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CLASSROOMS/LOUNGE
TRAINING FACILITY
BOAT STORAGE
RAVENSWOOD BOATHOUSE4674 N VIRGINIA AVECHICAGO, IL 606253rd year studio
THE RAVENSWOOD BOATHOUSE IS an investigation in decent. The site, Jacobs Park, sits about 12 feet above the Chicago River, creating the complex problem of moving a 60 foot sculling boat from the road down to the river.
The Ravenswood Boathouse engages this issue of decent through a series of pivot points. The longest boats will experience these pivots while descend-ing to the river. While the remaining users, activities and structure of the boathouse also react to these crucial pivot points.
These reactions create a series of dynamic spaces for rowers and the public. These spaces include a workout facility, an outdoor patio, a lounge and a classroom space.
The experience of inhabiting these spaces takes people through an excit-ing series of events and turns. For the rower, the experience of moving the boats to the river level is a celebration of the sport of the boat itself. For the public, the lounge and classroom spaces are another series of turns in which the user experiences the pivots through changing activity and crossing paths.
The Ravenswood Boathouse is a facility that enhances the experience of travel-ing through a building and its site while celebrating the sport of rowing.
FIGURE A
FIGURE B
ACTION + PIVOTPIVOT
PIVOT g
PIVOT TRAINING changing changing cleaning conver ng filingflexing
li ing placing prac cing pullingpushing repairing replenishin stacking stapling
PIVOT TRAINING cleaning changing cleaning g filing gathering learning g paying repairing replenishing showering working zoning XXXX
PIVOTTRAINING
compe ng breathingcompe ng
figh ngfinishing
gloa ngin mida ng joking
learninglosing
mee ngprac cing
pullingpushing
runningstar ng
watching wi
arning paying repairingg
TRAINING conver ng changinger ng filing payin replenishinhi g shohowwnn swea npayinpayingg g kiworkingrepairinrepairin
PIVOT TRAINING dressing dressing finishing placing zoning
PIVOT TRAINING jumping jumping prac cing squa ng
c cingpul
TRAININGTRAINING jumping jumping prac ci gVOTPIVOTPIVPIVOTPIVOTPIVOTPIVOTPIVOT TRAININTRAININTRAININGGG glearningjumpingjumping breathinbreathinjumpingjumping
gg cleal g finishing gathering learnin isten seeing studying teaching training XXXXXXXnn
PIVOT TRAINING li ing changing cleaning flexing li ing prac cing stacking storing working XXXX
PIVOT TRAINING losing compe ng filing finishing losing star ng teaching training winning
PIVOT TRAINING prac cing breathing changing compe ng figh ng finishing gathering jumping li ing listening prac cing running scheduling studying swea ng training
PIVOT TRAINING pulling changing compe ng pulling pushing PIVOT TRAINING pushing changing compe ng in mida ng pulling pushing teaching training filing
PIVOT TRAINING running breathing compe ng flexing prac cing running training winning working
PIVOT TRAINING showering cleaning conver ng showering
PIVOT TRAINING squa ng jumping squa ng training working
PIVOT TRAINING studying breathing conver ng figh ng prac cing studying training watching working wri ng
PIVOT TRAINING swea ng breathing conver ng figh ng prac cing swea ng training working
PIVOT TRAINING teaching learning losing paying pushing talking teaching training working XXXX
PIVOT TRAININGtraining
breathingfigh ng
filingflexing
learninglosing
payingprac cing
pushingreplenishing running
sleeping star ng storing studying swea ng
PIVOT TRAINING working breathing cleaning compe ng conver ng li ing running squa ng star ng studying swea ng talking teaching training winning working XXXX
PIVOT ADMIN cleaning changing cleaning conver ng filing gathering learning li ing paying repairing replenishing showering working zoning XXXX
PIVOT ADMIN filing changing cleaning conver ng filing grading losing paying running sleeping star ng training winning
PIVOT ADMIN grading filing grading
PIVOTADMIN
learningbreathing
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gatheringlearning
listeningseeing
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PIVOT ADMIN paying cleaning conver ng filing paying teaching trainingPIVOT ADMIN
showing in mida ng seeingshowing
PIVOT ADMIN stapling changing stapling
