Upload
giorgio-bertini
View
219
Download
0
Tags:
Embed Size (px)
DESCRIPTION
Why Should Schools Be Interested in Creativity
Citation preview
Why Should Schools Be Interested in Creativity?
And, How Can We Nurture It? Bonnie Cramond, Ph.D.
Department of Educational Psychology and Instructional Technoloty
University of Georgia
Creativity is Analogous to Intelligence in Several Ways
• Everyone has some • It can be developed
and nurtured • There are levels • It can be expressed in
many ways • It can be viewed as a
general ability and as a domain specific ability Bonnie Cramond
The University of Georgia
We Should Be Interested in Developing Creativity for the
Good of the Individual and the Society
Creative Expression Fosters Mental Health
Creative Students Can Become
Creative Adults • Bevin Carnes • She was “different” • “In her own world” • Other kids teased her • Her parents encouraged her creativity and
supported her. • Won an academy award in student division for
animated film • Works for Disney • http://abcnews.go.com/Video/playerIndex?id=4276368&affil=wsb
• “Every talent that goes unused…every potential for making a contribution in any endeavor that goes unrecognized, or unstimulated, is a loss that cannot be measured nor can ever be retrieved.” Dr. Mary M. Frasier
Behaviors Associated with Creativity May Be Mistaken
• Attention Deficit Hyperactivity Disorder
(ADHD)
• Asperger’s Syndrome
• Asocial or antisocial behavior
• Clinical depression or Bipolar disorder
• Etc.
Cognitive Processing
• Spontaneous and diverse ideation--may be seen as hyperactive
• Studies found higher ideation among ADHD students during problem-solving exercise
Comparison of ADHD and Creativity Attention and Interests
Often fails to finish things;
Frequently shifts activities; Easily distracted
Broad range of interests tendency to play with ideas
Concentration and Imagination
Often does not seem to listen; Daydreams Difficulty concentrating;
Hypomanic: think and act at great speed; Preoccupation; Daydreams Good imagination; driving absorption; internal visualization
Organization
Difficulty organizing work Often loses things necessary for tasks
Tolerance for ambiguity; Finding order in chaos
Independence
Needs a lot of supervision Freedom of spirit that rejects limits imposed by others
Comparison of ADHD and Creativity Energy and Activity
Excessive running and climbing; Excessive fidgeting; Difficulty staying seated; Motor restlessness; Always on the go
Radiate vitality High energy level
Risk Taking
Often engages in physically dangerous activities without considering possible consequences
Willing to take chances; Risk taking: Type “T” personality
Impulsivity
Often acts before thinking;; Frequently calls out in class; Difficulty waiting turn
Impulsive
Comparison of ADHD and Creativity
Sociability
Negative social interactions; Solitary play Unconventional behavior; Emotionally independent--preferring solitary to group activities ; Difficulty or little interest in establishing warm interpersonal relationships
Emotionality
Mood changes quickly and drastically; Difficult temperament (Werry, Reeves, & Elkind, 1987)
Experiencing deep emotions (Sternberg, 1988) Emotional instability (Ochse, 1990)
Self Talk
Talk during tasks (Werry, Reeves, & Elkind, 1987)
More self talk during problem solving (Daugherty, 1990)
Study Comparing Identified ADHD and Creatives
• ADHD group = 34 students, aged six to 15, 8 females and 26 males
• Highly creative group = 76 participants, 33 females and 43 males, age 13 through 15 from the Torrance Creative Scholars Program in Louisiana.
• Measures:
– Torrance Tests of Creative Thinking
– SNAP Checklist
32.35%
8.82%
8.82%
8.82%
5.88%
5.88%
5.88%
5.88%
17.65%
10-19 %ile
20-29 %ile
30-39 %ile
40-49 %ile
50-59 %ile
60-69 %ile
70-79 %ile
80-89 %ile
90-99 %ile
13.16%
1.32%
11.84%
73.68%
1
2
3
4
ADD with Hyperactivity (DSM III)
ADD without Hyperactivity (DSM III)
ADHD (DSM-III-R)
Not Symptomatic
Sensation Seeking
• Emotionally expressive
• Synesthesic --one sensation involuntarily conjures up another
• Related to ADHD and creativity
Type T Personality
• Farley: daredevils, doers and delinquents share a common personality, Type T (for thrill seeking).
• constant stimulation and risk taking--both physical and mental
• Can be positive or negative
Sensitivity to Stimulation
• Dabrowski’s “Overexcitabilities” or hyper sensitivities – Intellectual--curiosity – Emotional--
expressiveness – Physical--energy – Imaginational--ideas – Sensual--media to
communicate
• Intensity used to describe creative individuals
Depression
• Depression and bipolar disorder have been noted in the lives of creative people and/or their families
Virginia Woolf Sylvia Plath
Creativity and Mental Illness
• Suffer from certain mental disorders & higher suicide rates
• High MMPI psychopathology scores, but also higher ego strength
Stereotype of Dropouts as Incapable of Doing the Work
• Many dropouts are bright
• Maybe they are creative? – Don’t see connection of
curriculum to life plan – Resist the regimentation – May have problems with
behaviors indicative of ADHD, depression, sensitivity to stimulation, social isolation, etc.
Contacted Bright Dropouts
• Creativity test • Measure of hyper
sensitivities • Interviews
• They did tend to be creative
• They did have heightened sensitivity
• They also couldn’t stand – The loud, noisy,
crowded schools – The unfair and
demeaning discipline – The irrelevant interests
of their age peers – The pedantic
curriculum – The detached faculty – The early start time
In the U.S.
Recent reports warn that our nation cannot retain its economic and scientific position in the competitive world with a work force that has mastered only minimum competencies 2009 24 Cramond UGA
From Tough Choices or Tough Times (2006) “…candidates will have to be • comfortable with ideas and abstractions, • good at both analysis and synthesis,
• creative and innovative, • self-disciplined and well organized, • able to learn very quickly, and • work well as a member of a team, and
• have the flexibility to adapt quickly to frequent changes in the labor market as the shifts in the economy become ever faster and more dramatic.” (p. 8, Executive Summary).
2009 25 Cramond UGA
2009 26 Cramond UGA
Cramond UGA
Richard Florida, Economist
The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2002) There is a new social class, the creative class, who generate new ideas, new technology, and new creative content that profoundly influence work and lifestyle issues.
The Flight of the Creative Class: The New Global Competition for Talent (2005) Nations are in competition to nurture and retain their most creative talent because they are linked to a nation’s prosperity.
2009 27
Even Universities Are Recognizing the Benefits of Creativity
• NSF Grant With Art and Engineering • Develop New Interdisciplinary
curriculum –art, engineering, and creativity
Bonnie Cramond, Torrance Center; Jo Walthers and Nadia Kellam, Faculty of Engineering; Tracie Costantino, Art Education
Creativity in All Domains Improves Our Lives
29
Other Countries Are Emphasizing Creativity
• Asian Countries Are Keenly Interested
• European Year of Creativity
Even The Tibetan Children’s Villages’ Schools Want an Emphasis on Creativity
Dalai Lama, Natalie Anders, Ted Anders, Charles Martin
How Can We Nurture It?
• Infuse creativity into all subject areas. • Use tried strategies • Make students aware of their creative
thinking—Creative Metacognition • Engage students in creative programs • Purposely teach students thinking skills
and when to use them • Promote a sense of wonder
+
Based on the book by Robert & Michele
Root-Bernstein Bonnie Cramond UGA
Sparks of
Genius
The 13 Thinking Tools
Of the World’s
Most Creative People