili Tomislav (Torjanac) - ilustracije mu oživljavaju čimih vidite, a možda je najbolji Davor (Pavelić) sa svojim duho-vitim radovima koji naprosto tjeraju da ga volite, a i Matija(Pisačić) je baš s animiranim Čobanom dobio Grand Prix u Istan-bulu. I kad imaš takav problem, naravno da ti u odabiru mogupomoći neki dodatni kriteriji...

Zdenko je pored savršeno atraktivnih i vizualno dojmljivih ra-dova (koji svakako zaslužuju samostalnu izložbu) imao nekedodatne prednosti koje su, barem meni, znatno olakšale do-nošenje odluke.

Njegova umjetnička (animatorska i ilustratorska) vrijednostbila je vidljiva već nakon upisa na Akademiju likovnih umjet-nosti u Zagrebu. Zdenko je, naime, 1999. godine upisao studijanimacije na novoosnovanom Odsjeku za animirani film. Prvageneracija, svi talentirani, zainteresirani, marljivi a Zdenkonajbolji! Već izgrađen stil, bajkovit i maštovit.... I naravno da

It was a delight, as a jury member, to choose works for the SixthCroatian Biennale of Illustration entitled Illustration and Anima-tion. So how, among the large number of excellent illustrators(and animators), to decide who is the best?

In general, how to single someone out, which criteria to usewhen all of them are excellent and imaginative, when every illus-tration simply yearns to be brought to life?

Why should Irena (Jukić-Pranjić) not be the best, her films seemto travel to major world animated-film festivals "without a hitch";or Tomislav (Torjanac), his illustrations come to life as soon as yousee them; perhaps the best of all is Davor (Pavelić), with his wittyworks that simply make you love them; and Matija (Pisačić) justwon the Grand Prix in Istanbul with her animated film Čoban (TheShepherd). When you have this kind of problem, then naturallysome additional criteria can help you choose ...

Besides his perfectly attractive and visually impressive works(which certainly deserve an independent exhibition), Zdenko hadsome additional advantages which, for me at least, made it mucheasier to make a decision.

His artistic value (as animator and illustrator) came to expres-sion right after his enrollment at the Academy of Fine Arts inZagreb. In fact, Zdenko enrolled the study of animation in 1999at the newly established Animated Film Department. The firstgeneration, all of them talented, interested, hardworking, andZdenko the best of all! He had already built a style, enchanting

Zašto Zdenko Bašić?

Darko Kreč

Why Zdenko Bašić?

Darko Kreč

Cilindar / Cylinder

Zaboravljena zemlja / Forgotten Land Kreacija / Creation ›

je dobio priznanje za najboljeg diplomanta Akademije za di-plomski film Anđeli u snijegu (i ne samo da je bio najbolji negosu usudio raditi diplomski film u jednoj izuzetno teškoj teh-nici- lutka filmu- koja je u ono vrijeme i za nas koji smo većdugo prisutni u animaciji bila prilično nepoznata u tehničkompogledu!).

Tih godina bio sam povjerenik za animirani film pri Ministar-stvu kulture Republike Hrvatske i pored mnoštva animiranihfilmova koji su pristigli na natječaj za financiranje filmskeproizvodnje izdvojio se film Guliver autora Zdenka Bašića. Iopet maštovito, talentirano i vizualno atraktivno.

Film je na Danima hrvatskog filma jednoglasno osvojio Okta-vijana, nagradu za najbolji film (prvi puta je animirani film, u

and imaginative ... And unsurprisingly, he received the Academy’saward for best graduate for his graduation film Angels in the Snow(and not only was he the best but he dared to make his gradua-tion film in an extremely difficult technique – the puppet film -which was at that time in technical terms quite unknown evenand to those of us who had long been present in animation!).

At that time I was commissioner for animated film at theCroatian Ministry of Culture and among the many animatedfilms that came to the competition for funding film production,Zdenko Bašić's Gulliver stood out. Again: imaginative, talentedand visually attractive.

At the Croatian Film Days the film unanimously won theOktavijan Award for best film (for the first time this prestigious

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konkurenciji kratkog, dokumentarnog, eksperimentalnog i na-mjenskog filma dobio tu prestižnu nagradu). Koliko se sjećamprilikom kolaudacije filma Zdenku sam proročki predvidio baštu nagradu!

Nakon toga Porin za najbolji glazbeni spot.... i mislim da višene moram nabrajati nagrade, pohvale, ilustracije, animacije,filmske uradke... Jednostavno Zdenko Bašić i kao umjetnik ikao kolega zaslužuje izložbu!

prize went to an animated film in competition with the short,documentary, experimental and special-purpose film). To thebest of my recollection, during the collaudation of the film Iprophetically predicted that Zdenko would win the award.

After that came the Porin Award for best musical spot ... and Ithink I no longer need to list the awards, praise, illustrations,animations, movie productions ... Simply, Zdenko Bašić deservesan exhibition both as an artist and a colleague!

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Otkada je prije desetak godina, 2006. godine Galerija Klovićevidvori pokrenula projekt Hrvatskog biennala ilustracije ZdenkoBašić njegov je sastavni dio uz nemali broj drugih autora poputZvonimira Baloga, Ivana Gregova, Ivane Guljašević, MarseleHajdinjak, Marijane Jelić, Ane Kadoić, Dubravke Kolanović,Sanje Pribić, Voje Radoičića, Danijela Srdareva, Tomislava To-mića, Tomislava Torjanca, Manuele Vladić Maštruko, PikeVončine, Ive Višošević i dr. koji su podjednakim žarom svojimprijavama uvijek iznova podupirali novoutemeljenu manife-staciju. Svojim je bogatim talentom te osjećajem za ilustracijukao likovnu disciplinu i sudjelovanjem na svim do sada održa-nim izložbama biennala, kao i drugi, već spomenuti autori,zaslužan i za činjenicu da je danas Hrvatski biennale ilustracijeuistinu zaživio kao ugledna međunarodna izložbena manife-stacija koja traje više od deset godina i hrabro korača premasvome sedmom izdanju. U svojih je šest sudjelovanja na iz-ložbama biennala Bašić nagrađen dva puta – prvi put naPrvom biennalu drugom nagradom žirija te na posljednjem,Šestom biennalu na kojem je osvojio Grand prix / Veliku na-gradu povodom čega i nastaje ovogodišnja samostalna izlo-žba. No, to nije prvi put da Bašić izlaže u Galeriji Klovićevidvori. Vrlo je zapažena bila njegova opsegom mala, no bajko-vitošću scenografije začudna, čak ne izložba, već scenografskainstalacija postavljena u predvorju Galerije 2011. godine prilikompredstavljanja knjige Sjeverozapadni vjetar.

Zdenko Bašić has been part of the Croatian Biennale of Illustra-tion since the Klovićevi dvori Gallery launched the project aboutten years ago, in 2006, as has a number of other artists such asZvonimir Balog, Ivana Gregova, Ivana Guljašević, Marsela Ha-jdinjak, Marijana Jelić, Ana Kadoić, Dubravka Kolanović, SanjaPribić, Vojo Radoičić, Danijel Srdarev, Tomislav Tomić, TomislavTorjanac, Manuela Vladić Maštruko, Pika Vončina, Iva Višoševićand others. None of them ever lost their enthusiasm and sup-ported the newly-created event by repeatedly sending in theirapplications. With his rich talent and his feeling for illustrationas an art discipline, and having participated in all the biennialexhibitions held so far, Bašić, as well as the other artists men-tioned above, is one of the reasons why the Croatian Biennaleof Illustration is today truly rooted as a respected internationalexhibition event that has lasted for more than ten years and isboldly stepping toward its seventh edition. In his six Biennaleexhibitions, Bašić won two awards – the first at the First Bien-nale, when the Jury awarded him Second Prize, and again at themost recent Sixth Biennale, in which he won the Grand Prix thatled to this year's solo exhibition. However, these were not theonly times that Bašić exhibited at the Klovićevi dvori Gallery. Verywell received was his appearance, small in scope but amazing inenchantment of scenography; it was not even an exhibition buta scenographic installation set up in the Gallery lobby in 2011 topresent The Northwesterly Wind.

