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Use of dialogue for Fellowship
Dr Ruth Pilkington - July 2016
Contributors:
Mandy Asghar – York St John University
Vicky Davies – Ulster University
Dr Sarah Floyd – Ulster University
Dr Fiona Smart- Edinburgh Napier University
2
Wider contributions from
Dr Charlotte Chalmers – Edinburgh Napier University
Kelly Ho – York St John University
Dr Joan McLatchie – Edinburgh Napier University
Robert Mason – Edinburgh Napier University
Dr Jane Rand – York St John University
Dr C. Paul Sellors – Edinburgh Napier University
Philip Vincent – York St John University
3
Contents
Section Page
Contents 3
1. Introduction 5
1.1 Context of this report 5
1.2 Why dialogue? – a discussion of the wider use of dialogue for
Fellowships 5
1.2.1 Combining Elements 9
1.2.2 Benefits of Non-Written Review Options 10
1.2.3 Challenges of Non-Written Review Options 11
1.2.4 Missing data 11
2. How should dialogue work? 13
2.1 A Model for Dialogue 13
2.2 Detailing issues for the Assessed Conversation 18
2.3 Defining dialogue (Purpose) 19
3. Planning the assessed dialogue 22
3.1 Structuring an assessed dialogue: 22
3.2 Format of an assessed dialogue 23
3.3 Case Study evidence on structure for the dialogue process 25
3.3.1 York St John University (YSJU) 25
3.3.2 Ulster University 25
3.3.3 Edinburgh Napier University 26
3.3.4 Summary of the structure of the dialogue process for each case
study 27
4. Supporting assessors/reviewers 29
4.1 Techniques and approaches adopted by assessors 30
4.2 Challenges of assessing dialogue 32
4
4.3 Case Studies to illustrate approaches to assessor/reviewer
development 35
4.3.1 Edinburgh Napier University 35
4.3.2 York St John University 35
4.3.3 Ulster University 35
5. Other oral mechanisms of assessment 37
6. Key recommendations for dialogue 38
Appendix 1 40
Appendix 2 modes of review identified in 2014-15 annual CPD review 46
Appendix 3 – Institutional Case Studies 47
Appendix 3.1 Edinburgh Napier University: ENroute Scheme 47
Appendix 3.2 Ulster University: ENHANCE PD&R Scheme 58
Appendix 3.3 York St John University - Recognising Academic Practice
CPD Framework 66
Appendix 4 – Samples of case study guidance for reviewers 71
Appendix 4.1 Edinburgh Napier University 71
Appendix 4.2 Ulster University 72
Appendix 4.3 York St John University 74
References & Further Reading 75
5
1. Introduction
1.1 Context of this report
The following report is the culmination of a short collaborative project, which
aimed to draw together case studies of good practice and resources to support
those seeking to incorporate a dialogue route for awarding HEA Fellowship. The
report itself outlines lessons, issues and recommendations for those using a
dialogic route and accompanies a set of resources developed by practitioners
from across the Higher Education (HE) sector. A group of academics from
Edinburgh Napier University, Ulster University, and York St John University were
invited to produce and share good practice case studies and resources from
their work as Scheme Leads using dialogue successfully. These exemplars
emerge from cycles of implementation, review and enhancement by these
academics and provide invaluable insights to guide practitioners. Drawing also
on original research by Pilkington (Escalate), Davies (unpublished thesis), and
Asghar and Pilkington (in progress), the report provides a resource for those
considering, developing and/or implementing dialogue within accredited CPD
schemes, an area that is generating considerable attention within institutions.
1.2 Why dialogue? – a discussion of the wider use of dialogue for
Fellowships
Dialogue is much talked about amongst those involved with supporting the
professional learning of HE staff, especially with respect to the learning and
development of HE academics (Barnett, 2008; Knight, ; Kahn et al, 2006; Roxa
and Martensson, 2009; Pilkington, 2014, 2013). Within institutions adopting the
UK Professional Standards Framework (UKPSF) and a strategy of embedding a
HEA-accredited scheme for awarding Fellowship, dialogue is widely recognised
as adding an extra dimension to the value of a scheme. Within the report
summarising findings from the first annual HEA-accredited scheme review
(2014-15)1 undertaken for the HEA by Pilkington (2016), the following findings
were noted:
1 The 2015-16 annual accredited CPD scheme review considered activity self-reported by scheme leads for the period 1
May 2014-30 April 2015. The full summary report (Pilkington, 2016) is available on the HEA website.
6
‘A point of interest is the frequency with which dialogue emerges as having
value and impact, both as an assessment mechanism and as a consequence
of scheme embedding’ (p11).
‘Dialogue around learning and teaching is mentioned frequently, as are
mentors. Mentors and the use of faculty or departmental support are
particularly crucial to the success of schemes and are widely cited. Around
these roles and activities dialogue, communities and wider exchange
emerge, supporting the applicants and also drawing staff in to seeing
learning and teaching as a valid area for development. This is supported and
enhanced by the development of dissemination mechanisms to share
outcomes from assessment processes…’
Similarly, workshops are widely used and are strong across many schemes.
They are often structured around the process of application: introduction
and overview, and preparing submissions. They bring staff together around
fellowship and encourage exchange, learning and dialogue’ (p14).
In fact, from an examination of all 2014-15 annual CPD scheme reviews, it was
apparent that the embedding of dialogue - through the wider conversations
around teaching and learning, and the raised profile and credibility generated
for learning and teaching as a result of such schemes - was recognised by nearly
every institution as a significant benefit and outcome. Of particular interest in
the review of institution scheme reports was the use of, and interest in, dialogue
for the actual process of awarding Fellowship within institutional schemes.
‘(43%) 38 of 88 use varieties of oral forms of assessment. These include
presentations, vivas, dialogue, although where there is a choice of route,
written forms are often reported as being preferred –seemingly there may
be a lack of confidence/conviction in this approach which requires further
work’ (Pilkington, 2016; 6)
With this growth in interest in dialogue, the HEA has sought to provide resources
for institutions seeking to incorporate dialogue within the assessed processes of
the schemes.
The analysis of the 2014-15 annual accredited CPD scheme reviews received for
the academic year undertaken for the Higher Education Academy (HEA) by
Pilkington (2016) provided an overview of the use of dialogue2 as an assessment
option across the accredited institutions. The following section extends
Pilkington’s (2016) analysis, raising questions to inform further discussion about
2 The term dialogue is used at this point in the paper; further attention is given to nomenclature in Section 2.
7
how dialogic approaches are, and might be, used; and the extent to which what
is described and enacted across the reports is indicative of a robust process. It is
appreciated that accredited UKPSF providers are often concerned by a number
of factors associated with the use of dialogue (or non-written options for
assessing Fellowship) including robustness, efficiency and how a non-written
option can be effectively incorporated within an accredited scheme.
The starting point for this discussion of dialogue use is Pilkington’s (2016) paper
and the data it provided. Institutional schemes3 in 2014-15 were identifying
dialogue as a component within the Fellowship assessment (43%). One
institution was using dialogue to support D4 in particular and a further nine
institutions reported using oral presentation in the accredited scheme
assessments. This meant around 43% were using an oral component for the
purposes of assessing Fellowship. Of all those institutions (88) reporting at the
review, the majority noted wider dialogue about teaching and learning emerging
as a wider benefit of an accredited CPD scheme. Furthermore, the majority of
institutions (>90%) mentioned dialogue as a wider benefit of scheme
introduction. Because of the wide range involved when institutions identified a
component of dialogue, it was evident that ‘dialogue’ as a term was unclear and
required some clarification.
In an attempt to assist in facilitating further discussion, the data from 2014-15
annual CPD reviews first worked with by Pilkington (2016) was re-explored.
Using a simple process of reviewing the language in the annual reviews a word
cloud was produced to draw out the language associated with non-written
Fellowship assessment. Whilst ‘dialogue’ (n.15) featured most commonly in the
type of scheme described (sometimes prefixed by ‘professional’), ‘oral’ (n.14)
featured too, not uncommonly attached to ‘presentation’ (n.12). Less common in
the range of terms used were ‘verbal’ (n.2), ‘conversation’ (n.2) and ‘viva’ (n.1) as
shown below.
3 The HEA annual accredited CPD review requires reporting only on institutions’ accredited CPD schemes; taught/credit
bearing programmes such as PG Certificates are not included in the annual review.
8
Figure 1 – Frequency of Language Used in Connection with Non-Written Fellowship
Assessment in 2014-15 Annual CPD Reviews
Figure 1 clearly shows a lack of consistency across the sector for how a non-
written approach might be conceptualised. The obvious question is whether we
are talking about the same or a different entity. For example, what makes a
dialogue, different to an oral or a viva? Arguably, what is important is that the
accredited institution knows for itself what its non-written review option(s) is,
and can articulate it to participants in the UKPSF scheme. An example of this is
the use by Edinburgh Napier (one of the Case Studies included here) of the term
‘review’ rather than ‘assess’. They justify this as follows:
‘As a team, we believed that language, and wider discourse, constructs
meaning and from this meaning we symbolically represent our values and
ethics. Consequently, for example, we decided that we would not speak of
judgment, but rather review. We would not use the terms assessment or
assessor, but rather review and reviewers. And individuals coming into the
scheme seeking Fellowship would be participants, rather than applicants’.
Across all the case studies informing this report, there are a variety of labels
used to describe elements within their dialogue options:
Ulster: Assessed Professional Conversation (APC)
York St John: Final Summative Dialogue
Edinburgh Napier: Professional Dialogue.
This said, as the ultimate arbiter of quality when accrediting schemes, the HEA
requires clarity in relation to the nature and purpose, and description, of non-
9
written components of accredited schemes4. As we can see from the case
studies, the actual process of managing and holding a dialogue varies
significantly within an overarching conceptualisation of a dialogue: this posits a
‘dialogue’ as an environment; a mechanism creating space for reflection,
exchange, exploration and recognition of practice through formalised
conversation, as well as providing a mechanism to assess and award.
In examining the 2014-15 annual CPD review data for those institutions using
non-written mechanisms for assessing Fellowship, further detail on process and
the format emerges, in particular around the component elements of non-
written forms of assessment.
1.2.1 Combining Elements
It is apparent from this that there is considerable variation in the ways in which
institutions combine assessment options. With one exception, non-written
options are presented as a choice, with at least one alternative available to
participants. Whilst the written option still dominates numerically as a means of
assessing Fellowship, portfolios/e-portfolios also commonly feature as a means
to present information, and this may or not may be used, for example, to initiate
a dialogue, professional conversation or to underpin an oral. This can be seen
from summary of the different dialogue formats used at Ulster, York St John and
Edinburgh Napier.
Ulster: Assessed Professional Conversation plus an e-portfolio, which is a
complementary component for the dialogue and is part of the assessment.
York St John: Final Summative Dialogue plus e-portfolio, which is formative;
mentored dialogue elements are crucial components; the portfolio acts as an
aide memoire and stimulus for the dialogue.
Edinburgh Napier: Professional Dialogue and the portfolio they use is
formative and acts as a stimulus to the dialogue, and is not assessed.
Overall, what stands out is choice, something to be welcomed in schemes
seeking to recognise individuals and their achievements in teaching and
supporting learning. Interestingly, although the written option features large,
4 Refer to the HEA Guide for addressing the criteria for accreditation
10
comments about its benefits for participants, assessors or the wider institution
are very quiet in the 2014-15 annual review data. Where it is raised, the benefits
are often framed around the dialogue that happens during formative stages of
preparing a written submission. This view contrasts with non-written review
options, where report writers offered frequent commentary highlighting
benefits and value of this option.
1.2.2 Benefits of Non-Written Review Options
Actual and potential beneficiaries of including non-written options in the choices
available fall into three categories from 2014-15 annual CPD review comments
(see Figure 2 below); they are the applicants, assessors and the wider institution.
1. For applicants, benefits were seen to include: enabling interaction with
the panel; being affirming of their practice as a process; a means to
develop thinking; a way to share practice and an opportunity to develop
confidence. One respondent’s observation was that “participants regard
the dialogue process as a celebration of their expertise and a chance to
articulate and scrutinise their philosophy of teaching”.
Figure 2: The Benefits of Non-Written Review Options
2. Benefits for assessors, also reported for mentors in some schemes, were
seen to include: encouraging communities of practice; learning from
others, especially from outside of their own disciplinary context; offering a
way “to give back”; and a means to maintain good standing.
