Verb Issue S244 (June 14-20, 2013)

arts culture music saskatoon

Photo: courtesy of matt humPhrey

FR

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THEHErbalisEr better than ever

dREssEd to kill cosplay contest at saskatoon comic con

wakE owl Q+a with colyn cameron

this is thE End + kon-tiki films reviewed

Issue #244 – June 14 to June 20

Verbnews.comVerb magazine

2June 14 – June 20

contents local editorial comments q + a arts feature food + drink music listings film nightlife comics timeout

EEditoRialPublisher / ParIty PublIshIngeditor in chief / ryan allanmanaging editor / JessIca Patruccostaff writers / adam hawboldt + alex J macPherson

aRt & PRoductionProduction lead / brIttney graham design lead / andrew yankocontributing PhotograPhers / PatrIck carley, adam hawboldt, alex J macPherson + chrIstIan cortez

BusinEss & oPERationsoffice manager / stePhanIe lIPsItaccount manager / nathan holowatysales manager / Vogeson Paleyfinancial manager / cody lang

contactcomments / [email protected] / 306 881 8372

adVertise / [email protected] / 306 979 2253

design / [email protected] / 306 979 8474

general / [email protected] / 306 979 2253

[email protected]/Verbsaskatoon

contents

commEntsHere’s what you had to say about curbside composting. 10 / comments

on thE covER:

thE hERBalisERThey’re back! 14 / feature


Q + a with colyn camERonOn the evolution of Wake Owl. 12 / q + a

nightliFE Photos We visit Lydia’s and Diva’s. 22-25 / nightlife

listingsLocal music listings for June 14 through June 22. 18 / listings

this is thE End + kon tikiThe latest movie reviews. 20 / film

on thE Bus Weekly original comic illustrations by Elaine M. Will. 26 / comics

BEyond sciEncEMemories of a Naturalist with Maria Whiteman + Clint Wilson. 13 / arts

a mild tastE oF indiaThis week we visit Black Pepper. 16 / food + drink

musicPoor Young Things, Mac DeMarco + Factor 17 / music

thE duoThe Riveters talk strategy as singing contest approaches end. 13 / arts

gamEs + hoRoscoPEsCanadian criss-cross puzzle, horoscopes, and Sudoku. 27 / timeout

culture entertainment

almost FamousThe making of Jeans Boots. 4 / local

dREssEd to kill Cosplay contest at Saskatoon comic con. 6 / local

a timE to hEalWe should have a safe injection facility in Saskatchewan. 8 / editorial

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he clock is sweeping toward midnight as Jeanette Stewart leans

against the brick wall outside Amigos, a Saskatoon music venue famous for hosting some of the best bands in the country. She is work-ing on a cigarette and gazing into the middle distance. In less than an hour she will debut songs from her new record, the incongruously titled Z0RG C1TY. A collection of four blistering rock anthems that cast her haunting voice against a roiling backdrop of crashing drums and distorted guitars, Z0RG C1TY is her first release in almost two years. The record had a difficult birth, its arrival complicated by personnel changes and procrastina-tion. Tonight is supposed to be the release party, but printed copies of the record are nowhere in sight. Stewart spent last night frantically making substitutes: burned CDs in slim paper cases adorned with hand-drawn logos, gold duct tape, and rhinestones.

Stewart, who is normally a bundle of nervous energy, seems curiously withdrawn. This is the first show in a tour that will carry her to Ontario and Quebec, but she does not appear to be suffering from nerves. “I stayed up all night making merch,” she says after a drag on her cigarette, referring to the

handmade CDs and t-shirts for sale at the back of the venue. “At eight last night there was no merch.” Stewart thrives on the pressure of a looming deadline, and the mammoth task of releasing an album and orchestrating a tour does not appear to have changed her modus operandi. Z0RG C1TY was finished on time, but only just. As the sound of the opening act, an edgy rock trio called Pandas In Japan, wafts into the night, she flicks her cigarette into the street and turns to walk inside. Her metallic gold leggings sparkle as she

disappears into the gloomy bar. Stewart has spent the last five years

carving out a music career. What began as a singer-songwriter project, some-thing she did when she wasn’t working as a journalist, eventually grew into a rock band. Over the last several weeks her career has taken another sharp turn – toward the electronic sounds popularized by artists like Grimes and Purity Ring. This is a source of confusion, because Stewart has used the moniker Jeans Boots throughout.

“Some people still think Jeanette Stewart is a solo acoustic musician and Jeans Boots is a different person,” she said over a steaming cup of coffee several weeks before Z0RG C1TY was completed. “Some people who know my Jeanette Stewart music think that’s what I still make. And I think that’s really funny.”

Many people who follow Stewart’s music are baffled by the name, which can be the name of a rock band or a mysterious alter ego depending on the context. On the other hand, few

question her ability to write engaging songs and deliver performances that are as chaotic as they are entertaining. Stewart has been writing good songs for years, and her ethereal voice has become indistinguishable from the edgier side of the Saskatchewan music scene. She has performed at bars and festivals across the province, and her music has been heard by thousands. The release of Z0RG C1TY, which coincided with her decision to leave the Saskatoon StarPhoenix, where she

t

almost Famous the making of Jeans boots by alex J macPherson

it was like, ‘i’m having my cameron crowe moment.’

Jeanette stewart

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Photo: courtesy of m. kay PhotograPhyPhoto: courtesy of JennIfer g. PhotograPhy

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Feedback? text it! (306) 881 8372

worked as a reporter, and devote all of her energies to making music feels like a turning point — the end of one chapter and the beginning of another in a story that began a few days before Christmas, 26 years ago.

Stewart was born in Regina in 1986. She grew up in Rockglen, a small town nestled between Moose Jaw and the American border. She grew up surrounded by music. Her father often played records, and her earliest memories unfold to the sound of Bruce Springsteen and the E Street Band. Music was her constant companion, but living in a small town has drawbacks: Stewart knew nothing of indie rock. It never crossed her mind that ordinary people could write songs, play shows, and maybe even make some money. “I wasn’t old enough to go to the bar, I didn’t know about all-ages shows, I’d never been to the Exchange in Regina,” she said. “I didn’t understand what avenues there are for you. I listened to Broken Social Scene, but I didn’t know they were an independent band that cre-ated their own record label; they were just a band I liked.”

Learning to play guitar offered a respite from the rigid structures of classical piano. It also opened up the world of songwriting, which Stewart embraced enthusiastically, if not suc-cessfully. “I should probably revive them,” she said with a laugh. “They’d be huge hits on the internet because they’re so hilarious. Little kid problems in song form.” Stewart spent her high

school years playing bass in a garage band, but it was not until 2004, when she moved to Regina to study poetry and journalism at the University of Regina, that creative freedom became a reality. “I actually really wanted to be a musician,” she said, “and I think I thought journalism would be the safety. Like, I could go into journalism to write about bands and that would be a sure way of succeeding.”

Stewart spent her years in Regina writing songs and busking whenever she wasn’t attending class. Then life intervened. A complicated rela-tionship forced her to set aside her nascent music career for the best part of two years. It was not until 2007, when she accepted an internship at the StarPhoenix, that she was able to resurrect her dream. “I was living in Saskatoon for eight months and go-ing to a million shows,” she recalled. “I started talking to the musicians and I think the turning point was see-ing Slow Down, Molasses open for Julie Doiron. There was something about watching her [play]. I was like, I could play this — that’s what my songs sound like.” Stewart spent the summer writing about music and maintaining a blog documenting the shows she attended. Eventually, she asked Slow Down, Molasses if she could go on tour with them.