Zdenko Bašić – dobitnik Velike nagrade

Šestog hrvatskog biennala ilustracije

2006.–2016.

Danijela Marković

Zdenko Bašić – winner of the Grand Prix at

the Sixth Croatian Biennale of Illustration

2006–2016

Danijela Marković

‹ Rušiščak / The Rušiščak

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Upravo su njegove autorske slikovnice, Sjeverozapadni vjetar:o vilenjacima i elementarnim bićima sjeverozapadnog dijela Me-dvednice pa do Samoborskog gorja (2011., Planetopija) te Mjese-čeve sjene: o vješticama i pričama noćnih sati sjeverozapadnogdijela Medvednice i Samoborskog gorja (2013., Planetopija) po-sebnost njegova kreativnog stvaranja. Iako je primarno likovniumjetnik – ilustrator, a po obrazovanju grafički dizajner,Zdenko Bašić u ovim je knjigama uz to i autor teksta. Taj knji-ževno-likovni pristup svojevrsni je gesamtkunstwerk i podsjećana rad velikoga pisca i ilustratora Zvonimira Baloga (pobjed-nika prethodnog Petog biennala). U konačnici taj rad rezultirane samo knjigom kao zasebnim djelom, već ideju razvija daljete knjiga postaje predloškom za novo umjetničko djelo - film.Stoga je iz oba aspekta - književnog i likovnog - vrijedno pro-motriti njegov rad.

Ako za početak proučimo njegov rad s književnog gledišta, skojim ga na prvi spomen kao likovnog umjetnika izravno nepovezujemo, zapazit ćemo nekoliko zanimljivosti. Već je spo-menuto kako se šarolikost i raznovrsnost njegova ilustrator-skog rada najbolje ogleda u njegovim autorskim knjigama, aknjige pretpostavljaju pisanu riječ. Tako je Bašić u njima ipisac koji nedvojbeno inspiraciju pronalazi u pričama i sjeća-njima iz djetinjstva kao i obiteljskim ˝predajama˝, a uzor uIvani Brlić Mažuranić i njezinim Pričama iz davnina te, poputnje, u slavenskoj mitologiji. Primjerice uvodna priča u Sjeve-rozapadnom vjetru govori o ženi koja je pekući kruh proklinjalavjetar što joj je gasio oganj, a završava piščevom digresijomkako se ta priča usmenim pripovijedanjem prenosila s gene-racije na generaciju, a njemu ju je ispričala baka. Oba su mo-tiva, bake i ognja, prepoznatljiva iz Šume Striborove. Samapriča o Sjeverozapadnom vjetru, glavnom junaku knjige, za-počinje modifikacijom standardne formulacije kojom započi-nju bajke: ˝Jednom, ne toliko davno...˝. I dalje u knjigamaprepoznajemo cijeli niz poznatih motiva i likova – od onih izklasičnih bajki poput lika zimskog mraza koji pjeva najljepšu

It is the picture books of which he is both author and illustrator,The Northwesterly Wind: On Elves and Elementary Creatures of North-western Medvednica up to the Samobor Hills (2011, Planetopia) andMoonlight Shadows : On Witches and Night-Time Stories of Northwest-ern Medvednica and the Samobor Area (2013, Planetopija), thatmake up a special part of his creative work. Although he is pri-marily an artist, an illustrator, and by education a graphic designer,in these books Zdenko Bašić also wrote the text. This literary andartistic approach is a kind of gesamtkunstwerk reminiscent of thegreat writer and illustrator Zvonimir Balog (winner of the FifthBiennale). Eventually, this work did not end in book-form; theauthor developed the idea further and the books became a foun-dation for a new artwork – a film. Therefore, it is worth lookingat Bašić’s work from both aspects – literary and visual.

If we start by examining his work from the point of view of liter-ature, with which we do not at first associate him because he isa visual artist, we will notice some interesting things. It has al-ready been said that the many colours and variety in his illustra-tions best come to expression in the books that he both wroteand illustrated, and books presume the written word. In thesebooks Bašić is a writer who finds inspiration in childhood storiesand memories, in family tradition, and he finds a model in IvanaBrlić Mažuranić and her Stories of Long Ago and, like her, in Slavicmythology. For example, the introductory story in The North-westerly Wind tells about a woman who was baking bread andcursed the wind for blowing out her fire, and it ends with thewriter's digression saying that the story had been carried downby word of mouth from generation to generation, and was toldto him by his grandmother. Both motifs, the old woman and thefire, can be recognised in Stribor's Forest. The story about TheNorthwesterly Wind, the hero of the book, begins with a modifi-cation of the standard formula at the beginning of fairy tales:"Once upon a time, not so long ago ..." And furthermore, in thebooks we recognize a whole host of well-known motifs and char-acters - from those in classical fairy tales, such as the character of

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uspavanku i donosi najljepše snove kakve je prije smrzavanjasanjala i Andersenova Djevojčica sa šibicama, preko slavenskemitologije poput vila suđenica (grčke moire, rimske parke, nor-dijske norne) koje dolaze na dane oko djetetova rođenja tepredu, mjere i presijecaju nit ljudskog života, a spominje ih veći Homer u Ilijadi i Odiseji, zatim likova vještica i coprnica kojebi se okupljale po zalasku sunca na raskrižjima, kod zdenacaili na šumskim čistinama, a koje je u hrvatskoj književnosti ovje-kovječila Marija Jurić Zagorka do motiva iz popularne fantasy li-terature poput vilinskog vriska koji svojim glasanjem ljudimadonosi glavobolje, mučnine, nesanicu i bolest, a usporediva jes biljkom mandragorom koju nalazimo u drugoj literarnoj vrstislična narativa – Harryju Potteru J. K. Rowling.

Prostor u kojem se sve o čemu piše odvija naznačen je već unaslovima. Radi se o prostoru Bašićeva djetinjstva, njegovarodnog zavičaja, mjestima u kojima je odrastao – Medvednicii Samoborskom gorju. Svijet u kojem svi ti likovi žive svijet jeprirode – šuma, izvori i potoci, polja i rijeke, zemlja i voda, biljei njegovo korijenje. Taj svijet je i mističan, tajnovit, čaroban,bajkovit, magičan, onostran. Njime vladaju mir i tišina, a na-stanjuju ga vile i vilinski narod, vještice i coprnice, vilenjaci,vukodlaci i patuljci, vilovnak, suđenice, nevidinčići, kvatri,mraki, mraz, Mura, Mračnak, jagari, pesiglavci, raznovrsnobilje koje ima dušu – visibabe, zvončići, zumbuli, kukurijek, ja-glac, đurđice, djetelina... Bašićev narativ je takav da uvijek pišeo prošlom i u prošlom vremenu s referencom na suvremenostkoja se krije u izboru i načinu preuzimanja motiva. Tu velikogzapleta ni dramatičnog vrhunca i raspleta nema. On se već do-godio, a njegov je rezultat svijet u kojem danas živimo, svijetkoji ˝iza zastora od gradskih svjetala i ulične buke˝ ne umijeviše slušati, čuti ni razumjeti ni mir, ni tišinu, ni vjetar ni nje-gove priče.