1. Participant
2. Reviewer
Benefits
3. Wider Institution
11
3. The data identify clear gains for the wider institution too, with comments
offered about the wider dissemination of innovative practice; being better
enabled by hearing about it; the process prompting conversations about
learning and teaching; sharing and dialogue being a catalyst; and thoughts
about the facilitation of a cultural shift.
1.2.3 Challenges of Non-Written Review Options
Not surprisingly the data also raise challenges with non-written review options,
again from the perspective of applicants, reviewers and the wider institution.
There were, for example, comments about a reluctance to participate, with a few
schemes acknowledging that non-written options had still to be used. Whether
this was solely due to applicants not wanting to engage or other factors was not
always clear. One respondent felt that the professional dialogue was a risk both
for the participant in speaking ‘live’ about their practice, and for the assessors5 in
evaluating ‘standards met’, whilst engaging in the conversation. This challenge is
addressed within the Edinburgh Napier dialogue by using turn taking, where two
reviewer (their term) roles switch between note-taking, and leading the
conversation. Some scheme leads reporting in 2014-15 raise time and
administrative challenges associated with non-written options, something also
raised by Ulster and addressed within their preparatory planning cards. There is
a sense in which the positives of non-written review options outweigh the
disadvantages/ risks, however. This would be expected because all of the review
writers could be categorised as early adopters in their introduction of dialogue
as part of a variety of options into their accredited schemes.
1.2.4 Missing data
Exploration of the data suggests some missing information too. It was
anticipated that there might be more detail in respect of internal and external
quality assurance and enhancement, for example in respect of training of
assessors, the role of the externals (examiners, moderators or critical friends),
recording dialogues/orals, reflections on what can go wrong (and how situations
are managed). Of course, this does not mean to say that institutions are not
engaged in discussions and decision making in these areas, but in terms of
sharing lessons learned into the wider community of accredited schemes, it is
5 HEA requirements for the number and Fellowship status of reviewers required for review at each category of
Fellowship are set out in the HEA accreditation policy
12
possible to conclude that there is more to be known. This is where the case
studies, and the planning tools provided by Floyd and Davies (Ulster) building on
their experience of introducing non-written forms of assessing for Fellowship,
are of value.
Recommendations from an analysis of the 2014-15 annual CPD review data on
non-written assessment for fellowship indicate institutions should, when
introducing a ‘non-written (dialogic)’ form of assessment:
Ensure they are clear in definitions and descriptions of the assessed process
about what is entailed in and expected from a ‘dialogic approach’. This means
providing clarity in language and descriptions of the processes involved,
providing definitions, or even using glossaries of terms.
Offer clarity on why combinations of review options have been identified.
This relates to being transparent to all the participants about any overarching
strategy of offering choice, and also within descriptions of actual
mechanisms.
Ensure that processes for QA are clearly outlined. This includes internal
processes of e.g. assessment, moderation, referral and complaints; being
clear on the role/ function of the external; and finally addressing internal staff
development.6
The review of data from the 2014-15 annual CPD review suggests as a final point
that there are wider sector needs in respect of sharing lessons gained from
implementation through annual reporting, and a need for a wider evidence base
as it concerns orality. This is being addressed within this publication in the
supplementary bibliography.
6 Institutions must also provide a mechanism for referees to verify the ‘claim’ made by the applicant
13
2. How should dialogue work?
2.1 A Model for Dialogue
The most widely used form of dialogic assessment around the UKPSF has been
developed using methods that combine the provision of evidence of practice
(usually written, sometimes oral), a process of peer critique and support, and a
final summative dialogue. This draws on research and work undertaken by
Pilkington and others as part of the HEA-funded Project on the use of dialogue
for assessing professional learning (ESCALATE). Building on this, a model for
dialogue in this context has been widely promulgated and adapted. It involves a
two-stage process of peer-mentored dialogue, which has evolved from the
model from Brockbank and McGill (2007) and has been widely circulated by
Pilkington (2011, 2013, 2014). The research was undertaken in 2009-10 as part of
a HEA-funded Escalate project exploring dialogue in assessment
(http://escalate.ac.uk/6333). The professional dialogue developed for the project
and piloted in five institutions adopted a two-stage process; a preparatory stage
and an assessed stage as follows:
Stage One – preparation phase (comprising multiple conversations)
This stage is about preparation for the assessed component. It is also about
facilitating a process whereby the applicant can begin to relate their practice
not only to UK PSF in a meaningful way, but also relate it to scholarship and
become familiar in the language of HE teaching and learning. It involves an
introductory dialogue held to engage and familiarise with UK PSF, process,
evidence required and assessment. This can also take place as part of an
introductory workshop.
Subsequent, follow up dialogues with a mentor (minimum 2 follow ups in this
model) facilitate an exploration of the applicants’ pedagogic practice, how
they are engaging with the UKPSF Dimensions and applying them to their
work. Supporting evidence for dialogues can be provided or constructed in
this stage through e.g. a portfolio or sample documents. The model suggests
these should be kept as succinct as possible – good practice examples use
e.g. Moodle, Blackboard, Mahara pages for sharing these elements.
Alternatively, a poster or short reflective commentary (audio or video) may be
created.
For FHEA, preparatory (mentor-facilitated) dialogues might adopt question
prompts structured around UK PSF Areas of Activity with use of examples
14
and evidence from practice to explore application of Core Knowledge and
Professional Values. Dialogues to meet other Descriptors may focus on
crucial Descriptor components such as providing integrated and holistic
coverage of all Dimensions plus specific focus on leadership for SFHEA, and
strategic activity and impact for PFHEA. These enable applicants to familiarise
themselves with the reflective, evidence-led and scholarly approach expected
in Stage Two.
Within this model, each Stage One dialogue feeds into an iterative process of
further reflections by participants, further dialogue and, when ready (self and
peer-judged), the candidate goes on to Stage Two.
Stage Two – assessed dialogue
This stage is about the final summative or recognition assessment. It involves
assessors and potentially external assessor(s), and is structured to meet HEA
requirements.
The minimum assessed dialogue length within the model proposed here is
normally 30-45 minutes for Descriptor 2, although timings can vary in
practice. A recording is made, the judgment determined, and written
feedback may be drafted and agreed by assessors. Physical supporting
evidence can form part of this stage providing evidence and/or structure for
the assessed dialogue and a focus for probing and exploring practice or gaps.
Judgements will be formulated around this Stage Two process and decisions
often confirmed at a subsequent panel (board) as with student assessment.
An external moderator reviews samples of assessed dialogue recordings and
evidence and quality of the process and judgment assured.
Institutions involved in the project included UCLan, University of Liverpool,
University of Chester, York St John and University of Worcester. Building on this
work, dialogue is being successfully used by a number of institutions in formats
similar to that outlined above and as we have seen in Section 1, they can also
vary widely. In the case studies used in this report (full details in Appendix 3),
three approaches are provided, which all reflect the above model to a greater or
lesser degree:
York St John University uses formal mentor-led dialogues (2/3 or more for the
preparatory Stage One prior to a final summative dialogue)
15
Ulster University uses groups and workshops to support the preparatory
process (Stage One) for Associate Fellowship and Fellowship with dialogue as
an option: for Senior and Principal Fellowship, the dialogue is compulsory
with mentors used for the preparatory stage one. An Assessed Professional
Conversation forms the focus for Stage Two.
Edinburgh Napier University uses group based, peer-led mentoring circles at
the preparatory Stage One, and has a review dialogue for Stage Two.
All the case studies in this report support their approaches to dialogue with a
mechanism whereby the applicant presents a form of written evidence. This
gives focus for the final assessed dialogue and is an approach widely adopted
across the sector.
Evidence of practice is a desirable element within the process and a written
element provides a framework for this. The written evidence supports decision-
making and rigour of decisions; it forms an essential component that underpins
the final assessed dialogue7. Such evidence should encourage creativity however
alongside reflective engagement with professional practice, and be presented as
supportive rather than creating an additional and significant burden. The value
of dialogue constructed around this is that it can probe quickly and effectively
into practice and contexts and disclose contradictions. The types of evidence
most often used across the sector take the form of e.g. written pro formas, short
reflective documents, portfolios using VLEs or hard copy. The list below expands
this drawing on illustrations from examples mentioned in 2014-15 annual CPD
reviews.
1. Documentary summaries of mentored preparation dialogues, indicating
focus of discussion, evidence discussed, peer review, etc.;
2. Use of portfolios (simplified) either presented online or hard copy;
3. Summary CVs, records of practice mapped to the relevant UKPSF
Descriptor (which incorporates the UKPSF Dimensions), short reflective
pieces to provide a focus and prompt for questioning;
4. Presentations or video recordings, blogs, presentation of artefacts in
creative disciplines.
7 The written element may also provide opportunity for referees to verify the evidence provided is a fair and accurate
reflection of the applicant’s practice.
16
The aim of such evidence is to provide a basis for preparing the focus for the
assessed dialogue: discussion, exploration and probing around Descriptors,
Dimensions or gaps. Within HEA-accredited Fellowship processes, advocate and
referee input are also required for dialogue as with written submissions. These
can serve as additional sources of evidence and authentication, and the use and
preparation of such statements should align with HEA guidance.
The benefits of this approach is that these background resources, whether
assessed or not, provide a stepping off point for the dialogue, and for wider
exploration and sharing of practice. It is around this facility for creativity,
affirmation, exploration and deeper sharing of practice that the strength of the
non-written, dialogue form of assessing Fellowship resides.
The preparation dialogues espoused in the above model (using mentors or
critical friends, workshops or groups) take time, for example up to an hour in
each case. However, it is argued that if such formative dialogues are structured
as part of a wider strategy promoting teaching and learning, they can be
managed within schools and departments as a beneficial and constructive
approach enabling broader and mutual learning and sharing of practice
(Pilkington, 2013).
Ulster University on Senior Fellowship and Principal Fellowship mentor roles:
‘As they prepare their submission, applicants are allocated a trained mentor
who holds the category of fellowship they are aiming for. One key element of
the mentor’s role is to help them to develop their skills in discussing their
L&T practices and in particular their leadership of L&T’.
These activities can be used for continuing professional development for the
mentor as well as the mentee. In fact, all three case studies cite mentoring as
being a developmental opportunity for both parties, and this resonates with
findings from the 2014-15 annual CPD review. Roxa and Martensson (2009) in
their research into how academics learn, describe the use of dialogue within
significant networks as essential for practice-based learning. The preparatory
(mentored) dialogues are often positive, constructive opportunities for genuine
and powerful exchanges about practice from which considerable wider gains
can be drawn. In the model discussed above, these mentored (Stage One)
dialogues were undertaken over a minimum of 3-5 months, and this meant that
the preparatory Stage One period might be managed effectively within
workloads of mentors without excessive burden because of the value, discursive
and collegial aspects of the process.
17
Some institutions reporting in the 2014-15 annual CPD reviews have creatively
adopted the use of Skype, mentoring circles, action learning approaches, a
dialogic approach using workshops, or even team-led dialogues within subjects
for this purpose. A critical success factor for achieving Fellowship reported
across the reviews involves engagement and active participation in the Stage
One (preparation) process by Fellowship applicants. To conclude therefore, the
findings from dialogue experience supported by research recommend an
approach to dialogue that involves:
Drawing on this initial discussion, we can model the engagement process for
dialogue as suggested below. It can be seen that, in each of the overlapping
interactions, a space for learning and exploration of practice emerges, which
benefits all participants. These provide,
1. A space for exploration and feedback as part of Stage One between
applicant and, e.g. mentor, in which meaning is constructed explored,
shared;
2. A space in which during the ‘assessment’ conversation knowledge is
surfaced, recognised and made visible for review;
3. A space created through e.g. training and assessment, and in discussions
at panels and between team members (mentors, assessors, externals), in
which knowledge is shared more widely and potentially generates actions.
This is shown in the following diagram (Figure 3).
A two-stage process, structured over time as a supported preparation
stage (Stage One), followed by the applicant’s submission of ‘evidence’,
which complements or frames an assessed dialogue between peers
(Stage Two).
The Stage Two dialogue acts as a space for exploring, affirming, and
recognising practice within the framework of the relevant UK PSF
Descriptor.
18
Figure 3: Learning Benefits for Participants in Dialogue
2.2 Detailing issues for the Assessed Conversation
There are – it is agreed – a number of challenges associated with using dialogue.
These are extremely well summarised in the figure produced by Davies and
Floyd (Ulster University case study). This draws together their learning from
evaluations and their experience of developing and enhancing their dialogue-
based scheme. They identify six components for consideration when planning
and designing a dialogue-based approach to assessing Fellowship.
