SPECIAL EDUCATIONAL NEEDS RESOURCE PACK

Written by Sheree Vickers

For Mousetrap Theatre Projects 23 – 24 Henrietta Street, Covent Garden, London WC2E 8ND

© August 2010

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Welcome to the WICKED SEN Teacher Resource Pack. The aims of this resource pack are to help teachers prepare pupils for their visit to the show while the activities provided can give an understanding of the story, characters and themes. While all activities in this pack can be adapted for a wide variety of abilities, a rating of EASY, INTERMEDIATE or CHALLENGING has been applied. It is hoped this guide will allow teachers to quickly access the resources available in this pack that are best suited to the needs of their group.

CONTENTS PRE-SHOW PREPARATION ……………………………………………………………………………… 3

GOING TO THE THEATRE ……………………………………….……………………………………… 4

A ROLE-PLAY DRAMA …………………………………………………………………………………….. 4

A GLOSSARY OF THEATRE TERMS ………………………………………………………………….. 6

A SYNOPSIS OF WICKED …………………………………………………………………………………..9

A STORY TIMELINE ……………………………………………………………………………………….. 11

MAP MOMENTS …………………………………………………………………………………………….. 13

OPPOSITES ………………………………………………………………………………………..………… 15

WHAT MAKES YOU SPECIAL? ……………………………………………………………………….. 17

THE MAIN CHARACTERS ……………………………………………………………………………... 18

MUNCHKINLAND ………………………………………………………………………………………….. 20

THE EMERALD CITY ……………………………………………………………………………………… 22

EMERALD GLASSES ………………………………………………………………………………………. 25

MAKING MAGIC ……………………………………………………………………………………………. 27

PRODUCTION IMAGES …………………………………………………………………………………. 28

As an additional tool, activities throughout this pack can be accessed at a glance by looking for the following icons:

� ACTIVITY Tasks

� RESEARCH Tasks

☺ PHOTOCOPIABLE Resources

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PRE-SHOW PREPARATION

For pupils who have not been to the theatre before or for those that take time to adjust to new surroundings or get nervous easily, here are a few show moments you might want to prepare them for. On arrival at the theatre, pupils will notice a large dragon high above the stage. When the show starts and the music begins, the dragon’s head moves and smoke appears from its nostrils, however it does not move from its location and pupils can be assured that it will not fly down over them. To hear the opening music, and to watch clip of the show, visit the Wicked homepage:

www.wickedthemusical.co.uk The other possibly ‘startling’ moment occurs with the booming voice of the wizard towards the end of Act I. As preparation, pupils might want to enact their own booming wizard voice in front of the class (using a microphone and amplifier if available). Finally, pupils might notice that Elphaba’s sister is given silver shoes, not ruby slippers as seen in the 1939 film. In the original story by L.Frank Baum, the shoes were in fact silver and the story goes that there were changed to ruby for the film to take advantage of the new innovation called Technicolor!

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For those with hearing aids, the theatre does have an induction loop and infra-red system in the auditorium. There is also an adapted toilet off the Foyer for anyone with mobility

issues. Should you require any assistance either before or during the show, please ask the theatre’s front of house staff.

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GOING TO THE THEATRE

For those who have never been, a trip to the theatre is often confused with going to the cinema. Surprisingly, the concept of seeing real people on stage is still relatively foreign to most young people. The following activities can be used in an introductory session explaining to the group what to expect in a theatre environment, such as the lights going out, the audience not talking during the show and the various aspects of putting a live show together.

A ROLE-PLAY DRAMA

The following activity can help to prepare students who are either not comfortable with the idea of going on a theatre trip, or for those who may get over-excited (they can practise behaviour beforehand and you can set up acceptable guidelines). Time Allowance: 30-40minutes You Will Need:

• a classroom or a sports hall.

• enough chairs for each student.