“It was like, ‘I’m having my Cam-eron Crowe moment,’” she said with a laugh. “I’m going to be sitting in the bathtub with my sticky notes trying to get this figured out.” The tour car-

ried the band from Saskatoon to Van-couver and back. Stewart began the trip as a watchful journalist, but by the time the band reached the west coast she was on stage every night, playing keyboards. “I couldn’t hold it in anymore,” she said with a laugh. “Like, I actually can play music and this is attainable at whatever level it needs to be. I may never do this for an actual real living, and who knows what it’ll become, but you can play music if you want to.” This experi-ence was the catalyst for the project that became Jeans Boots — and irrefutable proof that making music was possible.

As Stewart walks into Amigos, the sound of the opening band fades to a dull roar. Z0RG C1TY is just an EP, a collection of four searing rock songs. But it is also an expression of the idea that took hold so long ago. She seems unconcerned, but the decision to leave her job and focus on music could catapult her to fame — or ruin her completely. For most people in the au-dience, this is just another Jeans Boots show. For Stewart, Z0RG C1TY is a leap of faith. And it is already out of date.

This is part one of a two-part series. Find the conclusion in next week’s issue of Verb.




Honor FIgHT promoTIonS

local


Photo:courtesy of adam hawboldt / Verb magazIne

n the marvel universe Thor’s hammer stands as one of the most awe-

inspiring of all the superhero weapons. Known as mjölnir, it has the power to destroy moun-tains, create and control the base elements of a storm, and create impenetrable force fields. It can fly through the universe to return to Thor, it can detect illusions and it can generate thermoblasts.

See? Absolutely awe-inspiring, right? But have you ever stopped and wondered what Mjölnir is made of?

Well, in the Marvel universe, as the story goes, Mjölnir was forged primarily from an Asgardian metal

known as “uru” by Dwarven blacksmiths. Here in Saskatch-ewan, however, the giant hammer Thor is lugging around the S

askatoon Inn was forged ofsome-thing entirely different.

“I used one-inch siding foam,”

explains Thor (who is known in the Sask comic community as SaskaDoom.) “I layered it all together. Then I put ABS piping

ihere in the cosplay community there’s a certain inclusiveness…

adam hawboldt

local

dREssEd to kill oR savE thE univERsE oR whatEvER ...saskatoon blitz draws attendees and cosplayers from saskatchewan to b.c. by adam hawboldt

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inside to keep the head of the hammer from spinning.”

Standing on the hotel mezzanine next to a vendor’s booth, the man dressed as Thor explains how he used the same ABS piping to make the handle; how nearly all of his costume — aside from the blue compression pants he’s wearing — was handmade; how it took him about a month and a half to put it all together.

And while that might seem like a long time to work on a costume to most, to people like Thor — people who take cosplay seriously — that type of time in-vestment is to be expected.

Why? Because soon he’ll be stepping on stage and vying for the title of Best Dressed in the Saska-toon Blitz cosplay contest.

The term “cosplay” is Japanese in origin. Coined by Nobuyuki Takahashi in 1984, it’s a portman-teau of the English words “costume” and “play,” and generally refers to a type of performance art in which people dress up as their favourite characters from fiction — whether it be manga, anime, comic books, video games, etc. — and attend fan conventions and comic cons.

Initially an esoteric pastime amongst the otaku (obsessive fan culture) of Japan, by the late 1990s cosplay had travelled across the ocean and began taking a serious foothold in North America.

These days, as more and more anime conventions and comic cons are springing up and becoming established in cities from Saskatoon to San Diego, Vancouver to New York, cosplay (along with geek cul-ture in general) is becoming more popular and more mainstream.

Case in point: this year’s Saska-toon Blitz.

When it began four years ago, the Blitz was a smallish, modestly attended anime event. This year, though, so many people showed up that organizer Laura Petrishen-Ha thinks next time around they may have to search for a larger venue to hold the Blitz.

And one quick glance around the Saskatoon Inn tells you that she’s right.

Everywhere you look people are parading around in costumes. In the tropical gardens down below the mezzanine, a girl dressed up as Amy Rose from Sonic the Hedgehog is holding a large yellow hammer posing for photos. A lady in a skin-tight Catwoman costume slinks from one end of the mezzanine to the other alongside three large guys dressed in black and night goggles. In Room A, a host of cosplayers sit and listen to John DiMaggio — a voice actor on the show Futurama —talk about how “Bender is a little bastard! I can say whatever I want … I love it. There’s a lotof fun in voicing a character like that.”

Everywhere you go, a sense of fun and freedom follows. Here in the cosplay community there’s a certain inclusiveness, a certain lev-el of acceptance and wholesome-ness that’s often lacking in day-to-day society. On stairs, people sit and chat about anime and manga and other comic book related stuff. They laugh and joke and ask their favourite dressed cosplayers to pose for photos.

Then, at 5pm, they all make their way to Room A for the cosplay competition.

Inside the room, next to the stage, the man dressed as Thor stands with his left arm resting atop his giant hammer. He’s a big lad this guy, with a shock of long-flowing blonde hair that rests on his shoulders.

As the announcer lines the cosplayers up along the far wall according to what category they’ll be participating in, Thor chats with Tryndamere, the barbarian king from League of Legends. When a young boy, maybe five or six, dressed as Green Lantern sits in the front row, Thor points at him. The young man smiles.

“For me, that’s what it’s all about,” Thor told me earlier.“There’s nothing quite like watching a kid’s face light up when they see you dressed like this.”

When the competition starts, Thor climbs the stairs and takes centre stage. He strikes a pose, mugs for the camera. Flash bulbs pop. The click, click, click of shutters fills the room. Then he holds his handmade

hammer aloft as though to threaten the crowd. More pictures, a loud round of applause, and he walks off stage. He’s followed on stageby Tryndamere, who is followed by the likes of Link from Zelda, Sonic the Hedgehog, Amy Rose, and a host of other characters only a serious anime fan would know.

This is the Best Dressed segment of the cosplay competition.

Next up is the Best Dressed Group category.

Then comes the skit segment, featuring musical interludes, sword fights, scenes from famous anime movies, and even a lip sync/dance from two women dressed up as Men in Black agents.

And all the while cosplayers from Saskatoon to B.C. — little children, teenagers, 20-somethings and middle-aged folk — smile and whistle, applaud and laugh. Embracing what comic cons and cosplay competitions are all about — good, wholesome, fiction-based fun.




a timE to hEal

s

It’s time to bring a supervised safe injection facility to saskatchewan

askatchewan’s Chief Medical Health Officer, Dr. Saqib Shahab, re-

cently reaffirmed that safe injection sites are not something the province is interested in developing.

And that’s unfortunate, because we believe that our province would benefit greatly from harm reduction strategies like safe injection sites. And while the province may not think we need them, it seems pretty clear to us that we do. You see, in per-capita terms, Saskatchewan is the HIV capital of Canada. According to the Ministry of Health, our province reported 186 cases of HIV in 2011. Doing the math, that works out to 19.6 HIV cases per 100,000 adults in Saskatchewan. The national average? 7.6 cases per 100,000 Canadians. To put those numbers into perspective, the second highest provin-cial rate of HIV is in Ontario, at 8.4 HIV cases per 100,000 people.

Yep, we’re more than double the next highest rate, and more than five times as much as all the Atlantic provinces combined (3.7). And do you know how the majority of HIV is being transmitted? You guessed it — through needles. In fact, nearly 75% of all reported HIV cases in Saskatch-ewan are due to injection drug use, which means people who have the virus are sharing dirty needles with people who don’t have it yet.

At the moment, Saskatchewan’s HIV Strategy 2010-2014 rests on four pillars: 1) community engagement and education; 2) prevention and

harm reduction; 3) clinical man-agement; and 4) surveillance and research. And while Dr. Shahab also went on record recently saying he’s happy with how our province’s HIV Strategy is proceeding, we’re not, because it’s missing a big piece of the puzzle in safe injection sites.

