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Visual Information Design

Visual Information Design. June 2004User Interface Design, Prototyping, and Evaluation2

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Page 1: Visual Information Design. June 2004User Interface Design, Prototyping, and Evaluation2

Visual Information Design

Page 2: Visual Information Design. June 2004User Interface Design, Prototyping, and Evaluation2

June 2004 User Interface Design, Prototyping, and Evaluation 2

Page 3: Visual Information Design. June 2004User Interface Design, Prototyping, and Evaluation2

June 2004 User Interface Design, Prototyping, and Evaluation 3

Quotes: Mullet and Sano

“Design is not something that can be applied after the fact, when the fundamental organization of the product has already been determined–though this is indeed a common misconception. To be effective, design must be an integral part of the product development lifecycle.”

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Quotes: Mihai Nadin

“Method helps intuition when it is not transformed into dictatorship. Intuition augments method if it does not instill anarchy. In every moment of our semiotic existence, method and intuition complement one another.”

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Quotes: Antoine de Saint Exupery

“In anything at all, perfection is attained not when there is no longer anything to add, but when there is no longer anything to take away.”

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Jan Tschichold’s Revolution

• Champion of Modernist Typography

Die Neue Typographie Berlin, 1928

Bauhaus schoolDessau, 1925-26

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Type Classifications

Sans Serif Serif

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Asymmetric Typography

How blocks used to be arranged in magazines. Schematic, thoughtless centering of blocks (= ugly).

The same blocks, correctly arranged in the same type-area. Constructive, meaningful, and economical (= beautiful).

J A N T S C H I C H O L D

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Grid Systems• A key pattern for implementing

rationality, modernism, asymmetry

• Note that no elements are “centered”

Java Look and Feel Design Guidelines

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Quotes: Bringhurst & Tufte

“Some space must be narrow so that other space may be wide, and some space must be emptied so that other space may be filled.”

– Robert BringhurstThe Elements of Typographic Style

“Information consists of differences that make a difference.”

– Edward Tufte Envisioning Information

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Small Multiples

• Economy of line

• Many similarities enable us to notice differences

IMAGE REMOVED

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International Women’s Day

Diaz, Estela 1974 March 8 - International Women’s Day

Echeverria, Heriberto 1971March 8 - International Women’s Day

S M A L L M U L T I P L E S

Cuban Poster Art Gallery, http:///www.sims.berkeley.edu/~lcush/GenCat.html/

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Reid Miles, Blue Note CoverS M A L L M U L T I P L E S

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Tree Maps (SmartMoney)

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Tree Maps (PhotoMesa)

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Design Galleries

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Design Galleries

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London Underground

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Color Spaces

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Technology-Centered Colors

• Nice Hex codes, “evenly” distributed

• But yowch! Lime green and hot pink?

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Human-Centered Colors

• Munsell (left): Perceptually based

• Pantone (right): Functionally based

Anne Spalter, The Computer in the Visual Arts

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Color is problematic

• On-screen color varies widely from device to device for two reasons

• The device may not be able to display that color (e.g. #AF5234), replacing it with something else– Web safe sometimes helps here

• The presentation of that color

GUIR logo

#AF2534

Web Safe#99333

3

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Color (Java L&F)

• Six color semantic scheme

• Clean, consistent look

• Easy on eyes (mostly gray)

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Color: Edward Tufte

IMAGE REMOVED

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Color: Edward Tufte

IMAGE REMOVED

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How to get color right

• Design in grayscale first

• Keep luminance values from grayscale when moving to color

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Proper Quotes

• Distinguishing open from close makes reading easier

• Tags in HTML have open and close, e.g., <html> as opposed to |html|

• Spanish has open and close exclamation, question mark, e.g., ¡hay caramba!, ¿que pasa?

• Quotes “ ” have open and close too

Quotes in HTML

&#8220; “ Left Double Quotation &#8221; ” Right Double Quotation&#8216; ‘ Left Single Quotation&#8217; ’ Right Single Quotation

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Some Starting Points

• Gather materials you find successful– Could be from a very different domain– “Good artists borrow, great artists

steal” - Picasso

• Include visual design professionals in the iterative design cycle

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Further Reading• Kevin Mullet and Darrell Sano,

Designing Visual Interfaces• Edward Tufte’s books and course• Anne Spalter,

The Computer in the Visual Arts• Robin Williams,

The Non-Designer’s Design Book• Typography

– Jan Tschichold, The New Typography– Robert Bringhurst,

The Elements of Typographic Style– http://www.adobe.com/type/

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Further Reading

• Color: Charles Poynton, A Technical Introduction to Digital Video– also his SIGGRAPH course– web http://www.inforamp.net/~poynton/

• Typography on the web– http://www.pemberley.com/janeinfo/

latin1.html– http://www.microsoft.com/typography/

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Links

• Periodic table of visualisations

• Infothestics