• some mock theatre tickets. The Set-Up: Explain that you are going to do some drama and go on a pretend trip somewhere. The Activity: Take a register of everyone’s names, asking each participant if they have ever been to a theatre before. (You may also wish to explain the difference between a cinema and the theatre.) “Well, now that we are all here, how are we going to get to the theatre?” Take some suggestions and guide the group to the mode of transport you will be using. (For the purposes of this breakdown, I’ll use a bus.) “How do we normally catch the bus? Do we line up or just run and grab any seat possible? Line up? OK, who would like to be in charge of lining the group up and getting them on the bus?”

INTERMEDIATE

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If necessary, wear a hat or scarf to denote when you are playing the role of the naughty student. By removing this, you can then

resume your teacher

role when needed.

Set up the chairs in rows to denote a bus. Cast a pupil or support worker in the role of teacher and explain that you are going to be a naughty student. In role, demonstrate the bad behaviour that would be unacceptable during a bus trip such as pushing in line, yelling out, eating etc. Once you have arrived at the theatre, resume your normal teacher role and explain that the theatre tickets need to be given out, checked by an usher and everyone needs to take their seats. Re-set up the chairs in the space to create a theatre environment before resuming the drama. Go back into role as the naughty student character and start misbehaving again. Inappropriate behaviour could include talking to friends, chatting on a mobile phone or using the phone to take photographs of the production! Encourage the group to disapprove of this behaviour and suggest or show you what behaviour would be acceptable. End with a follow-up discussion, listing what happened in the drama and what the naughty student did that was wrong. Explain to the group that what you were pretending to do today is actually really going to happen next week – without you being naughty of course! As an extension to this drama, you might like to have someone (or a small cast) perform their favourite song or dance in front of the group on a mock stage.

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Other styles of STAGE include ‘Thrust’ (in

which the stage juts out into the audience) and ‘The-Round’ (in which the audience sit in a

circle with the STAGE in the middle).

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☺ A GLOSSARY OF THEATRE TERMS Below is a glossary of theatrical terms with a few guide notes related specifically to the production of WICKED. The questions included with each may be asked while waiting for the performance to begin or in a follow-up session after the theatre trip.

STAGE The space on which the ACTORS present the show. The Apollo Victoria has a traditional Proscenium Arch stage, which means the audience sits facing the performers, not unlike sitting in a cinema. The audience can also sit quite high and look down on the stage. The Apollo Victoria has two audience levels – the stalls and the circle. Often a proscenium arch theatre has a curtain, which rises at the beginning of the performance.

Q. Did a curtain rise at the beginning of WICKED? How did the AUDIENCE know that the show had begun, e.g.: ACTORS walking onto the stage, change in lighting, music playing or a combination of all three?

LIGHTING Lighting is very important in a theatre as it helps the audience to see the show. It can also help to set the mood of the piece, for example, happy/sad or daytime/night-time. The lighting in WICKED changes colour and sometimes goes out entirely. The lights are operated by a TECHNICIAN or STAGE MANAGER.

Q. What mood does the LIGHTING create, e.g.: was the performance set at night or during the day? Was it scary? Did the lighting change during the performance? Did the change affect the mood? What colours did they see?

ACTORS A person who performs for the entertainment of others. The cast of WICKED has a number of lead roles (see the Character List in this handbook). These ACTORS play the same part throughout the show, however there is also a CHORUS or ENSEMBLE of actors who play a variety of different roles throughout the show.

Q. Aside from the lead actors, what other characters appeared in the show? For example, the school pupils at Shiz University, the Munchkins, citizens of the Emerald City and so forth.

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COSTUME The clothes worn by the ACTORS on STAGE which also help define their character. The COSTUMES in WICKED must be hard-wearing and strong as the ACTORS/PERFORMERS use them to create sound (such as with their shoes); use them to hang from parts of the set (swinging from harnesses) and they must also wear them every night!

Q. How many costume changes do the lead ACTORS make in WICKED? Maybe the group could write a letter to the cast with this question and others about the show.

PROPS & SET A prop is any item used on STAGE by an ACTOR. This could be something as simple as a pen or more complicated such as a flying broomstick! The background used to represent a place on the STAGE is called the SET. The unique SET of WICKED helps to set the scene, telling the audience where the production will take place.

