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WAR OF NERVES: PSYCHOLOGICAL LANDSCAPES OF THE COLD WARSeptember 16, 2018 to January 13, 2019
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INTRODUCTION
For forty years, two superpowers faced each other with fear, distrust, and nuclear brinkmanship. The “war
of nerves” between East and West involved the promise of mutually assured destruction and an uneasy
détente. The Cold War also took place on an individual level, as governments sought to influence their
own as well as enemy populations, and experimented with controlling people’s minds, involving both
science and pseudo-science. War of Nerves looks at the psychological landscapes in East and West.
The exhibition is structured around five sections. A Climate of Fear examines different responses to the
frightening new prospect of nuclear war, and the comfort of an organized response. Know Your Enemy
explores the role of film in creating stereotypes of the enemy, including the enemy within. At the center
of the exhibition, Mind Control looks at the invention of the idea of “brainwashing” and the attempted
subversion of individual willpower in the battle for Cold War hegemony. The effect of global politics on
children’s psyches is addressed in A Cold War Childhood. The final section, Dissent and Activism, showcases
responses from protestors, including members of the medical professions, who refused to accept
nuclear war as a possible outcome of the battle of ideologies.
The Cold War was not only a period of armed standoff but also a project to shape minds both collectively
and personally. While the Cold War now indicates a historical period, Cold War narratives – and nuclear
threats – continue to inform and shape our world. This exhibition wants to provoke discussion as
much as historical reflection.
Curated by Danny Birchall and Joes Segal
Curatorial consultants: David Welch and Kate Dollenmayer
Exhibition design and development: Amanda Roth
War of Nerves is a collaboration with Wellcome Collection, London.
Special thanks to the following individuals and institutions for loaning works for the exhibition: Wellcome Collection, London;
Taras Young, Anthony Dunne and Fiona Raby, Magnolia Editions, Julie Saul Gallery, Suzanne Treister, Annely Juda Fine Art, P.P.O.W.
Gallery, New York, Chris Wyrick, Yevgeniy Fiks, Concord Media, Hidden Persuaders, Las Vegas News Bureau, Johnston Press
WENDEMUSEUMO F T H E C O L D WA R
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A CLIMATE OF FEAR
The Second World War ended in 1945 with the devastation of the Japanese cities of Hiroshima and Nagasaki, as the U.S. demonstrated its powerful nuclear bombs. The Soviet Union did not lag far behind, successfully testing its first nuclear weapon in 1949. As the arms race between the world’s two superpowers accelerated, the threat of a deadly global war became increasingly real, held back only by the threat of “mutually assured destruction” and, especially in the Western world, the rise of war-weary public opinion.
For some people, the fear of nuclear destruction was an unbearable source of mental stress. For others, more personal fears were symbolized by the threat of the atomic bomb. But preparation for the worst could also become part of social life. Civil defense activities, including medical preparations for the aftermath of an attack, paradoxically and somewhat perversely strengthened the bonds of civilian society.
Don English, Miss Atomic Bomb, 1957, United States Courtesy Las Vegas News Bureau
George R. Caron, Atomic cloud over Hiroshima, August 6, 1945,1945, United States
Military personnel observing one of the tests in the Buster-Jangle Series, November 1, 1951, 1951, United States
Atomic Clouds The image of the atomic mushroom cloud, first witnessed in Japan, became familiar through U.S. nuclear tests in the 1950s. A mixture of fear and elation about this powerful new phenomenon is expressed in the photo of Miss Atomic Bomb, the winner of a beauty pageant held in Las Vegas, near the site of the atomic tests.
