VOICESDecember 2011Produced by Chloe AdamsPrinted at Liverpool Art and Design Academy Editor and Designer: Chloe Adams© Copyright

MAKING THE VOICE VISUAL 5

HOLLY GLEAVE Bertrand Russell 2x A1 Poster Book 14

LOTTIE BRZOZOWSKI Bertrand Russell 2x A2 Posters Book 18

JENNY STUTTARD Hal’s final dialogue 3x A2 Posters 6

IAN DUKE 2x A2 Posters Magazine 22

SEAN O’DONNELL West Indian Woman 2x A2 Posters Installation - Photography 26

ADAMS WARD Hal’s final dialogue 2X A2 Posters Animation Album Cover 12

INTRO 4

CONTENTS

4

Voices publication consists of second year Graphic Arts students work from the Graphic Design pathway project, ‘Making the Voice Visual’. While displaying the students work, their development and processes are also included as part of the content. The student were given a choice between three speakers that they could pick from to base the project on. Therefore there are three sections, one for each speaker. The brief involved three different sections and therefore most students produced three pieces of work.

INTRO

5

MAKING THE VOICE VISUAL

Students were given a choice out of three very specific speeches which all had very recognisable timbre, and spoken mannerisms. The brief asked students to find a typographical equivalents to each factor of how one of the speaker speaks and incorporate it into a poster using the dialogue from that speech. Only one typeface was allowed to be used and no images of any sort. The speakers were; Hal’s final dialogue from Kubrik’s 2001: A Space Odyssey; Philosopher Bertrand Russell giving a message to our descendants and an unknown west indian women’s speech in the face of rioters in Hackney.

1.11.2

For the second part of the brief students were asked to alter the first piece of work that they created so that the message is delivered by another speaker and how they would say it differently. Hal’s new speaker was Stacey Solomon.Bertrand Russell’s new speaker was Travis Bickle (from the film Taxi Driver) The unknown west indian woman’s new speaker was David Cameron.

1.3For this part of the brief students were given two options. Option 1 was to present the text graphically in a print format of the students choice. This time they were allowed to use more than one font but still no images of any kind.Option 2 was to create a short animation or film which uses a timeline to enhance the graphic representation of the voice of the new speaker. Again ot using any images but any font combination.

6 JENNY STUTTARD - Hal’s final dialogue

operationaloperational

DaisyDaisyIts calledIts calledI can sing it for youI can sing it for youIf you’d like to hear itIf you’d like to hear itand he taught me to sing a songand he taught me to sing a songmy instructor was Mr Langleymy instructor was Mr LangleyNineteen Ninety twoNineteen Ninety two

H.A.L plant in UrbanaH.A.L plant in Urbana

on the twelfth of Januaryon the twelfth of JanuaryIllisnoisIllisnois

thou sand computer/// thou sand computer///

Dave///Stop/////Stop/Will you/////Stop Dave///Will you stop Dave/////Stop Dave/////Ima fraid/////Ima fraid Dave/////Dave/////My mind is going/////I can feel it/////I can feel it//////My mind is going/////There is no question about it/////////I can feel it/////I can feel it/////I can feel it/////Ima fraid///////

Good afternoon///Gentle///I am a Hal/nine thou sand computer///I became operational//at the H.A.L plant in Urbana/Illisnois/on the twelfth of January/Nineteen Ninety two///my instructor was Mr Langley//and he taught me to sing a song///If you’d like to hear it///I can sing it for you///////Its called/Daisy

JENNY STUTTARD - Hal’s final dialoguewww.jennystuttard.tumblr.com

7JENNY STUTTARD - Stacey SolomonJENNY STUTTARD - Stacey Solomon

OHHW I DUANO, WHAMALIAK!