And while we understand why the provincial government might not want to walk down the road that winds up at a supervised injection facility in Saskatchewan — find-ing a place to put one that wouldn’t aggravate their voter-base would be a challenging task — we think that’s not a justifiable excuse. Actually, a study published in the Canadian Medical Association Journal (Can-ada’s largest and most prestigious medical journal) found that Insite benefits Vancouver in a myriad of ways, such as fewer people injecting drugs in public and a decrease in publicly discarded syringes, to name just a few. And that seems like something residents of Saskatch-ewan would love.

Now, this isn’t the first time we’ve advocated for bringing such facilities to the province. In fact, just over a year ago we wrote about the benefits of Insite, Vancouver’s safe injection site, and why such a program would be good for Saskatchewan. As we wrote in May 2012, since opening its doors a de-cade ago, this “supervised injection site has improved public order … while helping countless addicts ac-

cess and enrol in detoxification and addiction treatment programs.”

And not only does Insite provide a much-needed service, it also makes financial sense. For an annual operat-ing cost of $3 million, that same study published in CMAJ notes that “Insite was found to decrease needle sharing, which alone saves $14 million and 920 life years over 10 years,” as well as lessening the burden on our health-care system by $18 million per decade.

In fact, as we previously discussed, Insite prevents, on average, 35 new cases of HIV and three deaths a year. According to another study out of Simon Fraser University, even after you take program costs into account, Insite generates “a societal benefit in excess of $6 million per year and is an effective and efficient use of public health-care resources.”

We made the argument then, and we stand by it now. Safe injection sites are a way to abate the HIV issue in this province while helping drug users and even saving taxpayers money. It’s time for Saskatchewan to take another look at safe injection sites.

These editorials are left unsigned because they represent the opinions of Verb magazine, not those of the indi-vidual writers.

@verbsaskatoon

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editorial





comments

text your thoughts to881 vERB

8372

on toPic: last week we asked what you thought about curbside composting. here's what you had to say:

– Definitely like the idea of curb-side composting, I work for an erosion control company that also builds environmentally friendly landfills, and it is crazy of how fast the landfills fill up, there is so much organics that could be used for other economic purposes. However way too often it gets thrown in with all the other “trash” taking up unnecessary waste.

– U want composting but where’s the money comin for this I don’t want my taxes higher. If something composts it’ll do that in the dump doesn’t matter we don’t need to pick it up separately seriously u sound stupid

– Curbside garbage is about as intelligent as if politicians started planting palm & banana trees in Saskatoon because they look nice in California & Florida.

– Curbside anything in a place like Sask is inane seasonal stupidity. In a place where it gets -30C with 3ft of snow asking our seniors to roll-out is abuse.

– Definitely on board with curb-side composting it’s ridiculous we aren’t doing it yet but Sask is a little behind the times. We’re catching up though and things like this make this province a great place to live.

– Composting is something we should be taking very seriously. It’s time we made it easier for our citizens to encourage this green practice. It saves us $$ and ben-efits us all so why not?

oFF toPic

– Saying all “dangerous” dogs are a result of bad owners is like say-ing all drunk drivers rapists and murderers are a result of broken homes. No. Sometimes sh!t just happens and people only hear of the few bad apples. Dog training for ALL dogs should be mandatory.

In response to “Puppy Love,” Editorial, #242

(May 31, 2013)

sound oFF

– Why shouldn’t the city name the south bridge after Christopher Yorath who imagined a connecting ‘ring road’? Maybe the mayor feels he is more deserving of having his name on it instead.

– wow is the city getting lazy when it comes to garbage and recycling. many times they come they do ev-ery 2nd bin. then by the next week they have to redo it. DO IT RIGHT THE FIRST TIME!! W.H.

– Abolishing the Senate is a dream of the power mad. They wish to concentrate power in the hands of a few with no checks. Senate needs to make itself relevant.

– Oh! Yeah! Been meaning to sign the DOWNtown series for awhile. I guess Verb allows this. DOWNtown written by Charlie Belhumeur, Regina. Created with the help of family and friends. Acknowledgements (LOL) to the two unknown peeps who wrote independent DOWNtowns. Glad peeps get and like DT stuff! Not sure how much is left to mine on the theme. Thus the signing now. DOWNtown its a place on a map

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PowEREd By thE cREw at moga moBilE

and in your head! The lights are so much brighter…. Y’all be cool, think about what the series really sez. Its OK for everyone to get a little DOWNtown now and then.

– I had my first CS class in 1981. Been working with IT ever since. Trust me when I say absolutely nothing is secure on the internet. In the past 2 yrs hackers have de-veloped new methods for cracking encryption. Anyone can be hacked now email Facebook Twitter etc. For God’s sake don’t do online banking or use credit cards online! You have been warned. No one to blame but you when it happens. Also over half the home PCs are in-fected with malware of some kind. I blame web app developers who have catered to marketing forces and in the process created too many holes in the system. Keep all your mission critical data and apps offline on stand alone boxes!

– PRISM in US of course Can gov’t doing the same thing here. Shocked by how many people are shocked the government is keeping tabs on us all. Of course they are! And this isn’t some slag against Harper, any sitting govern-ment body does the same thing.

– The Law is for keeping the ani-mals under control. Ethics guides the higher beings.

– Hello and God bless you! For the good story in Verb newspaper.It is good if you share more testimony each weeks.From differnt people also who is free and delivered by Jesus blood at the cross Amen.Je-sus is lord and he is coming again.

– What did one plate say to the other plate? Dinner is on me.

nExt wEEk: what do you think of safe injection sites? Pick up Verb to get in on the conversation:

We print your texts verbatim each week. Text in your thoughts and reactions to our stories and content, or anything else on your mind.

Verbnews.comculture



q + a

wakE owl

wnew music from wold traveler colyn cameron by alex J macPherson

Photos: courtesy of madIson rowley

…with that EP it’s just mainly me on my own, just seeing what i could do.

colyn cameron

ake owl is the musical project of Colyn Cameron, a

singer and songwriter who was born in California and splits his time between Vancouver and portland. Before emerging as the face of Wake owl, Cameron studied organic agriculture at Emerson College in England and worked on farms around the world. He mined these experi-ences and more for Wild Country, his debut Ep. But Wild Country is only the beginning. I caught up with to talk about the evolution of Wake owl.

Alex J MacPherson: You spent some time in England studying organic agriculture. Was there a moment when you realized songwriting and performing was going to become a full-time thing, or was this always on your radar?

Colyn Cameron: No, it kind of happened more organically, I think. I didn’t really plan on it necessar-

ily. When I finished the EP there were some people wanting to hear it live, and I started playing some shows. It just kind of developed since then.

AJM: The record feels like a bit of an experiment, pushing the boundaries of what you can achieve as a songwriter and as a recording artist.

CC: That’s true, for sure. I definitely hear other things when I’m writing songs, and I think with that EP it’s

just mainly me on my own, just seeing what I could do. Anything I heard I was trying out. When I recorded it I made a very conscious decision to have a drummer play on it, because I thought the songs could be supported that way. And without any sort of percussion or anything like that.

AJM: Was choosing a name other than your own an important part of the process?

CC: If that’s really what you’re going for, and you’ve been writing songs and been doing it a long time and know that that’s what it’s always going to be, I think there’s nothing wrong with it. But at the time I was still exploring what else I might do with that in the future, and I didn’t want to put my name on it and turn people away. Leave some mystery there as to what it is. And it’s become more and more of a band over time, with the people I’m playing with.

AJM: I think the standout track is “Gold,” which, unlike most of the tracks, is not about time and dis-tance. I was hoping you could tell me a bit about that song.

CC: It’s just kind of about a personal journey. I think it’s written

about someone I know who’s certain-ly had some struggles and things like that, and it’s kind of looking at life and death and joy and pain — those two realities coexisting. I was just feeling both ends of that spectrum.

AJM: Looking forward, you’re in demand as a live performer. Is changing

the sound of the group for big perfor-mances going to affect the work you do in the future?