Q. How many different locations can the group remember from WICKED and what changed in the SET to help define this?

AUDIENCE The people who watch the performance. Generally in the theatre, an audience quietly watches the show, showing their appreciation through applause.

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A SYNOPSIS OF WICKED

Act I Glinda, the Good Witch of the North, announces to the citizens of Oz that Elphaba, the greenskinned Wicked Witch of the West, is dead. We go back in time: a young, greenskinned Elphaba and her wheelchair-bound sister Nessarose (daughters of the Governor of Munchkinland) arrive at Shiz University. Elphaba and Glinda clash immediately when Elphaba is invited to join headmistress Madame Morrible’s sorcery class and Glinda is not. Elphaba, excited and surprised to discover she might have a talent for magic, imagines what it would be like to meet the Wizard. The students settle into their routine at Shiz: roommates Elphaba and Glinda loathe each other. Glinda and the other students pay little attention to their history professor, a talking goat called Dr. Dillamond. Only Elphaba is troubled by his warning that throughout Oz, talking animals are losing their ability to speak. Fiyero, a Winkie Prince, arrives at Shiz, and invites Glinda to a dance. To evade Boq (her persistent Munchkin admirer), Glinda convinces him to escort Nessarose so she is then free to go with Fiyero. When a grateful Elphaba gets Glinda into sorcery class, Glinda decides to give Elphaba a social makeover. Elphaba is distraught when Dr. Dillamond is arrested and taken away by the authorities. When she witnesses a government official experimenting on a caged lion cub, Elphaba’s anger releases a spell that freezes everyone in the room. Elphaba and Fiyero free the terrified lion in the woods and Elphaba learns (to her surprise) that she is attracted to Fiyero. Madame Morrible informs Elphaba she’s been invited to the Emerald City to meet the Wizard; Elphaba invites Glinda along. Under the pretence of testing her magical skill, the Wizard tricks Elphaba into creating an enchanted army of spies for him. Elphaba is shocked to realise that the Wizard has encouraged anti-animal sentiment to strengthen his own political support. As Madame Morrible denounces her to the public as a “wicked witch,” Elphaba vows to fight the Wizard’s injustice.

Act II Madame Morrible and Glinda (who is now part of the Wizard’s administration) are announcing Glinda’s plan to marry Fiyero (who is in charge of the hunt for Elphaba). Glinda appears happy, but has paid a price for her success. Meanwhile, Nessarose has become Governor of Munchkinland. She has grown bitter and cruel, earning her the nickname ‘The Wicked Witch of the East’. Elphaba comes to Nessarose seeking aid and asylum, but they quarrel and go their separate ways.

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Elphaba returns to the Emerald City, where the Wizard tries to persuade her to join him in ruling Oz. She is tempted, but refuses. After crossing paths in the Emerald City once again, Elphaba and Fiyero fall in love and plan their life together. Elphaba sees a disturbing vision of a flying house and rushes to Munchkinland, only to discover that Nessarose has been crushed. Glinda and Elphaba confront each other; when Fiyero tries to intervene, an angry mob rushes him off. Elphaba vows to become truly wicked, since her good intentions bring only suffering. Meanwhile, the citizens of Oz set out to destroy her.

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A STORY TIMELINE

The story of WICKED starts at the end of the well-known Wizard of Oz story with people rejoicing over the death of the Wicked Witch of the West. To help pupils understand the concept of using flashback to tell a story, photocopy the story timeline on the next page (you may like to blow it up to A3 size) and work backwards, helping them to document the various moments from WICKED. Pupils might also like to add extra details to the ‘map’ that they remember from the show such as releasing the lion cub or Glinda giving Elphaba a makeover.

As an extension, small groups of pupils using drama strategies such as tableau, soundscape or spoken word could then re-create key moments that are then put into the order they appear in the show.

