WANCHOR

WANCHOR MAGAZINEISSUE ONE / OBSESSION ISSUE / OCTOBER 2009

FEATURESCOVER/ PHOTOGRAPHER: SCOTT TRINDLE STYLIST: JOHN McCARTY MODEL: JACOB COUPE @ MODELS.101/ PHOTOGRAPHER: NICOLAS RIPOLL ART DIRECTION: JONATHAN ANDERSON MODEL: DANIEL SEMESCHENAO @ CIVILES ARGENTINA02/ PHOTOGRAPHER: DAN MARTENSEN STYLIST: KATE LANPHEAR MODEL: ELISA SEDNAOUI @ ONE MODEL MAN-AGEMENT03/ PHOTOGRAPHER: JEAN-FRANCOIS CARLY STYLIST: ANDREW DAVIS MODEL: ANGUS WHITEHEAD @ SELECT04/ PHOTOGRAPHER: MATTHEW MUMFORD STYLIST: ROBERT WILLIAM EATON MODEL: EDWIN05/ TEXT: MARTYN FITZGERALD06/ WORDSEARCH: RICHARD GRAY 07/ PHOTOGRAPHER: ALEXANDER PETCH STYLIST: JONATHAN ANDERSON MODEL: CRAIG DICKINSON @ MODELS.108/ PHOTOGRAPHER: JOACHIM MUELLER RUSHHOLTZ STYLIST: ANDERS SØLVSTEN THOMSEN MODEL: EDDIE @ EUROCREME09/ PHOTOGRAPHER: ALEX SAINSBURY STYLIST: TOBY GRIMDITCH MODEL: KINGA LUKOMSKA @ FMPOSTER/ PHOTOGRAPHER: CARLOTTA MANAIGO STYLIST: JAMES VALERI MODEL: SIMON NESSMAN @ MAJOR NY

CREATIVE DIRECTORS/ TOBY GRIMDITCH & JONATHAN ANDERSONEDITORS/ MATTHEW MUMFORD & RUSSELL REDWOOD HARRISART DIRECTION/ CHRIS MOORE, MARTA PUCHALA & ADAM SMITHWEBSITE/ DESIGN SEEDS (WWW.DESIGNSEEDS.CO.UK)BEAUTY EDITORS/ TRACEY CAHOON & MEL ARTERFASHION FEATURES EDITORS/ MOLLY DONOVAN & SARAH ASHLEY COOMBESASSISTANT FASHION EDITORS/ ROBERT WILLIAM EATON, JUSTIN MANSFIELD, ROSE MARIE MAYSTUDIO INTERNS/ WINIFRED ACHEAMPONG, MELISSA ANN STOKES, MACARINA ASTIER, REKHA ATHI, , ERIN BAXTER, , MARY BINDING, SOPHIE BLAND, SAM COTTON, REBECCA FREARON, LYDIA FREEBORN, ROBERT GIBSON, GERAINT HUW DONOVAN-BOWEN, KIM KIRBY, LAURA LOISE, NATALIE MACKERELL, HECTOR MACLEAN, RICKARDO MATTOCKS-MAXWELL, MONICA MONTES, PATRICIA MURIALE, CHIOMA ONONUJU, LUCIE VINCINI & MARINA WANCONTRIBUTORS/CHRIS CRAYMER, ANDREW DAVIS, MARTYN FITZGERALD, JEAN-FRANCOIS CARLY, RICHARD GRAY, KATE LANPHEAR, ISAAC LOCK, CARLOTTA MANAIGO, DAN MARTENSEN, JOHN McCARTY, JOACHIM MUELLER-RUSHHOLTZ, ALEXANDER PETCH, NICOLAS RIPOLL, ALEX SAINSBURY, ANDERS SØLVSTEN THOMSEN, SCOTT TRINDLE & JAMES VALERI

SPECIAL THANKS/AI PR, BANANAS, B-STORE, CASSANDRA @ CLM, BARBRA CERRONE, CIVILES MODEL AGENCY, SARAH CLARK, COLETTE PARIS, ADI CURRI, D1, DOVER STREET MARKET, EUROCREME, EURO STAR, EUSTACE, FM MODELS, FORD EUROPE, FORTNUM & MASON, HOME HOUSE, BEN JONES, JULIAN WATSON AGENCY, LIBERTY, LULU KENNEDY, PIERS MACLEOD, MAJOR NY, TIM McINTYRE, MODELS.1, MULBERRY, RUTH & PHILLIP MUMFORD, NEVS, NINE DAUGHTERS & A STEREO, NIVARNA PRODUCTION HOUSE (WWW.NIVARNACPH.COM), JEREMY OADES, NIALL O’BRIEN, KARLA OTTO, PAUL PARKINSON, PREMIER, PAULA QUIJANO , PURPLE PR, KARL LARGERFELD, KELLY REED, RELATIVE.MO, GORDON RICHARDSON, TERRY RICHARDSON, CARINE ROITFELD, SELECT, SELFRIDGES, ROBBIE SPENCER, SEVEN NY, YASMIN SEWEL, SKYPE, STANIA @ CLM, STARWORKS, STORM MODEL MANAGEMENT, STORM COPENHAGEN, STREETERS, SUCCESS, SAM TAYLOR WOOD, TOTEM PARIS, VANERS SILK WEAVERS, RUFUS WAINRIGHT, WINSOR & NEWTON, YVES SAINT LAURENT