CC: Definitely. I think people should come to the show and we’ll play some new material. I think they’ll get a taste for how we’re weaving things together, and the full-length album that we’re recording this summer is definitely go-ing to be another direction and musical interest that I have — still songs I’ve written, but kind of a different chal-lenge. And for us, it’s very exciting. I think people should check it out.

Wake Owl June 22 @ Vangelis$10

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culture



arts

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a RivEting PERFoRmancE alexis normand and farideh bring a cappella to the the duo by adam hawboldt

emories of a Natural-ist, a new exhibition of

photographic and video works by Alberta artists Clint Wilson and maria Whiteman, is an explora-tion of the world beyond science and ontology. Both artists depict animals, most of them stuffed and preserved in museums, and their works address not only the gulf between life and the physical form, but also the ineffable quality that animates the living — and is con-spicuously absent from the dead.

“Natural history museums, which came into existence primar-ily in the 19th century as a place of scientific study, have themselves changed focus,” Whiteman writes in an email, hinting at the disjuncture between sterile halls of learning and the boundless expanse of the wild. “[They have become] one of the few spaces in which members of the public come into contact with animal

bodies and develop attitudes towards other living species.”

This idea is expressed throughout the exhibition, but Whiteman and Wilson approach our fixation with preserving life after death from dif-ferent angles. Wilson’s photos of dead creatures mounted in wooden boxes are cooly detached. He draws atten-tion to the vibrancy of life, and how it cannot be captured or described, by allowing parts of the image to float out of focus. This technique points to a basic inadequacy of science, which is depicted in the Latin names printed on the tags.

Whiteman prefers a visceral ap-proach. Her photographs and videos feel like shards of a memory. By using the image, as well as the physical context of its presentation, to conjure up an emotional reaction, her works reflect on the ephemeral sense of life that is preserved in our minds, not in the museum. This approach is sensu-

ous and raw; her works hint at the narratives we remember but can no longer touch or describe.

“I realize I can only think of them in their death, and in their death that I mourn not knowing them in their life,” she writes. “These animals have a history of their own, and then a transformation takes place which transcends their existence into another kind of history, our history. I want the images to capture a past and present, and offer an additional reality to the dead animals.”

Ultimately, Memories of a Natu-ralist evokes the one thing science cannot capture, the staggering power and vitality of living things — and they way they move across the end-less fields of our dreams, long after their lives have ended and their bod-ies crumbled into dust.

Memories of a Naturalist through June 21 @ Paved arts

o play an instrument or not to play an instrument, that

is the question.Or at least, that was the question

facing the Riveters in the hours leading up to The Duo semi-finals. With stiff competition facing them and a berth to the finals on the line, the Riveters — a duo consisting of Alexis Normand and Farideh — wanted to do something to set themselves apart. Not long before they took the stage, they had an idea about just how to do that.

“We ditched the guitar,” said Normand. “Originally we were going to play with an instrument, but we thought, ‘let’s see what this sounds like without one.’” So they tried singing their song — an old-time war tune called “Boogie Woogie Bugle Boy” — sans guitar. And it worked. But it didn’t come easy.

“We didn’t realize how challeng-ing an a cappella tune it would be,” admits Normand.

At this, Farideh nods. “When it’s just two singers up on stage, you have to make sure every single word lands and every single word sounds the same. Every ‘a,’ every ‘but,’ every ‘because.’ It’s all about timing. If you’re not in sync with each other, it can re-ally sound messy.”

So a few hours before they were scheduled to perform in front of a sold-out show at the Broadway Theatre, the duo sang the song over and over again. Then it was time to take the stage.

Dressed in green and blue dresses, wearing pearls, Farideh rocking a rockabilly swirl in her hair, the pair stepped to their microphones. They looked the part of war-time musicians, but would they sound it? You bet.

“When we started I was like, ‘Whoa! We’re actually singing this a cappella’,” says Normand with a chuckle. But that feeling soon passed, and the Riveters treated the audi-ence to a bang-up rendition of the

song. Snapping their fingers to keep a beat, their voices in perfect sync, the Riveters were having fun up there. Then, mid-way through the song, with Farideh still singing, Normand broke into a trumpet solo — using nothing but her mouth. The audience erupted in applause. Whistles echoed through the room. Then it was over.

Standing at the side of the stage, smiling, Normand and Farideh listened to praise from the competition’s four judges then disappeared behind the curtain — with a ticket to the finals firmly punched.

The Duo Grand Finale June 20 @ tcu Placetickets @ saskjazz.com

arts

mEmoRiEs oF a natuRalist maria whiteman and clint wilson explore the world beyond science by alex J macPherson

@verbsaskatoon

[email protected]

[email protected]


Verbnews.comculture




t has been a difficult decade for the Herbaliser, the English musical duo whose

signature blend of funk grooves, jazz flourishes, and hip hop grit has spawned seven studio albums and hundreds of major performances. The group’s plans were shattered in 2004 when Jake Wherry’s wife was killed in an accident. Although Wherry’s musical partner, ollie Teeba, continued to make beats and experiment with samples, Wherry was devastated and deeply uninspired. He struggled to imagine himself making music again. In 2009 Wherry was diagnosed with Hodgkin’s disease. His treatment and recovery wreaked havoc on the group’s recording schedule. The cancer returned two years later, once again forcing Wherry to sideline his musical commitments. Today, though, Wherry is healthy and happy — and the Herbaliser are touring in support of their seventh record, the hugely ambitious There Were Seven.

“There’s been a lot going on in my personal life which has completely in-terfered with our ability to release a re-cord every 24 months,” Wherry muses. “It’s hard to impress how much we feel that we’ve been forgotten about. Our profile has taken a complete bashing.” Wherry is obviously concerned about the group’s future, but he is also happy to be alive and recording music. The titanic arrangements and sweeping sounds that make up There Were Seven are an expression of these mixed emotions. The record is both a culmina-

tion of everything the Herbaliser has achieved to date and a new beginning for one of England’s most innovative and dynamic musical projects.

The Herbaliser was created when Wherry and Teeba discovered a shared love of infectious grooves, dense film soundtracks, and old vinyl. Their first record, Remedies, was re-leased in 1995, and consisted of what Wherry calls “instrumental hip hop” purely because neither he nor Teeba knew any rappers. Their subsequent releases featured contributions by singers and, more frequently, rap-pers — artists like MF Doom, What? What?, and Bahamadia.

There Were Seven, which was released in September and is riddled with references to the number seven, many drawn from the film canon that inspires so much of the group’s work, is in some respects a reaction to its predecessor. Same As It Never Was relied heavily on Jessica Darling’s sultry voice, and pushed the group into the realm of pop music. “After we’d made it and done some shows, I think we kind of gathered that some promoters and some of our fans, who were used to the older stuff, thought

it was a bit too much of a step in more of a poppy, soul direction,” Wherry muses. “We got some new audiences and stuff, did some really big shows, but I think we realized it was time to put it to bed. We really wanted to make a darker, moodier album this time around.”

There Were Seven is a return to classic Herbaliser territory. Draw-ing its inspiration from the golden age of film noir, the record uses a diverse array of sounds and samples. Wherry and Teeba have always been drawn to soundtrack music, and their elaborate compositions tend to evoke images rather than emotions.

There Were Seven is particularly good at this, largely because Wherry and Teeba were able to take advantage of technology that was not available in the early 1990s.

“We are better producers now than we were when we made Very Mer-cenary and Blow Your Headphones,” Wherry says, referring to the pair’s third and second records. “We’ve learned how to integrate live record-ings with samples, which is something we couldn’t really do back in those days because we didn’t have the

i

and thEn thERE wERE sEvEn

we didn’t disappear. we didn’t just make s**t records and no one was interested in us.

Jake wherry

the herbaliser make a comeback with their seventh record by alex J macPherson

feature

culture



and thEn thERE wERE sEvEn



the herbaliser make a comeback with their seventh record by alex J macPherson

@verbsaskatoon

[email protected]


recording equipment to make it sound good.” Today, Wherry and Teeba have at their disposal an arsenal of high-quality valve microphones, compres-sors, and preamps. But advances in technology can only achieve so much; the core of the Herbaliser’s sound always has been the way Wherry and Teeba manipulate samples.

