update96.doc · Web viewChair and Organizer of Film Division, 70th Annual South Atlantic Modern Language Assn. Conference, Birmingham, AL, Nov. 11, 2000. Session Chair, “The Film

September, 2012

Jay P. Telotte

Professor

School of Literature, Media, and Communication

EDUCATIONAL BACKGROUND

Ph. D. 1976 University of Florida EnglishM. A. 1973 University of New Orleans EnglishB. S. 1971 Loyola University English/Education

EMPLOYMENT HISTORY

Professor LCC Georgia Tech 1991-PresentAssociate Professor, English Georgia Tech 1984-91Assistant Professor, English Georgia Tech 1979-84Assistant Professor, English Berry College 1977-79Instructor English Univ. of New Orleans 1976-77

CURRENT FIELDS OF INTEREST:

I. TEACHING

A. Courses Taught

Term Course Students Teaching Effectiveness

Fall 2005 3256 Major Filmmakers 18 5.0

Spring 2006 3352 Film and Technology 21 4.7

Fall 2006 3252 Film and Television 26 4.6

Spring 2007 Teaching Leave

Fall 2007 3352 Film and Technology 31 4.9

Spring 2008 3252 Film and Television 26 4.5

Summer 2008 3352 Film and Technology 2

Fall 2008 3853 Special Topics in Film: Animation 30 4.3

Spring 2009 3252 Film and Television: Science Fiction 30 4.8

Fall 2010 3352 Film and Technology 31 4.8

Fall 2011 3853 Special Topics in Film: Animation 31 4.77

Spring 2012 3252 Film and Television

B. Continuing Education

Not applicable

C. Curriculum Development

Designed Proposal for possible MS in Science Fiction and Fantasy Studies (2010011)Designed Proposal for possible MS in Communicating Science (2009)Helped Design and Create Proposals for 3 New Courses: Global Cinema, Documentary Film, and Experimental Film and Video (2008-09)Proposed Model (with Rebecca Burnett) for Technical Communication Minor (2008-09)New Course: Special Studies in Film—Animation (2008)Proposed new minor in Literary Studies (2007-08)Created Proposal for a “Research and Communication” focus for GT undergraduate curriculum for Provost’s Initiative on Undergraduate Education (2007) Contributed to design of STAC Research Track (2007)Designed Minor in Film and Media Studies (2006)Designed Proposal for Film and Media Studies degree (2005)Helped design Biomedicine and Culture STAC option (2004-05).Created Undergraduate Thesis Protocol (2004).Helped design Gender Studies STAC option (2003-04).Wrote (with Professor Carol Senf) Readmission Policy for STAC majors (2002).Designed and oversaw development of 5-Year Degree Program (2001-02).Designed and oversaw development of STAC Media Studies option (2000-01). Created LCC 4500 Seminar in Film (2000-01).Helped design Performance Studies Minor (1999).Planned and submitted Film Certificate proposal for semester conversion (1999). Designed and offered two film courses intended for STAC majors--Film and/as Technology and Film and the Machine Age.Co-designer of Drama and Film Certificate program (1983).Co-designed and developed Introduction to Drama and Film course (1983). Designed and developed Film History I and II (3133, 3134), Narrative Art of the Film (3131), Film Genres (3132), Studies in Film (4132).Among specific courses created for and taught under such headings as 4132, 4832, and 4833 are the following: Disney and Technology, The Hollywood Studio System, German Expressionism, Science Fiction Film, American Film Noir, Film Fantasy, Genres of Space, Documentary Film, Theories of Film Authorship, Silent Comedy, The Comic in Drama and Film.Created Handbook on Drama and Film for introductory students (1984).

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Recommended and oversaw purchase of film and video holdings for LCC film archive (1982-present). Obtained approximately 80 16mm film acquisitions from local collector for LCC film archive (1985).

D. Individual Student Guidance

M.S. thesis Committee (Nathaniel Olson, 2007)Direction of undergraduate thesis (Whitney Hagan, spring 2005)

II. SCHOLARSHIP

A. Published Books and Parts of Books

Telotte, J. P., "Charles Peirce and Walker Percy: From Semiotic to Narrative," Walker Percy: Art and Ethics, pp. 65-79 (Jac Tharpe, Ed.) Jackson: Univ. Press of Mississippi, 1980.

Telotte, J. P., "The Human Landscape of John Ford's South," The South and Film, pp. 117-33 (Warren French, Ed.) Jackson: Univ. Press of Mississippi, 1981.

Telotte, J. P., "Faith and Idolatry in the Horror Film." Planks of Reason: Essays on the Horror Film, pp. 21-37 (Barry K. Grant, Ed.) Metuchen: Scarecrow Press, 1984.

Telotte, J. P., "Roman Polanski," Encyclopedia of Film andFilmmakers, pp. 211-12, Chicago: St. James Press, 1984.

Telotte, J. P., Dreams of Darkness: Fantasy and the Films of Val Lewton, Urbana: Univ. of Illinois Press, 1985.

Telotte, J. P., "A Transforming Vision: Val Lewton and the Perspective of Fantasy," Forms of the Fantastic, pp. 165-74 (Hokenson and Pearce, Eds.) Westport: Greenwood Press, 1986.

Telotte, J. P., "Children of Horror: The Films of Val Lewton," Aspects of Fantasy, pp. 95-106 (William Coyle, Ed.) Westport: Greenwood Press, 1986.

Telotte, J. P., "Through the Eye of a Pumpkin: The Reflexive Vision of Horror," American Horrors, 114-28 Gregory Waller, Ed.) Urbana: Univ. of Illinois Press, 1987.

Telotte, J. P., Voices in the Dark: The Narrative Patterns of Film Noir, Urbana: Univ. of Illinois Press, 1989. (Note: Now in its 5th printing)

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Telotte, J. P., "John Ford," "Jean Renoir," "King Vidor," Encyclopedia of Southern Culture, pp. 956, 969-70, 976-77 (Wilson and Ferris, Eds.) Chapel Hill: Univ. of North Carolina Press, 1989.

Telotte, J. P., "The Doubles of Fantasy and the Space of Desire," Alien Zone: Cultural Theory and Contemporary Science Fiction, pp. 152-59 (Annette Kuhn, Ed.) London: Verso, 1990.

Telotte, J. P., Ed., The Cult Film Experience: Beyond All Reason, Austin: Univ. of Texas Press, 1991.

Telotte, J. P., "Westworld, Futureworld, and the World's Obscenity," State of the Fantastic, pp. 179-88 (Nicholas Ruddick, Ed.) Westport: Greenwood Press, 1992.

Telotte, J. P., "Film Noir at Columbia," Columbia Pictures: Portrait of a Studio, pp. 106-17 (Bernard F. Dick, Ed.) Lexington:

Univ. Press of Kentucky, 1992.

Telotte, J. P., "The Disorder of Things in Twin Peaks," Full of Secrets: Critical Approaches to Twin Peaks, pp. 160-172 (David Lavery, Ed.) Detroit: Wayne State Univ. Press, 1995.

Telotte, J. P., Replications: A Robotic History of the Science Fiction Film, Urbana: Univ. of Illinois Press, 1995.

Telotte, J. P., "The Woman in the Door: Framing Presence in Film Noir," In the Eye of the Beholder: Critical Perspectives in Popular Film and Television, pp. 137-48 (Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar, Eds.) Bowling Green: Bowling Green State University Popular Press, 1997.

