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Typology is a type of photography which the following photographers specialised in. I have collected some examples of their work as well as a short extract from each website that examines their work in more detail and depth. I will also provide a typology with a series of images with similar traits. August Sander – Face of our time Country Girls by August Sander © Die Photographische Sammlung/SK Stiftung Kultur – August Sander Archiv, Cologne / DACS 2018 https://www.bjp-online.com/2018/05/august-sander-men-without- masks/

emmapetruzzelli.files.wordpress.com · Web viewThis work evolved into his decades-long project People of the 20th Century, now considered a seminal photographic work. Falling into

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Typology is a type of photography which the following photographers specialised in. I have collected some examples of their work as well as a short extract from each website that examines their work in more detail and depth.

I will also provide a typology with a series of images with similar traits.

August Sander – Face of our time

Country Girls by August Sander © Die Photographische Sammlung/SK Stiftung Kultur – August Sander Archiv, Cologne / DACS 2018

https://www.bjp-online.com/2018/05/august-sander-men-without-masks/

August Sander: “A Profile of the People” (2002)

Posted on April 18, 2012 by Editorial @ ASX

https://americansuburbx.com/2012/04/theory-august-sander-profile-of-people.html

Born in 1876 in the German mining town of Herdorf, August Sander discovered photography while working at a local slagheap. Serendipitously meeting a landscape photographer working there for a mining company, he went on to assist the image-maker, and by 1909 had opened his own studio in Cologne.

Around this time, he also started taking portraits of his fellow-Germans, deliberately eschewing the then-prevalent pictorialist approach in favour of recording as much detail as possible. “Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography,” he stated. “Let me speak the truth in all honesty about our age and the people of our age.”

This work evolved into his decades-long project People of the 20th Century, now considered a seminal photographic work. Falling into seven distinct groups, People of the 20th Century set out to show ‘The Farmer’, ‘The Skilled Tradesman’, ‘The Woman’, ‘Classes and Professions’, ‘The Artists’, ‘The City’ and ‘The Last People’, and in doing so revealed Germany’s ethnic and class diversity.

Bernd and Hilla Becher – Typologies

Water Towers 1972–2009© Estate of Bernd Becher & Hilla Becher

https://www.tate.org.uk/art/artists/bernd-becher-and-hilla-becher-718

Bernd Becher, Hilla Becher

Winding Towers1966-97

https://www.moma.org/collection/works/136060

Bernhard "Bernd" Becher (German: [ˈbɛçɐ]; August 20, 1931 – June 22, 2007), and Hilla Becher, née Wobeser (September 2, 1934 – October 10, 2015), were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the ‘Becher school’ or the ‘Düsseldorf School’ they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.

Hans Eijkelboom – Photonotes, People of the Twenty-First Century

Photographer Spends 20 Years Documenting How We All Dress Exactly Alike

https://www.picsgen.com/hans-eijkelboom-people-of-the-twenty-first-century/

The Same But Different – Dutch Photographer Spends 20 Years Documenting People Who Dress Similarly

http://thaumaturgical.com/different-dutch-photographer-spends-20-years-documenting-people-dress-similarly/#

You could never accuse Hans Eijkelboom of a lack of dedication. For his new book, People of the Twenty-First Century, the photographer and conceptual artist spent 20 years lurking around shopping centres – initially in his native Netherlands, later in America and China. Working almost daily, he would note similarities in the appearance of passers-by and surreptitiously photograph them or take “photo notes” as he calls them.

“The process,” he says, “is simply that I walk to the centre of the city where many people are. Then I walk around for 10 to15 minutes. When something in the crowd intrigues me or touches me, I decide that will be the theme of the day. Then I start photographing for two hours. Many times, it goes wrong: I don’t see anything, so I don’t photograph that day; or I go to the city, see my subject, start photographing and, surprisingly, in the next two hours, never see my subject again. And then, for that day, there is no photo note.”

Joachim Schmid – Other People’s Photographs

Joachim Schmid, Other People’s Photographs, Buddies, 2008–2011.

https://www.klatmagazine.com/en/photography-en/joachim-schmid-interview/33145

Arcana (1996-2008). Lisbon, March 1993. Joachim Schmid.

https://www.researchgate.net/figure/Figura-2-Arcana-1996-2008-Lisbon-March-1993-Joachim-Schmid_fig2_313424304

Photographer, artist, archivist: it’s hard to come up with an unambiguous definition of the German Joachim Schmid, pioneer of found photography, who for thirty years has been offering an authorial view of the flow of images produced by our daily existence. Schmid is above all a predator of the lives and gazes of others, someone who seeks them out and finds them in flea markets, antique bookstores or that immense deposit of snapshots to be found on photo sharing sites. He himself recognizes that the internet has represented the only decisive watershed in his work: everything can be found online, and at once. And it is no accident that the 96 volumes of the project Other People’s Photographs are devoted to Flickr.

Eric Tabuchi – Alphabet Truck

https://www.erictabuchi.net/

atlas-of-forms.net

Archive d'images d'architectures doté d'un moteur de recherche permettant d'effectuer une recherche à partir de 16 critères élémentaires

Alphabet Truck, 200815,5 x 19,2 cm26 cartes offset sous étuiEdition limitée à 600 exemplairesÉditeur: Florence LoewyWith this edition of Alphabet Truck, Eric Tabuchi completes a work representing several thousands of kilometres traversed over these past four years. The missing link between The back of trucks passed while driving from Los Angeles to Santa Barbara by John Baldessari and Auchan, the letters of Claude Closky, Eric Tabuchi pushes the burlesque or compulsive logic of his piece in an almost derisory search for what could constitute its Danish and Japanese origins. Through language (Alphabet) and displacement (Trucks), Alphabet Truck therefore questions, beyond its formal aspects and references, the notions of membership, identity and coeducation

https://www.erictabuchi.net/filter/Photoworks/Alphabet-Truck