Sampling is the process by which a sound or piece of music is extracted from one recording and recycled into something new. These samples can come from anywhere, and Wherry says the best sounds often stem from the most unlikely sources. “Take a piece of music, like a piece of

Hungarian folk music,” he explains. “You put a great big heavy drumbeat behind it, and it instantly takes it in a different direction. The music itself doesn’t necessarily have to be funky; it’s all about the quality of the sounds.” There Were Seven sounds edgy and raw because its creators were careful to choose samples that sounded edgy and raw. “It’s good to have a bit of grit, a bit of dirt,” Wherry says. “Nothing too clean.”

Finding useable sounds is only the beginning. Herbaliser tracks are born

in the studio, where complex ar-rangements are painstakingly pieced together. This process has become more complicated with each record the duo have produced. Wherry and Teeba mixed Blow Your Headphones, which was released in 1997, in four days; in contrast, each track on There Were Seven took several days to mix. “We’ve become fans of big sounds,” Wherry explains, citing work by Lalo Schifrin and Johnny Pate as examples of the group’s inspiration, “so very often some of our tracks will have 40 to 70 different elements — not all necessarily playing at the same time, but there’s quite a lot of arrangement going on, and we spend a lot of time mixing them.”

What separates Wherry and Teeba from other groups that work with samples is their commitment to avoiding repetition. “It sounds a bit arty,” Wherry says, “but I think without even realizing it back in the early days we were composing with samples, and making this heavily-layered music where you could drop the styles at various points on the record and you wouldn’t hear the same old sample repeated over and over again.”

Expansive instrumental tracks form the heart of There Were Seven, but in classic Herbaliser style the record also includes collabora-tions with several rappers and one singer. Singer Hannah Clive transforms “The Lost Boy” into a menacing track, while Ghettosocks, Muneshine, and Timbuktu add a hip hop edge to the group’s sound.

Ultimately, There Were Seven is a return to form for the Herbaliser — and an astonishing achievement given the turbulence of the last decade. Wherry thinks the record is evidence that the group is still relevant. “We didn’t disappear,” he says. “We didn’t just make s**t records and no one was interested in us. There’s just been a hell of a lot in my personal life that’s got in the way.” And There Were Seven is definitive proof that the Herbaliser are neither gone nor forgotten.

The Herbaliser June 30: 6:00pm @ bessborough gardens +10:30pm @ the odeon events centreticket info: saskjazz.com

Verbnews.comculture



food + drink

a mild tastE oF india

lEt’s go dRinkin’ vERB’s mixology guidE

lodka

The Black Pepper is a fully licensed restaurant where you can buy beer and other kinds of alcohol. I didn’t peek behind the bar, but next time you’re in there see if they have lychee syrup. Heck, next time you see lychee syrup anywhere, pick it up and try this tantalizing cocktail recipe.

ingREdiEnts

2 shots vodka1 shot lychee syrupchilled soda

diREctions

Pour vodka and lychee syrup into a shaker filled with ice. Shake well. Empty contents into a glass filled with ice. Add chilled soda until the glass is nearly full. Serve.

w

new Indian restaurant specializes in not-so-spicy curries by adam hawboldt

Photos courtesy of adam hawboldt

@verbsaskatoon

[email protected]


hen you think of curry, what comes to mind?

For many, the word conjures up the idea of Indian food that is pungent, delicious and red-hot. And while Indian curry is indeed aromatic and scrumptious, the last notion about it being spicy isn’t necessarily right. See, in Indian the word curry simply means sauce. Made from spices and herbs like turmeric, coriander, cumin, chili, ginger and garlic, this sauce doesn’t neces-sarily have to be spicy. It can be made mild, medium or hot — depending on how you, the customer, want it.

Or at least that’s how they do it at the Black Pepper, a new Indian restau-rant located where the old India Palace used to be on 8th Street.

Sure, the interior of the restau-rant looks the same — the statue of Ganesha still greets you at the door, the swing set is still there, and the art

work, imported from India, still hangs on the walls — but the menu has been completely overhauled.

These days, there are more than 60 different curry dishes available, most of which are made with a com-bination of mild spices that provides the curries with depth of flavour. When I was there last week I wanted

to test a curry to see what it was all about, so I went with lamb rogan josh (basically, lamb in a tomato-based curry with onions, garlic and ginger).

And at the first spoonful two things readily stood out: 1) the lamb was melt-

in-your-mouth tender, and 2) the curry, while possessing a little bit of heat, was very mild and velvety.

Encouraged by this dish I wanted to try more food, and a veritable food orgy ensued. I sampled aloo tikki, but-ter chicken, daal makhani, naan bread and this thing called the Black Pepper Feast, which consists of tandoori

chicken, lamb tikka, fish pakora and chicken samosa.

All of it was good, really good, yet my favourite dish was the butter chick-en. It had some competition from the lamb rogan josh and the daal makhani (black lentils cooked with tomatoes and spices), but for me the butter chicken stood out. Rich, creamy, sweet and a tad tangy, the Black Pepper but-ter chicken is drizzled with cream and topped with fresh coriander. Yum.

Oh, and in case you were won-dering, butter chicken? Not a curry. The sauce you’re tasting is a gravy. Go figure.

black Pepper1501 8th st e | 306 233 6777

…for me, the butter chicken stood out. Rich, creamy, sweet and a tad tangy…

adam hawboldt

culture



music

Photos courtesy of: the artIst / the artIst / the artIst

Coming upnext Week

PooR young things

You like straightforward, no frills rock music? Then you’re going to dig Poor Young Things. A pop-rock quintet out of Toronto by way of Thunder Bay, Poor Young Things is a hard-working, raw rock band that came out swinging with their debut album, The Heart. The Head. The End. Since then, they haven’t let up one bit. Touring the country from coast to coast, Poor Young Things have honed a brand of no-gimmick music that’s reminiscent of Canadian rockers like Joel Plaskett, Matt Mays or The Dudes. It’s the kind of music that wins awards (Sirius XM Emerging Artist of the Year) and a fan base that continues to grow with each passing sweat-filled show. Don’t miss them when they swing through Saskatoon next week.

@ VangelIsfriday, June 21 – $10

You never know what you’re going to get when you go to a Mac DeMarco show. A hug? A kiss? Dirty jokes? An ode to Viceroy? Anything is possible. With an off-beat, unpre-dictable stage presence, this slack rocker from Montreal by way of Vancouver, Edmonton and Duncan, B.C., puts on a show you won’t soon forget. Back when he was making music under the moniker Makeout Videtape, DeMarco played tunes with a glazed-over, raw pop sound. These days, though, he’s dropped the moniker and changed his songs a tad. Sure, they still have the same jangled pop sound, but the songs on 2012’s Rock and Roll Night Club range from dark-themed to goofy. DeMarco will be at Vangelis next week. Swing by and check him out.

mac dEmaRco

Saskatoon’s Graham Murawsky is an underground hip hop producer with a reputation — and justifiably so. Working under the name Factor, this top-notch talent has produced the likes of Myka 9, Moka Only, Gregory Pepper and Awol One, to name just a few. But he’s not just a producer. This beat wizard also makes solo albums that are like nothing else being produced in the hip hop game these days. His most recent album, 2013’s Woke Up Alone, features guest appearances by ev-eryone from Astronautalis to Jeans Boots to Ceschi. Not only has Factor collaborated with top-notch rappers, he’s also shared the stage with the likes of Buck 65, Kool Keith and Xi-bit. He’ll be at the Odeon in August. Tickets at www.theodeon.ca

– by adam hawboldt

FactoR

@ VangelIstuesday, June 25 – $10

keep up with saskatchewan music. saskmusic.org

@ odeon eVents centre saturday, august 10 – $15

sask music PREviEwThe live final showdown of the Next Big Thing will take place on June 20 at the Whiskey Saloon. Finalists include Alex Runions, JJ Voss, Samara Yung and Tenille Arts, so come on down and see who will land the $15,000+ grand prize. The show kicks off at 8pm, and tickets are $5 at the door. For more informa-tion, check out www.thenextbigthing2013.ca

Verbnews.comentertainment



listings

The most complete live music listings for Saskatoon.