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Charles Levy, Atomic Cloud Rises Over Nagasaki, Japan, August 9, 1945, 1945, United States
The “Baker” explosion, part of Operation Crossroads, a nuclear-weapon test by the U.S. military at Bikini Atoll, Micronesia, July 25, 1946, 1956, United States
Operation Upshot-Knothole Grable at the Nevada Test Site, May 25, 1953, 1953, United States
Bruce Conner, Bombhead, 2002, United States Courtesy of Magnolia Editions, Oakland, CA, and Conner Family Trust, San Francisco
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Front page of The Lancashire Evening Post, Thursday, August 15, 1957, United Kingdom
Courtesy of Johnston Press
Two posters from “General knowledge to protect against nuclear attack: emergency measures at the time of a nuclear explosion” series, 1971, China Wellcome Collection, London
Protect and Survive Civil defense encouraged civilian populations to anticipate the terror of a nuclear attack. Being prepared, and taking medical precautions for the aftermath, allowed for a sense of control over the uncontrollable.
Dunne & Raby/Michael Anastassiades, Huggable Atomic Mushroom: Priscilla, 37 Kilotons, Nevada, 1957, from the series Designs for Fragile Personalities in Anxious Times, 2004–5, United Kingdom
Courtesy of Anthony Dunne and Fiona Raby
Makeshift Shelters and Prefabricated Shelters with Simplified Equipment, 1978, Soviet Union Wende Museum
Anti-Radiation Shelters, 1978, Soviet UnionWende Museum
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Obsessed with a possible nuclear Armageddon, Albanian state leader Enver Hoxha
commissioned more than 170,000 concrete bunkers to be built throughout the country
between the 1960s and the 1980s.
Life Magazine, January 12, 1962, United States Wende Museum
Popular Science, September 1959, United States Wende Museum
Federal Civil Defense Administration, Emergency Shelter Medical Kit C, early 1960s, United States Wende Museum
Selected items from three medical emergency boxes stored in the nuclear shelter underneath the Capitol building, Washington, DC. The boxes, marked with the Civil Defense logo, contained among other things aspirin, penicillin, Vaseline, laxatives, eye and nose drops, thermometers, surgical pads, and instructional booklets. They were rediscovered in 2011 in the attic of the Russell Office Senate Building.
Elian Stefa and Gyler Mydyti, A Qendra Zjarri bunker in the Albanian Alps at Valbona , from Concrete Mushrooms, 2012
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Blast door entrance to the bunker (open and closed), n.d., United States, Courtesy The Greenbrier
Protect and Survive Monthly, issue 4, April 981, United Kingdom
Courtesy Taras Young, coldwar.org.uk
State Office for Atomic Security and Radiation Protection of the German Democratic Republic Field Office, n.d., East Germany
Wende Museum
Civil Defense as a Way of Life The short-lived Protect and Survive Monthly encouraged individuals to think about, and prepare for, surviving a nuclear attack.
The Defense of the Homeland - A Sacred Duty, circa 1980, Soviet Union
Wende Museum
The nuclear shelter underneath The Greenbrier, a luxury resort in White Sulpher Springs, West Virginia was built for members of the United States Congress. This bunker was constructed from 1958 to 1962, and the location was kept a secret until 1992.
Protect and Survive Monthly, Issue 8, August 1981, United Kingdom
Courtesy Taras Young, coldwar.org.uk
Protect and Survive Monthly, issue 9, September 1981, United Kingdom
Courtesy Taras Young, coldwar.org.uk
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Chris Wyrick, Dog of War, 2015, United States
Courtesy of the artist
Peace Council of the GDR, Nuclear Power for Life, 1954, East Germany
Wende Museum
British Telecom, Loudspeaker Unit WB1400, part of Cold War Early Warning System, 1980s, United Kingdom
Courtesy Taras Young coldwar.org.uk
Federal Civil Defense Administration, Facts About Fallout, n.d., United States
Wende Museum
Federal Civil Defense Administration, Duck and Cover, n.d., United States
Wende Museum
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Federal Civil Defense Administration,Auxiliary Police helmet, n.d., United StatesWende Museum
DP-22 V Dosimeter and Charger set, 1950s, Soviet UnionWende Museum
Radioactivity Caution Warning Light, n.d., East Germany
Wende Museum
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With these photographs, Hauswald allows a peek into the countercultural side of public life in the GDR. In the 1980s, alternative lifestyles such as punk, although strongly discouraged by the Socialist Unity Party, became an ever more visible part of everyday life.