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PHOTOGRAPHER DAN MARTENSEN STYLIST KATE LANPHEAR MODEL ELISA SEDAOUI @ ONE MODEL MANAGMENT


DRESS - CHLOE / FUR COAT - MAXMARA / SHORTS - PRADA / NECKLACE - VICKI TURBEVILLE / HAT, SILVER FEATHER RING, TALON RING - MADE HER THINK

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PHOTOGRAPHER JEAN-FRANCOIS CARLY STYLIST ANDREW DAVIS MODEL ANGUS WHITEHEAD @ SELECT


When Toby asked me to write about something iconic I was a little lost. Being Toby, I immediately put aside any discussion of the Reformation or Orthodox theology and began to rack my brain for the sort of thing I thought would appeal:

A 1982 specially adapted papoose for men, cut in mauve moleskin and covered in hundreds and thousands by some Belgian designer I’d never heard of and that, apart from Andre Leon Talley’s private collection, could only be found in the Bucharest Museum of Fashion? I’m quite willing to admit my knowledge of la mode begins with whatever Margaret who runs the local Scope shop can get hold of and ends with the asymmetrical haircuts I see scampering around east London atop of denim leggings. I thought he’d come barking up the wrong proverbial tree and the somewhat blank face he received in response quickly elicited the words, “something that means a lot to you”. Ah, well that’s much easier, I thought.

The Victorians may have had many things: a quarter of the globe and a firm belief it was their right to it, laudanum and lace, but they didn’t have the Breville toaster, did they? For all their world-beating Positivism and Nothing’s Gonna Stop Us Now get-up-and-go, not one of old Vicky’s subjects woke up and, turning to his lover, said, “Veronica, darling, do you want me to get Mrs. Beeton to put some onion in your toastie?” Nor would he have heard the reply, “Julian, my dear, you know quite well I have the girls over for sewing this morning and that would give me quite frightful breath”. Not one of the millions who lived throughout that long reign ever uttered those words. Weird, isn’t it?

I was introduced to the Breville at four years of age, a time before later icons would enter my sphere: Nancy Reagan, Pamela Sue Martin, Tender Heart Bear. Twenty-eight years later it still holds pride of place in my kitchen. Designed in 1974 by Australians Bill O’Brien and Harry Norville (geddit?), Its clean chrome surfaces, rounded corners and bits of burnt, blackened cheese at the edge that you can’t quite get off make it a design classic, as well as a cornerstone of every society host east of Romford. Don’t get me wrong, we weren’t culinary snobs and my parents certainly entertained friends who didn’t own one, but everyone knew without one you were nothing. Unlike most other icons it wasn’t a one-off or even original, having been preceded half a century earlier by the American Tostwich, which predates 1920. But who’s ever heard of a Tostwich? That ain’t no icon. Icons are about who you say you are, about presentation. “Do you want a Tostwich, love?” You whisper into your boyfriend’s ear. “A fucking WHAT?”

I’ve cooked nearly everything you can think of in mine: Creme Eggs (breakfast every morning 1995-1997), peanut butter (avoid, it goes dry and sugary like much modern pop), Nutella (be careful not to burn your fingers as it can get a bit leaky), Pedigree Chum (a bet that I lost). The best way is to take white bread (never brown) and really hard butter from the fridge that won’t spread so you just cut chunks off and drop it on (for those who haven’t yet lived the butter goes on the outside). Fill with your favorite filling (mine is tuna in olive oil, spring onions and Edam) and seal for three minutes. I managed to throw away a fairly successful modelling career away with this baby in the mid 90s and, I have to say, it was worth every single bite. Testino or toastie? Laters, Mario.

PHOTOGRAPHER/ MATTHEW MUMFORD. STYLIST/ ROBERT WILLIAM EATON. MODEL/ EDWIN. HAIR/ HIROSHI MATSUSHITA USING BUMBLE & BUMBLE. MAKE-UP JOSE BASS USING KIEHL’S AND WINSOR & NETWTON PAINT. MAKE-UP ASSISTANT/ SHARKA. SWIMWEAR - SPEEDO / JUMPER - VINTAGE / JEWELRY - PEBBLE

TOASTWORDS

MARTYN FITZGERALD


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MAKINGMAYO, THRAP, SELFABUSE, TOSSOFF, BEATTHEMEAT, BABYSPEW, FIVEFINGEREDWIDOW, WANK CUMMUCK, MANFAT

“WE AT WANCHOR MAGAZINE ARE THE FIRST TO ADMIT ENJOYING A

QUICK TUG DURING THE AD BREAKS FOR TRICIA - WE’RE ALL AT IT! BUT

HOW MANY OTHER WAYS TO SAY ‘WANK’ CAN YOU SPOT?”

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PHOTOGRAPHER ALEXANDER PETCH

STYLIST JONATHAN ANDERSON

MODEL CRAIG DICKINSON

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PHOTOGRAPHER ALEX SAINSBURY STYLIST TOBY GRIMDITCH MODEL KINGA LUKOMSKA @ FM07 FULL STORY AT WWW.WANCHORMAGAZINE.COM

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