JunE 14 » JunE 22

14 15

21 2219 2017 1816

s m t w t

FRiday 14house DJs / 6Twelve Lounge — Funk, soul

& lounge. 9pm / No cover

MosoFest / Amigos — Featuring Lady-

hawk and more. 9:30pm / mosoconf.com

KiM salKelD / The Bassment — Some

smooth jazz stylings? 4:30pm / No cover

anDerson burKo / The Bassment — En-

gaging roots music. 9pm / $15/$20

stucK in the 80s! / Béily’s — Playing ‘80s

covers. 9pm / Cover TBD

MosoFest / Broadway Theatre — With

Deep Dark Woods. 8pm / mosoconf.com

hung Jury / Buds on Broadway — Covers

from AC/DC to the Eagles. 9pm / $6

MosoFest / The Hose — Featuring DJ Fac-

tor and more. 8pm / mosoconf.com

DJ sugar DaDDy / Jax Niteclub — This lo-

cal crowd favourite rocks. 9pm / $5 cover

MosoFest / Lydia’s Pub — Featuring

Massey & the Fergusons, The Seahags and

more. 9pm / Tickets @ mosoconf.com

DJ big ayyy & DJ henchMan / Outlaws —

Round up your friends. 8pm / $5

rita’s Parlour / Prairie Ink — Blues and

spoken word. 8pm / No cover

MosoFest / Refinery — With Rosie and the

Riveters and more. 8pm / mosoconf.com

MosoFest / Rock Bottom — Featuring

Jeans Boots and more. 9pm / mosoconf.com

rusty Men / Stan’s Place — A rockin’ good

time. 9pm / No cover

Dueling Pianos / Staqatto — Terry Hoknes,

Neil Currie and Brad King. 10pm / $5

Party rocK FriDays / Tequila Nightclub —

Featuring DJ Dislexik. 9pm / Cover TBD

DJ ruston / Uncle Barley’s — Stop by for

some smooth beats. 9pm / Cover TBD

MosoFest / Vangelis — Renny Wilson,

Light Fires and more. 9pm / $10

satuRday 15house DJs / 6Twelve — Resident DJs spin

deep and soulful tunes. 9pm / No cover

MosoFest / Amigos — Featuring Astronau-

talis, and more. 9:30pm / mosoconf.com

the Klassen/salKelD Quintet / The

Bassment — Jazzy tunes. 9pm / $12/$16

MosoFest / Beaumont Film + Record —

Two Bicycles and more. 3:45pm / mosoconf.

com

DJ aash Money + DJ ctrl / Béily’s —

These two DJs throw it down. 9pm / $5

MosoFest / Broadway Theatre — With

John K. Samson. 8pm / mosoconf.com

hung Jury / Buds on Broadway — Covers

from AC/DC to the Eagles. 9pm / $6

KiM Mitchell / Dakota Dunes — Iconic

Canadian songs from a legend. 8pm / $35

saturgay night / Diva’s — Resident DJs

spin exclusive dance remixes. 10pm / $5

MosoFest / The Hose — Featuring Charly

Hustle and more. 8pm / mosoconf.com

sugar DaDDy / Jax — Local DJ. 9pm / $5

cover

MosoFest / Lydia’s Pub — Rah Rah, Win-

termitts, and more. 9pm / mosoconf.com


It’s a country rock party around. 8pm / $5

no hurry trio / Prairie Ink — Easy listen-

ing/classic rock tunes. 8pm / No cover

MosoFest / The Refinery — With Marissa

Nadler, and more. 8pm / mosoconf.com

MosoFest / Rock Bottom — With Code Or-

ange Kids and more. 9pm / mosoconf.com

rusty Men / Stan’s Place — A rockin’ good

time. 9pm / No cover

Dueling Pianos / Staqatto — Terry

Hoknes, Neil Currie and Brad King. 10 / $5

DJ anchor / Sutherland Bar — DJ Anchor’s

gonna get this party started. 9pm

sexy saturDays / Tequila Nightclub —


DJ torPeDo / Uncle Barley’s — Stop by for

some beer and cool beats. 9pm / Cover TBD

MosoFest / Vangelis — Pop Crimes, Foggy

Notions and more. 9pm / $10

sunday 16inDustry night / Béily’s — Hosted by DJ

Sugar Daddy. 9pm /

DJ KaDe / The Hose — Saskatoon DJ lights

it up with hot tunes. 8pm / No cover

blues JaM / Vangelis — Blues and more.

7:30pm / No cover

monday 17Willhorse / Buds — Southern rock. 9pm

DJ auDio / Dublins — Get the week started

on the right foot. 9pm / Cover TBD

Metal MonDays / Lydia’s — If hard, heavy

awesomeness is your thing, swing by. 9pm

tuEsday 18Willhorse / Buds — Southern rock. 9pm

DJ sugar DaDDy / The Deuce — This

crowd favourite rocks. 9:30pm / $4 cover

DJ nicK ruston / Dublins — Stop by for


oPen Mic / Somewhere Else Pub — Come

out to show your talent. 7pm / No cover

boDy lvl + More / Vangelis — Three ter-

rific acts, one low price. 9pm /$8

wEdnEsday 19huMP WeDnesDays / 302 — With DJ Chris

Knorr. 9pm / $3 after 10pm

besnarD laKes / Amigos — Indie rockers

from Montreal. 10pm / $15 (ticketedge.ca)

theresa soKyrKa / Bon Temps Cafe — A

local singer/songwriter. 7:30pm / No cover

three string Fretless / Buds — Come

out for a rockin’ good time. 9pm / $6

DJ Merno / Dublins — Some dope beats for

mid-week. 9pm / Cover TBD

sarah burton / Gillian Snider’s House —

A folk/alt-pop musician. 8pm / $10/15



riFF raFF / Louis’ Pub — A rapper from

Houston. 8pm / $26.50 (ticketmaster.ca)

souleD out’/ Lydia’s Pub — With Dr. J. 9pm

/ No cover

entertainment



oPen Mic / Rock Bottom — Hosted by Chad

Reynolds. 10pm / No cover

cJWW KaraoKe / Stan’s Place — Your tal-

ent, aired on the radio! 9pm / No cover

KetaMines + More / Vangelis — Come out

for a rockin’ good night. 9pm / $10

WilD West WeDnesDay / Outlaws —

Hosted by DJ Big Ayyy & DJ Henchman.