KNOW YOUR ENEMY
During the Cold War, propaganda was employed by both sides to construct images of the enemy that reinforced existing stereotypes. The cinema was particularly suited to the battle for hearts and minds. Western movies pointed to the lack of political and economic freedoms and human rights in the East; Soviet Bloc films pointed to greed, corruption, and racism in the West. No less important was the crusade against the internal enemy on both sides of the Iron Curtain. However, films also became a medium for protest against stereotypes, both in the East and the West.
They Shall Not Pass (1952), CzechoslovakiaThe Challenge of Ideas (1961), United States
Destinies of Women (1952), East Germany What Can We Do About It? (The Threat of Communism) (1960), United States
Psychological Operations in Support of Internal Defense and Development Assistance Programs (1968), United States
Shooting Range (1979), Soviet Union
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MIND CONTROL
The Korean War (1950–53) gave birth to the new idea of “brainwashing”: the systematic control of others’ minds that could change worldviews and political allegiances. Both sides pursued the elusive science of mind control in largely secretive programs, while also accusing each other of employing underhanded methods in the laboratory and at large. Brainwashing, and associated conspiracy theories, became ubiquitous plot devices in popular culture. For the subjects of real-life brainwashing experiments, the effects could be traumatic and far-reaching.
Every Man Has His Breaking Point, Phil Tinline (director), United Kingdom, 2017 Courtesy Hidden Persuaders, Birkbeck, University of London
The War in Korea Two films, made for the Hidden Persuaders research project at Birkbeck College, University of London, explore the origin of the idea of brainwashing in the Korean War of 1950–53. Every Man Has His Breaking Point highlights Ronald Reagan’s role, first as actor and then as politician, in the framing of the American POW experience. David Hawkins: A
Battle of the Mind looks at the story of an American soldier who chose to move to China at the end of the war.
David Hawkins: A Battle of the Mind, Nasheed Faruqi (director), United Kingdom, 2017Courtesy Hidden Persuaders, Birkbeck, University of London
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Edward Hunter, Brainwashing: The Story of Men who Defied It, 1958, United States
Wende Museum
Robert Jay Lifton,Thought Reform and the Psychology of Totalism, 1961, United States
Wende Museum
“Come to the Commies!”, from Captain America, Issue 75, May 1954, United States
Wende Museum
United Artists, The Manchurian Candidate lobby card, 1962, United StatesWende Museum
Warner Brothers,, A Clockwork Orange lobby card, 1972, FranceWende Museum
Fact and Fantasy While journalist Edward Hunter popularized the idea of brainwashing, academics and psychologists like Robert Jay Lifton looked for its basis in political practices. Popular comics and films delighted in showing the machinations of mind-turning.
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Sarah Anne Johnson, Living Room, 2009, United States
Courtesy of Julie Saul Gallery, New York
Sarah Anne Johnson,Observation Room, 2009, United States
Courtesy of Julie Saul Gallery, New York
Aleksandr Amelin, XX Century, 1977, Soviet Union
Wende Museum, The Tom and Jeri Ferris Russian Collection
Mikhail Nikolaevich Rozhdestvin, “They Say it Helps...”, 1990, Soviet Union
Wende Museum, The Tom and Jeri Ferris Russian Collection
House on Fire Sarah Anne Johnson’s grandmother Velma Orlikow was an unwitting participant in CIA-funded brainwashing experiments by Dr. Ewen Cameron at McGill University in the mid-1950s. Johnson’s House on Fire series explores the long-term traumatic effects on Orlikow and her family, especially the struggle to cope with everyday life after returning to a domestic environment.