PIVOT ADMIN teaching learning losing paying pushing talking teaching training working XXXX
PIVOT ADMIN wri ng in mida ng studying wri ngPIVOT ADMIN zoning zoning
ING
filin
ning bgshowering cleaning conver n
TRAIN
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PPIVOTPPPIVOTPIVOTPIVOT SOCIAOCIASOCIASTTLL h n
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PIVOT SOCIAL finishing breathing compe ng dressing finishing gloa ng grading learning losing mee ng placing prac cing zoning
PIVOT SOCIALgathering cleaning
dressinggathering laughing
learningmee ng placing
prac cing zoning
PIVOT SOCIAL gloa ng finishing flexing gloa ng in mida ng laughing
PIVOT SOCIAL joking compe ng joking laughing listening talking
PIVOT SOCIALlaughing breathing gathering gloa ng laughing listening talking
PIVOTSOCIAL
listeninglearning
listeningprac cing
seeing
teaching
PIVOT SOCIAL mee ng compe ng filing finishing mee ng
PIVOT SOCIAL replenishing breathing changing cleaning conver ng replenishing training
PIVOT ADMINscheduling placing
prac cingscheduling zoning
PIVOT SOCIAL seeing flexing learning seeing showing watching
PIVOT SOCIAL sleeping breathing filing sleeping
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PIVOT SOCIAL talking in mida ng joking laughing talking teaching working PIVOT SOCIAL watching compe ng seeing studying watching
PIVOT BOAT placing changing dressing gathering placing scheduling zoning
PIVOT BOAT repairing changing cleaning repairing
PIVOT BOAT stacking changing li ing stacking zoning
PIVOT BOAT walking walking
BOAT storing g storing training zoningPIVOT
AINING dressing dPIVO
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eaning g filing
in midg gloa ng
TRAININRAININNNGGGGGG hinbreathindressindressingg gg breathinthinPIVPIV gg compe ngpe nggg figfigh nfigh ngg finishinfinishin
filingfilinggg flexflexingloglogoaoa
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PIVOT
exing gloa ng in mida
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PIVO ingworking
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PIVOT BOAT li ing changing cleaning flexinflexinglogloggoao li ininingnncingac cing
lstacking storing working XXXXXXX
orkorkorkork
conver nglacing zonin
ening seeingstacking
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gking prac cingtraininprac cprac cgcici
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changing clecleacompe ngp
IVOTPIVOTOTOT TRAINING
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IVOT ADOTPIVOTVOTVOTTRAININAININT GG winninwinninleaninaningginggggg
reathinchanginchanginggthinbreatlele
gg leacompe ngradingradingfigfigh nlaughinlaughingngng
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gg runninrunn g starstar nworkinworkingngngdyinudyinprastudyinaughinaughi
ggswea na n
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ta ng trngworking
PIVOTMIll
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athbg
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gg ngnghioco gompe ngcompe n
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finishinfinishinorinoringg gg flflexinaininainingggggg gloa noningoning g in mida ng pushing showing talking wri ng
FIGURE A - Design Intent SketchFIGURE B - Program DiagramFIGURE C - Pivot - Activity DiagramFIGURE D - View from river
FIGURE D
FIGURE C
THE DIPLORAOFFICE AND HOTEL 300 E NORTH WATER STCHICAGO, IL 60611adv studio prof ROSS WIMER
THE DIPLORA OFFICE AND HOTEL TOWER is an investigation of aerodynamics and form. The Diplora looks at interacting with winds in an aggressive manner. Where the standard tall building takes a passive approach to dealing with wind by bracing for contact, the Diplora blatantly greets winds.
This interaction can best be described as channelling. When high speed winds meet the crawling facade of the Diplora, the wind is channelled and dispersed in many directions, decreasing the overall effect of the wind load.
This interaction was inspired by corals of the deep sea. Diplora Strigosa is a type of brain coral that interacts with water in a similar manner as this tower deals with wind. When Diplora Strigosa feeds it extends its polyps to catch plankton. The undulations of the coral’s “skin” forces the plankton to flow towards the polyups, which intern catch the plankton for feast.