Iz likovnog pak kuta gledano Zdenko Bašić slijedi klasičan put.U Zagrebu pohađa Školu primijenjene umjetnosti i dizajna,

the winter frost that sings the most beautiful lullaby and bringsthe most beautiful dreams of the kind dreamed by Andersen's Lit-tle Match Girl before she froze to death; through Slavic mythologylike the fairies of fate (Greek Moirai, Roman Parcae, Norse Norns)that visit on the days around a child's birth and weave, measureand cut the mother-thread of human life, already mentioned byHomer in the Iliad and Odyssey; and also the characters ofwitches and sorceresses that gather at sunset at intersections,near wells or in wood clearings, eternalized in Croatian litera-ture by Marija Jurić Zagorka; to motifs from popular fantasy lit-erature such as the unnatural scream that brings headache,nausea, insomnia and illness, associated with the mandrakeplant, which we find in another but similar literary genre – HarryPotter by J. K. Rowling.

The place where everything he writes about happens is givenin the title. It is the place of Bašić's childhood, his birth land,the places he grew up in – Medvednica Mountain and theSamobor Hills. The world in which all these characters live isthe world of nature – forests, springs and streams, fields andrivers, earth and water, plants and their roots. A mystical, se-cretive, enchanted, fairy-tale, magical world, beyond reality. Itis governed by peace and silence, inhabited by fairies and fairypeople, witches and sorceresses, elves, werewolves anddwarves, sprites, fairies of fate, pixies, gnomes, darkness, frost,Mura, Mračnjak, goblins and dogheads, and various kinds offlowers that have a soul — snowdrop, bellflower, hyacinth,hellebore, primrose, lily of the valley, clover... Bašić's narrativeis such that he always writes about the past and in the pasttense with reference to the present, which hides in the choiceof motifs and in the way he approaches them. There is no greatplot or dramatic climax and resolution. It has all already takenplace and its result is the world in which we are living today, aworld that stands “behind the curtain of city lights and streetnoises” and is no longer able to listen, to hear or understandpeace, silence, the wind and his stories.

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Odjel grafičkog dizajna, a potom upisuje Akademiju likovnihumjetnosti gdje je na Odsjeku za animirani film i nove medijeu klasi profesora Darka Kreča diplomirao 2005. godine dese-tominutnim lutka filmom Priča o snijegu – Anđeli u snijegu zakoji je dobio priznanje kao najbolji diplomant godine. Otadakontinuirano i predano radi te bilježi cijeli niz ostvarenja u ilu-straciji, animiranome filmu, glazbenim videospotovima i dru-gim medijima.

Kao ilustrator izradio je ilustracije za brojna književna djeladomaćih i inozemnih izdavača poput Božićne priče Charlesa Di-ckensa, Alise u zemlji čudesa Lewisa Carrolla, Snjeguljice, Pinocc-hia, Grimmovih i Andersenovih bajki, Priča iz davnina I. BrlićMažuranić, Frankensteina Mary Shelley i drugih. Za mnoge odnjih primio je nagrade i priznanja. U svojim radovima on spajanaizgled nespojivo – motive starinskog, dalekog i prošlogobrađuje suvremenom digitalnom kompjuterskom grafikomte pritom uspijeva evocirati uspomene i djetinjstvo, pobuditiemocije, a promatrača prenijeti u neki drugi, bajkovit i velomtajni obavijen svijet. Osim ilustracijom bavi se i stvaranjemglazbenih videospotova nastalih u suradnji s više hrvatskihglazbenih umjetnika (Lidijom Bajuk, L.I.P.E., 2Cellos , Gibon-nijem za čiji je videobroj Žeđam 2011. osvojio nagradu Porin).

No, značajan dio Bašićeva stvaralaštva pripada stvaranju ani-miranih filmova. Uz diplomantski Priča o snijegu – Anđeli u sni-jegu realizirao je još dva animirana filma – Vesla (2011.) iGuliver (2009.) za koji je nagrađen Oktavijanom na Danimahrvatskog filma 2009. te četiri dokumentarno-igrana serijalaSjeverozapadni vjetar: između legende i stvarnosti (2017.) nastalaprema istoimenoj knjizi. Kada je 2016. osvojio Veliku nagraduŠestog hrvatskog biennala ilustracije bila je to nagrada zanajbolji odgovor na zadanu temu – preispitivanje odnosa ilu-stracije i animacije, njihovo preplitanje i primjena. Priče i ilu-stracije zasnovane u knjigama zaživjele su u novom, filmskommediju i dobile novu, suvremeniju i pristupačniju formu. U tom

From the point of view of art, Zdenko Bašić has followed a clas-sical path. He attended the School of Applied Arts and Design,Department of Graphic Design, in Zagreb, and then enrolled atthe Academy of Fine Arts where he graduated from the Depart-ment of Animated Film and New Media in the class of ProfessorDarko Kreč. He graduated in 2005 with a ten-minute puppet filmSnow Story–Angels in the Snow, for which was awarded as bestgraduate of the year. Since then he has been working continu-ously and with dedication and has created many works in illus-tration, animated film, musical video spots and other media.

As an illustrator he illustrated many books for Croatian and for-eign publishers such as A Christmas Story by Charles Dickens,Alice’s Adventures in Wonderland by Lewis Carroll, Snow White,Pinocchio, Grimm’s and Andersen’s fairy-tales, Tales of Long Agoby Ivana Brlić Mažuranić, Frankenstein by Mary Shelley, and oth-ers. For many of them he received awards and commendations.In his works, he combines what is seemingly incompatible–mo-tifs from ancient days, distant and past, shown in contemporarydigital computer graphics; he manages to evoke memories andchildhood, stir up emotions, transport the observer to another,fairy-tale and secretive world. In addition to illustrations, hehas also created musical video spots in cooperation with sev-eral Croatian musicians (Lidija Bajuk, L.I.P.E., 2Cellos, Gibonnifor whose video spot I Thirst he won the Porin Award in 2011).

An important part of Bašić's creativity belongs to animatedfilms. Besides his graduation film Snow Story - Angels in the Snowhe made two more animated films – The Oars (2011) and Gulliver(2009), which won the Oktavijan Award at the Croatian FilmDays in 2009, and four documentary/live action episodes of theseries The Northwesterly Wind: between legend and reality (2017)based on the book of the same name. When he won the GrandPrix at the Sixth Croatian Biennale of Illustration in 2016, it wasfor best answer to the given topic – re-examining the relation-ship between illustration and animation, their interweaving and

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je smislu odnos književnog i likovnog važniji i od samog od-nosa animacije i ilustracije. Jer najpopularniji filmski uradci uzadnjih dvadesetak godina svoje ishodište crpe upravo izknjiga. Nemoguće je ne spomenuti komercijalni uspjeh Hob-bita i Gospodara prstenova J. R. R. Tolkiena, Narnijskih kronikaTolkienova prijatelja i suvremenika C. S. Lewisa ili već spome-nutog Harryja Pottera J. K. Rowling čije su filmske adaptacijepopularizirale fantastičnu literaturu, napravile pravi boom istekle vojske vjernih pratitelja širom svijeta. Mnogi će zbogtakvog komercijalnog uspjeha umanjiti umjetničku vrijednosttih djela, no zaokupljenost svjetovima fantastike i mitologijeseže daleko u prošlost, a oba su ionako odavno dijelom kulturesvijeta. I Bašić svoje knjiške ilustracije transponira u pokretnuanimaciju i film. Njegov je stil, iako prožet mnoštvom referen-cija i poznatih toposa, ipak jedinstven, autentičan i sasvimosoban.