Telotte, J. P., "Human Artifice and the Science Fiction Film," Film Quarterly: Forty Years, pp. 176-189 (Brian Henderson and Ann Martin, Eds.) Berkeley: University of California Press, 1999. (reprint of earlier Film Quarterly article)

Telotte, J. P. A Distant Technology: Science Fiction Film and the Machine Age, Hanover: Wesleyan University Press/University Press of New England, 1999.

Telotte, J. P., “A Parasitic Perspective: Romantic Participation and Polidori’s The Vampyre,” The Blood is the Life: Vampires in Literature, pp. 9-18 (Leonard G. Heldreth and Mary Pharr, Eds.) Bowling Green: Bowling Green State U Popular Press, 1999.

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Telotte, J. P., “Noir Narration,” Post-War Cinema and Modernity, pp. 25-36 (John Orr and Olga Taxidou, Eds.) Edinburgh: Edinburgh University Press, 2000.

Telotte, J. P., “Rounding Up the Usual Suspects: The Comforts of Character and Neo-Noir,” Seeing Beyond: Movies, Visions, and Values, pp. 371-83 (Richard P. Sugg, Ed.) New York: Golden String Press, 2001.Noir.

Telotte, J. P. Science Fiction Film, Cambridge: Cambridge University Press, 2001.

Telotte, J. P. El Cine de Ciencia Ficcion. Trans. Jose Miguel Parra Ortiz. Cambridge: Cambridge UP, 2002. (Spanish-language version of Science Fiction Film)

Telotte, J. P. “Jerry in the City: The Topology of The King of Comedy.” Enfant Terrible!: Jerry Lewis in American Film. Ed. Murray Pomerance. New York: NYU Press, 2002. 167-80.

Telotte, J. P. “The New Hollywood Musical: From Saturday Night Fever to Footloose.” Genre and Contemporary Hollywood. Ed. Steve Neale. London: BFI Press, 2002. 48-61.

Telotte, J. P. “’A Little Bit Savage’: Stagecoach and Racial Representation.” John Ford’s Stagecoach. Ed. Barry Keith Grant. Cambridge: Cambridge UP, 2002. 113-31.

Telotte, J. P. “What You Can’t See Can Hurt You: Of Invisible and Hollow Men.” Dark Thoughts: Philosophic Reflections on Cinematic Horror. Eds. Steven Jay Schneider and Daniel Shaw. Lanham, MD: Scarecrow Press, 2003. 105-19.

Telotte, J. P. “The Blair Witch Project Project: Film and the Internet.” Nothing That Is: Millennial Cinema and the Blair Witch Controversies . Eds. Sarah L. Higley and Jeffrey Andrew Weinstock. Detroit: Wayne State UP, 2004. 37-52. (Also reprinted in Common Culture: Reading and Writing About American Popular Culture. Eds. Michael Petracca and Madeleine Sorapure. 4th ed. Upper Saddle River, NJ: Pearson/Prentice Hall, 2004).

Telotte, J. P. Disney TV. Detroit: Wayne State UP, 2004. (Lead volume for new “TV Milestones” series)

Telotte, J. P. “Human Artifice and the Science Fiction Film.” Liquid Metal: The Science Fiction Film Reader. Ed. Sean Redmond. London: Wallflower Press, 2004. 57-63. (Reprint of Film Quarterly article)

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Telotte, J. P. “Voices from the Deep: Film Noir as Psychodrama.” Film Noir Reader 4. Eds. Alain Silver and James Ursini. New York: Limelight Editions, 2004. 145-60.

Telotte, J. P. “German Expressionism: A Cinematic/Cultural Problem.” Traditions in World Cinema. Eds. Linda Badley, R. Barton Palmer, and Steven Jay Schneider. Edinburgh: Edinburgh University Press, 2006. 15-28.

Telotte, J. P. “Minor Hazards: Disney and the Color Adventure.” Color: The Film Reader. Eds. Angela Dalle Vacche and Brian Price. New York: Routledge, 2006. 30-39.

Telotte, J. P. “The Gravity of 2001: A Space Odyssey.” Stanley Kubrick’s 2001: A Space Odyssey: New Essays. Ed. Robert Kolker. New York: Oxford University Press, 2006. 43-54.

Telotte, J. P. “Interrogating the Real in Neil LaBute’s Films.” Neil LaBute: A Casebook. Ed. Gerald C. Wood. New York: Routledge, 2006. 125-39.

Telotte, J. P. “Heinlein, Verhoeven, and the Problem of the Real.” The Literature/Film Reader: Issues of Adaptation. Eds. James M. Welsh and Peter Lev. Lanham, MD: Scarecrow Press, 2007.187-200.

Telotte, J. P. “The Blair Witch Project Project: Film and the Internet.” The Cult Film Reader Eds. Ernest Mathijs and Xavier Mendik. London: Open University Press, 2008. 263-73. (reprint of Film Quarterly article)

Telotte, J. P., ed. The Essential Science Fiction Television Reader. Lexington: Univ. Press of Kentucky, 2008. (includes two chapters by the editor)

Telotte, J. P. The Mouse Machine: Disney and Technology. Urbana: Univ. of Illinois Press, 2008.

Telotte, J. P. “Film, 1895-1950.” The Routledge Companion to Science Fiction. Eds. Mark Bould, Andrew Butler, Adam Roberts, and Sherryl Vint. London: Routledge, 2009. 42-51.

Telotte, J. P. “The Accident of Firefly.” The Essential Cult Television Reader. Ed. David Lavery. Lexington: Univ. Press of Kentucky, 2010. 111-19.

Telotte, J. P. “Theme Parks and Films—Play and Players.” Disneyland and Its Global Impact. Eds. Kathy Merlock Jackson and Mark West. Jefferson, NC: McFarland, 2010.

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Telotte, J. P., and Gerald Duchovnay, eds. Science Fiction Film, Television, and Adaptation: Across the Screens. London: Routledge,

2012.

Telotte, J. P. “A Fate Worse Than Death: Racism, Transgression, and Westerns.” Westerns: The Essential ‘Journal of Popular Film and Television’ Collection. Eds. Gary R. Edgerton and Michael T. Marsden.New York: Routledge, 2012. 142-54. (reprint of Journal of Popular Film and Television article)

Telotte, J. P. “Space Opera TV: Seeing the World of Tomorrow.” 1950sRocketman TV Series and Their Fans. Eds. Cynthia J. Miller and A. Bowdoin Van Riper. New York: Palgrave Macmillan, 2012. 115-29.

Accepted for publication:

Telotte, J. P. “Farscape, Accidents, and Uncharted Territories.” Cult Television. Ed. Barbara Maio.

B. Edited Proceedings/Special Numbers

Special Horror Issue, Film Criticism vol. 7, no. 2, 1982.

Film and/as Technology, Post Script vol. 10, no. 1, 1990.

Film and Technology, Journal of Popular Film and Television vol. 28, no. 4, 2001.

C. Published Journal Papers (refereed)

Telotte, J. P., "Walker Percy's Language of Creation," The Southern Quarterly, vol. 16, no. 2, pp. 105-16, 1978.

Telotte, J. P., "8 1/2 and the Evolution of a Neorealist Narrative," Film Criticism, vol. 3, no. 2, pp. 67-79, 1979.

Telotte, J. P., "Walker Percy: A 'Pragmatic' Approach," Southern Studies, vol. 18, no. 2, pp. 217-30, 1979.