9pm / $4; no cover for industry staff

Dueling Pianos / Staqatto — With Terry

Hoknes, Neil Currie and Brad King. 10pm

thuRsday 20three string Fretless / Buds — Come

out for a rockin’ good time. 9pm / $6

throWbacK thursDays / Earls — Retro

funk, soul, reggae and rock. 8pm / No cover



DJ sugar DaDDy / Jax — Sugar Daddy will

be rocking the turntables. 8pm / $5

neal Mccoy / Odeon — Country music

done right! 7pm / $20/40 (theodeon.ca)

thunDer riot / Rock Bottom — With

Conky Showpony. 9pm / $5

DatsiK / Tequila Nightclub — A party you

don’t want to miss. 9pm / $20/40

FRiday 21house DJs / 6Twelve Lounge — Funk, soul

& lounge. 9pm / No cover

Jazz Fest / Amigos — With Lee Fields and

the Expressions, and more. 10:30pm / $15

DJ aash Money / Béily’s — DJ Aash

Money throws it down. 9pm / $5 cover

Jazz Fest / The Bassment — Featuring

Coral Egan. 9pm / Tickets @ saskjazz.com

Jazz Fest / Bessborough Gardens — Fea-

turing Colin James and more. 7pm / Ticket

info @ saskjazz.com

Fear oF KnoWing / Buds — A local heavy

rock quartet. 9pm / $6

Jazz Fest / Friendship Park — Featuring

The Steadies and more. 7pm / No cover

Jazz Fest / James Hotel — Featuring Rita di

Ghent. 10:30pm / No cover

DJ sugar DaDDy / Jax Niteclub — He

rocks any party. 9pm / $5 cover

bass invaDers / Lydia’s Pub — Some bass

for your face. $10:30pm / $5

suPer sMash suMMer sizzla / Odeon —

With Criscole and more. 9pm / $10/20


Round up your friends. 8pm / $5

Jatino / Prairie Ink — Smooth jazz/latin/

pop. 8pm / No cover

Phoenix lauren anD the strength / Freehouse — R&B and soul. 9pm / No cover

teri ann strongarM / Stan’s Place — A

country songstress. 9pm / No cover


Hoknes, Neil Currie and Brad King. 10pm

Party rocK FriDays / Tequila Nightclub —


DJ ruston / Uncle Barley’s — Stop by for


Poor young things / Vangelis — Also

appearing Whiskey Songs. 10pm / $8

Jazz Fest / Village Guitar & Amp Co. —

With Andy Shauf. 8pm / saskjazz.com

satuRday 22house DJs / 6Twelve — Resident DJs spin

deep and soulful tunes. 9pm / No cover

Jazz Fest / Amigos Cantina — With Lee

Fields and more. 10:30pm / $15

Jazz Fest / The Bassment — Featuring Rita

di Ghent and more. 9pm / saskjazz.com

DJ aash Money + DJ ctrl / Béily’s — A

high-energy dance party. 9pm / $5 cover

Jazz Fest / Bessborough Gardens — Fea-

turing Metric and more. 6pm / saskjazz.com

Jazz Fest / Broadway Theatre — With Don

Griffith and more. 7:30pm / saskjazz.com

Fear oF KnoWing / Buds on Broadway —

A local heavy rock quartet. 9pm / $6

Jazz Fest / Friendship Park — With Wil

Campa and more. 1pm / No cover

Jazz Fest / James Hotel — Featuring

Charly Hustle. 10:30pm / No cover

DJ sugar DaDDy / Jax Niteclub — He

rocks any party. 9pm / $5 cover

grahaM tilsley banD / Lydia’s Pub —

Jazzy alt-rock/pop. 10:30pm / $5

outsiDe the Wall + More / Odeon — A

night of tribute bands. 8pm / $22.50

big ayyy & henchMan / Outlaws

Country Rock Bar — Round up your

friends. 8pm / $5

caila ellerMan / Prairie Ink — Laid back

folk music. 8pm / No cover

Jazz Fest / Prairie Lily Riverboat —

With Maurice Drouin Trio. 6:30pm /

saskjazz.com

aaron aDair anD sK soul / Freehouse —

Soul music. 9pm / No cover

teri ann strongarM / Stan’s Place — A

country songstress. 9pm / No cover


Hoknes, Neil Currie and Brad King. 10 / $5

DJ anchor / Sutherland Bar — DJ Anchor’s

gonna get this party started. 9pm

sexy saturDays / Tequila Nightclub —


DJ torPeDo / Uncle Barley’s — Stop

by for some beer and cool beats. 9pm /

Cover TBD

Jazz Fest / Vangelis — Wake Owl and

more. 10pm / $10

Jazz Fest / Village Guitar & Amp Co. —

Featuring Suzie Vinnick. 8pm / Ticket info

@ saskjazz.com




o you know where South America is? Stupid question. of

course you do!How about the Tuamotu Archipel-

ago? Do you know where or what that is? Chances are, unless you’re big into geography, you have no idea. So I’ll tell you: it’s a chain of islands and atolls in the South Pacific Ocean. French Polynesia, to be precise.

The only reason I mention these two places and the distance be-tween them (8,000 km) is because just after the Second World War, in 1947, a Norwegian man named Thor Heyerdahl sailed from Peru to the Tuamotus.

Now you may be thinking, “So what? People sail that far all the time. No big deal.”

But it is a big deal, and here’s why: he did it on a raft made of balsawood (a craft that couldn’t be steered), with a crew of five other guys (a couple of experienced sailors, an engineer, a scientist, someone handy with a radio) and, oh, Heyerdahl couldn’t swim.

Crazy, right? I know. But to understand just

how wild his adventure was you should probably check out the movie, Kon-Tiki.

Based loosely on an Oscar-winning documentary of the same name, Kon-Tiki begins with Hey-erdahl as a young boy in Norway falling through the ice on a frozen

lake. You know, to let the audience know he can’t swim. Fast forward many years, and we find Heyerdahl (Pål Sverre Valheim Hagen) hang-ing out with the love of his life, Liv (Agnes Kittelsen) in Polynesia. He’s there working on a thesis about how, contrary to popular belief, the islanders of Polynesia did not

descend from people from Asia, but instead from Peru.

Ten years later he finishes the thesis and tries to get it published. No luck: his theory is too incredible for people to believe. So to prove them wrong he decides to sail from Peru to Polynesia to show that, 1,500 years earlier, it would have been possible for Peruvian natives to make the same trip. And once Heyerdahl and his crew set sail, the movie really begins to pick up steam.

Directed by Joachim Rønning and Espen Sandberg, Kon-Tiki has an epic

man-versus-nature quality to it. At sea for more than 100 days, the crew experiences nearly everything you’d imagine a bunch of guys on a raft in the middle of the Pacific would experi-ence: storms, sharks and cabin fever.

Not only are there tense mo-ments, but there is also an emotional core to the film which comes cour-tesy of the men and their struggles with being stuck on a raft with their futures up in the air.

Oh, and Kon-Tiki is a beautifully shot movie, too. There’s this one scene where the guys are adrift at sea. The camera pans upwards into the sky, making the raft — named the Kon-Tiki — smaller and smaller until it’s but a speck in the mighty Pacific. The shot continues up into the clouds where it stops, pauses, and pans back down to the men on the raft. Words don’t do justice to how gorgeous this shot is.

If you want to find out what hap-pens to Heyerdahl and his crew, stop by the Broadway Theatre this weekend and check it out.

film

Photo: courtesy of the weInsteIn comPany

d

Kon-Tiki tells the wild tale of a norwegian man and his adventure by adam hawboldt

kon-tiki

diREctEd By Joachim Rønning +

Espen Sandberg

staRRing Pål Sverre Valheim Hagen,

Anders Baasmo Christiansen,Gustaf

Skarsgård, Odd Magnus Williamson +

Tobias Santelmann

118 minutEs | Pg

man vs. natuRE

@verbsaskatoon

[email protected]


not only are there tense moments, but there is also an emotional core…

adam hawboldt

entertainment



w

[This Is The End] isn’t just another …stoner movie…it’s also a satirical skewering of our fame-obsessed culture…

adam hawboldt

aPocalyPtically FunnyThis Is The End is a refreshing, crude, hilarious, intelligent new comedy by adam hawboldt

@verbsaskatoon

[email protected]


this is thE End

diREctEd By Seth Rogen +

Evan Goldberg

staRRing Seth Rogen , James Franco,

Danny McBride, Jonah Hill, Craig

Robinson + Jay Baruchel

119 minutEs | 18a

hat was your first thought when you found out that Seth

rogen, James Franco, Danny mc-Bride, Jonah Hill, Craig robinson, and Jay Baruchel were all acting in the same apocalypse movie? All playing themselves?

If you’re anything like me, it was something like: “Hotdamn skippy! This is some Rat Pack stuff they got going on here — only hilarious. Wait … it better be hilarious. If not, this may very well be the death of funny.”