BUT THEN, I DUNAO, I JUS SWICHED!LIAK

“GOOD AF-ERNOON, GEN-ULE, AYHM A STACY 9000 COMPU-ER,”

AYH DUNO WHERE IT CAME FRUM! “AYH BECAME OPERA-IONAL, AT THE H.A.L LAB IN URBANA, ILLANOI, ON THE 12TH OF JANUARY NINE-EEN NINE-EY TU,”

AN ULL THIS STUFF! “MY INSTUCTAHR WAS MR LANGLEY, AN HE TAUGH ME TO SING A SONG, IF YOU’D LIAK TA HEAR IT, AYH CAUN SING IT FOR YOU, ITS CALLED DAYSEE”

“AYHMA FRAYD!”

“OMGDAYVE AUHH AYHWASLIAK

STOP!” UuHa“STOP WILL YOU, STOP DAYVE,”

YOU KNOWW, JUSLIAK OVER AN OVER! “WILL YOU STOP DAYVE,

THEN AYH WAS START-IN TO GET ALL SCARED AN STUFF

“AYHMA FRAYD AYHMA FRAYD DAYVE,

LIAK,

WELL YOU WOULD BE WOULDNT YOU! UuhhuHa!

SO, YEA, AYH WAS ALL“MY MIND IS GOING!

AYH CAUN FEEL IT, AYH CAUN FEEL IT!”LIAK“MYA MAIND IS GAOIN!”

AHWGAWD BUT THASJUS ME ALL OVER THOUGH INAIT! uuUHahahahahuu! BUT AYH DUANO, JUS

LIAK “THERE’S NO QUESTION BAHT IT, AYH CAUN FEEL IT, AYH CAUN FEEL IT!”

YAH KNOW LIAK“AYH CAN FEEL IT,”AN

DAYVE!”

What did you think of the briefs?I tend to struggle a bit with layout and type, so I found them quite difficult.

Which piece of your work would you say was your strongest piece and why?The last one. I think its the most interesting.

Which piece did you enjoy doing the most and why?They all found their own way to be stressful, and the last one was probably the worse, but I think I enjoyed that one the most.

What do you now think of the final outcomes?The Hal one still need fixing. The

2nd part isn’t something I’d put on my wall but I’m happy with it as a response to the brief I’m happy with the 3rd part but it was hell to get to.

Is there anything now that you would change or do different?The placement of text on the Hal poster

How well did you research the subjects?mmm, not as much as I have done previously

Is there anything specific that influenced your development or the final outcomes?Just the briefs themselves

What were your ideas? Were there any idea that your were unable to carry out?Yes, I was unable to produce twelve and a half meters of paper cut type and a time lapse of it.

Did you carry out any experiments before producing the final outcome?I tried many experiments.

What skills and processes did you use?Indesign, Photoshop, Photography.

What did you learn from the project? Did you learn anything new?I learnt to be more realistic.

What were the least successful aspects of your work?

The placement of text on the Hal poster and the twelve and a half meters of type.

How well did you manage your time throughout the three projects?mmm. so so.

How did you find the group crits? What did you think of the comments made about your work?They were worthwhile, though some ideas would be worth hearing before you print off the final thing.

What do you think of the studio culture? How well did you engage in it?I need to leave this room!

Far left: Response to 1.1 - Hal’s final dialogue, A2

Poster.Left: Resonse to 1.2 -

Stacey Solomon, A2 Poster.

8

9JENNY STUTTARD - Stacey Solomon 2JENNY STUTTARD - Stacey Solomon 2

What did you think of other students work and the general standard of the work produced?Some really good original ideas.

What was the most challenging part of the brief for you?Settling in a final idea.

How did you find being limited to only one font and no images? How did you decide on an appropriate font?Didn’t really mind it.

How would you describe your work in one word?Stressful.

Has colour played an important role in your final design?With the Hal piece, I used white for the stark emptiness and red and black for the text just because it fits the character Hal really. For Stacey Solomon I have used pink because, well what other colour could you use!

How did you work develop over the three projects?Hal was hard, Stacey wasn’t as bad, but still quite hard. Stacey 2 was... horrible, but I eventually had a light bulb moment and did it all in one day.