Telotte, J. P., "The Organic Narrative: Word and Image in Barry Lyndon," Film Criticism, vol. 3, no. 3, pp. 18-31, 1979.

Telotte, J. P., "Language and Perspective in James's The American," South Atlantic Bulletin, vol. 44, no. 1, pp. 27-39, 1979.

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Telotte, J. P., "Butting Heads with Faulkner's Soldier." Notes on Contemporary Literature, vol. 9, no. 3, pp. 7-8, 1979.

Telotte, J. P., "Scorsese's The Last Waltz and the Concert Genre," Film Criticism, vol. 4, no. 2, pp. 9-20, 1980.

Telotte, J. P., "Dancing the Depression: Narrative Strategy in the Astaire-Rogers Films," Journal of Popular Film and Television, vol. 8, no. 3, pp. 15-24, 1980.

Telotte, J. P., "Charles Peirce and Walker Percy: From Semiotic to Narrative," The Southern Quarterly, vol. 18, no. 3, pp. 65-79, 1980.

Telotte, J. P., "A Symbolic Structure for Walker Percy's Fiction," Modern Fiction Studies, vol. 26, no. 2, pp. 227-40, 1980.

Telotte, J. P., "A Sober Celebration: Song and Dance in the 'New' Musical," Journal of Popular Film and Television, vol. 8, no. 1, pp. 2-14, 1980.

Telotte, J. P., "Faith and Idolatry in the Horror Film," Literature/Film Quarterly, vol. 8, no. 3, pp. 143-55, 1980.

Telotte, J. P., "The Movie Musical and What We 'Ain't Heard' Yet," Genre, vol. 14, no. 4, pp. 505-20, 1981.

Telotte, J. P., "The Human Landscape of John Ford's South," The Southern Quarterly, vol. 19, nos. 3-4, pp. 117-33, 1981.

Telotte, J. P., "History, Imagination, and the Gadfly Artist," Illinois Quarterly, vol. 43, no. 2, pp. 14-27, 1981.

Telotte, J. P., "Formulas and Labyrinths: On Tracking The Leopard Man," New Orleans Review, vol. 8, no. 3, pp. 265- 72, 1981.

Telotte, J. P., "A Gold Digger Aesthetic: The Depression Musical and Its Audience," Post Script, vol. 1, no. 1, pp. 18-24, 1981.

Telotte, J. P., "Val Lewton's Children: Horror, Innocence, and Maturity," Post Script, vol. 1, no. 2, pp. 46-61, 1982.

Telotte, J. P., "Through the Eye of a Pumpkin: The Reflexive Vision of Horror," Literature/Film Quarterly, vol. 10, no. 3, pp. 139-49, 1982.

Telotte, J. P., "The Horror Mythos and Val Lewton's Isle of the Dead," Journal of Popular Film and Television, vol. 10, no. 1, pp. 119-29, 1982.

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Telotte, J. P., "The Doubles of Fantasy and the Space of Desire," Film Criticism, vol. 7, no. 1, pp. 56-68, 1982. Reprinted in 10th Anniversary Number of Film Criticism, vol. 11, nos. 1-2, pp. 43-55, 1987.

Telotte, J. P., "Self and Society: Vincente Minnelli and the Musical Formula," Journal of Popular Film and Television, vol. 9, no. 4, pp. 181-93, 1982.

Telotte, J. P., "Narration and Incarnation: I Walked with a Zombie," Film Criticism, vol. 6, no. 3, pp. 18-31, 1982.

Telotte, J. P., "Dark Patches: Structures of Absence in Lewton's Cat People," Post Script, vol. 2, no. 1, pp. 40-59, 1982.

Telotte, J. P., "A Photogenic Horror: Lewton Does Robert Louis Stevenson," Literature/Film Quarterly, vol. 10, no. 1, pp. 25-37, 1982.

Telotte, J. P., "William Irwin Thompson and the Play of Knowledge," The Kentucky Review, vol. 4, no. 3, pp. 83-93, 1983.

Telotte, J. P., "Visconti's Ossessione and the Open World of Neorealism," New Orleans Review, vol. 10, nos. 2-3, pp. 61-68, 1983.

Telotte, J. P., "Val Lewton's The Ghost Ship: Uncharted Waters," American Classic Screen, vol. 7, no. 3, pp. 28-32, 1983.

Telotte, J. P., "Star Wars and the Science Fiction Tradition," Extrapolation, vol. 24, no. 3, pp. 216-26, 1983.

Telotte, J. P., "Human Artifice and the Science Fiction Film," Film Quarterly, vol. 36, no. 3, pp. 44-51, 1983.

Telotte, J. P., "Expression on Its Own Terms: All That Jazz," Journal of Popular Film and Television, vol. 11, no. 3, pp. 104-13, 1983.

Telotte, J. P., "Bedlam and the Walls of Reason," Studies in the Humanities, vol. 10, no. 2, pp. 59-67, 1983.

Telotte, J. P., "Seeing in a Dark Passage," Film Criticism, vol. 9, no. 2, pp. 15-27, 1984-85.

Telotte, J. P., "The Right Way with Reality: James's 'The Real Right Thing,'" The Henry James Review, vol. 6, no. 1, pp. 8-14, 1984.

Telotte, J. P., "The Detective as Dreamer," Journal of Popular Film and Television, vol. 12, no. 1, pp. 4-15, 1984.

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Telotte, J. P., "Deceit, Desire, and The Lady from Shanghai," South Atlantic Review, vol. 49, no. 1, pp. 56-71, 1984.

Telotte, J. P., "Ideology and the Kelly-Donen Musicals," Film Criticism, vol. 8, no. 3, pp. 36-46, 1984.

Telotte, J. P., "Film Noir and the Dangers of Discourse," Quarterly Review of Film Studies, vol. 9, no. 2, pp. 101-12, 1984.

Telotte, J. P., "Talk and Trouble: Kiss Me Deadly's Apocalyptic Discourse," Journal of Popular Film and Television, vol. 13, no. 2, pp. 69-79, 1985.

Telotte, J. P., "Film Noir and the Double Indemnity of Discourse," Genre, vol. 18, no. 1, pp. 57-73, 1985.

Telotte, J. P., "A Consuming Passion: Food and Film Noir," The Georgia Review, vol. 39, no. 2, pp. 397-410, 1985.

Telotte, J. P., "Christopher Miles: An Interview," Post Script, vol. 5, no. 2, pp. 2-18, 1986.

Telotte, J. P., "Badlands and the Souvenir Drive," Western Humanities Review, vol. 40, no. 2, pp. 101-14, 1986.

Telotte, J. P., "Tangled Networks and Wrong Numbers," Film Criticism, vol. 10, no. 3, pp. 36-48, 1986.

Telotte, J. P., "Siodmak's Phantom Women and Noir Narrative," Film Criticism, vol. 11, no. 3, pp. 1-10, 1987.

Telotte, J. P., "Outside the System: The Documentary Voice of Film Noir," New Orleans Review, vol. 14, no. 2, pp. 55-63, 1987.

Telotte, J. P., "Effacement and Subjectivity: Murder My Sweet's Problematic Vision," Literature/Film Quarterly, vol. 15, no. 4, pp. 227-36, 1987.

Telotte, J. P., "Casablanca and the Larcenous Cult Film," Michigan Quarterly Review, vol. 26, no. 2, pp. 357-68, 1987.

Telotte, J. P., "The Movies as Monster: Seeing in King Kong," The Georgia Review, vol. 42, no. 2, pp. 388-98, 1988.