The Diplora questions the reach of tall buildings. At the river walk the facade of the tower stretches out over the river walk park creating a dynamic urban setting. Pushing the limits on this idea of a tower’s reach, the Diplora extends across the river with its pedestrian bridge, creating an approach unlike any other in the city.
FIGURE B
FIGURE A
T
HOTEL
Diplora s in an e standard pproach
ng for greets
FIGURE A
FIGURE A - coral skin diagram showing undu-lations and flow process.FIGURE B - Approach to the Diploa from pedestrian bridge .FIGURE C - Facade undulations act as the primary gesture to distort effects of high speed winds. FIGURE C
CAMP BOARDWALKCALDWELL WOODSW DEVON AVECHICAGO, IL 606462nd year studio TIMBER
CAMP BOARDWALK is a summer arts camp for 100 children and 10 camp instructors. The camp consists of 12 cabins, a gathering pavilion and several offices.
Camp Boardwalk is a summer camp designed for children. The camp space is a small city inside of Chicago. The camp is set up on grid with sleeping cabins placed in the grid of boardwalks.
The cabins house three functions, sleeping space, work space and an intermediate gathering space. This gathering space is where the camp blossoms with energy.
The boardwalk system intersects with this intermediate space so when it is recess or play time, the barn doors open up and children can run the boardwalk and pass through other campers cabins without interference.
In the areas where the board walks open up, trees fill the spaces with pleasant spaces for reading, gathering, meeting or sketching.
Camp Boardwalk seeks to create an open learning environment for children to pass ideas and knowledge from one to another. With these types of spaces and structures Camp Boardwalk becomes a city in the woods in the city. FIGURE A - Cabin Floorplan
FIGURE B - Camp site modelFIGURE C - View of spaces inbetween the boardwalk
FIGURE A
CONVERGE MONASTERYCOLUMBUS, IN3rd year studio CONCRETE
CONVERGE MONASTERY is an inves-tigation of time and silence. Designed for 10-12 Trappist Monks, Converge is the product of a Trappist Monk’s weekly ritual.
The Monk’s ritual consists of many hours of private prayer, individual study and meals together with other monks. Because of this intense schedule, the monastery provides each monk with his own private cell, while all other spaces are laced in between. This creates a dynamic circulation that encourages interaction while still in silence.
The cells are spread out in a circle, in the middle of the circle is the chapter room/dinning room. This space sits about the alter of the church. This area is where the monks converge. The chapter room is the only space in which the monks can speak to each other, making it one of the most important spaces of the monastery.
The monastery holds sermon once a week where the public enters the mon-astery. The publics’ descent into the world of monks is an experience in the life of a monk. The long walk to enter the church is a passageway and time of meditation for church goers.
Converge Monastery is a space that celebrates individual prayer and com-munity spaces.
FIGURE A
FIGURE B
FIGURE A - Ritual Loop diagramFIGURE B - Monastery floorplanFIGURE C - Church prospective with roof detail
FIGURE DFIGURE C
FIGURE B
CORE HOUSE/STUDIOCHICAGO, IL 2nd year studio MASONRY
CORE HOUSE/STUDIO is designed for a graphic designer. The project con-sists of a studio space and a living space.
At the street front sits CORE STUDIO. Core Studio is where the graphic designer runs his office. There is a studio space on the third level, an office on the second level and a gallery on the ground level. Core Studio pushes the vertical circulation outside and around the three spaces creating a core of program space.
CORE HOUSE acts similarly but because of the added complexity of program of the house, the circulation is pushed to the north face of the house.
Core House separates circulation and living spaces through two large ma-sonry planes which provide privacy and interesting complementary spaces. These spaces include a roof garden on the second level and an out door patio space on the third level.
FIGURE A
BEDROOM
BEDROOM/LIVINGROOM
KITCHEN/DINING/FRONTROOM
OUTDOOR PATIO
STACKED PROGRAM
ROOF GARDEN
FIGURE B