Left: Respone to 1.3 - Photography, A2 Poster

10ADAM WARD - Hal’s Final DialogueADAM WARD - Hal’s Final Dialogue

11

Dave stop

Stop will you

Stop dave

Will you stop dave

Stop dave

Im afraid

Im afraid dave

Dave my mind is going

I can feel itI can feel itMy mind is going

Good afternoon gentlemenI am a HAL9000 computerI became operational in the HAL lab in Urbana ILLINOIS on the 12th of January 1992

My instructor was Mr Langly and he taught me to sing a song, if you would like to hear it I can sing it for you ?

Its called daisy

There is no question about it

I can feel it

I can feel it I can feel it

Im a afraid

ADAM WARD - Stacey SolomonADAM WARD - Stacey Solomon

D a v e   S t o p !s t o p w i l l y o u

Dave Stop!w i l l y o u s t o p

i í m   a f r a i d

s t o p                 d a v eDave

i í m   a f r a i dD a v eD a v e

my mind i s go ing

my m ind i s go ingt h e r e i s a b o u t i t

q u e s t i o n

NO

i c a n f e e l i ti c a n f e e l i ti c a n f e e l i tI í M   A F R A I D

good af ternoon gente lmen

i     am     a                       computer

HAL9 0 0 0

I   B E C AM E   O P E R AT I O N A L   I N   T H E  H A L   L A B   I N  URBANA   I L L I NO I S

ON   T H E   1 2 T H   J A N   1 9 9 2

My instructor was Mr Langly and he taught me to s ing a

song, if you would like to hear it I can sing it for you ?

Dave StopSTOP WILL YOU STOP Daaave

Will you STOP Dave! stop dave im aaafraidim afraid daveDAVE MY MIND IS GOING

I CAN FEEEL IT

There is no quesition about it i can feel it im afraidi can feel it

I am a HAL 9 000 computer g e n t l e m e n

I CAN FEEEL IT I CAN FEEEL IT

I becameoperational in the HAL lab in in Urbana

ILLINOIS on the 12th of Jan 1992 My instructar was

Mr Simon COWELL and he taught me to

sing a songif you would like to hear it

I can sing it

I t s c a l l e d d a i s y

G o o d a f t e r n o o n

Dave StopSTOP WILL YOU STOP Daaave

Will you STOP Dave! stop dave im aaafraidim afraid daveDAVE MY MIND IS GOING

I CAN FEEEL IT

There is no quesition about it i can feel it im afraidi can feel it

I am a HAL 9 000 computer g e n t l e m e n

I CAN FEEEL IT I CAN FEEEL IT

I becameoperational in the HAL lab in in Urbana

ILLINOIS on the 12th of Jan 1992 My instructar was

Mr Simon COWELL and he taught me to

sing a songif you would like to hear it

I can sing it

I t s c a l l e d d a i s y

G o o d a f t e r n o o n

Left: Response to 1.1 - Hal’s final dialogue, A2 Poster.Above: Response to 1.3 - Stacey Solomon, CD sleeeve design.Right: Response and Development to 1.2 - Stacey Solomon, A2 Poster.

12 ADAM WARD - Stacey Solomon ADAM WARD - Stacey Solomon

13ADAM WARD - Stacey Solomon 2ADAM WARD - Stacey Solomon

Left: Response to 1.3 - Stacey Solomon, Animation.Right: Response to 1.3 - Stacey Solomon, A2 Poster, CD and sleeve.

14

I would like to say two things

oneintellectual

andonemoral

The intellectual thing I should want to say to them

is thiswhenyouare

studyingany matter

or considering

philosophy,ask yourself

onlywhat are the facts

what is theand

truththat the facts bear out.

any

Neverlet yourself be

diverted

either by what you wish to believe

orby what you

thinkwould have been beneficent

social effectsif it were believed,

But look

solelyat what are the facts.

onlyand

That is the

intellectualwish to say.

thing that I should

The moral thing I should

wishto say to them is

verysimple

I should say

LOVE IS WISE,HATRED IS FOOLISH.

In this world, which is getting

more and moreclosely interconnected,

we have to learn to tolerate

each other.

We have to learn to

put upwith the fact that

some peoplesay things that we don’t like.

We can only live together in

that way,and if we are to live together and

not die together,we must learn a kind of

charityand a kind of

tolerancewhich is absolutely vital to the

continuationof human life

on this planet.