Telotte, J. P., "Arbuckle Escapes: The Pattern of Fatty Arbuckle's Comedy," Journal of Popular Film and Television, vol. 15, no. 4, pp. 172-79, 1988.

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Telotte, J. P., "The Ghost in the Machine: Consciousness and the Science Fiction Film," Western Humanities Review, vol. 42, no. 3, pp. 249-58, 1988.

Telotte, J. P., "The Displaced Voice of In a Lonely Place," South Atlantic Review, vol. 54, no. 1, pp. 1-12, 1989.

Telotte, J. P., "The Call of Desire and the Film Noir," Literature/Film Quarterly, vol. 17, no. 1, pp. 50-58, 1989.

Telotte, J. P., "Self Portrait: Painting and the Film Noir," Smithsonian Studies in American Art, vol. 3, no. 1, pp. 3- 18, 1989.

Telotte, J. P., "Science Fiction in Double Focus: Forbidden Planet," Film Criticism, vol. 13, no. 3, pp. 25-36, 1989.

Telotte, J. P., "The Big Clock of Film Noir," Film Criticism, vol. 14, no. 2, pp. 1-11, 1989-90.

Telotte, J. P., "The Seductive Text of Metropolis," South Atlantic Review, vol. 55, no. 4, pp. 49-60, 1990.

Telotte, J. P., "Film and/as Technology: An Introduction," Post Script, vol. 10, no. 1, pp. 3-8, 1990.

Telotte, J. P., "The Tremulous Public Body: Robots, Change, and the Science Fiction Film," Journal of Popular Film and Television, vol. 19, no. 1, pp. 14-24, 1991.

Telotte, J. P., "The Fantastic Realism of Film Noir," Wide Angle, vol. 14, no. 1, pp. 4-18, 1992.

Telotte, J. P., "The Terminator, Terminator 2, and the Exposed Modern Body," Journal of Popular Film and Television, vol. 20, no. 2, pp. 26-34, 1992.

Telotte, J. P., "The World of Tomorrow and the Secret Goal of Science Fiction," Journal of Film and Video, vol. 45, no. 1, pp. 27-39, 1993.

Telotte, J. P., "Keaton is Missing," Literature/Film Quarterly, vol. 23, no. 2, pp. 1-8, 1995.

Telotte, J. P., "'In the Realm of Revealing': The Technological Double in the Contemporary Science Fiction Film," Journal of the Fantastic in the Arts, vol. 6, nos. 2-3, pp. 234-52, 1995.

Telotte, J. P., "Enframing the Self: The Hardware and Software of Hardware," Science-Fiction Studies, vol. 22, no. 3, pp. 323-32, 1995.

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Telotte, J. P., "Fatal Capers: Strategy and Enigma in Film Noir," Journal of Popular Film and Television, vol. 23, no. 4, pp. 163-70, 1996.

Telotte, J. P., "Definitely--Falling--Down: 8 1/2, Falling Down, and the Death of Fantasy," Journal of Popular Film and Television, vol. 24, no. 2, pp. 89-100, 1996.

Telotte, J. P., "Just Imagine-ing the Metropolis of Modern America," Science-Fiction Studies, vol. 23, no.2, pp. 161-70, 1996.

Telotte, J. P., "'So Big': The Monumental Technology of Things to Come," Science-Fiction Studies, vol. 25, no. 1, pp. 77-86, 1998.

Telotte, J. P., "Rounding Up The Usual Suspects: The Comforts of Character and Neo-Noir," Film Quarterly, vol. 51, no. 4, pp. 12-20, 1998.

Telotte, J. P., "A Fate Worse Than Death: Racism, Transgression, and Westerns," Journal of Popular Film and Television, vol. 26, no. 3, pp. 120-27, 1998.

Telotte, J. P., “Lindbergh, Film, and Machine Age Dreams,” South Atlantic Review, vol. 64, no. 4, pp. 68-83, 1999.

Telotte, J. P., "Verhoeven, Virilio, and Cinematic Derealization," Film Quarterly, vol. 52, no. 2, pp. 30-38, 2000.

Telotte, J. P., “The Problem of the Real and THX 1138,” Film Criticism, vol. 24, no. 3, pp. 45-60, 2000.

Telotte, J. P., “Film and/as Technology: Assessing a Bargain,” Journal of Popular Film and Television, vol. 28, no. 4, pp. 146-49, 2001.

Telotte, J. P., “The Sounds of Blackmail: Hitchcock and Sound Aesthetic,” Journal of Popular Film and Television, vol. 28, no. 4, pp. 184-91, 2001.

Telotte, J. P. “The Blair Witch Project Project,” Film Quarterly, vol. 54, no. 3, 32-39, 2001.

Telotte, J. P., “Heinlein, Verhoeven, and the Problem of the Real: Starship Troopers,” Literature/Film Quarterly, vol. 29, no. 3, pp. 196-202, 2001.

Telotte, J. P. “Lost Memory and New Noir,” Paradoxa, no. 16, pp. 177-89, 2002.

Telotte, J. P. “Negotiating Disney and Technology,” Studies in the Humanities, vol. 29, no. 2, pp. 109-24, 2003.

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Telotte, J. P., “Doing Science in Machine Age Horror: The Mummy’s Case.” Science Fiction Studies, vol. 30, no. 2, pp. 217-30, 2003.

Telotte, J. P. “Minor Hazards: Disney and the Color Adventure.” Quarterly Review of Film and Video, vol. 21, no. 4, 273-81, 2004.

Telotte, J. P., “Making Tele-Contact: 3-D Film and The Creature from the Black Lagoon,” Extrapolation vol. 45, no. 3, 294-304, 2004.

Telotte, J. P. “Disney in Science Fiction Land,” Journal of Popular Film and Television, vol. 33, no. 1, 12-21, 2005.

Telotte, J. P. “Lost in Space: Television as Science Fiction Icon,” Journal of Popular Film and Television, vol. 33, no. 4, 178-86, 2006.

Telotte, J. P., “Narratives of Resistance: Verhoeven’s Soldier of Orange,” Film Criticism, vol. 30, no. 3, 3-16, 2006.

Telotte, J. P., “Ub Iwerks’ (Multi)Plain Cinema,” Animation: An Interdisciplinary Journal, vol. 1, no. 1, 9-24, 2006.

Telotte, J. P. “Crossing Borders and Opening Boxes: Disney and Hybrid Animation.” Quarterly Review of Film and Video 24.2 (2007): 107-16.

Telotte, J. P. “LaBute’s Frankenstein, or the Postmodern Prometheus.” Literature/Film Quarterly 35.4 (2007): 330-36.

Telotte, J. P. “Winsor McCay’s Warped Spaces.” Screen 48.4 (2007): 463-74.

Telotte, J. P. “Animating Space: Disney, Science Fiction, and Empowerment.” Science Fiction Studies 35.1 (2008): 48-59.

Telotte, J. P. “Serenity, Cinematisation and the Perils of Adaptation.” Science Fiction Film and Television 1.1 (2008): 67-80.

Telotte, J. P. “The Changing Space of Animation: Disney’s Hybrid Films of the 1940s.” Animation: An Interdisciplinary Journal 2.3 (2008): 245-58.

Telotte, J. P. “The Stereoscopic Mickey: Space, Animation, and the Mouse.” Journal of Popular Film and Television 36.3 (2008): 133-40.