Not to worry. This Is The End isn’t just hilarious: so far it’s the funniest movie of 2013, and it’s smart, too. But more on that in a minute.

Written and directed by Rogen and Evan Goldberg (the same writing team that brought you Superbad and Pineapple Express), This Is The End draws inspiration from a nine-minute short film the pair shot with Baruchel a few years ago called Jay and Seth Vs. The Apocalypse.

The premise of the movie — This Is The End, not the nine-minute film — is, on the surface, a simple one. Jay Baruchel travels from Montreal

to Hollywood to visit his old pal Seth Rogen. And from the get-go, Baruchel shows his intense dislike for Tinsel Town, going off on Woody Allen-like diatribes about the place. All he wants to do is hang out with Rogen, smoke some week, eat fast food and shoot the breeze. But Ro-gen has other plans.

See, there’s a party at Franco’s mansion and the who’s who of young, funny Hollywood is going to be there. This isn’t Baruchel’s scene. Not one bit. But after much cajoling Rogen convinces him to go to the party.

There we meet Franco, McBride, Hill, Robinson and a host of other famous faces you’ll know. Like Michael Cera, as you’ve never seen him before.

At one point during the night Baruchel and Rogen leave the party to make a quick trip to the store, and all hell breaks loose. Literally: cars explode, flaming sinkholes

open up, and mayhem reigns su-preme as the apocalypse is ushered in all around them.

Not knowing what else to do, they return to Franco’s mansion where they — along with Franco, McBride, Hill, and Robinson — barricade the place with Franco’s art and try to ride out the apocalypse.

Raunchy, R-rated hilarity ensues.And while This Is The End will

have you doubled over in laughter more than once during its 119-minute lifespan, it isn’t just another sopho-moric stoner movie. Far from it! It’s also a satirical skewering of our fame-obsessed culture, and an examination of self-entitlement, neuroses and the bond between close friends during hard times. And with each character playing a slightly bent version of themselves, it’s almost as though This Is The End is one giant, crude, inside joke amongst these guys. But the way the movie is put together, it’s a joke that the audience is in on from the start.

Thankfully. Because what a unique, refreshing, gut-busting joke it is.

Photo: courtesy of columbIa PIctures



nightlife


photography by patrick Carley

satuRday, JunE 8 @

diva’sDiva’s nightclub110-220 3rd Avenue South(306) 665 0100

event / prairie pride Diva / Divo 2013Music vibe / Top 40 and danceFeatureD Deals / Vodka tonics or Burt reynolds shots for $3.75DrinK oF choice / Vodka

nightlife

entertainment



checK out our FacebooK Page! These photos will be uploaded to

Facebook on Friday, June 21.

facebook.com/verbsaskatoon




nightlife satuRday, JunE 8 @

lydia’s PuBLydia’s pub650 Broadway Ave(306) 652 8595

Music vibe / Live tunesFeatureD Deals / Double highballs for $7.50DrinK oF choice / Double highballstoP eats / Wings

@Verbsaskatoon entertainment



checK out our FacebooK Page! These photos will be uploaded to

Facebook on Friday, June 21.

facebook.com/verbsaskatoon

photography by Cortez



26may 31 – June 6

comics

© Elaine m. will | blog.E2w-illustration.com | check onthebus.webcomic.ws/ for previous editions!


entertainment


27may 31 – June 6


hoRoscoPEs June 14 – June 20

© waltER d. FEEnER 2013

sudoku cRosswoRd answER kEy

a b

aRiEs march 21–april 19

You may experience a setback

or two this week, Aries. Don’t let

them get you down, though. Instead, use

them as motivation.

tauRus april 20–may 20

Ever get that feeling you’re not in

Kansas anymore, Toto? If so, you

know the fish-out-of-water vibe you may

experience later this week.

gEmini may 21–June 20

You will be governed by passion

this week, Gemini. Deep-rooted

desires and urges will rise to the fore,

so get ready to go with the flow.

cancER June 21–July 22

A friend with problems may con-

fide in you this week, Cancer. Do

whatever you can to help them, but try to

keep your opinions to yourself.

lEo July 23–august 22

Remember the myth of Sisyphus?

About the man doomed to forever

push a boulder up a hill? It’s gonna feel

like one of those weeks.

viRgo august 23–september 22

Start a creative project this week,

Virgo. It doesn’t matter what, just

start it and stick with it through to the end.

You’ll be rewarded for your hard work.

liBRa september 23–october 23

It would be best to expect the

unexpected this week, Libra. That

way, you won’t be caught of guard when

the strangeness starts.

scoRPio october 24–november 22

Expect delays this week, Scorpio.

Like, everywhere. In traffic, at

work, in your private life. It’s time to learn

the art of patience.

sagittaRius november 23–december 21

Some good news is coming down

the pipeline, Sagittarius. You

may not expect it, but embrace it with

open arms.

caPRicoRn december 22–January 19

Don’t let frustration get the better

of you, especially in the week

ahead. Just take a deep breath and let

cooler heads prevail.

aQuaRius January 20–february 19

When’s the last time you went

out and got wild, Aquarius?

This week is as good as any for some

fun. It’s time to cut loose.

PiscEs february 20–march 20

Feeling rejected lately, Pisces?

No worries — this could lead to

greater things. Remember: rejection from

society is what created the X-Men.

2 1 3 5 4 6 1 7 9 8 7 4 2 8 5 9 6 3 1 2 4 7 3 2 9 5 1 6 3 9 4 8 6 5 8 7

3 7 9 6 8 2 5 8 2 8 3 1 3 4 1 3 8 4 6 2 5 1 7 9 5 6 4 9 1 7 4 6 9 2 57

timeout

sudoku answER kEy

a

b

2 8 9 1 3 6 5 4 76 4 1 2 7 5 9 8 35 7 3 8 4 9 2 1 67 2 4 9 6 8 3 5 19 5 6 3 1 2 4 7 81 3 8 4 5 7 6 9 28 9 5 7 2 3 1 6 43 1 7 6 9 4 8 2 54 6 2 5 8 1 7 3 9

3 1 7 9 6 8 2 5 46 4 5 2 1 7 8 3 99 2 8 5 4 3 6 1 78 3 4 6 2 9 5 7 11 7 9 3 8 5 4 6 22 5 6 1 7 4 3 9 85 6 2 4 9 1 7 8 34 8 1 7 3 6 9 2 57 9 3 8 5 2 1 4 6

cRosswoRd Canadian Criss-Cross

acRoss 1. Narrative of

heroic exploits

5. Serious attention

9. Indulge in

boisterous festivities

10. From one end to

the other

12. Uninteresting

13. Easy-going

15. Surrounded by

16. Stubborn animal

18. Change the position of

19. Tiny

20. Put new life into

22. Mister in Yiddish

23. One who draws the

short straw

25. Electric heater part

27. Internal organs

29. Replace with

another program

32. Shipping container

36. Liquid fat

37. Dry out

39. Be out having fun

40. Flattened circle

42. Common drink

43. Group grazing together

44. Expand a waistband

46. Explanation based

on thought

48. Verb form

49. Like a pig’s tail

50. Animal with antlers

51. Pay attention to advice

down 1. Things one after another

2. Greedy

3. Old Testament

book: abbr.

4. Aquarium problem

5. Medicine container

6. The whole lot

7. Rack up higher cell

phone charges

8. Audience’s demand

9. Male lover

11. Bestowed as a gift

12. Cry loudly

14. Money owing

17. Ghost

20. Groom in a fussy way

21. Sit rather high

24. Adam’s wife

26. Spoil the beauty of

28. Fly in drops

29. Collective resource

30. Girder fastener

31. Overjoyed

33. Ancient

34. Delay leaving

35. Small whirlpool

38. Simple ball game

41. Being the only one

43. This place

45. Take l

47. Colour

Documents

Verb Issue S244 (June 14-20, 2013)