INTERMEDIATE

CHALLENGING

� MAP MOMENTS

On arrival at the theatre, pupils will notice a beautiful ‘map curtain’ with a shimmering Emerald City in the centre. This map is the land of Oz as re-imagined by Gregory Maguire and holds some intriguing drama possibilities. Looking closely at the map, what other stories could develop surrounding places such as:

• The Tomb of the Unsung Munchkin

• The Truth Pond

• The Great Gillikin Forest

• Bridge of Teeth Strategies to help pupils develop their own stories, drama scenarios or ‘map moments’ could include:

• A newspaper article or television news broadcast, interviewing people who worked on the construction of the Yellow Brick Road.

• Hotseating of characters, such as those that coped during the Great Drought and what they did to survive?

• Creating tableaux of key moments to physically show the development of and possible destruction of the Forest of Fighting Trees.

• A collection of shared stories, poems and artwork showing how the Bridge of Teeth got it’s name.

• Pictures and art work that are submitted as contendors for the Unsung Munchkin monument.

• A soundscape (with voices, instruments, objects and/or personal communication devices) to hear what the Great Gillikin Forest sounds like during the day (and during the night)!

CHALLENGING

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OPPOSITES

In WICKED, most of of the characters are not what they seem. Elphaba is green and her appearance means she is condemned as ‘The Wicked Witch of the West’ despite her intentions actually being good. Fiyero is originally thought to be shallow and spoiled, however he turns out to also care for the ‘greater good’, while Glinda, who is thought to be sweet and popular by everyone is actually quite selfish at the beginning of the show.

Activity 1 Cut out the individual symbols on the following worksheet and ask pupils to match up their opposites.

Activity 2 For more able pupils, you might like to lead a discussion exploring the impact rumour and gossip can have on people and how what people say about someone or something might not always be true. Taking on the characters from WICKED, pupils could set up a drama scenario in which Elphaba is being gossiped about for being green. Once rehearsed and presented, pupils could discuss, draw or replay the drama scene showing how they might change either the behaviour of the pupils involved in the gossiping or the Elphaba’s response to what was being said. N.B. Social perception can be a particularly significant theme for people with learning disabilities and/or sensory impairments. Therefore it is important to use your own discrestion when working through this activity.

EASY

CHALLENGING

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WHAT MAKES YOU SPECIAL? Each of us is special in some way. It could be a special talent or hobby or a physcial trait such as a beaming smile! Pupils might like to discuss, draw or show what makes them special to the rest of the class. Alternatively, others might like to tell their classmates what they like about them. This could also be done using the following call and response chant:

[NAME] has [brown] eyes. [NAME] has [brown] eyes.

And he has [black] hair. And he has [black] hair.

[NAME] like [jumping]. [NAME] like [jumping].

Without a care. Without a care.

He is special.

He is special. As are we.

As are we. We are special.

We are special. You and me.

You and me.

EASY

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THE MAIN CHARACTERS

ELPHABA (also known as the Wicked Witch of the East)

GLINDA (also known as Galinda the Good)

NESSAROSE (Elphaba’s sister)

BOQ (A student at Shiz University and a

‘Munchkin’)

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MADAME MORRIBLE (Head Mistress at Shiz University)

DOCTOR DILLAMOND (Instructor at Shiz University and the ‘token

goat’)

FIYERO (A student at Shiz University and a ‘Winkie

Prince’)

THE WONDERFUL WIZARD (Leader of Oz)

As a follow-up activity, pupils might want to discuss who their favourite character was from the show and what it was they liked about them, such as the way they acted, their costumes or the songs they sang.

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MUNCHKINLAND

Photocopy the following images for pupils to colour or collage. More images can be downloaded from: www.kids-n-fun.com

EASY

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THE EMERALD CITY “There are wonders like I’ve never seen. It’s all grand and it’s all green!”

Activity 1 Pupils might like to explore the colour green by creating a list of other green things (see a sample below). More on the colour green can be found at:

www.enchantedlearning.com/colors/green.shtml

Activity 2 Decorate the classroom with green streamers and/or scarves (covering lamps with green scarves can also create a wonderful effect). You might also want to collect a number of different green objects or have the class decorate some clear plastic bottles with green paint and glitter to display. To do this, ensure the bottles have lids that can be secured. Pour some paint and glitter into each plastic container. Put the lids on and shake the bottles until the paint and glitter covers the inside.