Metaphors of the Mind Mind control need not be a literal process of coercion: widespread social and political conformity and self-censorship can also feel like a form of constraint.
The crumbling stone woman smoking a cigarette is watching the television show “120 Minutes” with parapsychologist Allan Chumak, who claimed to possess healing powers through the medium of television.
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Alexandr Lozenko, Unison View, 1988, Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection
Karpov v. Korchnoi The 1978 World Chess Championship took place in Baguio City in the Philippines. Players Anatoly Karpov and Viktor Korchnoi were both Russian, but Korchnoi had defected to the West in 1976, and the championship became a Cold War grudge match. Psychology and propaganda eclipsed the chess itself, as Karpov was charged with receiving secret messages via pots of yogurt, and his assistant was accused of telepathic interference with Korchnoi’s gameplay. On the board is the final position of the last game of the match, won by Anatoly Karpov
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The Tarot of Conspiracy These works from the two series Hexen 2039 and Hexen 2.0 by artist Suzanne Treister show how the reality and fantasy of brainwashing have become entangled in the complicated web of twentieth-century history.
The “Mind Control” diagram is a document from Treister’s alter-ego Rosalind Brodksy, who works for the Institute of Militronics and Advanced Time Interventionality. It brings together British military intelligence files with information from other sources, examining mind-control research and programs on both sides of the Iron Curtain.
The tarot cards from Hexen 2.0 are part of a series of 78 “alchemical drawings” highlighting interconnected institutions and programs from the twentieth century and beyond. The cards chosen here highlight methods of mind control used in the West’s Cold War institutions, including the CIA’s MKUltra mind-control program; the psychedelic drug LSD; and the confluence of state and psychiatry at the Tavistock Institute.
Suzanne Treister, Hexen 2039/Diagram/Mind Control, 2006, United KingdomCourtesy the artist, Annely Juda Fine Art, London and P.P.O.W., New York
Suzanne Treister, Hexen 2.0/Tarot, 2009-2011, United Kingdom
Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W., New York
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A COLD WAR CHILDHOOD
In both East and West, the politics of Cold War competition crept into the playthings, heroes, and youth events that shaped childhoods. Military toys and dolls reflected the armed camps on either side; sporting competitions stood for partisan prestige; and spaceships, astronauts, and cosmonauts stretched youngsters’ imaginations about the future. The formation of adult identities and allegiances depended on ideas embedded in childhood play and activities. Beyond the domestic environment, being part of a youth movement such as the Young Pioneers could be a training ground for future political participation.
Toy soldier doll, n.d., East Germany, Young Pioneer doll, n.d., East Germany, Mattel, Army Barbie: United States Beauties Collection, 1989, United States
Cowboy and Indian toys, n.d., East Germany, Wende Museum
Toys and Dolls “Cowboys and Indians” may look familiar to Western eyes, but in East Germany, Indianer playthings and films also carried an implicit criticism of the United States’ racism and occupation of Native American lands.
Toy dolls allow children to imagine and anticipate future adult professions through play. The contrast between an American and a German soldier doll here is striking.
All dolls from Wende Museum collection
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Atomic Gun, n.d., Japan Wende Museum
Douglas Malewicki, Nuclear War, 1965, United States Wende Museum
Tanks and Guns In the wake of widespread nuclear armament, many simple toys were rebranded for the atomic age. Pistols became rayguns and pirate masks turned into space goggles.
John Henry Products, Atomic Chief, circa 1947, United StatesWende Museum
Games Douglas Malewicki’s Nuclear War card game satirizes the idea of the Cold War as a deadly strategic competition. Players can attack each other with both propaganda and weapons, but it is possible for the game to end with total destruction and no winners.