A da je kojim slučajem Ivana Brlić Mažuranić rođena negdjedrugdje poput već nabrojanih pisaca sasvim sigurno bi i našePriče iz davnina postale filmski hit čiju bi adaptaciju mogao pot-pisati Zdenko Bašić. Za to talenta i maštovitosti neospornoima.

application. Stories and illustrations created in books came tolife in the new movie medium and got a fresh, more contempo-rary and more accessible form. In this sense, the relationshipbetween literature and visual art is more important than the re-lationship between animation and illustration. Because, themost popular movie productions in the last twenty yearsstarted out as books. It is impossible not to mention the com-mercial success of The Hobbit and Lord of the Rings by J. R. R.Tolkien, the Narnian Chronicles by Tolkien's friend and contem-porary C. S. Lewis, or Harry Potter by J. K. Rowling, whose filmadaptations popularized fantasy literature, made a real boomand gained armies of faithful followers worldwide. Because ofthis commercial success many people belittle the art value ofthese works, but preoccupation with the worlds of fantasy andmythology goes far back into the past, and both have longbeen part of world culture. Bašić, too, transposed his book il-lustrations into animation and film. His style, though pervadedby many references and known approaches, is neverthelessunique, authentic, and quite personal.

And had Ivana Brlić Mažuranić by chance have been born some-where else, like the aforementioned writers, quite certainly theCroatian Tales of Long Ago would have become a movie hitwhose adaptation could have been signed by Zdenko Bašić. Hecertainly has the talent and imagination to do so.

Za kraj / For the End

ReprodukcijeReproductions

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Sjeverozapadni vjetarNorthwest wind

Djetelina / Clover

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Đurđica / Lilly of the Valley

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Zvončić / Spring Snowflake

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Jagari / Hunters Juraj Veliki / George the Great ›

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Kukurijek / Hellebore

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Kvatri / Quarter Days

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Moire / Moirae

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Mraz / Frost

Mraki / Beings of Darkness

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Mura / The Mare Mura, detalj / The Mare, detail ›

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Sava / The Sava

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Čuvaj se straha / Beware of Fear

Mjesečeve sjeneMoonshadows

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Dugo sam čekao vjetar / I Waited for the Wind for a Long Time Jankić i horde / Jankić and the Hordes ›

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Esencije / Magic Potions

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‹ O baukaču / The Booger Jurjevski krijes / Bonfire of St George´s

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O onima koji su vidjeli sjela / Of those who Saw Witches´ Covens Mjesečeva snaga, detalj / The Strength of the Moon, detail ›

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Vještice mlin / Witches´ Mill

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Vjetar počinje govoriti / The Wind Begins to Talk

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‹ O vilama, detalj / On Fairies, detail O vilama / On Fairies

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Pod orahom / Under the Walnut Tree

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Rat svjetova / The War of the Worlds

Steampunk

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Bijeg / Flight Badnja večer / Christmas Eve ›

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Povratak / Return

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Osvajači s Marsa / Invaders from Mars

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‹ Zemlja slijepaca / Land of Blind Pogled u budućnost / A Look at the Future

Zemlja budućnosti / A Look at the Future

Vremenski stroj / Time Machine

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Božić budućnosti / Christmas Yet to Come Bobov duh / Bob´s Spirit ›

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Ulaz u groblje / Entrance to the Graveyard

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Ples goblina / Dance of the Goblins

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Ključ utopljene gospođe / Key of the Drowned Lady Putovanje sa duhom Sadašnjim / Journey with the Ghost of Christmas Present ›

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Novi radoviNew Works

Hrast / Oak Tree

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Nakon vremena / After Time Trešnje / Cherries ›

ZDENKO BAŠIĆ | 71

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Priroda lisice / Nature of a Fox

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Zmaj / A Dragon

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Zdenko Bašić rođen je 27. siječnja 1980. godine u Zagrebu gdjeje završio Školu primijenjene umjetnosti i dizajna, Odjel grafi-čkog dizajna. Diplomirao je na Odsjeku za animirani film i novemedije na Akademiji likovnih umjetnosti u Zagrebu 2005. go-dine 10 minutnim lutka-filmom Priča o snijegu – Anđeli u snijegu,i nagrađen nagradom za najuspješnije diplomante.

Pored animiranog filma i režije, bavi se i ilustracijom te jedosad ilustrirao nekoliko autorskih knjiga za koje dobivamnoga priznanja.

Nagradu ̋ Grigor Vitez˝ za ilustraciju dobiva 2009. i 2014., te po-sebno priznanje 2011. godine za cjelokupnu realizaciju knjige kaosklada dizajna, ilustracija i teksta te visoku estetsku vrijednost.

Godine 2006., 2012. i 2013. dobiva i književne nagrade “Kiklop”za svoj rad na autorskim knjigama, Priča o čokoladi, Sjeveroza-padni vjetar i Mjesečeve sjene.

Dobitnik je dva “Porina” diskografske nagrade, 2010. i 2012. zanajbolji video broj Žeđam i grafičko oblikovanje Svijet glamura.

Svoje ilustracije izlaže na nekoliko samostalnih i grupnih iz-ložbi u zemlji i svijetu, među kojima je i Biennale ilustracije u

Zdenko Bašić was born on 27 January 1980 in Zagreb, where hegraduated from the School of Applied Arts and Design, Depart-ment of Graphic Design. In 2005 he graduated from theAcademy of Fine Arts in Zagreb, Department of Animated Filmand New Media, with a ten-minute puppet film Snow Story -Angels in the Snow, and won the best graduate award.

In addition to making animated films and directing, he is alsoan illustrator and has so far illustrated several books that hewrote himself, for which he has received many awards.

He won the Grigor Vitez Award for Illustration in 2009 and 2014,and a special commendation in 2011 for the complete realizationof a book, showing harmony of design, illustration and text andhigh aesthetic value.

In 2006, 2012 and 2013 he received the Kiklop Literary Award forhis work as writer/illustrator of the books The Chocolate Story,The Northwesterly Wind and Moonlight Shadows.

He won two Porin Awards, in 2010 and 2012, for best video IThirst and for graphic design in The World of Glamour.

He exhibited his illustrations at solo and group exhibitions in

Životopis Biography

Model vremenskog stroja / Time Machine Model

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Bratislavi i Zagrebu, First Imam Ali International PaintingSymposium održanom u Teheranu 2007, te selekcija BIB u Ja-panu. Godine 2012. upisan je na Časnu listu IBBYja (Interna-tional Board on Books for Young People Honour List),

a 2009. ULUPUH mu dodjeljuje nagradu za najboljeg mladogumjetnika i doprinos ugledu ULUPUHa.

Za svoj debitantski film Guliver (2009) dobiva posebnu diplomustručnog žirija na Animateci u Ljubljani, Grand prix na Danimahrvatskog filma 2009, nagradu “Oktavijan” za najbolji animi-rani film na DHF , te nagradu za najbolji kratki film na "Liber-tasu" međunarodnom filmskom festival u Dubrovniku.Za animirano-igrani film Vesla 2012. dobiva Zlatnu medaljuUNICA-e, Svjetskog festivala neprofesionalnog filma.

2016. surađuje sa Vokalno plesnim ansamblom “Lado” u vi-zualom oblikovanju završne godišnje predstave Hod kroz godkao dizajner, scenograf i animator.

2017. u suradnji sa Muzejem turopolja kao umjetnički direktoroblikuje “Perunfest” festival zaboravljenih narodnih priča ipredaja, u dvorcu Lukavec kraj Velike Gorice.

Croatia and worldwide, including the Biennials of Illustrationin Bratislava and Zagreb, the First Imam Ali International Paint-ing Symposium in Tehran 2007, and the BIB selection in Japan.He was entered on the IBBY Honour List (International Boardon Books for Young People), and in 2009 ULUPUH awarded himas best young artist and contributor to ULUPUH's reputation.

