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William Faulkner, recipient of the William Faulkner, recipient of the Nobel Prize for Literature in 1950Nobel Prize for Literature in 1950William Faulkner, recipient of the William Faulkner, recipient of the Nobel Prize for Literature in 1950Nobel Prize for Literature in 1950
Faulkner is the first American to receive this prestigious award
Chapter Twenty-TwoChapter Twenty-Two
The Contemporary ContourThe Contemporary Contour1945 - Present1945 - Present
Chapter Twenty-TwoChapter Twenty-Two
The Contemporary ContourThe Contemporary Contour1945 - Present1945 - Present
An Era of Many Names:•The Nuclear Age•The Computer Age•The Information Age•The Late-Capitalist Age•The American Age•The Postindustrial Age•The Space Age•The Age of Globalization
ExistentialismExistentialismExistentialismExistentialism Kierkegaard (1813-1855)
“the crowd is untruth” Autonomous individual, self-examination; Christian Existentialism “Who am I? What am I doing here? Where am I going?” Attacked organized state religion; proposed “leap of faith”
Friedrich Nietzsche (1844-1900) Moral relativism “If you gaze for long into the abyss, the abyss gazes also into
you” Sartre (1905-1980)
Implications of a world not rooted in religion Individual place, freedom, ethics
Toward a Global CultureToward a Global CultureToward a Global CultureToward a Global Culture Artistic satire of modern warfare
Joseph Heller—Catch 22; Thomas Pynchon—Gravity’s Rainbow; Stanley Kubrick—Dr. Strangelove
Global economy and Cold War Search for individual, social meaning in a
shrinking world of mass-produced consumer goods
Artist as voice of protest, hope Beat literature: Ginsberg, Kerouac
Identity Politics since 1945Identity Politics since 1945Identity Politics since 1945Identity Politics since 1945 Civil rights for minorities (1960s-present) Second-wave feminism (1970s-present) Gay and lesbian rights (1980s-present) Growing sense of cultural pluralism as
Western nations become home to more and more people from different civilizations and as native peoples assert their rights
Le Corbusier, a European modernist architect: a house is a machine for living in.
“Le Corbusier-haus, Berlin”
How does this apartment house compare and contrast with other architectures we have studied: Greek and Roman, Gothic, Renaissance, Rococo, Neo-Classical?
American modernist architectureAmerican modernist architecture
Louis Sullivan (1856-1924) “Form ever follows function”
Wainwright Building, St. Louis1890-91With terra cotta tile organic decoration
Mies van der Rohe, a European modernist and admirer of Sullivan: “Less is More” The Seagrams Building, NYC
American modernist architectureAmerican modernist architecture Frank Lloyd Wright (1869-1959)
Function is accomplished through form Organic architecture Use of new materials: ferroconcrete Flow of space vs. obstruction of space Private home, Fallingwater Guggenheim Museum (1957-1959)
Frank Lloyd Wright: organic architectureThe Kauffman House outside Pittsburgh, aka “Fallingwater.” How is this house organic?
Frank Lloyd Wright: Form Follows Function: museum goers walk down a spiral ramp inside, viewing art on the walls in one continuous uninterrupted stream. ”Democracy needs something basically better than a box” The Guggenheim Museum, 1957-59, New York City
Frank Gehry, Furniture Designer The Wiggle Chair (corrugated cardboard); sofa and stools (molded polymer)
Pre-WWIIModern Art
Picasso’s Le Gourmet(1901)
What other modern artists does this resemble?
(see, this guy can really paint too!)
Picasso’s cubist style
Portrait of Maya with a Doll (1938)
How is Picasso moving away from the conventions of past art?
Postwar Picasso
Musketeer (1968)
Picasso has moved towards a very colorful, almost cartoonish geometrical abstraction. What elements of traditional realist art remain here?
Pre-WWII Expressionism
Munch, Anxiety
How is munch expressing the interior state of anxiety in this painting?
Art Since 1945Art Since 1945Prodigious variety; numerous stylesProdigious variety; numerous stylesArt Since 1945Art Since 1945Prodigious variety; numerous stylesProdigious variety; numerous styles
International dilution of American art Refugee teachers,
artists Peggy Guggenheim
Patron of modern art
Painting Since 1945:Painting Since 1945:
Abstract ExpressionismAbstract ExpressionismPainting Since 1945:Painting Since 1945:
Abstract ExpressionismAbstract Expressionism Color field paintings
Color detached from imagery Artistic goals
Break with other conventions of art Feeling, not seeing
Adolph Gottlieb,“color field” painting Icon (1964)
The abstract shapes and colors evoke feelings and provoke assocations
FREEWRITE
Mark Rothko, Center Tryptich for Rothko Chapel, 1966, Houston. The panels of varying shades of the same color are meant to be meditated upon, much like Byzantine icons.
Painting Since 1945:Painting Since 1945:
The Return to RepresentationThe Return to RepresentationPainting Since 1945:Painting Since 1945:
The Return to RepresentationThe Return to Representation Consideration of the object; painting the
stuff of everyday life Jasper Johns (b. 1930) Robert Rauschenberg (b. 1925)
John Cage’s “Happenings” Combine paintings
Andy Warhol Pop Art, popular culture, consumerism
Contemporary Sculptureis playful, serious, creepy and wonderful
Contemporary Sculptureis playful, serious, creepy and wonderful
Continuity + Experimentation New materials, technical skills
David Smith (1906 – 1965) Alexander Calder (1898 – 1976)
Assemblage Disparate materialsOrganic wholes Nevelson, Cornell, Segal, Kienholz
Alexander Calder, Three Up and Three Downat the High Museum of Art, Atlanta
What style is the building in the background?
Maya Ying Lin, Vietnam Veterans Memorial, 1982. This view “closes the circle” of culture, as the modern memorial is balanced by the Ancient Egyptian-themed Washington Monument.
Maya Ying Lin, Vietnam Veterans Memorial, 1982. This view “closes the circle” of culture, as the modern memorial is balanced by the Ancient Egyptian-themed Washington Monument.