Activity 3 Have fun with an Emerald City Fashion Parade. Ask pupils to come dressed in green or provide a collection of green material, hats and scarves (they might even like to wear their Emerald City Glasses, page 25). Put on some favourite music as each pupil shows off their newly created outfit. This could also be worked into a wonderful assembly presentation by creating score cards and casting those watching as judges.

Activity 4 Using the following template, pupils can colour their own Emerald City using a number of different shades of green. They might like to colour with pencils, pens, crayons, paint or even strips of green wrapping paper. The artwork could be finished off with a dusting of glitter. As an extension, pupils might like to name some of the streets in their Emerald City with green-reflecting names, such as Grass Grove or Froggy Meadows.

Activity 5 As an extension to the Fashion Parade activity or to advertise another Emerald City event (such as a dance at the Ozdust Ballroom), pupils might like to design a poster. A template has been provided on page 24 for pupils to expand on with their own photographs or drawings.

EASY

EASY

INTERMEDIATE

EASY

INTERMEDIATE

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THE EMERALD CITY

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☺ EMERALD GLASSES

YOU WILL NEED • scissors • cellotape • thin cardboard • green acetate • marker pens, glue and glitter INSTRUCTIONS 1. Photocopy the glasses template on the following page onto the thin cardboard. (If

this is not possible you can stick a photocopy onto card.) 2. Cut around the edges. 3. Cut out the eye-holes and black-slits. 4. Stick green squares of acetate on the inside of the glasses. 5. Slide the ear rests into the cut out black-slits and secure with cellotape. 6. Decorate glasses to personal taste!

INTERMEDIATE

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� MAKING MAGIC

Early on in WICKED, Madame Morrible discovers Elphaba has a gift for sorcery and invites her to attend special classes designed to improve this skill. To expand on this idea, pupils might like to have some fun creating spells of their own. Time Allowance: 20-30minutes You Will Need:

• a collection of musical instruments or CD player

• pens and paper (optional)

• a box of sensory items such as scarves, ribbons, bubbles and glow sticks (optional) The Set-Up: Sit the class in a circle. Give each a musical instrument (or put some music on) and/or something from the sensory box. The Activity: Tell the group that you are going to make a spell together. Ask them:

• What type of spell would they like to create? For example, a spell that produces a chocolate cake out of thin air, or one that could allow you to travel back in time.

• What ingredients would they need to include? For example, a clock or a wooden spoon. It could also be something like a storm cloud or the smell of freshly cut grass! (You might like to ask pupils to draw their special ingredient.)

Explain that in order to create this spell, they will need to develop a special dance or musical jamboree. Starting off as slowly and quietly as possible, allow each pupil to put their imaginary ingredient (or drawn representation) into the centre of the circle. Encourage movement and/or sound from each as they do this, that can be copied by the rest of the group. Once all of the ingredients have been placed in the circle, get the group to start making sounds with their instruments, bodies or sensory objects. Acting as a conductor, encourage them to play quietly (by crouching down low) or loudly (by stretching up high). Eventually bring the musical mayhem to a stop by either signalling for silence or one-by-one taking the objects/instruments away. N.B. Don’t be afraid to practise this a couple of times should you be concerned that the group might not understand your conducting signals. Before you begin you might even like to ask the group how they think you should conduct the spell making! Pupils might want to spend time researching other well-known witches and wizards such as those from Harry Potter, the Grand High Witch from Roald Dahl’s book The Witches or even Gandalf from The Lord Of The Rings.

EASY / INTERMEDIATE

CHALLENGING

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PRODUCTION IMAGES

All photographs by Tristram Kenton Rather than just looking at the photographs, pupils might like to physically re-create the following images in small groups and speculate on what might happen next. This can be done through discussion or by ‘bringing the re-created image to life’ with sound and/or movement. Consider also the looks on the characters faces and how these might help to tell the story.

INTERMEDIATE / CHALLENGING

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