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A Moving Story Picturing Migration and Immigration in Nineteenth and Twentieth Century American Art Wendy Greenhouse, PhD

Wendy Greenhouse, PhD

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A Moving Story Picturing Migration and Immigration in Nineteenth and Twentieth Century American Art. Wendy Greenhouse, PhD. Emanuel Leutze, Washington Crossing the Delaware , 1851. Thomas Hovenden , Breaking Home Ties , 1890. Norman Rockwell, Breaking Home Ties , 1954. - PowerPoint PPT Presentation

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Page 1: Wendy Greenhouse, PhD

A Moving Story

Picturing Migration and Immigration in

Nineteenth and Twentieth Century

American Art

Wendy Greenhouse, PhD

Page 2: Wendy Greenhouse, PhD

Emanuel Leutze, Washington Crossing the Delaware, 1851

Page 3: Wendy Greenhouse, PhD

Thomas Hovenden, Breaking Home Ties, 1890

Norman Rockwell, Breaking Home Ties, 1954

Page 4: Wendy Greenhouse, PhD

William S. Jewett, The Promised Land--The Grayson Family, 1850

Page 5: Wendy Greenhouse, PhD

George Caleb Bingham, The County Election, 1852

Page 6: Wendy Greenhouse, PhD

George Henry Hall, A Dead Rabbit (Study of the Nude or Study of an Irishman), 1858 Irishman), 1858

“A ‘Dead Rabbit,’ “ 1857

Page 7: Wendy Greenhouse, PhD

De Scott Evans, The Irish Question,

circa 1880s

Page 8: Wendy Greenhouse, PhD

Eastman Johnson, A Ride for Liberty--The Fugitive Slaves, circa 1862

Page 9: Wendy Greenhouse, PhD

Lily Martin Spencer, The Home of the Red, White and Blue, circa 1867-68

Page 10: Wendy Greenhouse, PhD

Horace Bonham, Nearing the Issue at the Cockpit, 1878

Page 11: Wendy Greenhouse, PhD

Thomas Nast, “Every Dog (No Distinction of Color) Has His

Day,” 1879

Page 12: Wendy Greenhouse, PhD

Charles Frederic Ulrich, In the Land of Promise, Castle Garden, 1884

Page 13: Wendy Greenhouse, PhD

New York--Welcome to the land of freedom, 1887

Page 14: Wendy Greenhouse, PhD

Alfred Stieglitz, The Steerage, 1907

Page 15: Wendy Greenhouse, PhD

Jewish women immigrants examined at Ellis Island, circa 1911

Page 16: Wendy Greenhouse, PhD

F. Victor Gillam, The Immigrant—Is He an Acquisition or a Detriment to Me?, 1903

Page 17: Wendy Greenhouse, PhD

Jacob Riis, Italian Mother and Baby, Ragpicker, New York, circa 1889-90

Page 18: Wendy Greenhouse, PhD

Remember Your First Thrill of American Liberty, 1917

Page 19: Wendy Greenhouse, PhD

Still image and poster from Charlie Chaplin’s short film The Immigrant, 1917

Page 20: Wendy Greenhouse, PhD

Abastenia St. Leger Eberle, Avenue A (The Dance of the Ghetto Children, circa 1914

Girl Skating, 1906

Page 21: Wendy Greenhouse, PhD

George Bellows, Paddy Flanagan, 1908

Robert Vonnoh, Companion of the Studio, 1888

Page 22: Wendy Greenhouse, PhD

George Luks, Street Scene (Hester Street), 1905

Page 23: Wendy Greenhouse, PhD

William Glackens, Far from the Fresh Air Farm,

1911

Page 24: Wendy Greenhouse, PhD

Ralf Christian Henricksen, Americanization of Immigrants, 1940

Page 25: Wendy Greenhouse, PhD

Ida Abelman, My Father Reminisces, 1937

Page 26: Wendy Greenhouse, PhD

Archibald J. Motley, Jr., Casey and Mae in the Street, 1948

Page 27: Wendy Greenhouse, PhD

Dorothea Lange, migrant family on road, 1936

Lange, Destitute Peapickers in California , known as Migrant Mother, 1936

Page 28: Wendy Greenhouse, PhD

Dorothea Lange, Members of the Mochida family awaiting evacuation bus, 1942

Page 29: Wendy Greenhouse, PhD

Henry Sugimoto, When Can We Go Home? 1943

Page 30: Wendy Greenhouse, PhD

Joseph Rodríguez, Puerto Rican Flag, 1986

Page 31: Wendy Greenhouse, PhD

Jamie Wyeth, Kalounna in Frogtown, 1986

Page 32: Wendy Greenhouse, PhD

questions?