Telotte, J. P. “In the Cinematic Zone of The Twilight Zone.” Science Fiction Film and Television 3.1 (2010): 1-18.

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Telotte, J. P. “Man and Superman: The Fleischer Studio Negotiates the Real.” Quarterly Review of Film and Video 27.4 (2010): 290-98.

Telotte, J. P. “Science Fiction as ‘True-Life Adventure’: Disney and theCase of 20,000 Leagues Under the Sea.” Film and History 40.2 (2010):66-79.

Telotte, J. P. “The Space of Today and the World of Tomorrow: HybridFilm and Sky Captain and the World of Tomorrow.” Film Criticism 35.1 (2010): 24-36.

Telotte, J. P. “Disney’s Alice Comedies: A Life of Illusion and the Illusion

of Life.” Animation: An Interdisciplinary Journal 5.3 (2010): 331-40.

Telotte, J. P. “Disney’s Cows, the Mouse, and the Modernist Moment.” Screen 51.3 (2010): 219-31.

Telotte, J. P. “Disney’s Song of the South.” Quarterly Review of Film andVideo 27.5 (2010): 392-94.

Telotte, J. P. “Lewtonian Space: Val Lewton’s Films and the New Spaceof Horror.” Horror Studies 1.2 (2010): 165-75.

Telotte, J. P. “Spatial Presence and Disney’s Oswald Comedies.” Journal of Popular Film and Television 39.3 (2011): 141-48.

Telotte, J. P. “The Kiss of the Rabbit Woman.” Screen 53.2 (2012): 136-47.

D. Other Publications

1. Submitted Journal Papers a. (Accepted for Publication)

b. (Under Consideration)

2. Refereed Research Reports

Not applicable

3. Software

Not applicable

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4. Published Papers (non-refereed)

None

5. Reviews

Telotte, J. P., Review of The Art of Walker Percy, Southern Humanities Review, vol. 15, no. 3, pp. 174-75, 1981.

Telotte, J. P., Review of Pier Paolo Pasolini, Film Criticism, vol. 5, no. 3, pp. 55-57, 1981.

Telotte, J. P., Review of Dance in the Hollywood Musical, Post Script, vol. 2, no. 2, pp. 62-64, 1983.

Telotte, J. P., Review of About John Ford, Post Script, vol. 4, no. 1, pp. 64-67, 1984.

Telotte, J. P., Review of The Living and the Undead, Film Criticism, vol. 10, no. 2, pp. 20-22, 1985-86.

Telotte, J. P., Review of Dark Cinema: American Film Noir in Cultural Perspective, Post Script, vol. 5, no. 1, pp. 62-65, 1985.

Telotte, J. P., Review of "Three Recent Books on Southern Fiction," Modern Fiction Studies, vol. 33, no. 2, pp. 319-22, 1987.

Telotte, J. P., Review of In a Lonely Street: Film Noir, Genre, Masculinity, Film Quarterly, vol. 46, no. 1, pp. 39-40, 1992.

Telotte, J. P., Review of Round Up the Usual Suspects: The Making of Casablanca, Film Quarterly, vol. 47, no. 1, pp. 61-62, 1993.

Telotte, J. P., Review of Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Films, Configurations, vol. 3, no. 1, pp. 100-102, 1995.

Telotte, J. P., Review of The Passion of David Lynch: Wild at Heart in Hollywood, Film Quarterly, vol. 52, no. 3, pp. 61-62, 1999.

Telotte, J. P., “Science Fiction Classic: Metropolis,” Science-Fiction Studies, vol. 28, no. 3, 457-60, 2001.

Telotte, J. P., Review of Matters of Gravity, Special Effects, and Technoscience in Contemporary American Film, Screen, vol. 45, no. 2, pp. 156-61, 2004.

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Telotte, J. P., “Sketching the Cinematic Scientist: Review of Mad, Bad, and Dangerous: The Scientist and the Cinema, Nature Cell Biology, vol. 8, no. 3, p. 204, 2006.

Telotte, J. P., “Review: Joel and Ethan Coen,” Quarterly Review of Film and Video vol. 25, no. 1, pp. 77-80, 2008.

Telotte, J. P., “Designing Sounds for Science Fiction: Review of Sound Design and Science Fiction, Extrapolation vol. 49, no. 1, pp. 163-67, 2008.

Telotte, J. P. “Television Futures: Review of Channeling the Future: Essays on Science Fiction and Fantasy Television.” Science Fiction Studies 37 (2010): 121-24.

Telotte, J. P. “Review: American Science Fiction Film and Television.” Technology and Culture 52 (2011): 658-60.

Telotte, J. P. “Review: Picturing American Modernity: Traffic, Technology, and the Silent Cinema.” Quarterly Review of Film and Video 28.5 (2011): 443-45.

Telotte, J. P. “Review: Keep Watching the Skies! American Science Fiction Movies of the Fifties.” Science Fiction Studies 37.3 (2011): 519-21.

Telotte, J. P. “Melies’s Extraordinary Voyages: Fantastic Voyages of the Cinematic Imagination.” Science Fiction Studies 39.2 (2012): 147-50.

Telotte, J. P. “Review: Astounding Wonder: Imagining Science and Science Fiction in Interwar America.” Technology and Culture (forthcoming).

6. Bibliographies

Telotte, J. P., "Annual Bibliography of Film Studies--1982," Post Script, vol. 2, no. 3, pp. 33-59, 1983.




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Telotte, J. P., “Annual Bibliography of Film Studies—1999,” Post Script, vol. 19, no. 3, pp. 67-96, 2000.



17


Telotte, J. P., “Annual Bibliography of Film Studies—2003.” Post Script, vol. 24, no. 1, pp. 82-107, 2004.



Telotte, J. P., “Annual Bibliography of Film Studies—2006.” Post Script, vol. 27.1, pp. 110-36, 2007.


Telotte, J. P., “Annual Bibliography of Film Studies—2008.” Post Script 29.1 (2009): 45-74.

Telotte, J. P., “Annual Bibliography of Film Studies—2009.” Post Script 30.1 (2010): 66-98.

Telotte, J. P. “Annual Bibliography of Film Studies—2010.” Post Script 31.1 (2011): 70-101.

Telotte, J. P. “Annual Bibliography of Film Studies—2011.” Post Script (forthcoming)

E. Conference Presentations

1. Invited Talks and Keynote Addresses

"Film Noir as Psychodrama." Address to New England Literature and Film Association, Univ. of Rhode Island, Kingston, RI, October 17, 1992. (Keynote Address)

"Voices from the Deep: The Depth Work of Film Noir." Keynote Address to 19th Annual Conference on Literature and Film, Florida State Univ., Tallahassee, FL, January 28, 1994. (Keynote Address)

“Kiss Me Deadly and Noir Traditions,” March 2, 2000; “Memory and Neo-Noir,” March 3, 2000, both at Carleton College as Guest Speaker in the Media Studies Program.

“Disney and the Rhetoric of Science,” Texas Rhetoric Federation, Texas A & M University, Feb. 12, 2005. (Keynote Address)

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“War of the Worlds: Science Fiction Films Today,” Center for the Humanities and Arts Film Roundtable, Univ. of Georgia, Sept. 23, 2005.

“In Search of Signs: Why Science Fiction TV?” Decatur Book Festival. Decatur, GA, Aug. 30, 2008.