For his debut film, Gulliver (2009) he earned a special diplomaof the professional jury at Animateka in Ljubljana, Grand Prixat the Croatian Film Days in 2009, the Oktavijan Award for bestanimated film at the Croatian Film Days, and the Best ShortFilm Prize at the Libertas International Film Festival inDubrovnik.

For the animated/live action film The Oars he won the GoldMedal of UNICA, World Festival of Non-commercial Filmmak-ers, in 2012.

In 2016 he collaborated with Vocal and Dance Group Lado in thevisual design of their final annual performance Walk Throughthe Year as designer, scenographer and animator.

In 2017, in cooperation with the Museum of Turopolje, as artisticdirector he designed the Pernfest Festival of forgotten folk talesand traditions in Lukavec Castle near Velika Gorica.

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Nagrade i priznanjaIsabella Mauro

Grand prix na 6. hrvatskom biennalu ilustracije, 2016.

Nagrada ˝Oktavijan˝ za najbolji videospot na Danima hrvat-skog filma za Uspavanku, 2015.

Nagrada dječjeg žirija ˝Ovca u kutiji˝ za najbolju knjigu Mje-sečeve sjene, 2013.

Nagrada ˝Kiklop˝ za knjigu godine za djecu i mladež Mjesečevesjene, 2013.

Potpora HAVC-a za razvoj scenarija za dugometražni igranifilm Sjeverozapadni vjetar, 2013.

Međunarodno priznanje Diploma Časne liste IBBY-ja za ilu-stracije u knjizi Alisa u zemlji čudesa, 2012.

Nagrada ˝Kiklop˝ za knjigu godine za djecu i mladež Sjevero-zapadni vjetar, 2012.

Nagrada ˝Porin˝ za najbolje likovno oblikovanje albuma Svijetglamura Hladnog piva, 2012.

Nagrada za najboljeg europskog umjetnika Europskog dru-štva znanstvene fantastike u kategoriji Spirit of Dedication zaknjigu Sjeverozapadni vjetar, 2012.

Zlatna medalja UNICA-e, Svjetskog festivala neprofesijskogfilma za film Vesla, 2012.

Prizes and commendationsIsabella Mauro

Grand Prix at the 6th Croatian Biennale of Illustration, 2016

Octavian Award for best video spot at Croatian Film Days forUspavanka (Lullaby), 2015

Children’s Jury Prize “Sheep in a Box” for best book Mjesečevesjene (Moonlight Shadows), 2013

Kiklop Award for book of the year for children and young peopleMjesečeve sjene (Moonlight Shadows), 2013

HAVC support for developing script for live-action feature filmSjeverozapadni vjetar (The Northwesterly Wind), 2013

IBBY Honour List diploma for illustration of the book Alisa uzemlji čudesa (Alice’s Adventures in Wonderland), 2012

Kiklop Award for book of the year for children and young peopleSjeverozapadni vjetar (The Northwesterly Wind), 2012.

Porin Award for best art design of the album Hladno pivo: Svijetglamura (World of Glamour), 2012

European Science Fiction Society, Spirit of Dedication category,award for best European artist for the book Sjeverozapadni vjetar(The Northwesterly Wind), 2012

UNICA Gold Medal, World Festival of Non-Professional film forthe film Vesla (The Oars), 2012

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Nagrada ˝Porin˝ za najbolji video broj Žeđam Gibonnija, 2011.

Posebno priznanje Nagrade ˝Grigor Vitez˝ za Sjeverozapadnivjetar, 2011.

Nagrada za najbolji kratki film na Libertas film festivalu u Du-brovniku za film Guliver, 2010.

Pohvala nagrade ˝Grigor Vitez˝ za knjigu Alisa u zemlji čudesa,2010.

Grand prix i nagrada ˝Oktavijan˝ na Danima hrvatskog filmaza film Guliver, 2009.

Nagrada ˝Grigor Vitez˝ za ilustraciju za knjige Priče iz davninai Novela od stanca, 2009.

Nagrada za najboljeg mladog umjetnika ULUPUH-a, 2009.

Posebna diploma stručnog žirija na Animateci u Ljubljani zafilm Guliver, 2009.

Druga nagrada na 1. hrvatskom biennalu ilustracije, 2006.

Nagrada stručnog i dječjeg žirija ˝Ovca u kutiji˝ za knjigu IreneSertić Xocoatl Priča o čokoladi, 2006.

Porin Award for best video for Gibonni: Žeđam (I Thirst), 2011

Special commendation of the Grigor Vitez Award for Sjeveroza-padni vjetar (The Northwesterly Wind), 2011

Prize for best short film at the Libertas Film Festival inDubrovnik for Guliver (Gulliver), 2010

Commendation of the Grigor Vitez Award for the book Alisa uzemlji čudesa (Alice’s Adventures in Wonderland), 2010

Grand Prix and Oktavijan Award at the Croatian Film Days forthe film Guliver (Gulliver), 2009

Grigor Vitez Award for illustration for the books Priče iz davnina(Tales of Long Ago) and Novela od Stanca (The Trick Played onStanac), 2009

ULUPUH Award for best young artist, 2009

Special diploma of the professional jury at Animateka in Ljubl-jana for the film Guliver (Gulliver), 2009

Second Prize at the First Croatian Biennale of Illustration, 2006

Prize of the professional and children’s jury “Sheep in a Box” forthe book by Irena Sertić Xocoatl: priča o čokoladi (Xocoatl : AStory about Chocolate), 2006

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Filmografija

Isabella Mauro

Animirani filmovi:Vesla. Zagreb: Kaskader produkcija, 2011. (10 min) Guliver. Zagreb: In Fine, 2009. (13 min) Priča o snijegu / Anđeli u snijegu. Zagreb: ALU Zagreb; Bell UnderTree, 2005. (9 min)

Dokumentarno-igrani serijali:Sjeverozapadni vjetar: između legende i stvarnosti: Coprnice. Zagreb: Antitalent; HRT, 2017. (52 min)Sjeverozapadni vjetar: između legende i stvarnosti: Sudbina. Zagreb: Antitalent; HRT, 2017. (52 min)Sjeverozapadni vjetar: između legende i stvarnosti: Vodeni čovjek. Zagreb: Antitalent; HRT, 2017. (52 min)Sjeverozapadni vjetar: između legende i stvarnosti: Vragovi. Zagreb: Antitalent; HRT, 2017. (52 min)Pjesmoslike: Čula jesam. Zagreb: Kinoteka; HRT, 2016. (4 min)Pjesmoslike: Moja Diridika. Zagreb: Kinoteka; HRT, 2016.(5 min)Pjesmoslike: Sedi si kraj mene, stari pajdaš. Zagreb: Kinoteka;HRT, 2016. (5 min)

Glazbeni videospotovi:2Cellos – May it be. Zaprešić: Antitalent, 2017. (6 min)2Cellos – The show must go on. Zaprešić: Antitalent, 2016. (8 min)Gibonni – Udica. Zaprešić: Antitalent, 2016. (6 min)

Filmography

Isabella Mauro

Animated films:Vesla (The Oars). Zagreb: Kaskader produkcija, 2011 (10 min)Guliver (Gulliver). Zagreb: In Fine, 2009 (13 min) Priča o snijegu / Anđeli u snijegu (Snow Story / Angels in theSnow). Zagreb : ALU Zagreb; Bell Under Tree, 2005 (9 min)