1. Purpose of Dialogue: Descriptor, formative, summative;
2. Format of Dialogue: component elements and relationships;
3. Guidance around Dialogue: for all participants (see 6 below);
4. The Focus and Process of Assessment: who, what, when, how:
5. Logistics for undertaking Dialogue: rooming, timing, location, ethics and
conflict of interest, moderation, award;
19
6. Training for participants in Dialogue: applicants, mentors, team,
assessors, externals.
The issues and planning questions associated with using dialogue for assessing
Fellowship in this figure are deconstructed within the case study for Ulster.
Figure 4: A Framework for HEA Professional Recognition through Dialogue (Davies,
2016)
2.3 Defining dialogue (Purpose)
It is absolutely essential first and foremost that everyone is clear about what the
dialogue involves, and how it is defined. Whilst definition is challenging, the
following highlight some crucial factors:
Talk: Speak in order to give information or express ideas or feelings;
converse or communicate by spoken words.
Conversation: A talk, especially an informal one, between two or more
people, in which news and ideas are exchanged.
Definitions of dialogue itself tend to shift into more formal territory:
Dialogue: A discussion between two or more people or groups, especially
one directed towards exploration of a particular subject or resolution of a
problem
Meaningful dialogue: A free and open debate between two parties (as states,
political factions, etc.), especially with opposed interests or with a history of
conflict; any open and unbiased exchange of views.
www.oxforddictionaries.com/definition/english/
20
In Ellinor and Gerard (1998) they highlight the Greek roots of dialogue (dia –
through; logos – meaning). They discuss the value of divergent dialogue that
opens up and explores and on p16 they highlight six key qualities for dialogue:
1. Suspension of judgment;
2. Release of the need for specific outcomes;
3. An inquiry into and an examination of underlying assumptions;
4. Authenticity;
5. A slower pace with silence between speakers;
6. Listening deeply to self, others and for collective meaning.
Simply reviewing these characteristics, it is clear that the first and second are
precluded because of the award/recognition purpose of a ‘dialogue for
Fellowship’, but points 3-6 are positive characteristics that can be attributed to
and exploited within the dialogue approach.
From comments from colleagues, key terms associated with ‘dialogue’ in the
context of this report are
There are also physical components of face-to-face communication, which
provide additional layers of meaning within a conversation. In other words,
whilst dialogue is often the term used, what is actually being applied is far more
powerful. It lies between a conversation and dialogue. And the best dialogues
allow the elements of exchange, affirmation and meaning making to take place
for all parties to the process. There is of course a difference between what might
occur within ‘Stage One’ dialogue and ‘Stage Two’. ‘Stage Two’ dialogues are the
focus of an assessment / judgment linked to a Fellowship claim, so there are
important additional elements of inequality and relationship, of power involved,
and these have to be acknowledged and accounted for.
An assessed dialogue should, in sum, have clear purpose as a discrete activity
for surfacing practice and beliefs about practice, and - potentially - gaps in
Communication, exchange, sharing, exploration
Dynamic, flexible, surfacing, being in-the-moment
Narrative, story-telling, enabling, layered, richness, complexity
Affirming, person-centred, celebratory
Purposeful
21
evidence. It is a constructed space for flexibly and dynamically exploring,
exposing, and recognising professional practice. This is where its strength and
value lies. It is also where the challenge lies, meaning that training and
communication of expectations are crucial to its success.
22
3. Planning the assessed dialogue
3.1 Structuring an assessed dialogue:
What should be assessed within the assessed dialogue clearly has to be driven
by the Descriptor and the UKPSF Dimensions, and of course, by the applicants’
practice itself. This latter subject emerges for the majority through the
submission by the applicant of some form of evidence as either a framework,
prompt or complementary part of the assessment.
The Descriptors should act as criteria and a framework, exactly as with written
submissions. The Descriptors provide an invaluable structure for the dialogue
itself, especially where assessors can review supporting evidence from
applicants and target a conversation around potential gaps, strengths and key
Descriptors.
Dialogue can be aligned to any of the Descriptors and has strengths that fit with
each in terms of the potential for planned and active, in-the-moment, probing of
key Descriptor components. It should not result in a repeated (dual format)
submission, for example, where a supporting written submission of
evidence/reflection is rehashed again in the assessed dialogue space. For
example,
A dialogue for Associate Fellowship (Descriptor 1) might be structured to
explore two areas of activity with accompanying questions exploring
engagement with values and the knowledge base in the decision-making and
evaluations of the applicant, as well as recognising and sharing good practice.
Dialogues for Fellowship (Descriptor 2) can be framed by the Areas of Activity,
through which the Values and the Knowledge base can be explored and
surfaced. It is however important to manage time, so dialogue for this
Descriptor should be framed to strengthen and explore gaps in evidence and
to identify and celebrate good practice. This might require appropriate use of
evidence in any dialogue preparation so as to avoid repetition of effort and
content. It may also call for strong time management by assessors to avoid
being swept up by single Areas of Activity and ensuring balance.
Furthermore, simply rehashing an exploration of what has been amply
evidenced in supplementary documentation by an applicant would reduce
the point and value of the dialogue process.
23
Within the context of Senior Fellowship (Descriptor 3) a dialogue should focus
on the key Descriptor elements in particular D3.VII. Hence case studies and
evidence presented by applicants might provide a focus for dialogue to
surface how Dimensions underpin practice and further how ‘successful co-
ordination, support, supervision, management and/or mentoring of others in
relation to teaching and learning’ is enacted, evaluated and informed. The
sharing and highlighting of strengths for the applicant can be an important
outcome of dialogue for this Descriptor, potentially celebrating and
enhancing the individual’s sense of esteem, worth and impact.
An illustration of the particular issue of Senior Fellowship is evident in how an
institution defines what is meant by D3.VII. For example Edinburgh Napier
has deliberately defined this as, ‘influence and impact through others on
students’. Others have used this Descriptor as an opportunity to begin to
explore the challenging concept of ‘academic leadership’ enacted through
influencing the practice of peers in curriculum design, innovation, mentoring,
as well as management and co-ordination.
As with Senior Fellowship above, there are key Descriptors that
focus/structure dialogue for Principal Fellowship (Descriptor 4). These
naturally centre on D4.II and D4.III. In a PFHEA dialogue, the value of the
exchange can be the clarification of strategic impact for both assessors and
applicant to the benefit of their practice. The danger for a dialogue at PFHEA
is that sharing and celebrating the good practice of an esteemed applicant
can distract attention from the core differentiators in relation to the
Descriptor.
3.2 Format of an assessed dialogue
The assessed dialogues themselves may vary in duration. On average,
experience suggests durations may vary between 30 minutes (e.g. AFHEA, FHEA),
45 minutes (e.g. F/SFHEA), and 60 minutes (e.g. S/PFHEA). This will of course
reflect the structure and purpose of the dialogue being adopted as well as the
use of supporting evidence, and the Descriptor being targeted.
The HEA sets clear expectations for numbers of assessors involved in assessing
written and non-written applications within accredited schemes. The structure of
a ‘Stage Two’ Dialogue needs to allow sufficient time for exploration of practice
by the HEA-regulated number of assessors, and timings may also allow time for
review of any supporting documentary evidence, and space to agree a judgment
24
or to construct feedback on decisions. A concern raised about dialogue often
relates to the time involved and its organisation (logistics – Davies & Floyd). The
assessed dialogue is reputedly resource intensive involving several assessors
and the applicant, but it can be argued that this is also the situation for any
written assessment. Indeed time was identified across the review of data from
the 2014-15 annual CPD reviews by Pilkington, whether written or non-written.
Time was seen as a challenge for applicants in prioritising and meeting
deadlines, participating in formative and training events, and time was a
challenge for assessors/reviewers in terms of the actual process of assessment,
scheduling meetings, panels, and participating in e.g. non-written events. In
short, time was a universal issue.
Davies and Floyd highlight planning for and organising dialogues under their
issue of logistics. This relates to the challenges of bringing various participants
together at a specific time and place, and the planning of the location of the
dialogue to ensure resources (recorder, computer if necessary) and a quiet,
positive and reassuring environment. The solution it appears lies in support of
effective and good administration and clear systems; use of scheduling and the
establishment of structure to aid timely completion of the application and
assessment processes. All three case studies for this report reflect on how they
have evolved systems to manage this. Ulster manages particular issues with a
dispersed campus and uses Skype if necessary.
‘It can be easy to underestimate the administrative time that is needed to
organise and schedule APCs once you are dealing with growing numbers of
applications. I have needed to establish very clear processes for timetabling,
booking slots, allocating assessors, avoiding conflict of interest etc. I would
advise that at an early stage it is useful to set out all the stages that are
needed throughout the applicant journey’.
Edinburgh Napier has developed a very clear review period and process.
‘All participants, irrespective of category of Fellowship sought or review
option decided upon, follow the same process. Having expressed their
interest in Fellowship via an online system managed by the University’s
Human Resources Department, they gain access to resources located in a
virtual learning environment (VLE) and are invited to book on three
mentoring circles. They are advised that there are three review periods per
year:
a. Starting in May with applications submitted in September,
b. Starting in September with applications submitted in December and
c. Starting in January with applications submitted in May’.
25
York St John also highlights the need for managing:
‘Trying to organise assessments and ensuring that everyone was where they
should be at the same time was one of our biggest challenges. When the
CPD framework was first in place there was no administrative support and it
is a critical success factor. … Keep members of staff, who are engaging in the
dialogue process, together in groups. We have three cohorts a year that
mostly start and finish in a three-month period. If you do not do this it
becomes very chaotic’.
3.3 Case Study evidence on structure for the dialogue process
3.3.1 York St John University (YSJU)
The Dialogue process in the YSJU CPD Framework initially requires applicants to
engage in two, one hour dialogues with peers to explore how their practice
meets the criteria of the UK Professional Standards Framework (UKPSF). These
are formative dialogues that provide valuable opportunities for applicants to
reflect on their teaching and consider what evidence they might use to showcase
in the final summative dialogue. Applicants are required to use an e–portfolio
(Mahara) as a space to bring together their thoughts as to how they meet the
criteria of the UKPSF at the appropriate Descriptor level and to showcase their
evidence. The e-portfolio is deemed to be a formative aspect of the process and
contributes to the developmental nature of the recognition process. It provides
a means for staff to reflect on their pedagogic practice using a range of media.
Applicants are supported in the process by engaging in a mandatory initial
development workshop that provides training in the e-portfolio system and
encourages conversations about how participants might evidence their
engagement with the UKPSF. An audio-recorded final summative dialogue of
one hour occurs between the applicant and assessors. Prior to this event the
assessors are given access to the applicant’s e-portfolio. The e-portfolio is also
used as an aide memoire in the final summative dialogue and to showcase good
practice.
3.3.2 Ulster University
Applicants for Associate Fellowship (Descriptor 1) and Fellowship (Descriptor 2)
are able to choose between two options:
Dialogic Route consisting of an e-portfolio providing an outline record of
activities and evidence aligned to the UKPSF requirements for Descriptor
26
1/Descriptor 2, advocate statements, plus an Assessed Professional
Conversation (20-40 minutes).
Full E-portfolio Route providing detailed case-studies plus supporting
evidence and advocate statements.
A small number only have opted to use the full e-portfolio route.
All applicants can avail of group mentoring and/ or writing retreats as they
prepare their submissions. For the dialogic route, once evidence is submitted,
assessment of applications takes place through scrutiny of submitted evidence,
followed by a recorded Assessed Professional Conversation (APC), carried out by
two trained ENHANCE PD&R Scheme assessors. Assessors all hold SFHEA or
PFHEA. The e-portfolio and supporting statements are used as reference points
during the conversation. Evidence is triangulated against the Dimensions of the
UKPSF commensurate with the category of Fellowship being applied for.
Decisions are communicated within one week of the Panel meeting (held 6 times
per annum at the end of a series of APC assessments held over a 1-2 week
period).
All applicants for Senior Fellowship (Descriptor 3) and Principal Fellowship
(Descriptor 4) prepare an e-portfolio containing a detailed narrative plus
supporting evidence, advocate statements and participate in an Assessed
Professional Conversation. This is based on robust evaluation of the scheme,
where it is evident that there are clear benefits for both applicants and
assessors in assuring the veracity of the decision-making and the developmental
process for the applicant. As they prepare their submission, applicants are
allocated a trained mentor who holds the category of fellowship they are aiming
for. One key element of the mentor’s role is to help them to develop their skills
in discussing their learning and teaching practices and in particular their
leadership of learning and teaching.
