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Working with the Impressionists. Edouard Manet 1832-1883. Painting Style worked with simplified forms with minimal modeling, flat color patches outlined in black Subject Matter consisted of contemporary scenes and updated Old masters themes. The Street Singer, 1862. The Fifer, - PowerPoint PPT Presentation
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Working with the Impressionists
Edouard Manet
1832-1883
Painting Style– worked with simplified forms with minimal
modeling, flat color patches– outlined in blackSubject Matter – consisted of contemporary scenes and updated
Old masters themes
The Street Singer, 1862
The Fifer, 1866
manet - beach.jpg
On the Beach, 1873
The Bar at the Folies, Bergere 1881-1882
Monet Painting in His Floating Studio ,1874
Claude Monet
1840-1926
• Born in Paris, France• Lived and worked in LeHavre, Argenteuil
and Giverny• Had a beautiful flower and water garden at
Giverny which provided inspiration for his paintings in his later life
• Tried to capture the light at various times of day
• Subject Matter –Waterlilies–Series on fields of poppies, cliffs,
grain stacks, poplars, Rouen Cathedral in London, and Venice scenes
• Technique/Style – Enjoyed painting outdoors– Landscapes and water scenes became his
specialty– Painted with pure primary colors; colors were
placed side-by-side so the viewer’s eyes would optically mix them at a distance
– Loved to use complementary colors for his shadows
– Paintings had soft, atmospheric qualities– Brushstrokes were visible in his pieces
Impressions: Sunrise, 1872
Rouen Cathedral Full Sun 1892-1894
Rouen Cathedral Dull Sun 1892-1894
Blue Waterlilies, 1916-1919
Grain Stacks, End of Summer 1890
Waterlilies, Harmony in Green 1899
Woman with a Parasol 1886
Pierre-August Renoir
1841-1919
• Born in Limoges, France• Painter of fine porcelain at the age of 10• Used these skills to paint on fans, curtains,
and movable altars• Used light brushstrokes, rosy pinks, and
vivid yellows throughout his lifetime which was reflective of his porcelain painting days
• Subject Matter– Happy, fun everyday scenes (genre scenes)– Nudes– Pretty Children– Outdoor Scenes– Flowers– Café Society– Party Scenes
• Style/Technique– Paint palette consisted of rich reds and
primary colors– Blues instead of blacks used for shadows– Short brushstrokes of specific colors comprised his paintings– Figures were bathed in light and color
Le Moulin de la Galette, 1876
Young Girls at the Piano
1892
Vase of Roses
Madame Charpentier and her Children 1878
Dance in the City
1883
Edgar Degas
1834-1817
• Born in Paris, France• Liked to paint indoors• Not found of landscapes• Subject Matter
racetracks, circuses, the opera, café scenes, ballerinas, women working, bathers
• Style/Technique– Wanted to capture a “moment in time”– Used unusual angles, large empty floor space in
the center, and asymmetrical compositions– Used vivid colors or unusual hues for drama or
interest– Was the first artist to use pastel drawings as
finished pieces– Influenced by photography and the artist,
Ingres
A Cotton Office in New Orleans, 1872-1873
The Dance Class
1874
Before the Ballet., 1888
At the Café Concert, “The Song of the Dog”, 1875-1877
Laundresses, 1884-1886
Jockeys Before the Start of the Race
1878-1880
The Milliner’s Shop, 1922
Berthe Morisot
1841-1895
• Granddaughter of Fragonard• Pupil of Corot• Greatly influenced by Manet whom she met
in 1868 at the Louvre• Married Manet’s brother in 1874• Exhibited with the Impressionists at all
exhibits except the fourth one in 1879 due to poor health
• Pictures accepted at the Salon• Treated as an equal among the
Impressionists• Her works were bought for higher prices
than her male counterparts in 1875
• Subject Matter–Domestic Scenes–Women and children–Only man she ever painted was her
husband, Eugene
• Style/Technique– Used touches of color to indicate form and
volume– Style was very free– Brushstrokes were feathery and light– Worked in oils and watercolors
The Balcony 1872
Eugene Manet on the Isle of Wight, 1875
Young Woman in a Party Dress
1879
Little Girl Reading, 1888
In a Park, 1874
The Artist’s Sister at a Window
1869
Mary Cassatt
1844-1926
• Subject Matter – women and children• Pictures are rich with patterns and textures,
beautiful brushstrokes and vivid colors• Was a close friend of Degas• Exhibited with the Impressionists• Pioneer among women• Supporter of women’s suffrage movement
Young Mother Sewing
1893
The Boating Party, 1893-1984
Little Girl in a Blue Armchair
1878
Susan on a Balcony Holding a Dog
1880
The Tea, 1880
Camille Pissaro
1830-1903
• Born in the West Indies, father was Jewish and mother was Creole
• Moved to Paris in 1855• Strongly influenced by Corot• Met Monet in 1859 and became a regular
member of the Impressionist group• Only artist to exhibit in all 8 Impressionist
shows• Enjoyed painting outdoors – rural
landscapes and busy Parisian street scenes
The Stagecoach at Louveciennes, 1870
The Orchard, 1872
Entrance to the Village of Voisins, 1872
The Chestnut Trees at Osny, 1873
The Shepherdess (Young Peasant Girl with a Stick), 1881
Haymakers Resting, 1891
Alfred Sisley1839-1899
• Born in Paris to English parents• Sent to London for a business career by his
father but returned in 1862 to become an artist
• Entered the studio of Gleyre with his father’s support and an allowance
• Met Renior, Monet, and Bazille at Fleyre• Developed an important friendship with
Monet
• Subject Matter – landscapes of scenes in and around Paris
• Lost his father’s support in 1871 due to business failure
• Lived the rest of his life in poverty• Never received the same success as his
colleagues
T he Seine at Bougival in Winter, 1872
Garden Path in Louveciennes
1873
Snow at Louveciennes
1874
Moret-sur-Loing, 1891
The Canal of Loing at Moret, 1892
Web Resourceswww.ibiblio.org/wm/paint
Web Museum, Paris
www.abcgallery.com Olga’s Gallery
www.artcyclopedia.comArtcyclopedia