Documentary / live action serials:Sjeverozapadni vjetar : između legende i stvarnosti : Coprnice(The Northwesterly Wind : Between Legend and Reality :Witches). Zagreb: Antitalent ; HRT, 2017 (52 min)Sjeverozapadni vjetar : između legende i stvarnosti : Sudbina(The Northwesterly Wind : Between Legend and Reality : Des-tiny). Zagreb: Antitalent ; HRT, 2017 (52 min)Sjeverozapadni vjetar : između legende i stvarnosti : Vodeničovjek (The Northwesterly Wind : Between Legend and Real-ity : The Water Man). Zagreb: Antitalent ; HRT, 2017 (52 min)Sjeverozapadni vjetar : između legende i stvarnosti : Vragovi(The Northwesterly Wind : Between Legend and Reality : Dev-ils). Zagreb: Antitalent ; HRT, 2017 (52 min)Pjesmoslike : Čula jesam (Picturesongs : I Heard). Zagreb:Kinoteka; HRT, 2016 (4 min)Pjesmoslike : Moja Diridika (Picturesongs : My Diridika). Za-greb: Kinoteka; HRT, 2016 (5 min)Pjesmoslike : Sedi si kraj mene, stari pajdaš (Picturesongs : Sitby Me, Old Friend). Zagreb: Kinoteka; HRT, 2016 (5 min)

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L.I.P.E. – Oj, to ni večer. Zaprešić: Antitalent, 2016. (5 min)2Cellos – They don’t care about us. Zaprešić: Antitalent, 2015.(5 min)Lidija Bajuk – Uspavanka. Zagreb: Bell Under Tree, 2015. (5 min)L.I.P.E. – Zaspo Janko. Zagreb: Bell Under Tree, 2014. (5 min)L.I.P.E. – Zorja. Zagreb: Bell Under Tree, 2013. (6 min)Lea Dekleva – Gdje ne vidiš očima. Zagreb: Aquarius Records;Bell Under Tree, 2013. (5 min)Gibonni – Broken fingers. Zagreb: Bell Under Tree, 2012. (6 min) Gibonni – Hey crow. Zagreb: Bell Under Tree, 2012. (5 min)Gibonni – Vesla na vodi. Zagreb: Kaskader produkcija, 2011. (4 min) Gibonni – Toleranca. Zagreb: In Fine, 2010. (4 min)Gibonni – Žeđam. Zagreb: In Fine, 2009. (4 min) Glazbeni videospotovi (umjetnički redatelj):The Frajle – Fina. Zagreb: More Magnets Production, 2013.(5 min) Maja Keuc – You're a tree and I'm a baloon. Zagreb: More Magnets Production, 2012. (5 min) Reverse Engineering feat. Diyala – Heart yuice. Zagreb: More Magnets Production, 2012. (9 min) Ex Mozartine feat. Damir Urban – Glas jeka. Zagreb: Kaskader Production, 2010. (5 min)

Glazbeni videospot (vizalni koncept):Hladno pivo – Svijet glamura. Split: Pilot studio, 2011. (4 min)

Namjenski filmovi:Norse mythology. Zagreb: Bell Under Tree, 2017. (2 min)Legendfest – trailer. Zagreb: Val kulture ; Bell Under Tree, 2016.(2 min)Grandpa Stardust – pilot. Zagreb: Studio Dim, 2014. (8 min)Legendfest – trailer. Zagreb: Val kulture ; Bell Under Tree, 2014.(3 min) Grandpa Stardust – peaching teaser. Zagreb: Studio Dim, 2013.(3 min)

Musical video spots:2Cellos – May it be. Zaprešić: Antitalent, 2017 (6 min)2Cellos – The show must go on. Zaprešić: Antitalent, 2016 (8 min)Gibonni – Udica (The Fishhook). Zaprešić: Antitalent, 2016 (6 min)L.I.P.E. – Oj, to ni večer (Ah, it is not yet evening) . Zaprešić:Antitalent, 2016 (5 min)2Cellos – They don’t care about us. Zaprešić: Antitalent, 2015(5 min)Lidija Bajuk – Uspavanka (Lullaby). Zagreb: Bell Under Tree,2015 (5 min)L.I.P.E. – Zaspo Janko (Sleeping Janko). Zagreb: Bell UnderTree, 2014 (5 min)L.I.P.E. – Zorja (Dawn). Zagreb : Bell Under Tree, 2013. (6 min)Lea Dekleva - Gdje ne vidiš očima (Where your Eyes Can’tSee). Zagreb: Aquarius Records ; Bell Under Tree, 2013 (5 min)Gibonni – Broken fingers. Zagreb: Bell Under Tree, 2012 (6 min) Gibonni – Hey crow. Zagreb: Bell Under Tree, 2012 (5 min)Gibonni – Vesla na vodi (Oars on the Water). Zagreb: Kaskaderprodukcija, 2011. (4 min) Gibonni – Toleranca (Tolerance). Zagreb : In Fine, 2010. (4 min)Gibonni – Z�eđam (I Thirst). Zagreb : In Fine, 2009. (4 min)

Musical Videospots (art director)):The Frajle – Fina. Zagreb : More Magnets Production, 2013. (5min) Maja Keuc – You're a tree and I'm a baloon. Zagreb : MoreMagnets Production, 2012. (5 min) Reverse Engineering feat. Diyala – Heart yuice. Zagreb : MoreMagnets Production, 2012. (9 min) Ex Mozartine feat. Damir Urban – Glas jeka (Echoing Sound).Zagreb : Kaskader Production, 2010. (5 min)

Musical Videospots (viswual concept):Hladno pivo – Svijet glamura (World of Glamour). Split : Pilotstudio, 2011. (4 min)

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Sjeverozapadni vjetar – book trailer. Zagreb: Bell Under Tree,2012. (5 min)Luna – book trailer. Zagreb: Bell Under Tree, 2010. (1 min)

Special Occasion Films:Norse mythology. Zagreb : Bell Under Tree, 2017. (2 min)Legendfest – trailer. Zagreb : Val kulture ; Bell Under Tree,2016. (2 min)Grandpa Stardust – pilot. Zagreb : Studio Dim, 2014. (8 min)Legendfest – trailer. Zagreb : Val kulture ; Bell Under Tree,2014. (3 min) Grandpa Stardust – peaching teaser. Zagreb : Studio Dim,2013. (3 min)Sjeverozapadni vjetar (The Northwesterly Wind)– booktrailer. Zagreb : Bell Under Tree, 2012. (5 min)Luna – book trailer. Zagreb : Bell Under Tree, 2010. (1 min)

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Bibliografija

Isabella Mauro

Steampunk: Charles Dickens A Christmas Carol / illustrated byZdenko Bašić. Philadelphia ; London: Running Press Classics, 2014.Mjesečeve sjene: o vješticama i pričama noćnih sati sjeverozapad-nog dijela Medvednice i Samoborskog kraja / tekst i ilustracijeZdenko Bašić. Zagreb: Planetopija, 2013.The night before Christmas / by Clement C. Moore; illustratedby Zdenko Bašić and Manuel Šumberac. London: Hodder Chil-dren's Books, 2013. Steampunk: H. G. Wells / illustrated by Zdenko Bašić. Phila-delphia: Running Press Classics, 2013.Blancanieves / adaptación de Stella Gurney; ilustraciones deZdenko Bašić y Manuel Šumberac. Barcelona: Roca, 2012. Snow White / retold by Stella Gurney; illustrated by ZdenkoBašić and Manuel Šumberac. London: Carlton Books, 2012. Snjeguljica / prepričala Stella Gurney ; ilustrirali Zdenko Bašići Manuel Šumberac; prijevod Nataša Ozmec. Zagreb: Plane-topija, 2012.Steampunk: Frankenstein / Mary Shelley; illustrated by ZdenkoBašić and Manuel Šumberac. Philadelphia; London: RunningPress Classics, 2012. Las Aventuras De Pinocho / ilustrado por Zdenko Bašić; SusanaAndres traductor. Barcelona: Roca, 2011.Carlo Collodi's The adventures of Pinocchio / retold by StellaGurney; illustrated by Zdenko Bašić with Manuel Šumberac.