3.3.3 Edinburgh Napier University
All participants follow the same process. Having expressed their interest in
Fellowship via an online system managed by HR, they gain access to resources
located in a virtual learning environment (VLE) and are invited to book on three
mentoring circles. There are three review periods per year, each of around 5
months. Any deferrals or withdrawals must be notified to the ENroute
administrator.
27
The mentoring circles are supported by individuals holding Fellowship – AFHEA,
FHEA and SFHEA; mentors8 are drawn from across the University, a feature
which is understood to strengthen ENroute, especially its mission to be inclusive
and respectful of the ‘discipline’. Guests are invited to the circles to speak about
their experience of the process of being recognised as Fellows. Each mentoring
circle has a different theme. The first focuses on categories of Fellowship and
review options, the second developing the claim and the third readiness to
submit.
Participants submit draft written submissions for formative feedback and can
ask for comment on their ‘presentation page’ in the e-Portfolio (the page which
is the focus for the professional dialogue).
Prior to the professional dialogue (about 3 weeks in advance of the review
period commencing), a session is held for participants to talk about what to
expect on the day and to go through the questions, which form the outline for
the professional dialogue.
The review period is planned in advance and takes into consideration a number
of factors, including reviewer availability and conflict of interest (prejudice
towards/bias against identified by both participants and reviewers). The review
period spans 3-4 weeks and is used by reviewers to make their decisions in
respect of documentary and dialogue applications. The review period concludes
with the notification of the decision to the participant, an updating of HR records
and the communication of information to the HEA.
3.3.4 Summary of the structure of the dialogue process for each case study
Stage One dialogue – focus and support; meaning-making
York St John University – workshops and mentoring; training in use of
Mahara: VLE support;
Ulster University – workshops; training in the e-portfolio; mentoring at
Descriptors 3-4;
Edinburgh Napier University – VLE and optional participation in structured
mentoring circles; optional formative feedback on e-portfolio.
8 Mentors can be reviewers, but they cannot be mentors and reviewers in the same review period.
28
Stage Two process – review, award and recognition; assessment
York St John University – Final summative dialogue of varied timings using e-
portfolio as an aide memoire
Ulster University – Final Assessed Professional Conversation with e-portfolio
and supporting statements used as reference points for conversation
Edinburgh Napier University – Review dialogue using e-portfolio as reference.
All assessed dialogues within the case studies are audio recorded, and
applicants are able to review these although the mechanisms differ; one
encourages all applicants to have a copy for review and informing future
reflections; for others this is available on request; and another allows supervised
access once on ethics grounds
Within the ‘Stage Two’ assessed dialogue the approaches differ in terms of how
dialogues are managed. Enroute has taken a very structured approach and
provides a crib sheet.
29
4. Supporting assessors/reviewers
Within the research by Pilkington carried out during the Escalate project, an
analysis of transcripts from the assessed dialogues produced two clear
resources to illustrate how dialogue might work in the context of assessment for
Fellowship. The first item is a model for the variety of dialogue or conversational
cycles that might occur within the framework of the assessed dialogue. This
supports assessors in their thinking about the nature and process of the
dialogue they might manage and how it might evolve around topics.
Figure 5: Model showing how the process of Dialogue might evolve around a variety of
topics related to prompts from Descriptors or submitted evidence
The model highlights a flow and the variety to how exchanges may emerge, and
also a broader overall structure for the conversation with an introductory and
end stage. Assessors can prepare questions and techniques to manage this, e.g
setting up a formal but affirming space and process at the outset, and giving an
opportunity for the applicant to reflect on, review their comments, and add to
the dialogue in the closing stages. This diagram of the process within an
30
assessed (Stage Two) dialogue contrasts significantly with the less exploratory
structure of a dialogue-as-interview shown in Figure 6.
Figure 6: Showing the contrast of formal probing involved in interview
Out of the analysis of transcripts from the Escalate project, it was furthermore
possible to identify stages and potential interventions by the assessor, which
might help a dialogue progress, and enable a positive exchange to occur.
4.1 Techniques and approaches adopted by assessors
The list below in Table 1 identifies some of the types of language and
conversational ‘techniques’ that might be adopted.
These techniques have been grouped around five main areas, of rapport
building, managing the discussion, formulation of questions, providing feedback
and linking to criteria, and managing face (emotions).
31
Table 1: Conversational techniques used by assessors/reviewers
Technique Different approaches
Building
Rapport
Explaining process of dialogue
Encouraging dialogue - Confirmatory statements - Reassurance -
Compliments
Checking applicant happy with dialogue
Jokes, laughter, smiles – body language
Personal engagement with discussion - Developing points further -
Presenting alternative perspective -Acknowledging shared experiences
Expressing personal beliefs - Reflecting on point made by applicant -
Expressing collegiality / solidarity with applicant - Expressing empathy
Answering applicant’s questions
Managing
Discussion
Focusing and re-focusing - Filtering - Reformulation of, e.g questions
and participant answers - Clarifying and making sense of responses
Making connections within the dialogue and to professional standards
framework
Redirecting and making openings - Giving applicant opportunity to
develop points further - Giving applicant opportunity to set agenda
Interruptions – Managing/allowing diversion arising from dialogue -
Making links and connections within and beyond dialogue
Formulating
questions
Reference to written evidence provided by applicant; to professional
standards, themes in Descriptors; to planned outline of questions
Drawing on knowledge of applicant outside dialogue
Open questions - Closed questions
Invitation to discuss (e.g. ‘tell me a little bit about’)
Requests for clarification, further information, evidence / example,
reflection, opinion, consideration of theoretical underpinnings
Using prompts from Professional Standards
Prompting questions to link scholarship or theory
Responding to point made in dialogue and taking it further
Evidence of own beliefs / perspectives in question
Feedback
and linking to
criteria within
Dialogue
Summarising themes and evidence for professional standards – making
link
Assessor developing points further
Giving feedback through affirmation, body language, noises, or direct
evaluative comment
Suggesting new approaches to issues raised in discussion
Suggesting areas for further consideration in the dialogue, linking to
future development
Asking applicant to relate a comment to professional
standards/Descriptor
32
Managing
Face
Challenging statements
Repairing where a conversation starts to go wrong
Creating a pause for reflection, recovery
In contrast to dialogue, written documents lack the dynamism and ‘divergent’
elements of a dialogue (Ellinor & Gerard, 1998). They often struggle to evidence
reflective, values related aspects of practice, and are static artefacts. The
benefits of dialogue for assessing Fellowship are that it is dynamic, flexible and
allows effective and detailed probing of knowledge and understanding.
Dialogue as an assessment process is widely recommended for enabling
meaning-making, and for surfacing the experiential and reflective aspects of
learning within and around practice, that is potentially a defining characteristic
of CPD scheme approaches to practice. These benefits make it a useful tool for
assessing professional espoused and enacted practice and knowledge.
Across the case studies, the benefits leading to the use of dialogue reflect this
interest in the dynamic, flexible, surfacing potential of dialogue strongly. Further
details about the approach taken by each of the three institutions are included
in Appendices 3 and 4.
4.2 Challenges of assessing dialogue
There are challenges. Disadvantages are that the skills and judgment of
assessors are foregrounded within the active, in-the-moment nature of the
dialogue process; these mean that training and support for assessors in the
criteria and process require time and effort.
Training and support is regarded as a crucial aspect of dialogue when using it as
assessment. Mentoring is already being used across CPD schemes in the UK as a
means of supporting the professional reflection and preparation process
involved in presenting any claim for Fellowship. In the 2014-15 annual CPD
review of such schemes, the majority of institutions identified participation in
mentoring as a ‘crucial success factor’ for Fellowship. Reports highlight that for
most schemes early investment in mentor training and growing capacity at
Senior Fellowship was a significant focus in implementation. Each of the case
studies used here draw on a form of mentoring or peer support within the
preparatory Stage One of their dialogue approach.
33
Mentor training generally highlights active listening, questioning techniques,
strong familiarity with Fellowship criteria, and a focus on supporting the mentee
to construct his/her professional claim drawing on evidence and an empirically
informed, pedagogic understanding.
Assessor training is potentially more challenging. Assessors require an ability to
build rapport with applicants, manage time and the power relationship of the
assessment; maintain a focus on Descriptor criteria; exercise an ability to
actively listen and internally judge ‘sufficiency’; and they need the confidence to
steer dialogue in a supportive and rigorous process. The response by Edinburgh
Napier to identify a lead ‘reviewer’ and another reviewer to focus on note-taking
and assuring criteria are met is a creative way of dealing with this challenge. It is
intended to enable one person at a time to focus entirely on the conversation as
it evolves. When roles are swapped the second (and third if Descriptors 3-4)
reviewer can then pick up on any gaps to ensure that the Descriptor is met.
Participants are informed about this arrangement in advance and reminded
before the dialogue starts, so they know what to expect.
‘What happens in the professional dialogue depends on the individuals who
together create it. However there are different responsibilities depending on
roles. For example, it is for the reviewers to establish the sense of a safe
space in which participants feel enabled to talk; it is for participants to be
prepared, ready for the reviewers to direct the dialogue to ensure that the
information gathered is on focus for the category of Fellowship sought.
However it is not always as straightforward as that, therefore there is a need
to be prepared for what to do in certain instances e.g. the participant going
off piste, the participant finding it hard to articulate their practice in respect
of the category of Fellowship sought, the reviewer losing focus, the reviewer
not probing when needed….’
Within the 2014-15 annual CPD reviews and also within case studies given here,
the ‘best practice’ process of training is rigorous, because all recognise the
dangers inherent in having untrained assessors and mentors: their role is crucial
to the success of any scheme approach for awarding Fellowship – and is
particularly important for the active, dynamic, in-the-moment environment of an
assessed dialogue. Such training is essential to the credibility of any scheme and
its wider embedding.
The model adopted for training assessors and mentors that appears to have the
most success involves:
Attendance at training
Undertaking/participating in a dialogue as an applicant
34
Shadowing a panel
Shadowing a dialogue
Seconding in dialogue
Engaging in reflective and debriefing events
Fronting (leading) a dialogue
Roles of mentor and assessor are often framed as professional development
towards Senior Fellowship, or conditional upon being a Senior Fellow, and
provide ongoing CPD for those who are Senior Fellows.
Another disadvantage highlighted is the oft-cited issue of evidence of rigour
accompanied by concerns over moderation and external input. This is arguably
a non-issue for dialogue in assessment: linguists have been using audio and / or
video recording with accompanying feedback sheets for decades. In examining
dialogue as an assessment tool, the same principles of professional judgement
apply here as elsewhere, namely the alignment to criteria and evidence of
achievement of learning outcomes (Biggs, 1999).
In training External roles therefore the above requirement for thoroughness,
experience and understanding of the process applies as with internal assessors.
Externals therefore should be familiar with dialogue and UK PSF, hold Senior or
Principal Fellowship and should be suitably experienced at making Fellowship
judgements. They should ideally have experience of, and an understanding of
dialogue, and its philosophy and purpose within the institution. They should
have access to all elements of the process including the portfolio, feedback,
mechanisms for determining judgment, etc.
Recordings can be exchanged using dropbox, links to a VLE, or via a USB or
CDRom. Storage of this data must be archived for three years and stored
ethically.
35
4.3 Case Studies to illustrate approaches to assessor/reviewer
development
4.3.1 Edinburgh Napier University
[In July 2016] the reviewer part of the ENroute team has grown from 7 to 23
since May 2015. It is appreciated that the increase in numbers exacerbates the
risk of inconsistent decision making. Added to this is the potential for mentors at
the mentoring circles to offer guidance that is not aligned with review decision
making. To address this, a joint programme of CPD for mentors and reviewers
was put in place in May 2015. There are now 9 ‘touch points’ per year, 3 per
review period which bring the team together. These incorporate:
1. Lunch with the External Reviewer to discuss the process of supporting
participants and making review decisions;
2. One week after the Review Board to explore ‘lessons learned’ and action
plan for refinements in respect of mentoring or reviewing;
3. A formal CPD session usually focused on a topic, which has emerged in
discussion with the External Reviewer.
4.3.2 York St John University
Getting mentors, assessors and applicants to understand what dialogue is and
isn’t was an initial problem and we overcame this by inviting Ann Brockbank to
deliver workshops about dialogue. These involved role play as well as
stimulating thinking about what it really was we were trying to achieve. I think
there was also a sense of allowing flexibility and fluidity across the three
dialogues and that often no two encounters would be the same, although
ultimately they were achieving the same end. We identified early on the
importance of training and development for those supporting the CPD
framework in order that the ethos of what we were trying to achieve was
maintained.