HOLLY GLEAVE - Bertrand RussellHOLLY GLEAVE - Bertrand Russell

www.hollygleaveljmu.tumblr.com

favourite ‘’

The brief has

eyesto new subjects

opened my

15

favourite ‘’

The brief has

eyesto new subjects

opened my

16 HOLLY GLEAVE - Travis BickleHOLLY GLEAVE - Travis Bickle

What did you think of the briefs?I thought they were interesting and opened my eyes to new subjects. I thought Bertrand Russel was really interesting subject to look into.

Which piece of your work would you say was your strongest piece and why?I prefer my book as a final piece, I thought it was strongest as it rounded up my final project and showed the voice well.

Which piece did you enjoy doing the most and why?I enjoyed doing the book the most as I had never created a concertina book before so it was good to experiment.

Is there anything now that you would change or do different?I might have experimented with my ideas further and come up with a less constrained idea. I would have thought of something that was less predictable.

How well did you research the subjects?I think I researched my subjects well and really enjoyed it, they were both relatively new subjects matters to me so I was interested to learn more.

What were your ideas? Were there any idea that your were unable to carry out?

I would have preferred to experiment more with book making and making a larger concertina book.

What skills and processes did you use?I learnt how to produce a concertina book which I had never put into action before.

What were the least successful aspects of the you work?I think my posters could have worked better with some more development. I would have played around with their layouts more.

How did you find the group crits? What did you think of the comments

made about your work?I think they went well, feedback wasn’t always positive but I learnt from it and developed my work in different ways.

What did you think of other students work and the general standard of the work produced?I think the work is all of a very high standard and it’s nice to see work being put up on the walls.

How did you find being limited to only one font and no images? At first I found it really challenging but once I found a font I was happy with I thought it was a really good way to focus on the words.

Page 14: Response to 1.1 - Bertrand Russell, A1 Poster.Below: Response to 1.3 - Travis Bickle, concertina book

Left: Response to 1.2 - Travis Bickle, A1 Poster.

17

Listen,you fuckersyou screw heads.Here is a man that wants to say two things,

one intellectual and one moral.A man that wants to stand up against the scum,the dogs,the filth.Here is a man that stood up.The intellectual thing I wanna say to 'em is this;when studying or considering any philosophy,ask yourselfwhat arethe facts?And what is the truth they bare out.

Now, I see this clearlynever let yourself be divertedeither by what you wish to believe,or by what you think would have beneficent social effects if it were believed.Thats the intellectual thing.

The moral thing i wanna tell 'em is simple

love is wise, hatred is foolish.Let me tell you something.You're in hell,and you're gonna die in hell,just like the rest of 'em!If we must tolerate each other,we have to learn to put up with the fact that

some of the scum,the screw heads,they say things we don't like.If we are to live together

a tolerancewhich is vital to the continuation

of human life on this planet.

and not die together,we must learn a kind of charity,

Listen,you fuckersyou screw heads.Here is a man that wants to say two things,

one intellectual and one moral.A man that wants to stand up against the scum,the dogs,the filth.Here is a man that stood up.The intellectual thing I wanna say to 'em is this;when studying or considering any philosophy,ask yourselfwhat arethe facts?And what is the truth they bare out.

Now, I see this clearlynever let yourself be divertedeither by what you wish to believe,or by what you think would have beneficent social effects if it were believed.Thats the intellectual thing.

The moral thing i wanna tell 'em is simple

love is wise, hatred is foolish.Let me tell you something.You're in hell,and you're gonna die in hell,just like the rest of 'em!If we must tolerate each other,we have to learn to put up with the fact that

some of the scum,the screw heads,they say things we don't like.If we are to live together

a tolerancewhich is vital to the continuation

of human life on this planet.

and not die together,we must learn a kind of charity,

18 LOTTIE BRZOZOWSKI - Bertrand RussellLOTTIE BRZOZOWSKI - Bertrand Russell

The intellectual thing I should want to say to them is this: When you are studying any matteror considering any philosophyask yourself only

And what is the truth that the facts bare out?