Bibliography

Isabella Mauro

Steampunk: Charles Dickens A Christmas Carol / illustrated byZdenko Basic. Philadelphia; London: Running Press Classics,2014Mjesečeve sjene: o vješticama i pričama noćnih sati sjeverozapadnogdijela Medvednice i Samoborskog kraja (Moonlight Shadows: OnWitches and Night-Time Stories of Northwestern Medvednicaand the Samobor Area) / written and illustrated by ZdenkoBašić. Zagreb : Planetopija, 2013The Night before Christmas / by Clement C. Moore; illustrated byZdenko Basic and Manuel Šumberac. London: Hodder Chil-dren's Books, 2013Steampunk: H. G. Wells / illustrated by Zdenko Basic. Philadel-phia: Running Press Classics, 2013Blancanieves / adaptación de Stella Gurney; ilustraciones deZdenko Basic y Manuel Sumberac. Barcelona: Roca, 2012 Snow White / retold by Stella Gurney; illustrated by Zdenko Bašicand Manuel Šumberac. London: Carlton Books, 2012 Snjeguljica (Snow White) / retold by Stella Gurney; illustrated byZdenko Bašić and Manuel Šumberac; translated by NatašaOzmec. Zagreb: Planetopija, 2012.Steampunk: Frankenstein / Mary Shelley; illustrated by ZdenkoBasic and Manuel Sumberac. Philadelphia; London: RunningPress Classics, 2012 Las Aventuras De Pinocho / ilustrado por Zdenko Basic; Susana

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London: Carlton Books, 2011.Pinokijeve pustolovine / prepričala Stella Gurney; ilustriraliZdenko Bašić i Manuel Šumberac; prijevod Petar Vujačić. Za-greb: Planetopija, 2011.Sjeverozapadni vjetar: o vilenjacima i elementarnim bićima sjeve-rozapadnog dijela Medvednice pa do Samoborskog gorja / tekst iilustracije Zdenko Bašić. Zagreb: Planetopija, 2011. Steampunk: Poe / by Edgar Allan Poe; illustrated by ZdenkoBašić and Manuel Šumberac. Philadelphia; London: RunningPress Teens, 2011. Dominoes Three: The Faithful Ghost and Other Tall Tales / retoldby Bill Bowler; illustrated by Zdenko Bašić. Oxford: OxfordUniversity Press, 2010.Lewis Carroll Alicia en el País de las Maravillas / rotulación deHarriet Castor; ilustraciones de Zdenko Bašić; traducción deIsabel Margelí. Barcelona: Pirueta, 2010. Lewis Carroll's Alice's adventures in Wonderland / retold by Har-riet Castor; illustrated by Zdenko Bašić. London: CarltonBooks, 2010.Luna / Robert Naprta; ilustracije Zdenko Bašić. Zagreb: Algo-ritam, 2010. Alisa u Zemlji čudesa / prema Lewisu Carrollu prepričala HarrietCastor; ilustrirao Zdenko Bašić ; prevoditeljica Milica Lukšić.Zagreb: Planetopija, 2009.La araña mas inteligente / Zdenko Bašić; traducción al aspañolEsther Pérez. Madrid: Edilupa Ediciones, 2008.Dominoes Three: The Faithful Ghost and Other Tall Tales / selectedby Bill Bowler; illustrator Zdenko Bašić. Oxford: Oxford Uni-versity Press, 2008.Novela od Stanca = Šala sa Stancem / Marin Držić; suvremenomejeziku prilagodio Ludwig Bauer; ilustrator Zdenko Bašić. Za-greb: Profil International, 2008. Priče iz davnine / Ivana Brlić-Mažuranić; ilustrator ZdenkoBašić. Zagreb: Profil International, 2008. The Cleverest Spider / Zdenko Bašić. Heatherton: Hinkler Books,2007.

Andres traductor. Barcelona: Roca, 2011Carlo Collodi's The Adventures of Pinocchio / retold by Stella Gur-ney; illustrated by Zdenko Basic with Manuel Šumberac. Lon-don: Carlton Books, 2011Pinokijeve pustolovine (The Adventures of Pinocchio) / retold byStella Gurney; illustrated by Zdenko Bašić and Manuel Šum-berac; translated by Petar Vujačić. Zagreb: Planetopija, 2011Sjeverozapadni vjetar: o vilenjacima i elementarnim bićima sjeveroza-padnog dijela Medvednice pa do Samoborskog gorja (The North-westerly Wind: On Elves and Elementary Creatures ofNorthwestern Medvednica up to the Samobor Hills) / writtenand illustrated by Zdenko Bašić. Zagreb: Planetopija, 2011 Steampunk: Poe / by Edgar Allan Poe; illustrated by ZdenkoBasic and Manuel Sumberac. Philadelphia ; London : RunningPress Teens, 2011 Dominoes Three: The Faithful Ghost and Other Tall Tales / retold byBill Bowler; illustrated by Zdenko Basic. Oxford: Oxford Univer-sity Press, 2010Lewis Carroll Alicia en el País de las Maravillas / rotulación de Har-riet Castor; ilustraciones de Zdenko Basic; traducción de IsabelMargelí. Barcelona: Pirueta, 2010 Lewis Carroll's Alice's Adventures in Wonderland / retold by HarrietCastor; illustrated by Zdenko Bašić. London: Carlton Books,2010Luna / Robert Naprta ; illustrated by Zdenko Bašić. Zagreb : Al-goritam, 2010 Alisa u Zemlji čudesa (Alice’s Adventures in Wonderland) / retoldby Harriet Castor after Lewis Carroll; illustrated by ZdenkoBašić; translated by Milica Lukšić. Zagreb: Planetopija, 2009La araña mas inteligente / Zdenko Basic; traducción al aspañolEsther Pérez. Madrid: Edilupa Ediciones, 2008Dominoes Three: The Faithful Ghost and Other Tall Tales / selectedby Bill Bowler; illustrated by Zdenko Basic. Oxford: Oxford Uni-versity Press, 2008Novela od Stanca = Šala sa Stancem (The Trick Played on Stanac)/ Marin Držić; modern language adaptation by Ludwig Bauer;

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Fa: udžbenik glazbene kulture za 4. razred osnovne škole / KlaudijaVidović, Branimir Magdalenić; urednica Lidija Bajuk; notogra-fija Lana Magdalenić; ilustracije Zdenko Bašić. Zagreb: Školskaknjiga, 2007.Dalmi i brojevi / ilustrator Zdenko Bašić. Zagreb: Sretna knjiga,2006. Xocoatl : priča o čokoladi / Irena Sertić; ilustrirao Zdenko Bašić.Zagreb: Udruga Heureka [etc.], 2006.Najljepše Andersenove bajke / prevoditeljica Đurđica Sorensen;ilustracije Zdenko Bašić. Zagreb: Sretna knjiga, 2004.Najljepše Grimmove bajke / prevoditeljica Rajna Golubić; ilustra-cije Zdenko Bašić. Zagreb: Sretna knjiga, 2004.Satni mehanizam / Philip Pullman; ilustracije Zdenko Bašić; pre-vela Tanja Žakula. Zagreb: Profil International, 2003.Zezomljani / Silvija Šesto; ilustrirao Zdenko Bašić. Zagreb: ProfilInternational, 2003. Torba katastrofe / Hazel Townson; ilustrirao Zdenko Bašić; pre-vela Ivana Plantak. Zagreb: Profil International, 2002.