4.3.3 Ulster University
To build your capacity for operating a dialogic process, you will need more
trained assessors due to the nature and logistics of the process. Include some
documentary evidence as part of the submission, this will allow assessors to
prepare, and for the ensuing discussion to be richer and more relevant. It is
important also to ensure that the same assessors do not always work together
36
as there are real opportunities for assessors to learn from each other and to
appreciate the range of disciplinary and pedagogic perspectives that may
surface in an APC.
37
5. Other oral mechanisms of assessment
Examples of wider use of oral mechanism for assessment include video
recordings of reflective narratives (an option not included in figures above); oral
presentations with and without accompanying questions; and vivas for Principal
Fellowship or in borderline cases. Oral presentations raise challenges because,
as with written applications, they are to some extent static: a one-way
monologue. They rely on the ability of the presenter to make a case strongly to
meet Descriptors without being distracted by personal interests. As with written
submissions, such presentations also have to be judged on their merits without
further exploration and so lack the versatility of the interactive dialogue form.
Questions address this to some extent although there is often limited time or
scope for detailed exploration. It is recommended good practice to target
specifically the Descriptor criteria in structuring such mechanisms.
38
6. Key recommendations for dialogue
Ensure both assessors and mentors are conversant and experienced in the
Descriptors and Dimensions of PSF as these underpin judgment
Provide and require appropriate training of mentors and assessors
Encourage shadowing for mentors and assessors, as well as provide
experience of dialogue (either through having completed their own,
shadowed events or reviewing them)
Train assessors in active listening, summary and closure techniques
Active listening should be informed by ongoing internal reference to
Descriptors by assessors
Ensure that any assessed dialogue has a core structure aligned to the
relevant Descriptor built around the supporting evidence, whilst allowing and
encouraging exploration and reflection by participants
Support dialogue planning and focus by review of evidence and encourage
assessors to make time to schedule briefings for discussion pre- and post-
assessments
Ensure evidence requirements allow creativity and minimise excessive
burden to applicants
Train mentors as above and in reflecting back, summary, supporting meaning
making etc.
Schedule in time for pre-briefing and post dialogue discussion
Use a mix of pre-designed and targeted questions around Descriptors in
assessment
Use Dimensions to direct questions and frame dialogue for AF/F
Use Descriptors to direct questions and frame dialogue for SF / PF, focusing
on the crucial components: D3.VII, D4.II and D4.III
Do not be afraid to probe around Descriptors in the assessed dialogue, e.g
leadership, strategic leadership
Keep to time and use Descriptors and pre-planning to ensure time is well
directed
39
Ensure applicants are prepared e.g. know what to expect in terms of time,
that it is up to them to take ownership of the process, not to necessarily
expect it to be like an interview or viva etc.
Record dialogues for moderation purposes (audio is recommended to
minimise file size and access for moderation). Draw on local institution
norms for sample sizes accounting for HEA requirements, and the need to
invest more time in this process during early stages of using dialogue.
40
Appendix 1
The Table below sets out the responses relating to dialogue or other forms of
oral assessment as reported to the HEA in the annual review of accredited CPD
schemes (2014-15). These data provide the basis for the summary report
authored by Pilkington (2016).
Type of Scheme Comments on Dialogue
Certificate, narrative &
dialogue; narrative currently
preferred route
Personal mentor support through process. All mentors D3 and
D4. Anticipate challenges for dialogue in the timing, recording and
rooming. Workshop at writing retreat for dialogue.
Accredited taught and
assessed route for D1&D2.
CPD route written with
dialogic interview for D4
Faculty-based mentors, drop-in sessions and writing workshops.
Written Portfolio application
(applicant not present at
panel), oral presentation
(applicant present at panel),
or digital presentation
(applicant compiles digital
portfolio plus video
presentation)
Pairings of applicants across the institution helped generate
community of practice. Most conversations one-to-one. Peer
mentoring between SFHEA. Peer Groups used at SF and PFHEA.
Challenges articulating to candidate and panel what looking for in
PF.
3 Modes: written, eportfolio
and presentation, written
most popular
Initially, participants considered presentation route an
easier option- led to particularly diff icult recognition panel.
Now stress presentation route needs to be very well
prepared so demonstrates all UKPSF succinctly and
thoroughly. All routes provide evidence to support reflective
account. Concerns that dialogic opportunities may
advantage applicants; however, not evident from
experience. Where panels require supplementary
information for a decision , applicants offered written or
dialogic route for providing this
Written or presentation for scheme route, none used presentation yet
Written and portfolio plus
dialogue, e.g. RPA and PD
Labour intensive for mentor/assessor, our ‘professional dialogue’
route particularly popular with certain colleagues. Dialogue route
requires half the written information plus dialogue of approx. one
hour. Two colleagues discuss practice with the applicant in more
depth. Completers evaluate the experience highly. Some initial
difference about what constitutes evidence of
leadership/mentorship at D3
41
Scheme using dialogue Presentations and professional dialogues for assessment.
Extracts of the recordings used for repository of learning and
teaching innovation. Videos of applicants’ presentations - to be
used for academic development activities. Professional dialogue
based on observation for D1 - feedback from participants
positive. For D2 and D3, panels felt 40 minute presentation /
professional dialogue unhelpful to applicants and panels, so
changed to 20 mins prest plus dialogue. Challenge has been the
distinction between D2 and D3
Case study and viva The case studies and viva (optional D1 and D2, mandatory D3 and
D4) are especially valuable parts of the process
Dialogue review option
(eportfolio submission and
professional conversation)
plus document option
Applicants wanted professional dialogue. Now developed and
application process established
‘Mixed media’ portfolios,
written individual application
or oral submission possible
The UK PSF is becoming a standard or language in teaching and
learning conversations adding legitimacy for pedagogic research.
Oral narrative or written or
portfolio
The oral critical reflective narrative –enables interaction with
panel, questions about evidence and reflections. Panel members
provide feedback on strengths in person. Range of reviewers from
across university community; encourages dissemination of
effective practice; supports community of practice in teaching and
learning. Evidence from critical reflective narratives (oral and
written) and evidence suggests measureable impact on students.
Increased confidence in practice from positive outcome. Support
by one-to-one coaching.
Portfolio plus oral Cross-faculty leads and critical friends (mentors) ensure
interdisciplinary learning. The portfolio-based dialogic assessment
provides examples of practice for internal dissemination and is
reported by participants as affirming process.
42
CPD scheme only has
dialogue route- D1-3
Staff articulate teaching experience and philosophy in supportive
environment and explore rationale for choices, situating practice
within UKPSF. Staff utilise dialogue and feedback process to
develop their thinking. Personalised nature of dialogue enables
strategic approach to staff development. Staff in programme
teams ‘buddy up’ to work collaboratively on applications using
application process for discourse about teaching practice.
Significant time commitment for team members, e.g. length of
dialogues. Future FHEA dialogues to be 45 minutes; SFHEA 1
hour. Future developments: use SFHEA via dialogue route to
build mentors and assessors; enhance probing and questions for
SFHEA dialogues around e.g.‘sustained effectiveness’, pedagogic
research, and scholarship.
(1) portfolio of evidence with
reflective commentary
(written or oral) or (2) an
account of Professional
Practice and Development
using 2 case studies (written
or oral), plus two references
For (2) challenge for colleagues to conclude presentations with
summative statement on match to Descriptor requirements. Also
UKPSF mapping document of their professional and development
activities to illustrate breadth of experience alongside depth
conveyed by case studies; limit of 2pp max.
Oral presentation Oral presentation creates space for peers from different
disciplines to share accounts of teaching practice. Several joint
ventures initiated between panel members and claimants over
year.
Variety of options: a wholly
written form, a presentation
and interview and video
submission
The flexibility and support of scheme welcomed by applicants but
taxing for mentors. Mentor system success is having close
colleague to work with on application. Key learning for panel is
difficulty accessing and assessing a variety of materials.
3 routes: written, oral
dialogue and taught
programmes
Both pathways share criteria for submission (references, a peer
observation, summary of evidence document); dialogue pathway
involves 25 minute recorded dialogue with two independent
assessors. Both pathways popular with participants. Refining
guidance to participants on the dialogue route to clarify
expectations for assessment, and training day for dialogue route
for assessors/mentors so can better support participants on this
route. Challenge so far for dialogue route is number of
independent assessors. Scheme acting as catalyst for wider
discussions.
43
Dialogue option possible D1-
3
Writing workshops, mentor and 1:1 advice sessions support
applicants. Other support includes mentor and assessor training,
and advice sessions for referees. 1:1 advice sessions by mentors
and scheme assessors welcomed.
Professional Dialogue,
portfolio plus recorded
dialogue
Recorded professional dialogue is 45 minute conversation
between reviewer and candidate, involves conversation around
applicant’s practice and the evidence they provide. Primary
judgement made by reviewer, the recording is then assessed by
independent external reviewer and pathway co-ordinator. For
most, dialogue is extremely rewarding on both sides. Some
candidates and reviewers avoid this form of assessment, because
of risks attached to a live conversation about one’s practice and
demands placed on dialogue partner to evaluate standardsmet
whilst engaging in conversation with candidate
Written, application form;
can do podcast 2mins per
500 words
Planned community of critical friends to support colleagues from
departments.
Artefact submission, seen by 2 assessors [D1/2], plus moderation. Also video submissions
Largely written; verbal
option not taken; requests
for multi media
High quality conversations with staff, one-to-one guidance offers
opportunities to observe range of practice across the institution.
The quality of discussion at panels high.
Scheme with written
narrative or professional
dialogue route
Positive comments on opportunity to reflect on teaching practice
with colleagues from outside discipline area; is growing dialogue.
Consistency of judgement can vary, and some concerns about
penalising staff by requiring high standards.
Assessed dialogue D1-3 ‘Assessed dialogue’ route aimed at experienced staff encourages
applicants’ reflection on teaching and learning journey via
dialogue process. Initial reluctance for staff to engage; once they
start on the ‘assessed dialogue’ route, they realise the value to be
gained from critical reflection
Portfolio and dialogue, also
written; D1-4
Acting as assessor/ mentor allows staff to ‘give something back’
and maintain good standing. Dialogic approach to development
and assessment. Participants can access their assessed
professional conversation recording as part of reflection on
learning. Dialogic approach develops staff confidence in practice,
establishes communities of practice and that learning and
teaching is valued. Administration load is significant and impacts
on workload.
Written; oral dialogue only for clarification not assessment
44
Written and dialogue – all
have done dialogue
Recorded dialogic assessments are working well and staff
engages positively in this process. Mentor capacity built by
engaging those who have been through process.
CPD route, written or
presentation
Staff undertaking on CPD route report favourably on process and
reflective practice. Presentations have greater resource
investment attached in terms of panel time. However, with
support of panel members and appropriate moderation plus
training for applicant, presentation format is real strength.
All Descriptors, written, peer
dialogue around case studies
The peer dialogue praised by D3 and D4 applicants as useful
opportunity to reflect on case studies related to practice.
D1-4 written, oral Many of the case study examples from fellows are captured in
video and article form on the University website, to illustrate the
key education strategy themes and ambitions
All Descriptors
Verbal and written routes
Integrated mentoring scheme encourages dialogue and sharing of
practices between staff at different levels. Panel membership
drawn from across faculties
Descriptors 1-3, oral
presentation or written
submission
D3 panels consider written submission and oral discussion,
enable in-depth understanding of individual practice and support
for and guidance of others. Feedback from panel members very
positive. Orally assessment has set questions. Has been useful,
also constrains and limits learning exchange.
Scheme- written and presentation route; written form preferred
All Descriptors-
Written form, evidence
matrix and professional
dialogue
In PF, applicants can choose advocate to speak to panel prior to
professional dialogue. The professional dialogue is supportive in
tone, and provides additional opportunity for applicants to make
a claim. Staff welcomes opportunity to talk about learning and
teaching. Also shares good practice. Panels comprise staff from
across faculties; they value chance to hear examples of good
practice from outside own context. Process encourages staff to
reflect on practice and prompts conversations about learning and
teaching in institution.
One route: case studies in written or video format
3 routes: a written case study route (most popular); an oral presentation and an online reflection
(least). Also taught course route
Oral presentation possible or eportfolio – most used
2 routes: written or oral. PF
is both written and oral
Oral route can be a presentation, a discursive encounter or other
interactive session. Oral route is resource intensive; the panel
needs to be present not reviewing in their own time, but is more
valuable in broadening understanding of institutional learning
and teaching practice for participants and panellists.