“The ‘Watchable . . . Terrible’ Cult Film: Robot Monster.” EGAD Conference. Texas A&M-Commerce, March 12, 2012. (Keynote)

2. Conference Presentations with Proceedings (refereed)

"Narration and Cinematic Quotation: Lewton, Hitchcock, DePalma." Film Studies: Proceedings of the Purdue University Conference on Film, pp. 261-266 (Ben Lawton, Ed.). West Lafayette, IN: Purdue Univ. Office of Publications, 1982.

3. Conference Presentations with Proceedings (non-refereed)

None

4. Conference Presentations without Proceedings

Telotte, J. P., "The Dark Side of the Force: Star Wars and the Science Fiction Tradition," Popular Culture Assn. Conference, Cincinnati, OH, April 22, 1978.

Telotte, J. P., "Revisioning the Science Fiction Film," West Virginia Univ. Colloquium on Modern Literature: The Art of the Film, Morgantown, WV, Sept. 23, 1978.

Telotte, J. P., "Perception and the Horror Film," Popular Culture Assn. in the South Conference, Nashville, TN, Oct. 8, 1978.

Telotte, J. P., "Fellini and the Honest Eye of Neorealism," Southern Comparative Literature Assn. Conference, Univ. of Tennessee, Feb. 15, 1979.

Telotte, J. P., "Song and Dance in the Musical Film," Popular Culture Assn. Conference, Pittsburgh, PA, April 26, 1979.

Telotte, J. P., "More Than Just a Concert: The Last Waltz and the Concert Film Genre," Popular Culture Assn. in the South Conference, Louisville, KY, Oct. 19, 1979.

Telotte, J. P., "Faith and Idolatry in the Horror Film," Invited Presentation, The Salisbury Conference: Literature, History, and Film, Salisbury State University, Salisbury, MD, June 20, 1980.

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Telotte, J. P., Val Lewton's Use of Children," 2nd International Conference on the Fantastic in the Arts, Florida Atlantic Univ., Boca Raton, FL, March 21, 1981.

Telotte, J. P., "Character and Ambiguity in The Seventh Victim, 7th Conference on Literature and Film, Florida State Univ., Jan. 28, 1982.

Telotte, J. P., "Ambiguities of Classification: The Case of William Irwin Thompson," 7th Conference on Literature and Film, Florida State Univ., Jan. 29, 1982.

Telotte, J. P., "A Transforming Vision: Val Lewton and Perspective in Horror," 3rd International Conference on the Fantastic in the Arts, Florida Atlantic Univ., Mar. 12, 1982.

Telotte, J. P., "Narration and Cinematic Quotation," 6th Purdue Univ. Conference on Film, West Lafayette, IN, Apr. 1, 1982.

Telotte, J. P., "Musical Ideology and the Kelly-Donen Collaborations," Popular Culture Assn. in the South Conference, Atlanta, GA, Oct. 9, 1982.

Telotte, J. P., Self-Expression: The Flaw in the Musical Ideology," 8th Conference on Literature and Film, Florida State Univ., Jan. 30, 1983.

Telotte, J. P., "Outside the System: The Documentary Voice of Film Noir," Popular Culture Assn. in the South Conference, Jacksonville, FL, Oct. 6, 1983.

Telotte, J. P., "Talk and Trouble: Kiss Me Deadly's Apocalyptic Discourse," 9th Conference on Literature and Film, Florida State Univ., Jan. 29, 1984.

Telotte, J. P., "The Real Thing is Something Else: Truth and Subjectivity in The Lady in the Lake," Popular Culture Assn. in the South Conference, Knoxville, TN, Oct. 6, 1984.

Telotte, J. P., "Badlands as Souvenir," Popular Culture Assn. in the South Conference, Charleston, SC, Sept. 20, 1985.

Telotte, J. P., "Robert Siodmak's Phantom Women," 11th Conference on Literature and Film, Florida State Univ., Jan. 30, 1986.

Telotte, J. P., "The Woman in the Shower," Popular Culture Assn. Conference, Atlanta, GA, Mar. 15, 1986.

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Telotte, J. P., "Casablanca and the Cult Film," Popular Culture Assn. in the South Conference, Chattanooga, TN, Sept. 26, 1986.

Telotte, J. P., "The Pattern of Fatty Arbuckle's Comedy," South Atlantic Modern Language Assn. Conference, Atlanta, GA, Nov. 2, 1986.

Telotte, J. P., "Truth and Belief in the Documentary Film Noir," 12 Conference on Literature and Film, Florida State Univ., Jan. 29, 1987.

Telotte, J. P. "The Movies as Monster: Seeing in King Kong," South Atlantic Modern Language Assn. Conference, Atlanta, GA, Nov. 5, 1987.

Telotte, J. P., "The Displaced Voice of In a Lonely Place," 13th Conference on Literature and Film, Florida State Univ., Jan. 30, 1988.

Telotte, J. P., "Self-Portrait: Art and the Film Noir," Popular Culture Assn. Conference, New Orleans, LA, Mar. 24, 1988.

Telotte, J. P., "The Seductive Text of Metropolis," 14th Conference on Literature and Film, Florida State Univ., Jan. 27, 1989.

Telotte, J. P., "Forbidden Planet in Double Focus," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 16, 1989.

Telotte, J. P., "Time: The Big Clock of Film Noir," 15th Conference on Literature and Film, Florida State Univ., Feb. 2, 1990.

Telotte, J. P., "Westworld and the World's Obscenity," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 21, 1990.

Telotte, J. P., "The Tremulous Public Body: Robots, Change, and the Science Fiction Film," 16th Conference on Literature and Film, Florida State Univ., Jan. 30, 1991.

Telotte, J. P., "The Fantastic Realism of Film Noir," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 22, 1991.

Telotte, J. P., "The Terminator, Terminator 2, and the Exposed Modern Body," 17th Conference on Literature and Film, Florida State Univ., Jan. 28, 1992.

Telotte, J. P., "Enframing the Body: The Technologized Self of Hardware," 18th Conference on Literature and Film, Florida State Univ., Jan. 29, 1993.

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Telotte, J. P., "Definitely--Falling--Down: The Death of Fantasy," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 17, 1994.

Telotte, J. P., "The Woman in the Door: Position in Film Noir," Film and Literature Association Annual Conference, Towson State University, October 17, 1994.

Telotte, J. P., "The Big Caper of Film Noir," 20th Annual Conference on Literature and Film, Florida State University, January 26, 1995.

Telotte, J. P., "Just Imagine-ing the Metropolis of Modern America," 16th Conference of the International Association for the Fantastic in the Arts, Fort Lauderdale, Florida, March 24, 1995.

Telotte, J. P., "Rounding Up The Usual Suspects: Characterization and Neo-Noir," 21st Annual Conference on Literature and Film, Florida State University, January 23, 1996.

Telotte, J. P., "A Distant Picture: The Machine Age and Lang's Die Frau im Mond," 17th Conference of the International Association for the Fantastic in the Arts, Fort Lauderdale, Florida, March 21, 1996.

Telotte, J. P. "The Distant Technology of the Machine Age and The Crazy Ray," Annual Conference of the Society for Literature and Science, Atlanta, GA, Oct. 20, 1996.

Telotte, J. P., "The Imagery of Disaster in French Science Fiction Film," 22nd Annual Conference on Literature and Film, Florida State University, Jan. 30, 1997.

Telotte, J. P., "Monumentalism and the Machine Age: Things to Come," 18th Conference of the International Association for the Fantastic in the Arts, Fort Lauderdale, FL, March, 19, 1997.