illustrated by Zdenko Bašić. Zagreb: Profil International, 2008 Priče iz davnina (Tales of Long Ago) / Ivana Brlić-Mažuranić; il-lustrated by Zdenko Bašić. Zagreb: Profil International, 2008 The Cleverest Spider / Zdenko Basic. Heatherton: Hinkler Books,2007Fa : textbook in musical culture for 4th grade of primary school /Klaudija Vidović, Branimir Magdalenić; editor Lidija Bajuk; mu-sical notation by Lana Magdalenić; illustrated by Zdenko Bašić.Zagreb: Školska knjiga, 2007Dalmi i brojevi / illustrated by Zdenko Bašić. Zagreb: Sretna kn-jiga, 2006? Xocoatl : priča o čokoladi (Xocoatl : A Story about Chocolate) /Irena Sertić; illustrated by Zdenko Bašić. Zagreb: UdrugaHeureka [etc.], 2006? Najljepše Andersenove bajke (Andersen’s Most Beautiful FairyTales) / translated by Đurđica Sorensen; illustrated by ZdenkoBašić. Zagreb: Sretna knjiga, 2004? Najljepše Grimmove bajke (Grimm’s Most Beautiful Fairy Tales) /translated by Rajna Golubić; illustrated by Zdenko Bašić. Za-greb: Sretna knjiga, 2004?Satni mehanizam (The Clock’s Mechanism) / Philip Pullman; il-lustrated by Zdenko Bašić; translated by Tanja Žakula. Zagreb:Profil International, 2003? Zezomljani (Earthling Pranks) / Silvija Šesto; illustrated byZdenko Bašić. Zagreb : Profil International, 2003 Torba katastrofe (Disaster Bag) / Hazel Townson; illustrated byZdenko Bašić; translated by Ivana Plantak. Zagreb: Profil Inter-national, 2002?

Sjeverozapadni vjetar, naslovnica / cover ›

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Mjesečeve sjene, naslovnica / cover

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Steampunk, naslovnica / cover

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Kataloški popis djela / Catalogue of the Works

1.Djetelina / Cloverilustracija iz Sjeverozapadnog vjetra / illustration for TheNorthwesterly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

2.Đurđica /Lily of the Valleyilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

3.Jagari / Huntersilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

4.Juraj Veliki /George the Greatilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

5.Kukurijek /Helleboreilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

6.Kvatri / Quarter Daysilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

7.Moire / Moiraeilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

8.Mraki / Beings of Darknessilustracija iz Sjeverozapadnog vjetra / illustration for The North-westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

9.Mraz / Frostilustracija iz Sjeverozapadnog vjetra / illustration for The North-

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westerly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

10.Mura / The Mareilustracija iz Sjeverozapadnog vjetra / illustration for TheNorthwesterly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

11.Sava / The Savailustracija iz Sjeverozapadnog vjetra / illustration for TheNorthwesterly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digitalgraphicspromjenjive dimenzije / variable dimensions

12.Zvončić / Spring Snowflakeilustracija iz Sjeverozapadnog vjetra / illustration for TheNorthwesterly Wind2011.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

13.Tišina / Silenceilustracija iz Sjeverozapadnog vjetra / illustration for TheNorthwesterly Wind2011.kombinirana tehnika – digitalna grafika / mixed media –

digital graphicspromjenjive dimenzije / variable dimensions

14.Čuvaj se straha / Beware of FareIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

15.Dugo sam čekao vjetar / I Waited for the Wind for a LongTimeIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

16.Esencije / Magic PotionsIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

17.Jankić i horde / Jankić and the HordesIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

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18.Jurjevski krijes / Bonfire of St George´sIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

19.Mjesečeva snaga / The Strength of the MoonIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

20.O Baukaču / The BoogerIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

21.O onima koji su vidjeli sjela / Of those who Saw Witches´CovensIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

22.O vilama / On Fairies

Ilustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

23.Pod orahom / Under the Walnut TreeIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

24.Vještice mlin / Witches´ MillIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

25.Vjetar počinje govoriti / The Wind Begins to TalkIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

26.Rušiščak / The RušiščakIlustracija iz Mjesečevih sjena / illustration for Moonlight Sha-dows2013.

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kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

27.Kraljevstvo Morlocka / Kingdom of MorlockIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

28.Rat svjetova / The War of the WorldsIlustracija iz Rata svjetova / illustration for The War of theWorlds2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

29.Bijeg / FlightIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media –digital graphics

promjenjive dimenzije / variable dimensions

30.Povratak / ReturnIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

31.Vremenski stroj / The Time MachineIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

32.Zemlja budućnosti / The Land of the FutureIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

33.Model vremenskog stroja / Time Machine ModelIlustracija iz Vremenskog stroja / illustration for The TimeMachine2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

34.Cilindar / CylinderIlustracija iz Rata svjetova / illustration for World Wars2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

35.Badnja večer / Christmas EveIlustracija iz Božićne priče / illustration for A Christmas Carol2014.

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kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

36.Putovanje sa duhom Sadašnjim / Journey with the Ghostof Christmas PresentIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

37.Pogled u budućnost / A Look at the FutureIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

38.Zemlja slijepaca / The Land of BlindIlustracija iz Zemlje slijepaca / illustration for The Land ofBlind2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

39.Bobov duh / Bob´s SpiritIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

40.Božić budućnosti / Christmas Yet to ComeIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

41.Ulaz u groblje / Entrance to the GraveyardIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

42.Ples Goblina / Dance of the GoblinsIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

43.Ključ utopljene gospođe / Key of the Drowned LadyIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

44.Ulice budućnosti / The Streets of the FutureIlustracija iz Božićne priče / illustration for A Christmas Carol2014.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

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45.Gilgamesh / Gilgamesh2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

46.Zaboravljena zemlja / The Forgotten Land 2012.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

47.Hrast / Oak Tree2017.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

48.Nakon vremena / After Time2017.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

49.Trešnje / Cherries2013.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

50.Zmaj / A Dragon2014.kombinirana tehnika – digitalna grafika / mixed media –

digital graphicspromjenjive dimenzije / variable dimensions

51.Kreacija / Creation2015.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

52.Podizanje / Up2015.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

53.Priroda lisice2017.kombinirana tehnika – digitalna grafika / mixed media – digital graphicspromjenjive dimenzije / variable dimensions

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Tišina / Silence

IMPRESUM KATALOGA

Galerija Klovićevi dvori/ Klovićevi dvori Gallery14. prosinca 2017. – 28. siječnja 2018.December 14 2017 – January 28 2018

Nakladnik / PublisherGalerija Klovićevi dvori / Klovićevi dvori GalleryJezuitski trg 4, Zagreb

Za nakladnika / For the publisherAntonio Picukarić

Urednice / EditorsKoraljka Jurčec KosDanijela Marković

Tekstovi u katalogu / Texts in the catalogueDarko KrečDanijela MarkovićIsabella Mauro

Lektura i korektura hrvatskih tekstova / Language editing of the Croatian textDanijela Marković

Prijevod na engleski jezik i lektura / Translation into English and language editingNikolina Jovanović

Autor fotografija / PhotographsZdenko Bašić

Dizajn kataloga, plakata i pozivnice / Design of catalogue, poster and invitationBachrach & Krištofić

Tisak / Printed byIntergrafika TTŽ d.o.o.

Naklada / Printing run500

Tiskano u Hrvatskoj, studeni 2017. / Printed in Croatia, November 2017ISBN 978-953-271-107-3

CIP zapis dostupan u računalnome katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 000980323.

© 2017. Galerija Klovićevi dvori, Zagreb

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