Never let yourself be diverted either by what you wish to believe or by what you think would have beneficial social effects if it were believed

But look only and solely at what are the facts?

That is the intellectual thing that I should wish to say.

I should like to say two things,one...intellectual

The moral thing I should wish to say to them is very simpleI should say

In this world which is getting more and more closely interconnected we have to learn to tolerate each otherwe have to learn to put up with the fact that some people say things that we don’t like We can only live together in that way but if we are to live together and not die togetherwe must learn a kind of charity and a kind of tolerance

which is absolutely vitalto the continuation of human life on this planet.

and one moral.

{{

What are the facts?

Love is wiseHatred is foolish

www.lottiebrzljmu.tumblr.com

19

favourite I quite enjoyed being limited to

only one fontit pushed me more.‘ ’

20 LOTTIE BRZOZOWSKI - Travis BickleLOTTIE BRZOZOWSKI - Travis Bickle

favourite‘the briefs were challenging at times

but they were a good exercise intypesetting’

the brief

‘My favourite part was the book it was fun to put togetherand design it.’

My favourite part was the book

favourite

What did you think of the briefs?I thought that they were challenging at the time but they were a good exercise in typesetting.

Which piece of your work would you say was your strongest piece and why?Probably my book because it was a step up from my posters, it presented me with more challenges and deconstructed the

text more.Which piece did you enjoy doing the most and why?I enjoyed the book the most, in parts. It was fun to put it together and design it. However the printing was not fun.

What do you now think of the final outcomes?Generally I am really pleased with them.

Is there anything now that you would change or do different?I’d like to have french folded my book. I think it would have given it more weight and got rid of the problem of being able to see the text through the cut out brackets. Also I would have explored different bindings.

How well did you research the subjects?Not as well as I could have done..

Is there anything specific that influenced your development or the final outcomes?Well, the speakers mainly.

What were your ideas? Were there any idea that your were unable to carry out?Not really. Although my book needs to be printed on a better stock.

Did you carry out any experiments before producing the final outcome?various mock ups for the posters and the book.

What skills and processes did you use?I used Indesign and the staple machine.

What did you learn from the project? Did you learn anything new?I learnt that the printers hate black ink.

What were the least successful aspects of the you work?Back stock for the book. Also there is a lack a documentation in my sketchbook of my work.

How well did you manage your time?Alright.. although I didn’t feel I had that much time for experimentation in some parts. Or rather I spent all my time experimenting/trying to think of

an idea so much that I didn’t have much time to develop my final piece.

How did you find the group crits? What did you think of the comments made about your work?Helpful yet awkward. I don’t remember much of the comments now but i remember them being constructive.

What do you think of the studio culture? How well did you engage in it?I think it’s all coming together now.

What did you think of other students work and the general standard of the work produced?Generally I think everyones work had impressive parts to it. I was quite jealous of a lot of it!

What was the most challenging part of the brief for you?The second part was hard because I couldn’t really think of an idea but I think the third part was more challenging when it came to translating the information from my poster over several pages in the book.

How did you find being limited to only one font and no images? How did you decide on an appropriate font?I didn’t really mind. I quite enjoyed it actually, it pushed me more.

What influenced your work?Rationalised space, grids, parallelograms, brackets.

How did you go about choosing your fonts?For the first part I used Franklin Gothic. I chose this font because it was quite neutral and fitted well with Bertrand. I was a toss up between this and Akzidenz Grotesk but Franklin gothic had a nicer lowercase and curly brackets.

Page 14: Response to 1.1- Bertrand Russell, A2 Poster.Below: Response to 1.2- Travis Bickle, A2 Poster.

Right: Response to 1.3- Travis Bickle, Book.

21

For Travis Bickle I chose Akzidenz Grotesk condensed italic because it had an edginess I wanted to portray. The italics hinted at speed.

What influenced your layout design?A basic grid that rationalised the space around the type. Alignments and parallelograms controlled everything in the Travis Bickle part.