Telotte, J. P., "The Sounds of Blackmail: Hitchcock and the Technology of Sound," South Central Modern Language Association Conference, Dallas, TX, Oct. 18, 1997.

Telotte, J. P., "A Fate Worse Than Death: Racism, Violence, and Westerns," 23rd Annual Conference on Literature and Film, Florida State University, Jan. 28, 1998.

Telotte, J. P., "Verhoeven, Virilio, and Cinematic Derealization." 19th Conference of the International Association for the Fantastic in the Arts, Fort Lauderdale, Florida, March 23, 1998.

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Telotte, J. P., "Lindbergh, Film, and the Machine Age." South Atlantic Modern Language Association Conference, Atlanta, GA, Nov. 6, 1998.

Telotte, J. P., "Heinlein, Verhoeven, and Starship Troopers," South Central Modern Language Association Conference, New Orleans, LA, Nov. 13, 1998.

Telotte, J. P., "The Problem of Realism and THX 1138," 20th Conference of the International Association for the Fantastic in the Arts, Fort Lauderdale, Florida, March 26, 1999.

Telotte, J. P. “Lost Memory and New Noir,” 24th Annual Conference on Literature and Film, Florida State University, Jan. 26, 2000.

Telotte, J. P. “The Blair Witch Project Project—Film and Internet Advertising,” 21st Conference of the International Assn. for the Fantastic in the Arts, Fort Lauderdale, Florida, March 23, 2000.

Telotte, J. P. “What You Can’t See Can Hurt You: Of invisible and Hollow Men,” 22nd Conference of the International Assn. for the Fantastic in the Arts, Fort Lauderdale, Florida, March 16, 2001.

Telotte, J. P. “Narratives of Resistance: Verhoeven’s Soldier of Orange.”25th Annual Conference on Literature and Film, Florida State University, Jan. 28, 2002.

Telotte, J. P. “Doing Science in Machine Age Horror: The Case of The Mummy,” 23rd Conference of the International Assn. for the Fantastic in the Arts, Fort Lauderdale, Florida, March 17, 2002.

Telotte, J. P., “Making Tele-contact: 3D Film and The Creature from the Black Lagoon.” 24th International Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 20, 2003.

Telotte, J. P., “Disney in Science Fiction Land.” 25th International Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 25, 2004.Telotte, J. P. “Across the Border: Disney, South America, and Hybrid Animation.” South Central Modern Language Assocation annual convention, New Orleans, LA, Oct. 29, 2004.

Telotte, J. P. “Television as Science Fiction Icon.” 26th International Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 17, 2005.

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Telotte, J. P. “Neil LaBute’s Frankenstein, or the Postmodern Prometheus.” 27th International Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 16, 2006.

Telotte, J. P. “Disney and Hybrid Animation.” Popular Culture Assn. in the South Conference. Savannah, GA, Oct. 5, 2006.

Telotte, J. P. “Animating Space.” 28th International Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 15, 2007.

Telotte, J. P. “Adaptation, Serenity, and Cinematization.” 2nd Literature on Screen Conference, Oglethorpe University, Atlanta, GA, Sept. 21, 2007.

Telotte, J. P. “Critics in the Marketplace” Panel. 2nd Literature on Screen Conference, Oglethorpe University, Atlanta, GA, Sept. 22, 2007.

Telotte, J. P. “Man and Superman: The Fleischer Studio.” 29th International Conference on the Fantastic in the Arts, Orlando, FL, Mar. 20, 2008.

Telotte, J. P., et al. “Science Fiction Pedagogy Roundtable.” 29th International Conference on the Fantastic in the Arts, Orlando, FL, Mar. 21, 2008.

Telotte, J. P. “Science Fiction as True-Life Adventure: Disney and the Case of 20,000 Leagues Under the Sea.” Film and History Conference, Chicago, IL, Oct. 31, 2008.

Telotte, J. P., et al. “Editors’ Roundtable.” 2008 Film and History Conference: Film and Science, Chicago, IL, Oct. 31, 2008.

Telotte, J. P. “The Space of Today and the World of Tomorrow: The Case of Sky Captain and the World of Tomorrow.” 30th International Conference on the Fantastic in the Arts, Orlando, FL, Mar. 16, 2009.

Telotte, J. P. “Science Fiction Television, 2008-09, Roundtable.” Science Fiction Research Assn. Conference, Atlanta, GA, June 27, 2009.

Telotte, J. P. “Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life.” 31st International Conference on the Fantastic in the Arts, Orlando, FL, Mar. 19, 2010.

Telotte, J. P. “Farscape, Accidents, and Uncharted Territories.” Popular Culture Association of the South Annual Conference, Savannah, GA, Oct. 8, 2010.

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Telotte, J. P. “Making up the ‘Rules’ in Teaching Animation Studies.” Society for Cinema and Media Studies Annual Conference, New Orleans, LA, Mar. 6, 2011.

Telotte, J. P. “Robot Monster and the ‘Watchable . . . Terrible’ Cult Film.” 33rd International Conference on the Fantastic in the Arts, Orlando, FL, Mar. 22, 2012.

Telotte, J. P. “From Midway to Korea!: Ford and the De-Fused Documentary.” Annual Film and History Conference, Milwaukee, WI, Oct., 3, 2012.

III. SERVICE

A. Professional Activities

Chair and Organizer, "Film II" Session, Popular Culture Assn. in the South Conference, Louisville, KY, Oct. 19, 1979.

Chair and Organizer, "Transformation and Fantasy," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 12, 1982.

Chair and Organizer, "Manipulating the Boundaries of Film Fantasy," International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 17, 1989.

Chair and Organizer, "Film Studies" Session, South Atlantic Modern Language Assn. Conference, Atlanta, GA, Nov. 2, 1989.

Respondent to preview of PBS' The American Cinema at Literature and Film Association Meeting, Oct.18, 1994.

Session Chair, "Film Noir Old and New," 20th Conference on Film and Literature, Florida State Univ., Jan. 26, 1995.

Session Chair, "Film Fantasy," 17th International Conference on the Fantastic in the Arts, Fort Lauderdale, Florida, March 22, 1996.

Session Chair, "Science Fiction Film," 19th International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 23, 1998.

Reviewer for Promotion to Professor at University of Massachusetts (Professor Jack Shadoian, 1999) and University of Memphis (Professor Alison Graham), 1998.

25

Session Chair, "Topology of Dystopias," 20th International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 27, 1999.

Secretary, Film Division, 69th Annual South Atlantic Modern Language Assn. Conference, Atlanta, GA, Nov. 4, 1999.

Session Chair, “Myth in Film and Fantasy,” 21st International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 24, 2000.

Chair and Organizer of Film Division, 70th Annual South Atlantic Modern Language Assn. Conference, Birmingham, AL, Nov. 11, 2000.

Session Chair, “The Film Surrogate,” 23rd International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 20, 2002.

Session Chair, “Time and Destiny in Fantastic Narratives,” 24th International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 21, 2003.

Roundtable Speaker, “Publishing in Film and Media Studies.” Popular Culture Assn. Conference, Atlanta, GA., April 2006.Session Chair, “Sex in Space,” 28th International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 15, 2007.

Session Chair, 29th International Conference on the Fantastic in the Arts, Orlando, FL, March 20, 2008.

Section Organizer and Chair of Multiple Panels, “Science Fiction and Adaptation,” Film and History Conference, Chicago, IL, Oct. 30-Nov. 2, 2008.