Spika, Luna Board Game, 1966, East GermanyWende Museum
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Third World Festival of Youth and Students for Peace, 1951, East GermanyWende Museum
Pablo Picasso,World Festival of Youth and Students for Peace, 1951, FrenchWende Museum
World Festival of Youth and Students for Peace, Fourth Festival – Bucharest, 1953, RomanianWende Museum
Konstantin Aleksandrovich Prokhorov, Yuri Gagarin in Artek, n.d., Soviet UnionWende Museum
I. Solomennyi, We Are for Peace, 1951, Soviet UnionWende Museum
Şoimii Patriei uniform (communist youth club), n.d., Romania Wende Museum
Girl Scouts of America Uniform, 1960s, United States Wende Museum
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Free German Youth/Young Pioneers Erfurt Regional Music Corps flag, n.d. East GermanyWende Museum
Banner for Young Pioneers and Schoolchildren, n.d., Soviet Union Wende Museum
Pioneer Team “Landler Jenő”, 1968, Hungary Wende Museum
V. Khramov, For Anti-Imperialist Solidarity, Peace and Friendship!, 1989, Soviet UnionWende Museum
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Youth Technology, 1961, Soviet UnionWende Museum
Everything’s Going Berserk In child psychotherapist Lynn Barnett’s short film, she talks to young people about their impressions of the precarious state of the world. The message she has for their parents is that we must take our fears seriously before we can resolve them.
Youth Technology, 1959, Soviet UnionWende Museum
World Festival Locations, 1973, East GermanyWende Museum
Come to Jugendweihe! 1956, East GermanyWende Museum
Everything’s Going Berserk, Lynn Barnett (director), 1989, United Kingdom.Courtesy Concord Media / Lynn Barnett
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Atomic Playgrounds The space race between East and West inspired a new era of play in the 1960s. Playground designers adapted the forms of rocket ships, radar installations and other military vehicles into new kinds of play equipment. Some survived into the 21st century and became well-loved local icons such as “Rocket Ship” Park in Richardson, Texas.
Dave Fischer, Rocket Hill Park, Hutchinson, Minnesota , 2008, United States
Abbamouse, Child’s first radar defense station, 2008, United States
Nels Olsen, Rocket in Levy Lowry Memorial Park, Princeton, Missouri, 2011, United States
Nathan Beach,The Rocketship Slide at Heights Park in Richardson, Texas, 2006, United States
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DISSENT AND ACTIVISM
From the very start of the Cold War there was fierce opposition to the idea of permanent military deterrence. The first World Congress of Intellectuals in Defense of Peace was held in Poland in 1948, and the UK’s Campaign for Nuclear Disarmament was formed in 1957. The ramping up of Cold War tensions in the 1980s sparked a resurgence in the peace movement and prompted mass demonstrations for peace across Europe. Peace activists targeted civil defense preparations in particular, attempting to expose the folly of being prepared for a nuclear conflagration that would be essentially impossible to survive. While in the West, the peace movement drew on anti-establishment activism, in the East the countercultural peace movement typically appropriated state rhetoric for its own purposes.
Movements for Peace Global peace movements naturally called attention to the fragility of the planet, and the dangers to humans living on it. International Physicians for the Prevention of Nuclear War brought together medics from both sides of the Iron Curtain, and won the Nobel Peace Prize in 1985.
International Physicians for the Prevention of Nuclear War, Gemeinsam Leben, nicht gemeinsam sterben! Maintain Life on Earth!, 1986, West Germany
Wellcome Collection, London
Hideo Toyomasu, Save Life on Earth, 1980s, Japan
Wellcome Collection, London
International Physicians for the Prevention of Nuclear War, Dem Leben und der Gesundheit verpflichtet / Committed to Life and Health, 1980s, West Germany
Wellcome Collection, London
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Local Authorities and the Bomb In the UK, local authorities took responsibility for municipal civil defense, including distributing information to local residents. Some municipalities produced straightforward civil defense guides. Others were in the democratic control of left-wing parties, who used the opportunity to emphasize the dangers of preparing for nuclear war in a series of pamphlets that copied the format of civic defense material.