45
Portfolio and professional
conversation
Portfolio designed to lead participants to provide appropriate
evidence. Mentoring process, when used, usually leads to success.
Review process has sound basis for making decisions, with high
reliability. Mentors and Panels hear about novel or innovative
practice for wider dissemination.
Taught and experiential;
written and oral – oral not
yet used
Allows emphasis on creative and practice-based outputs as part
of a submission– to be developed
Oral possible but not yet active, written
Teaching dialogue based on
reflective account of
practice
The Teaching dialogue well received as method to assess
applications where applicant has opportunity to elaborate on
experience and approaches
A written application or an
oral presentation
(accompanied by a mapping
exercise against the UKPSF, a
500 words summary of
personal educational
philosophy and a summary
of the oral presentation).
Most applicants opt for oral presentation followed by Q&A.
Experienced members of staff on Scheme present their case
orally to a panel of two external members and two internal
members. In revised scheme, the presentation is accompanied by
substantial teaching and learning portfolio mapped against
Descriptor.
D1-4, dialogic and written
uses eportfolio to underpin
oral.
Respondents valued mentoring relationship, opportunity for self-
reflection, recognition of good practice. Participants regard
dialogue process as celebration of expertise and chance to
articulate, and scrutinise philosophy of teaching. Positive shift in
institutional culture towards supporting and promoting
conversations about teaching, use of SoTL.
46
Appendix 2 modes of review identified in 2014-15 annual CPD review Institution Narrative
(written) Portfolio/ ePortfolio Written Case
Study(ies) Dialogue Dialogic
interview Oral Oral
Presentation Verbal Viva Video Digital
Presentation
1
2 (D4)
3
4
5
6 with dialogue
7
8
9 with prof conversation
10 (PgC)
11
12 with dialogue
13 PgC
14 with written or oral commentary
written or oral
15
16
17
18
19 + recorded dialogue
20 podcast
21
22
23
24
25
26 for clarification only
27
28
29 (peer)
30
31
32
33
34
35 written or video
36 online reflection
37
38
39 prof conv
40
41
42 (teaching dialogue)
43
44 to underpin oral
TOTALS 1 15 13 1 8 12 2 1 2 3
47
Appendix 3 – Institutional Case Studies
Appendix 3.1 Edinburgh Napier University: ENroute Scheme
Dr Fiona Smart, SFHEA
1. What led you to consider dialogue for your CPD/Fellowship Scheme?
Edinburgh Napier University’s decision, taken in 2013/14 to set an expectation
that all staff members on academic contracts would be recognised as Fellows
(AFHEA, FHEA, SFHEA or PFHEA) by 2020, led to a period of reflection within the
ENroute9 team10 during 2014/15. The team’s deliberations were informed by
discussions within the University and visits to a number of other institutions
running Higher Education Academy (HEA) UKPSF-accredited schemes. The end
point of the team’s review of our own Framework was a continuing commitment
to offer Fellowship opportunities across the landscape of the University (not just
to staff on academic contracts) and to be as enabling as possible to participants
seeking Fellowship. For the team, being enabling meant thinking about the
discourse of our scheme and our intention to enact collegiality in the way we
behaved and in the language we used. As a team, we believed that language,
and wider discourse, constructs meaning and from this meaning we symbolically
represent our values and ethics. Consequently, for example, we decided that we
would not speak of judgment, but rather review. We would not use the terms
assessment or assessor, but rather review and reviewers. And individuals
coming into the scheme seeking Fellowship would be participants, rather than
applicants. Thus, through this conscious collegial discourse, we set the
foundations for our UKPSF scheme, signifying an approach that would guide us
and create a framework of expectation for mentors, reviewers and, most
importantly, participants. Survey responses indicate we have gone some way to
achieving our aim:
9 ENroute is the University’s UKPSF CPD scheme and includes its PgC Learning, Teaching and Assessment Practice in HE,
its PgC Blended and Online Education and its experiential route to Fellowship.
10 The ENroute team includes membership from across the University; ENroute is managed from within the Department
of Learning and Teaching Enhancement.
48
Thank you. You have demonstrated the behaviors, values and principles that sometimes are not
so clear to see in other aspects of university work. It has been a very
rewarding experience. (Anonymous, Dialogue route applicant).
The ENroute team also committed to being responsive. One of the
conversations, which had taken place since the HEA Accreditation in 2013,
concerned the privileging of the written word in the making of a Fellowship
claim. The potential of a dialogue option within the experiential route to
Fellowship had been raised on a number of occasions. This was perhaps not
surprising. The PgC in Teaching and Learning in Higher Education had included
an integrative oral (IO) as part of the final assessment of its students for a
substantial period of time. The IO was designed to facilitate a focused discussion
with the student completing their studies in respect of two things: their learning
enabled via each of the three modules, and their professional development
through the lens of SEDA’s11 values and the UKPSF (D2). Feedback from External
Examiners had confirmed the robustness of the IO. Members of the ENroute
team had either experienced it as a member of the PgC team or as a student. It
was recognised as being valuing in its purpose, but also having the capacity to
facilitate discussion about key topics so as to enable the student to articulate
their knowledge, practice and value base. The question the ENroute team
contemplated was whether a similar opportunity might be created for
participants seeking Fellowship within the experiential route. The consensus was
that we should establish such an option. We debated in some depth what we
should call the option. And we used the literature to guide our thinking,
exploring, for example, Haigh's (2005) thinking on the professional conversation,
but decided in the end to adopt the term ‘professional dialogue’, confident that it
would facilitate the process described by Pilkington (2012, p. 254):
The structured dialogue enabled exposure, exploration and clarification of
the individual’s constructed professional pedagogical subject knowledge and
values to meet UKPSF descriptors to gain Fellowship of the HE Academy.
Having sought and gained authorisation from the HEA for the change, from May
2015 individuals seeking Fellowship via the scheme‘s experiential route can elect
one of two review options: a documentary submission or a professional
11 The programme was/ is approved by the Staff Education and Development Association (SEDA).
49
dialogue12. Both review options require participants to submit a record of
professional activity (RPA) and two referee statements.
Note: During 2014/15, both PgCs within the overall ENroute scheme were
revalidated. The PgC Blended and Online Education retained the option for
individuals who are employees of the University to seek to be recognised as
Fellows (FHEA). The mechanism for this was as before: students would reflect on
their learning through the PgC and give an online presentation, with a
discussion, evidencing D2 requirements. In contrast, the decision to take the
integrative oral out of the new PgC Learning, Teaching and Assessment Practice
was taken – the consequence of a completely new curriculum design and
assessment strategy. Fellowship at D2 is decided at the point of the final
summative assessment of the student’s patchwork text. Learning opportunities
throughout the single 60-credit provision facilitate focus on the UKPSF, so, too,
the five points of formative assessment and feedback.
2. Roughly and globally outline how your dialogue process works13
All participants, irrespective of category of Fellowship or review option decided
upon, follow the same process. Having expressed their interest in Fellowship via
an online system managed by the University’s Human Resources Department,
they gain access to resources located in a virtual learning environment (VLE) and
are invited to book on three mentoring circles. They are advised that there are
three review periods per year:
Starting in May with applications submitted in September,
Starting in September with applications submitted in December and
Starting in January with applications submitted in May.
Once individuals have decided that they want to make a Fellowship claim and
are therefore formally ‘active’ within ENroute, they can defer or indeed
withdraw, but they need to notify the ENroute administrator.
12 Participants seeking Fellowship via the professional dialogue review option submit an ePortfolio, which isn’t of itself
reviewed; it is explained as the “conversation starter” for the dialogue.
13 Focus from here in the case study is on the experiential, and not the accredited (credit-bearing PgC) route to
Fellowship.
50
At present the mentoring circles, referred to above, are campus-based; plans for
them to be virtual have been discussed but not progressed at this point. The
mentoring circles are facilitated by individuals holding fellowship – AFHEA, FHEA
and SFHEA, offering a breadth of support and guidance to the process and they
are drawn from across the University, a feature which is understood to
strengthen ENroute, especially its mission to be inclusive and respectful of the
‘discipline’. Guests who have gained Fellowship via the experiential route are
invited to the circles to speak about their experience. Again, this approach for
mentoring is valued by participants because it offers the opportunity to explore
ENroute from a lived perspective.
Attendance at each of the three mentoring circles is not mandatory at this point,
but this has been discussed with our External Reviewer. Each mentoring circle
has a different theme. The first focuses on categories of Fellowship and review
options, the second on developing the claim and the third on readiness to
submit.
The primary purpose of the mentoring circles is to create a space within which
participants come together to learn and to share. They draw from Habermas’
model of “communicative action” summarised by Bolton (2014, p. 8) as:
social action in which the actors seek to reach common understanding and
to coordinate group actions by reasoned argument, consensus, and
cooperation rather than action strictly in pursuit of their own goals.
Bolton (2014) notes that, for Habermas, communicative action sits in opposition
to “instrumental action”, which is essentially concerned with self-interest and
“strategic action”, wherein individuals seek to change the decisions of others in
order to meet a strategic goal, regardless of any personal adverse impact. The
mentoring circles seek to create an environment for “ideal speech
opportunities”, in which the information given is factually correct and relevant;
and where the intention of communication is both sincere and ethical
(Habermas, 1987). While we seek the ideal, the mentoring circles are not without
their challenges and will be returned to later in the case study.
In addition to the mentoring circles, all participants are offered the opportunity
of gaining formative feedback on their record of professional activity and also on
their draft written submissions (documentary option) and ‘presentation page’ in
the ePortfolio (professional dialogue option). Following discussion with the
External Reviewer, and an identified link between participants who do not seek
formative feedback and an increased likelihood of their not being successful in
their Fellowship claim, we now ask all participants to take advantage of this
51
opportunity. We do not, however, require it, recognising that individuals need to
make their own choices.
To further support participants taking the professional dialogue review option,
approximately three weeks in advance of the review period commencing, an
information session is held. It facilitates discussion in a group setting about the
professional dialogue process, reviewers’ expectations and participant
responsibilities. Time is taken to talk through the questions, which form the
outline for the professional dialogue14. Although all of the information explored
at this session is available in the VLE, feedback from attendees highlights the
value of the coming together to talk. Importantly, the significance of the session
extends beyond providing information, responding to questions and clarifying
expectations. It offers the space to enact ENroute’s commitment to collegiality,
communicated by the facilitator being warm in approach, receptive and valuing.
The review period spans 3–4 weeks and is used by reviewers15 to make their
decisions in respect of documentary and dialogue applications. Participants are
not informed of review decisions until after the Review Board sits. An academic
member of staff who is a Principal Fellow convenes the Board. This individual is
neither a mentor nor a reviewer. The primary purpose of the Review Board is to
ratify the review decisions and to receive formal feedback from the External
Reviewer, who is in attendance together with the ENroute lead, the organiser of
the mentoring circles, the administrator and the ‘empty seat’ observer16.
A pre-Board chaired by the Review Board convenor, and attended by the
External Reviewer, the ENroute lead, the organiser of the mentoring circles and
the administrator is used to discuss particular applications, identified either by
reviewers or the External Reviewer. When an application for Fellowship has been
selected for discussion, at least one of the reviewers involved in the decision-
making is asked to attend the pre-Board at a specific time. This feature of the
14 Question 1 – which category of Fellowship and why; Question 2 – participant invited to select something from their
presentation page “of which they are proud” and to talk about it; Final Question – “anything you’d have liked to have talk
about but haven’t had the chance to”. Topic areas for other questions – approaches to learning, teaching and
assessment, managing change, CPD and scholarship. These topics are tailored by reviewers according to the category of
Fellowship sought.
15 All reviewers are Senior Fellows of the HEA.
16 The ‘empty seat’ observer was introduced in May 2015 as part of our commitment to openness and transparency. In
advance of the Review Board, an invitation is sent to the whole of the University inviting anyone who has a role in
teaching/supporting learning to sit at the Board to observe due process. An individual is randomly selected from the
expressions of interest received to take the empty seat.
52
provision was introduced to prevent unnecessary discussion of colleagues
coming forward for Fellowship across the body of the reviewers and is seen as
further confirmation of our commitment to be respectful by upholding
confidentiality wherever possible.
The review period concludes with the notification of the decision to the
participant, an updating of HR records and, with the participant’s permission, the
communication of the successful Fellowship outcome to the HEA.