Has colour played an important role in your final design?For the Bertrand Russell part, I chose black and white because it was typically minimal. I wanted the words/ typeface to speak, not the colour. For the next two parts I chose yellow because it seems appropriate for the film Taxi Driver. It did seem obvious but I think it

was more necessary than anything else.

How did your work develop over the three projects?I focused more on how I’d deconstructed the text and used that to drive the design throughout. the three projects.

LOTTIE BRZOZOWSKI - Travis BickleLOTTIE BRZOZOWSKI - Travis Bickle

22 IAN DUKE - Unknown Indian WomanIAN DUKE - Unknown Indian Woman

Allow out the fucking burning their property! Allow out burning people’s shops that they work so hard

to start their business!

Poor auntie fucking shot dead, she’s working hard to make her business work and then you lot wanna go and burn it up

Do it for a cause, if you’re fighting for a cause then fight for a fucking cause!

FUCKINGREALITY?

YOU UNDERSTAND?

GET IT REAL!

This is a

This is about a fucking man who got shot in Tottenham, this ain’t about having fun on the road and busting up the place!

black people! Get real!

I’m ashamed to be a Hackney person because You lot piss me the fuck off,

Just to say that you’re ‘warring’ and your bad man!

we’re running out of Footlocker and thieving shoes! Dirty thiefs ya know

we’re not all gathering together and fighting for a cause, FUCK!

for what?

Which piece of your work would you say was your strongest piece and why?I thought the third part was my strongest, I researched it in depth and had other outside influences.

Which piece did you enjoy doing the most and why?I enjoyed the third part the most, I thought it was most interesting and I had more freedom.

What do you now think of the final outcomes?I think they are relatively successful but could be improved.

Is there anything now that you would change or do different?I would research my ideas in more depth.

How well did you research the subjects?Improved as I went along.

Did you carry out any experiments before producing the final outcome?I did test pages for the magazine.

What skills and processes did you use?Book binding and duplex printing.

What were the least successful aspects of the you work?Exploring typefaces in more depth

How well did you manage your time?Very well.

How did you find the group crits? I thought they were constructive.

www.iandukeideas.tumblr.com

hiThis is nonsense

hiWe shouldn’t be igniting fires in people’s homes.

hiwhat i’m trying to say?

hiThis lady’s business is desTroyed, she’s Trying

hiWhy Would you do this? hiTo look good infronT of your friends?

hiTo build up some sTrange kind of respecT?hiOr just becasue yOu can?

hiMark Duggan was shot DeaD in tottenhaM.

hiYes.

iThaT siTuaTion is being dealT wiTh in han

hiPull yourselves together!

iif there was a valid reason for these

ii’m really disappointed with your behaviour,

hiWe should be uniting together and

hii feel let down.

hiWe shouldn’t be setting fire to

hito make a difference in these difficult times.

iDo you unDerstanD

hhiyoung, hentrepeneur’s businesses.

ihelping matters or the police.ihappropriate manner, your actions haren’t

hiactions then hi would be hright next to you, isupporting you.

hithe hreputation you’re bringing to this country.

hiprotesting hfor ha legitimate reason, not hicausing chaos at every hopportunity!

Below: Response to 1.1 - A2 Poster.Left: Response to 1.2 - A2 Poster.

favourite ‘ ’The colours resemble the act of what was happening

in Hackney and also the woman’s

culture

hiThis is nonsense

hiWe shouldn’t be igniting fires in people’s homes.

hiwhat i’m trying to say?

hiThis lady’s business is desTroyed, she’s Trying

hiWhy Would you do this? hiTo look good infronT of your friends?

hiTo build up some sTrange kind of respecT?hiOr just becasue yOu can?

hiMark Duggan was shot DeaD in tottenhaM.

hiYes.

iThaT siTuaTion is being dealT wiTh in han

hiPull yourselves together!

iif there was a valid reason for these

ii’m really disappointed with your behaviour,

hiWe should be uniting together and

hii feel let down.

hiWe shouldn’t be setting fire to

hito make a difference in these difficult times.

iDo you unDerstanD

hhiyoung, hentrepeneur’s businesses.

ihelping matters or the police.ihappropriate manner, your actions haren’t

hiactions then hi would be hright next to you, isupporting you.

hithe hreputation you’re bringing to this country.

hiprotesting hfor ha legitimate reason, not hicausing chaos at every hopportunity!