Reviewer for Promotion and Tenure, Clark University (Boston), Dr. Stephanie Larrieux, 2009.

Reviewer for Promotion, University of California-Riveride, Dr. Robert Latham, 2010.

Session Chair, “Korean War on Film.” Film and History Conference, Milwaukee, WI, Oct. 4, 2012.

B. On-Campus Activities—LCC

Search Committee, English Dept., 1980-81, 1983-84, 1989-90, 1994-95Search Committee, LCC, 1994-95, 1996-97, 2002-03, 2004-05, 2006-07Chair, Film Search Committee, 1994-95, 1995-96, 2007-08

United Way Fund Drive Chair, English Dept., 1981 Teaching Resources Committee, English Dept., 1981-82 Sophomore and Electives Committee, English Dept., 1981-82 Drama and Film Certificate Committee, English Dept., 1982-99

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Chair, Drama and Film Committee, 1985-87, 1988-89 Audiovisual Equipment Coordinator, English Dept., 1985-86 English Dept. Curriculum Committee, 1986-87, 1988-89 Graduate Teaching Fellows Committee, English Dept., 1987 Brittain Fellows Committee, LCC 2000-02

Promotion and Tenure Committee, English Dept., 1988, 1989-90Promotion and Tenure Committee, LCC, 1991-93, 1996-2000, 2002-05, 2008-09

Chair, Promotion and Tenure Committee, 1988, 1991-93, 1996-2000, 2002-03 Fine Arts Degree Committee, Architecture and English, 1989-90 LCC Undergraduate Degree Committee, 1992-93 Summer Representative, LCC Executive Committee, 1993 Ad Hoc Promotion and Tenure Committee for Full Professors, 1994-95 Performance Studies Committee, 1995-2000 Undergraduate Curriculum Committee, 1998-99, 2000-09 LCC Executive Committee, 1999-present Director of Undergraduate Studies, 2000-09 McEver/Bourne Chair Committee, 2000-01 StaC Steering Committee, 2000-09 Writing Committee, 2000-03 Computer Committee, 2000-02 Organizer and Chair, LCC Student Grievance Committee, 2000 Brittain Fellows Hiring Committee, 2001-09 Brittain Fellows Orientation Presentation, 2000-12

Symposium on Academic Publishing (for junior faculty and Brittain Fellows), 2004Computational Media Degree Committee, 2007-08Interim Chair, 2009-12

On-Campus Activities—Institute

Faculty Advisor, Lambda Sigma Honor and Service Society, 1980-81Ivan Allen College--Promotion and Tenure Committee, 1993-96Ivan Allen College--Regents' Professor Recommendation Committee, 1999-2000Faculty Status and Grievance Committee, 1999-2002Chair, Faculty Status and Grievance Committee, 2001-02President’s Executive Board, 2002-05Faculty Senate, LCC elected representative, 2000-02Oxford Summer Studies Committee, 2003-05Institute Regents’ Professor Committee, 2005-08Provost’s Initiative on Undergraduate Education Committee, 2007-08Ivan Allen College--Promotion and Tenure Committee, 2008-09Institute Admission Appeals Committee, 2009-12Chair, School of Economics Chair Search Committee, 2011-12

C. Engineering Consulting

Not applicable

27

D. Editorial and Reviewer Work for Technical/Professional Journals

Editor: Post ScriptEditorial Boards (current): Extrapolation, Literature/Film Quarterly, Journal of Popular Film and Television, Journal of the Fantastic in the Arts, Science Fiction Film and Television, Intensities: The Journal of Cult MediaEditorial Boards (past): South Atlantic Review (2000-03), Velvet Light Trap (1995-1999), Film Criticism (1985-95)Reviewer: for above journals and for Cinema Journal, Configurations, Critical Studies in Mass Communications, Journal of Film and Video, Mosaic, Science Fiction Studies, Screen, Technology and Culture.Book manuscript reviewer for University of Illinois Press, University of Oklahoma Press, St. Martin's Press, UMI Research Press, University Presses of Florida, Southern Illinois University Press, McGraw-Hill Publishers, William C. Brown Publishers, Arnold Press, University of Texas Press, Advisory Board for Florida State University Literature and Film Conference Proceedings, Edinburgh University Press, Syracuse University Press, Blackwell’s Publisher, Wayne State University Press, Columbia University Press, University Press of Kentucky, Rowman & Littlefield, University Press of Mississippi, Lexington Books, Ashgate Press, University of Nebraska Press.

E. Testimony before legislative committees

None

F. Civic and Professional Activities

Lectures--Atlanta Historical Society, Atlanta Film Society, Atlanta Fantasy ConventionConsultant on Film Obscenity, Fulton County District Attorney's Office, 1981Commentator on Film for CNN's Futurewatch, Nov. 1989, Mar. 1990Interviewed on NPR station WINN on science fiction and film, April, 1996.Interviewed and contributed to newspaper series on "utopias/dystopias" in Minnesota Register, May, 1996.Interviewed and contributed to article on film robotics in Cinescape magazine, 1998.Coach, Smyrna Little LeagueCoach and Special Events Coordinator, Smyrna Athletic AssociationCoach, Rhyne Park Girls' Softball AssociationCoach and Administrator for Smyrna Stars' AAU basketball teamScorekeeper and Concession Stand Worker for The Walker School’s basketball and baseball teamsCommentator on Science Fiction Film and 2001: A Space Odyssey for CNN, Jan. 2001.Interviewed and contributed to article on film and university education in Atlanta Journal-Constitution, 2003.

28

My work on science fiction and film surveyed in Swedish newspaper Svenska Dagbladet, Nov. 21, 2003.Interviewed and contributed to article on documentary film and propaganda in Atlanta Journal-Constitution, 2004.Interviewed and contributed to article on film depictions of robots for Arizona Daily Star, July 16, 2004.Interviewed on MSNBC (live) on contemporary science fiction film (June 29, 2005).Interviewed by Alexandra Midal, Curator of the “Tomorrow Now: Design and Science Fiction” exhibition at the Mudam Luxembourg—Musee d’Art Moderne Grand-Duc Jean (April, 2007). Interview included in Exhibit Catalogue.Interviewed for article on horror film by Brian J. McFillen of IDS News, “Beyond Haddonfield: The Legacy of John Carpenter’s Halloween (August 2007).Interview on Science Fiction Television, “Aux Etats-Unis, la SF Parle aux Telespectateurs,” Generique (April 2008), p. 39.Interview on Science Fiction Television for New York NPR affiliate WAMC (May 26, 2008).

IV. RESEARCH PROPOSALS AND GRANTS

A. As Principal Investigator

Submitted Proposal to Georgia Tech Foundation to support Study of the Films of Val Lewton, 1982.

Georgia Tech Foundation Grant, Winter 1983

Submitted Proposal to Georgia Tech Foundation to support project, "A Distant Technology: The Science Fiction Film and the Machine Age," Winter 1995.

Submitted Proposal on Disney and Badging ($250,000), Fall 2012.

B. As Contributor

None

V. OTHER

A. Professional Registration

Member, International Association for the Fantastic in the Arts, Film and History Association, Society for Film and Media Studies, Society for Animation Studies.

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Documents

update96.doc · Web viewChair and Organizer of Film Division, 70th Annual South Atlantic Modern Language Assn. Conference, Birmingham, AL, Nov. 11, 2000. Session Chair, “The Film