3. What were the challenges associated with introducing/implementing a
dialogue approach for your scheme, and how did you surmount these?
The challenges and their solutions can be grouped under four headings:
technical, organisational, consistency and feedback.
Technical – The VLE is used to receive documentary submissions, including
the RPA and references. From here, the administrator transfers the individual
folders for each participant to secure eStorage. We had thought that we
would be able to capture Mahara pages (the ePortfolio we use for the
dialogue) similarly, but cannot do so in the way we planned. However, the
presentation page is the conversation starter and is not itself reviewed.
Therefore, for participants taking the professional dialogue option, the audio
recording of their dialogue is stored securely by the administrator together
with their RPA and references submitted by participants into the VLE.
Another technical challenge was enabling the External Reviewer to access
audio-recordings remotely and securely. With support from Information
Services the issue was resolved.
Organisational – The review period is planned in advance and, as noted,
spans a three–four week period. The introduction of the professional
dialogue meant that we had to revisit what had previously been an
anonymous reviewer process. Now all participants irrespective of their
review option – documentary or professional dialogue – know who their
reviewers are in advance. Again, this supports a commitment to openness
and transparency. In advance of deciding on the reviewers, both participants
and reviewers are asked to identify if there is / might be a conflict of interest,
explicitly defined as ‘the risk of prejudice against / bias towards’. It has been
reassuring that both participants and reviewers have felt able to say where
there is, or could be, a conflict. This information, together with participant
and reviewer availability, and room allocation at each of the three campuses,
is used to create the review partnerships. Other information taken into
53
account at the point of planning is reviewer experience17. Overall, it is a
complex process, not commonly, but often enough, disrupted by a reviewer
becoming unable to attend a professional dialogue in the designated time
slot. To date, no dialogues have had to be cancelled.
From the perspective of room allocation, we have to ensure that the room is
big enough so each person feels comfortable in the space, has internet
access so we can access the ePortfolio, is sufficiently sound proof to protect
confidentiality and where disruptions are unlikely. We also learned, after the
first series of professional dialogues, that we needed to book rooms for two-
hour slots. This enables:
The reviewers to meet together for 30 minutes before the participant
arrives and to access the participant’s ePortfolio presentation page so
that it is on view for everyone;
The dialogue itself to have 60 minutes set aside (45 minutes of that for
the actual dialogue, with introductions, the audio consent process and
the overview of the process using the first 15 minutes, if needed);
30 minutes for the reviewers to make the provisional decision.
Consistency – The reviewer part of the ENroute team has grown from seven
to twenty-three since May 2015 [written July 2016]. The increase in numbers
is understood to increase the risk of inconsistent decision-making. Added to
this is the potential for mentors at the mentoring circles to offer guidance
that is not aligned with review decision making. To address this, a joint
programme of CPD for new and established mentors and reviewers was put
in place in May 2015. There are now nine ‘touch points’ per year, three per
review period, which bring the team together. They are:
1. Lunch with the External Reviewer to discuss the process of supporting
participants and making review decisions;
2. One week after the Review Board to explore ‘lessons learned’ and
action plan for refinements in respect of mentoring and/or reviewing;
17 All new reviewers shadow documentary and professional dialogue Fellowship claims as part of their induction into
role. Reviewers who have completed the ‘shadowing’ phase but are less experienced are partnered with more
experienced individuals, creating the opportunity for further learning and development.
54
3. A formal CPD session usually focused on a topic, which has emerged in
discussion with the External Reviewer.
The impact of the CPD programme can be evidenced in feedback from the
External Reviewer, who has noted the robustness of the scheme; equally
important is the development of the ENroute team into a cohesive whole,
operating so as to be consistent in the information provided, guidance given
and decisions made.
Feedback – Giving feedback to all participants, successful or not, has been
hotly debated in the ENroute team and is sometimes raised by participants
themselves. The challenge we talked through was giving meaningful feedback
to participants at the conclusion of the Fellowship claim. We agreed that
participants who were ‘not yet successful’ would receive written feedback, the
opportunity to meet with one of the reviewers and also guidance to work
through the tailored support plan agreed at the Review Board. However, it
was decided that participants whose claims were successful would not
receive what would be, in effect, summative feedback. Instead the available
resource would be committed to providing formative feedback at a point
when the participants would be able to make best use of it – see Section 2
above. This approach is consistent with a University-wide change process
centred on prioritising high-quality, timely formative feedback, rather than
using scarce resource where its benefit is less likely – that is, at the point of
the summative decision.
4. What would be the key considerations you would highlight for others to
consider when introducing dialogue, and why?
The mentoring circle format was born of necessity. The resource-intensive
1:1 model, which had been in place, was recognised as problematic given the
100% Fellowship goal. But there was more to the decision to introduce
mentoring circles than this. Mentoring circles feature in the literature as
valuable additions to an organisation’s mentoring repertoire. Driscoll, Parkes,
Tilley-Lubbs, Brill, & Pitts Bannister (2009), for example, challenge the efficacy
of the traditional mentoring dyad, instead acclaiming the potential of group
peer mentoring process, in a way which is not dissimilar to Habermas’ model
of communicative action (Bolton, 2014). Yet, just as Habermas (1987)
understood that the model of communicative action was an ideal type,
ENroute’s mentoring circles are not perfect; they need to accommodate a
number of variables, which include the facilitator and their skill in working
55
with the participants to create the learning/sharing space and the fact that
each mentoring circle, despite the fact that it is part of a series, is differently
constituted each time as the membership inevitably changes. Adding to the
complexity is that not all the participants are seeking the same category of
Fellowship; neither have they all selected documentary or professional
dialogue as their review option. From a communicative action perspective,
the space might appear ‘‘distorted” (Habermas, 1987). However, by
acknowledging the complexities, understanding pluralism and enacting our
values, facilitators can and do ameliorate the recognised difficulties, seeking
to remain true to the intention to begin the process of professional dialogue
in the mentoring circles in a way which is consistent with the scheme’s
discourse – captured for us in the term ‘collegiality’.
To be clear about the nature and purpose of the dialogue, including securing
agreement about the word used to describe this review option. As indicated
earlier, we explored a number of alternatives including ‘professional
conversation’ and ‘viva’. For us, the use of the term ‘professional dialogue’ is
consistent with Pilkington's (2012, p. 254) thinking and is used in ENroute to
represent an elongated process which starts in the mentoring circles and
concludes in the audio-recorded session, in which the participants speak
about their practice within a framework of expectation – that is they know
the first, second and final questions and also know the topics which will
explored, nuanced to reflect the category of Fellowship sought, during the
discussion.
Just as is the case in the mentoring circles, what happens in the professional
dialogue depends on the individuals who together create it. However, there
are different responsibilities depending on roles. For example, it is for the
reviewers to establish the sense of a safe space in which participants feel
enabled to talk; it is for participants to be prepared, ready for the reviewers
to direct the dialogue to ensure that the information gathered is on focus for
the category of Fellowship sought. However, it is not always as
straightforward as that, and whilst it is the case that ENroute reviewers are
seeking to adopt what Kvale (2008) presents as an approach which suggests
‘travelling with’, rather than ‘mining out’, it can sometimes be that a
professional dialogue feels like the reviewers are needing to ‘dig’ the
information out of the participant. There are other considerations too,
including what to do if the participant goes off-piste or when the participant
finds it hard to articulate their practice in respect of the category of
Fellowship sought, the reviewer losing focus or the reviewer not probing
56
when needed. Our experience is that the CPD process we have with its touch
points during the academic year builds skills and confidence across the
ENroute team. We are an example of a learning community wherein our
knowledge and skills are never complete.
We have found that one reviewer leading the dialogue for the first 30
minutes while another makes the record against category requirements and
then swapping over defined roles works well. Participants are informed
about this in advance and reminded before the dialogue starts, so they know
what to expect.
We work continually to ensure to the best of our ability an equivalence of
review opportunity between the dialogue and documentary review options. It
is likely that no matter how experienced we get, we will need to maintain
focus on this.
Finally, we took time to secure support for and to get guidance about the
audio-recording of the dialogues. Immediately prior to the dialogue starting,
participants are reminded about why the recording is made, who can access
it and its purpose – information that has all been made available previously.
All parties – participants, reviewers and, where relevant, shadow reviewers18
– sign the consent form. The form is securely stored in the participant’s
individual eFolder by the ENroute administrator.
5. What recommendations would you make to others to help them introduce
effective dialogue processes?
Accredited schemes need to facilitate engagement with the UKPSF and require
robust decision making. They also need to ‘fit’ with the institution – its priorities
and cultural milieu. Whilst every institution is different, there are some
recommendations which are thought to be of value elsewhere. They include:
Attention to the ethical underpinning of the scheme and its discourse;
18 As noted previously, shadow reviewers are new to role. They are required to develop by shadowing the dialogue,
observing the process and decision making and by shadowing the documentary review process. In neither case is their
view part of the decision taken. Participants are informed about the role of the shadow and know who they are too, just
as they know the names of their reviewers.
57
Ensuring clarity in respect of words and terms used and being consistent in
their use;
Ensuring transparency about review options and making clear the
commitment to an equivalence of review opportunity;
Ensuring clarity in respect of quality assurance and enhancement processes –
internal and external – including internal staff development and the role/
function of the external reviewer.
6. What have been the wider benefits/impacts of dialogue for your scheme /
your participants / your institution?
Edinburgh Napier has a proud history of valuing learning and teaching; see, for
example, its Teaching Fellows community, which pre-dates the UKPSF by years.
But even in this context, where pedagogy is a word that is used and understood,
having a dialogue option in ENroute is creating new conversations, with
participants, between participants and reviewer(s), between reviewers, with
mentors and reviewers. New ideas develop, practices are shared and questions
posed. In the Scottish context, where enhancement is the primary quality focus,
ENroute is privileging discussion about academic practice, in a way, which
documentary submissions perhaps can never replicate. There is something
about ‘being there’, hearing, listening, asking, responding, which makes practice
live.
7. What has been the impact of dialogue for you and have you any final
reflections and lessons learned to share?
Personally, my networks across the University have grown, I have gained
enhanced insight into disciplinary fields other than my own, I have experienced
pride in the quality of work lived in everyday practice and developed still further
my ability to think in the moment, and steer a dialogue without it becoming an
interrogation, or, in Kvale (2008) terms, an exercise in mining.
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Appendix 3.2 Ulster University: ENHANCE PD&R Scheme
Dr Sarah Floyd PFHEA [email protected]
http://www.ulster.ac.uk/centrehep/pds/
1. What led you to consider dialogue for your CPD/Fellowship Scheme?
The Ulster ENHANCE Professional Development &Recognition Scheme (PD&R
Scheme) utilises dialogue as a key component of its assessment approach for
the majority of applicants and it has proven to be a highly successful approach.
Prior to us introducing it, I would have only used other forms of oral assessment
such as presentations and vivas so it was a leap of faith to include it in the
scheme. However, this decision was evidence informed based on publications
and discussions with Ruth Pilkington, and as we also engaged her as external
assessor there was an element of a safety net as she would be able to support
our implementation of the approach.
Key drivers in opting to use dialogue were based around two key considerations:
As a HEA accreditor I was extremely aware that for some staff writing
reflectively can be a challenge but that they would be able to articulate their
experiences verbally with much greater ease. Additionally, there are times
when you read an application where you feel if you were just able to ask for a
little more information or evidence it would be so much easier.
At Ulster we have been striving to engage staff in meaningful dialogue
around L&T for a number of years and it was evident to us that there would
be many opportunities within a dialogic process to build staff confidence and
experience of doing this with a broader range of staff. We hope that this
would help to build a culture of L&T discourse.
Three years into my leadership of the scheme and having led on countless
professional dialogues I can now say it was the best decision we made, not one
without challenges, but more importantly it led to unexpected opportunities.
These have included:
our learning from the myriad rich examples of effective and innovative
practice that are discussed with applicants;
opportunities to build our own relationships with colleagues across the
university and to broker new inter-disciplinary relationships between staff
that lead to further enhancement of the student learning experience;
59
Other transformative impacts on individuals and the institution are highlighted
below.
My reflections, as Scheme Lead, have been informed by extensive on-going
review and evaluation that has included inputs from a range of stakeholders
including applicants, internal assessors, our external assessor, senior staff, the
HEA and the core PD&R Scheme team.
2. Roughly and globally outline how your dialogue process works?
Applicants for Associate Fellowship and Fellowship (Descriptors 1 and 2) are able
to choose between the following evidence options:
Dialogic Route consisting of an E-portfolio providing an outline record of
activities and evidence aligned to the UKPSF requirements for D1 or D2,
advocate statements, plus an Assessed Professional Conversation (20-40
minutes).
