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Voice Lessons by Nancy Dean

Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

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Page 1: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Voice Lessonsby

Nancy Dean

Page 2: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Voice

• The unique expression of the author’s personality

• The fingerprint of a person’s language

• The color and texture of communication

Page 3: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Understanding voiceGives an appreciation for the richness of language and a

deeper understanding of writing, especially difficult literature

Page 4: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

One goal of this course: to help you develop a personal voice, a

distinctive writing style.To do so, you must first learn to recognize voice and analyze its

elements.

Page 5: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Through voice we come to know authors.

Page 6: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

By exploring voice we learn to wield language.

Page 7: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Five elements of voice: diction, detail, imagery, syntax and tone

Page 8: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Diction (word choice) is the foundation of voice and

contributes to all of its elements.

Page 9: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Detail (facts, observations, and incidents) is used to develop a topic, shaping and seasoning

voice.

Page 10: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Imagery (verbal representation of sense experience) brings the

immediacy of sensory experience to writing and gives

voice a distinctive quality.

Page 11: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Syntax (grammatical sentence structure) controls verbal pacing

and focus.

Page 12: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Tone (expression of attitude) gives voice its distinctive

personality.

Page 13: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Diction 

Refers to the author’s choice of words; the basic tools used to create the color and texture of

written work.They reflect and determine

the level of formalityThey shape the reader’s

perceptions.

Page 14: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Diction reflects the writer’s vision and steers the reader’s

thought.

Page 15: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

When reading serious literature, don’t skip words you don’t

know.It’s like wearing earplugs at

a symphonyTo understand voice you

must “hear” and “feel” their effects.

Page 16: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Effective voice is shaped by words that are clear, concrete

and exact.

Page 17: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Good writers avoid words like pretty, nice and bad. Instead they use words that create a

specific effect. A coat isn’t torn, it’s tattered. The U.S. Army doesn’t want

revenge, it is thirsting for revenge.

Page 18: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Specific diction brings the reader into the scene, enabling full

participation in the writer’s world.

Page 19: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Diction depends on topic, purpose and occasion. Topic

often determines specificity and sophistication of diction.

Page 20: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

For example, in a computer article: web interface, quaternary

code.In a magazine for Irish

musicians: slip jig, hornpipe, mazurka.

Page 21: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

The writer’s purpose partly determines diction

Words chosen to impart a particular effect on the reader reflect and sustain the writer’s

purpose.

Page 22: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Example: if the purpose is to inform, straightforward diction

is used.If the purpose is to entertain, a reader expects words used in ironic, playful or unexpected

ways.

Page 23: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Diction also depends on the occasion

As with clothes, the level of formality influences appropriate

choices.Formal diction (for

scholarly writing, serious prose, poetry)

Page 24: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Informal diction: the norm in expository essays, newspaper

writing, fiction.Colloquial diction and slang: create a mood or capture a

particular historic or regional dialect

Page 25: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Appropriateness of diction is determined by the norms of

society.

Page 26: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Connotation (the meaning suggested by a word and

Denotation (the literal meaning of a word)

Page 27: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

When a writer calls a character slender, the word evokes a

different feeling from calling the character gaunt.

Page 28: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

A word’s power to produce a strong reaction in the reader lies mainly in its connotative

meaning.

Page 29: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Finally, diction can impart freshness and originality to

writing.Words used in surprising or unusual ways make us rethink what is known and re-examine

meaning.

Page 30: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Good writers often opt for complexity rather than

simplicity, multiple meanings rather than precision.

Page 31: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Thus, diction, the foundation of voice, shapes a reader’s

thinking while guiding reader insight into the author’s

idiosyncratic expression of thought: the writer’s voice.

Page 32: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

“Art is the antidote that can call us back from the edge of

numbness, restoring the ability to feel for another.”

Barbara Kingsolver, “High Tide in Tucson

Page 33: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

By using the word antidote, what does the author imply about the

inability to feel for another?

Page 34: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

If we changed the word antidote to gift, what effect would it have

on the meaning of the sentence?

Page 35: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Activity: Write a sentence using a medical term to characterize

art.

Page 36: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

“As I watched, the sun broke weakly through, brightened the

rich red of the fawns, and kindled their white spots.”

E.B. White, “Twins,” Poems and Sketches of E.B. White

Page 37: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

What kind of flame does kindled imply? How does this

verb suit the purpose of the sentence?

Page 38: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Would the sentence be strengthened or weakened by

changing the sun broke weakly through to the sun burst

through? Explain the effect this change would have on the use

of the verb kindled.

Page 39: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

What are some action verbs that demonstrate the effects of

sunlight?

Page 40: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

“An aged man is but a paltry thing

A tattered coat upon a stick…”- W.B. Yeats, “Sailing to

Byzantium”

Page 41: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

What picture is created by the use of the word tattered?

Page 42: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

By understanding the connotations of the word

tattered, what do we understand about the persona’s attitude

toward an aged man?

Page 43: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

List three adjectives that can be used to describe a pair of

shoes. Each adjective should connote a different feeling about

the shoes.

Page 44: Voice Lessons by Nancy Dean. Voice The unique expression of the author’s personality The fingerprint of a person’s language The color and texture of communication

Dean, Nancy. Voice Lessons: Classroom Activities to

Teach Diction, Detail, Imagery, and Tone. Gainesville, Florida: Maupin House, 2000.