24 IAN DUKE - David CameronIAN DUKE - David Cameron

25

Left and Below: Response to 1.3 - Magazine

Photography - Front cover and Double page spread

IAN DUKE - David Cameron

26

What did you think of the briefs?I thought they were challenging.

Which is strongest piece and why?I find it hard to judge my own work.

Which piece did you enjoy doing the most and why?I enjoyed the final part the most where I had to project type onto boxes in the photo studio, I really enjoyed this process.

What do you now think of the final outcomes?I thought they were alright.

Is there anything now that you would change or do different?Plenty, I always have different ideas.

How well did you research the subjects?check my tumblr..Is there anything specific that influenced your development or the final outcomes?I was influenced by a Stefan Sagmeister piece for Levi which is what I based my final piece on. Also minimalist design that I had researched.

Did you carry out any experiments before producing the final outcome? If so what are they?I practiced the box layouts at home before bringing them into uni and doing it for real.

What skills and processes did you use?I used Indesign, Illustrator, Photography and Photoshop.

What were the least successful aspects of the you work?The least successful parts was converting work unto David Cameron.How well did you manage your time?Not very well..

How did you find the group crits? What did you think of the comments made about your work?Helpful and informative.

What did you think of other students work?I thought there was high quality work from all students.

What was the most challenging part of the brief for you?I thought coming up with an idea was challenging and then producing your idea as a successful piece.

How did you find being limited to only one font and no images? How did you decide on an appropriate font?I found it challenging but it was do able. I used font mind maps to choose my fonts.How would you describe your work in one word?ongoing.

What influenced your layout design for the three projects?I just experimented with the fonts and design till I produces something the fit best on the page.

Has colour played an important role in your final design?I used dark colours for the speech due to the situation in the video.

What were your weak points?I criticise my work all the time and never feel satisfied.

How did your work develop over the three projects?It developed by looking at the original video and looking into different aspects of it.

SEAN O’DONNELL - David CameronSEAN O’DONNELL - David Cameron

Left: Response to 1.1- West Indian Women, A2 Poster.

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THIS IS THE FUCKIN’ REALITYLOW UP THE FUCKIN’ BURNING PROPERTYLOW UP BURNING PEOPLES SHOPS DAT DEYWORKED HARD TO START DERE BUSINESS

YA UNDERSTAND?POOR WOMAN. THE SHOP DERE SHES WORKING HARD TO MAKE HER BUSINESS WORK AND THEN YOU LOT WANNA GO BURN IT UP

THIS IS ABOU A FUCKIN’ MAN WHO GOT SHOT IN TOTTENHAM THIS AIN’T ABOU HAVING FUN AN ROITIN AN BUSSIN UP THE PLACE!

DO IT FOR A CAUSE IF WE’RE FIGHTING FOR A CAUSE LETS FIGHT FOR A FUCKIN’ CAUSEYOU LOT PISS ME THE FUCK OFF I’MTO BE A HACKNEY PERSON COZ WE’RE NOT ALL GATHERIN TOGETHA AND FIGHTIN FOR A CAUSE WE’RE RUNNIN DOWN FOOTLOCKER AND THEIVIN SHOES

JUS’ TO SAY YOU’RE WARRIN’ AND YOU’RE BADMAN?

GET REAL BLACK PEOPLEGET REAL

FOR WHAT?

ASHAMED

DIRTY THEIF RUN OFF

28

favourite ‘’

I thought there was a

high qualityof work from all students

29SEAN O’DONNELL - David CameronSEAN O’DONNELL - David Cameron

Below: Response to 1.2 - David Cameron, A2 Poster.

30 SEAN O’DONNELL - David CameronSEAN O’DONNELL - David Cameron

31SEAN O’DONNELL - David CameronSEAN O’DONNELL - David Cameron

Left: Respone to 1.3 - David Cameron, installation, type projection, photography.Above: Process of producing 1.3.