Warning to the People of the World – Ebermannstadt Hiking Friends, 1979, East Germany
Wellcome Collection, London
Leeds City Council, Leeds and the Bomb, 1983, United Kingdom
Courtesy Taras Young, coldwar.org.uk
Scientists Against Nuclear Arms, Ground Zero: The Short-Term Effects of a Nuclear Attack on the West Midlands, 1982, United Kingdom
Courtesy Taras Young, coldwar.org.uk
Ben Hayden, Ben’s Bunker Book, 1984, United Kingdom
Courtesy Taras Young, coldwar.org.uk
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Embassy Protest Signs Protest wasn’t always what it seemed. These multi-language signs attached to the American Embassy in Moscow took the form of anti-American protest elsewhere, in this case clearly with the official sanction and approval of the government.
USA in South Vietnam, 1965, Soviet Union
Wende Museum
America, get out of Asia, 1965, Soviet Union
Wende Museum
Down with the United States imperialists, 1965, Soviet Union
Wende Museum
Death to Yankee Imperialism, 1965, Soviet Union
Wende Museum
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Confronting Fear The resurgent peace movement of the 1980s focused some of its rhetoric on the horrors of nuclear destruction. Confronting the fear of an apocalypse could also mean refusing to be afraid of challenging the status quo.
Alexander Grigorevich Vaganov, From Where Will It Blow Now?, 1991 Soviet Union
Wende Museum, The Tom and Jeri Ferris Russian Collection
Chernobyl, after 1986, Soviet Union
Wende Museum, The Tom and Jeri Ferris Russian Collection
The radioactive symbol refers to the explosion in the Chernobyl Nuclear Power Plant in Soviet Ukraine, April 1986, which spread radioactive fumes over large parts of Europe and the Soviet Union.
Bob Light and John Houston, Gone with the Wind, 1980s, United Kingdom
Wende Museum, The Tom and Jeri Ferris Russian Collection
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Medics Against the Bomb The Medical Campaign Against Nuclear Weapons was formed in 1980 and grew to a membership of around 3,000 from the professional medical community. MCANW campaigned across the UK, often counterposing the cost of weapons against the cost of healthcare. Their campaigning material emphasized the ineffectuality of being “prepared,” as medical providers, for the aftermath of nuclear war, and the moral imperative to ensure that it never happened.
Medical Campaign Against Nuclear Weapons, The Medical Consequences of Nuclear Weapons, 1982, United Kingdom
Wellcome Collection, London
Medical Campaign Against Nuclear Weapons, MCANW activists with banner, 1980s, United Kingdom
Wellcome Collection, London
Tangram / Medical Campaign Against Nuclear Weapons, This Is the Enemy, 1980s, United Kingdom
Wellcome Collection, London
Judith Richardson-Dawes / Medical Campaign Against Nuclear Weapons, The Nuclear Mentality, 1989, United Kingdom
Wellcome Collection, London
Coventry and Warwickshire Medical Campaign Against Nuclear Weapons, Arms or Health?, 1980s, United Kingdom
Wellcome Collection, London
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Joe-1 Cruising in Washington, D.C. In this series of prints from Yevgeniy Fiks’ project Homosexuality Is Stalin’s Atom Bomb to Destroy America (2012), a cut-out image of the first Soviet nuclear-test explosion is posed at a number of known gay cruising sites (popular covert meeting spots) in Washington, D.C. The 1950s was a period of paranoia and persecution of suspected communists and homosexuals working for the U.S. government, and many politicians sought to explicitly link the two. Fiks explores, among other things, the irony that homosexuality was also criminalized in Stalin’s Soviet Union.
Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Monument Grounds 3), 2012, United States
Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Near Lincoln Memorial 3), 2012, United States
Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Margarets), 2012, United States
Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Lafayette Park), 2012, United States
All works from Joe-1 Cruising in Washington, DC courtesy the artist
WENDE MUSEUMO F T H E C O L D WA R
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