Full E-portfolio Route providing detailed case-studies plus supporting
evidence and advocate statements.
We decided at our last accreditation to offer choice for D1 and D2 applicants and
a small number have opted to use the full e-portfolio route. However, in this
case study I will only refer to the dialogic route.
Applicants can avail of group mentoring and/ or writing retreats as they prepare
their submissions.
Once submitted, assessment of Associate Fellow and Fellow applications takes
place through scrutiny of submitted evidence, followed by a recorded Assessed
Professional Conversation (APC), lasting between 20-40 minutes, carried out by
two trained ENHANCE PD&R Scheme assessors. Assessors all hold SFHEA or
PFHEA. The e- portfolio and supporting statements are used as reference points
during the conversation. Evidence is triangulated against the dimensions of the
UK PSF commensurate with the category of fellowship being applied for.
Decisions are communicated within one week of the Panel meeting (held 6 times
per annum at the end of a series of APC assessments held over a 1-2 week
period).
All applicants for Senior and Principal Fellowship are required to prepare an e-
portfolio containing a detailed narrative plus supporting evidence, advocate
statements and participate in an Assessed Professional Conversation. This is
based on robust evaluation of the scheme, where it is evident that there are
60
clear benefits for both applicants and assessors in assuring the veracity of the
decision making and the developmental process for the applicant. As they
prepare their submission, applicants are allocated a trained mentor who holds
the category of fellowship they are aiming for. One key element of the mentor’s
role is to help them to develop their skills in discussing their L&T practices and in
particular their leadership of L&T.
Assessment of Senior Fellow applicants takes place through scrutiny of
submitted evidence, followed by a recorded Assessed Professional Conversation
carried out by two trained ENHANCE PD&R Scheme assessors. All applications
are also assessed by a third assessor with a sample moderated by the external
assessor. Assessors hold SFHEA or PFHEA. The focus of the Assessed
Professional Conversation is to explore the applicant’s achievement and
demonstration of “clear evidence of a record of sustained effectiveness in
relation to teaching and learning that demonstrates that you are developing
your strategic leadership role, incorporating for example, the organisation,
leadership and/or management of specific aspects of teaching and learning
provision, mentoring and leadership of others commensurate with Descriptor
3.” The APC lasts around 45 minutes.
The e- portfolio and supporting statements are used as reference points during
the conversation. Evidence is triangulated against the dimensions of the UK PSF
commensurate with the category of fellowship being applied for. Decisions will
be communicated within one week of the Panel meeting.
Assessment of Principal Fellow applicants takes place through a recorded
Assessed Professional Conversation carried out by two ENHANCE PD&R Scheme
Panel Members and an external assessor. At least one of the assessors holds
PFHEA with the others holding SFHEA or PFHEA. The e-portfolio and supporting
statements are used as reference points during the conversation. Evidence is
triangulated against the dimensions of the UK PSF commensurate with the
category of fellowship being applied for. The focus of the Assessed Professional
Conversation is to explore the applicant’s achievement and demonstration of
“clear evidence of a sustained and effective record of impact at a strategic level
in relation to teaching and learning, as part of a wider commitment to academic
practice commensurate with Descriptor 4. This may be within Ulster or wider
(inter)national settings.” The APC lasts around 60 minutes.
It is worth noting that the specific focus of the D4 dialogue has helped applicants
to focus their preparation on better positioning and articulation of their
approach to, and vision of, their own strategic leadership. They are very much
61
aware of the need to demonstrate how they can evidence their impact to
support their claim. This has led to stronger submissions and through both the
APC experience and the ensuing feedback applicants are provided with further
developmental advice. For aspirant PFHEA applicants this focus has also caused
them to seek opportunities to build a stronger profile of strategic leadership that
shows the reach and depth of impact needed for D4, and this has positive
benefits for the institution.
3. What were the challenges associated with introducing/implementing a
dialogue approach for your scheme, and how did you surmount these?
The Ulster ENHANCE PD&R Scheme utilises dialogue as a key component of its
assessment approach for the majority of applicants and it has proven to be a
highly successful approach. Three years into the scheme, we can now
confidently say it was the best design decision we made. My colleague Vicky
Davies undertook a rigorous evaluation of our early experiences and based on
these has established a model that explores the key practical and pragmatic
considerations we have had to deal with. These are summarised in the diagram
below.
A Framework for HEA Professional Recognition through Dialogue V Davies (2016)
Each year we have reflected on how the Assessed Professional Conversations
have operated, and as a result have refined our guidance, in particular the foci
and key questions we use.
Dialogue
Purpose
Format
Assessment
Training
Guidance
Logisitics
62
Key questions to be asked in all D1 & D2 APCs (wording may vary):
Reflecting on your experience as an educator (practitioner) in HE – could you tell
us about your overall approach to supporting and/ or enhancing the student
learning experience and how this relates to/aligns with the Professional Values?
Give an example of professional development you have engaged in and explain
how it positively influenced your learning and teaching practices.
Key questions to be asked in all D3 APCs (wording may vary):
Reflecting on your experience as an educator (practitioner) in HE – could you tell
us about your overall approach to supporting and/ or enhancing the student
learning experience and how this relates to/aligns with the Professional Values?
Give an example of professional development you have engaged in and explain
how it positively influenced your learning and teaching practices.
Using a representative example, tell us how you have demonstrated sustained
effectiveness in learning and teaching linked to one or more of the areas of
activity.
Illustrate, using an example, how you have demonstrated successful leadership
in learning and teaching that has impacted on and/or influenced the practice of
others (not students).
4. What would be the key considerations you would highlight for others to
consider when introducing dialogue, and why? What recommendations
would you make to others to help them introduce effective dialogue
processes?
A number of particular aspects I wish to highlight are:
It can be easy to underestimate the administrative time that is needed to
organise and schedule APCs once you are dealing with growing numbers of
applications. I have needed to establish very clear processes for timetabling,
booking slots, allocating assessors, avoiding conflict of interest etc. I would
advise that at an early stage it is useful to set out all the stages that are
needed throughout the applicant journey;
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It is evident that dialogue as an assessment approach can be much more
inclusive for staff from a wide range of disciplines and roles. Building on
documentary evidence, many individuals are able to demonstrate their ability
to reflect on their effective practice in a way that they may have struggled
with in the unfamiliar genre of reflective writing. However, staff can be very
nervous about the dialogue and we have worked hard to ensure that
assessors are trained in establishing an environment and atmosphere that is
supportive and conducive to a ‘conversation’ as oppose to an ‘examination’;
Build your capacity for operating a dialogic process, you will need more
trained assessors due to the nature and logistics of the process;
Include some documentary evidence as part of the submission, this will allow
assessors to prepare, and for the ensuing discussion to be richer and more
relevant;
It is important also to ensure that the same assessors do not always work
together as there are real opportunities for assessors to learn from each
other and to appreciate the range of disciplinary and pedagogic perspectives
that may surface in an APC.
5. What have been the wider benefits/impacts of dialogue for your scheme/
your participants / your institution?
The sustained impact of engaging in discourse around L&T has been evident
with participants’ feedback on how valuable it has been, and how it has
encouraged them to talk more confidently and freely with others about their
L&T. This has started to permeate through the institution, developing a more
evident culture of "it is OK to talk about teaching".
“Engaging with colleagues on teaching practice is really rewarding as it makes you stop and
consider the discussions that you might have 'in your head' as you
are preparing teaching.”
“It validated my teaching practice and offered me an opportunity to reflect on the same and
think of ways of further engaging in continuous professional
education”
“Getting my Senior Fellowship has enhanced my confidence in my own abilities and helped me
realise the importance of my contribution to the educational
experience in my institution, something I hadn't fully realised before
I began this process.”
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A value added for all who participate in the Assessed Professional Conversations
has been how much you learn about the range of effective, and at times
innovative, practice going on around the university. It is not unusual for
assessors and applicants to arrange to meet up later to discuss a particular
practice further, or to plan to work collaboratively. We have also been able to
connect applicants with others in the University doing similar work. For the
ENHANCE PD&R Scheme Leads this exposure to practice has been extremely
useful, and has provided a wealth of examples to use in other fora, such as
within Postgraduate Certificate in Higher Education Practice sessions.
Our approach has been supported and endorsed by both our external
assessors:
“What is very strongly apparent is the important contribution made by mentoring to the success
of the Scheme. This is essential in particular at SFHEA and PF. My
impression of the work of mentors and Faculty leads is that they
have contributed significantly to engendering a culture change
across faculties and have successfully embedded dialogue within
the institution. This has been enhanced by the strong emphasis on
scholarship and evidence across both the PG Cert and APC routes.
Dialogue emerges overall as an enjoyable positive, celebratory and affirming experience for the
majority of staff undertaking the APC. The final dialogue element for
the PFHEA applicants (which I attend) is particularly powerful and
rigorous indicating the strength of the dialogue within the process.
It significantly exposes both the strengths of the applicant and any
weaknesses which might indicate a candidate is not yet ready for
Principal Fellow. It is however also recognised that the PF process is
challenging and often creates tension because it is necessarily a
matter of working with those in sensitive leadership positions. This
might be overcome by having greater numbers of PFHEAs to act as
mentors and assessors from the university management team.”
External Assessor Report R Pilkington, July 2015
and another External who was involved in a recent PFHEA dialogue:
"As I mentioned on the day - it was one of the most positive recognition experiences I have had,
and whilst, if I'm honest, being slightly sceptical about 'dialogue'
previously, the experience has completely convinced me of its
potential." Dr Colleen Connor, April 2016
Seeing and learning about the value of dialogue has led to us attempting to
embed it more fully in other processes and, moving forward, we hope to be able
to transfer some of our learning in to our institutional approach to appraisal. We
are also continuing to provide formal opportunities for dialogue through use of
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SFHEAs/ PFHEAs as mentors, and also as a community to consult with on new
L&T developments e.g. through Centre for Higher Education, Research and
Practice initiatives and projects.
6. What has been the impact of dialogue for you and have you any final
reflections and lessons learned to share?
Evaluation of the ENHANCE PD&R Scheme has highlighted for us a range of
wider benefits for the institution:
the dialogic approach has acted as a trigger for ongoing engagement with
learning and teaching, and the development of meaningful communities of
practice where effective practice and innovations can be disseminated;
the value of dialogue in brokering new professional relationships and
expanding the usual “significant networks”;
recognising and gauging the role of professional recognition in fostering
cultural change in SoTL;
the surfacing and further development of more hidden, and previously
unrecognized, academic leaders.
The learning about dialogue has not only had impact at Ulster but has also been
of interest externally and I have, together with Vicky Davies, had opportunities to
share our experiences formally and informally.
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Appendix 3.3 York St John University - Recognising Academic Practice
CPD Framework
Mandy Asghar PFHEA
1. What led you to consider dialogue for your CPD/Fellowship Scheme?
The role of dialogue in professional learning and developing pedagogic practice
has always been very important to me. When I arrived in 2009 at York St John
University (YSJU), and became responsible for academic development, it struck
me that there were limited opportunities for staff to get together to “talk” about
their teaching practice. As a consequence I set about creating both informal and
formal opportunities to do this and moved away from traditional didactic
formats. This involved re-invigorating the annual learning and teaching
conference to something more akin to an open space event, creating lunchtime
forums using Pecha kutcha formats, and evolving a network of University
Teaching Fellows who regularly met to talk about their teaching. In shifting the
culture of traditional pedagogic development towards a more dialogic approach
it was then a natural extension to conceptualize it as a key recognition route in
our HEA accredited CPD framework in 2011.
2. Roughly and globally outline how your dialogue process works?
The process requires applicants to engage in two, one hour dialogues with
peers, to explore how their pedagogic practice meets the criteria of the UK
Professional Standards Framework (UKPSF) at the appropriate descriptor. These
are formative dialogues, an opportunity for applicants to reflect on their
teaching, and consider what evidence they might use in their third, and final,
summative dialogue.
Applicants are required to use an e portfolio (Mahara) as a space to bring
together and organize, the evidence they are going to talk about. We have found
this helps applicants shape their thinking about the UKPSF as many have difficult
choosing what evidence to use, particularly when they have been teaching for
many years.
Applicants attend a mandatory initial development workshop. This provides
training in the e-portfolio system, encourages conversations amongst applicants
as to how they can evidence their engagement with the UKPSF; and explains
how the dialogue will work formatively and summatively. The final aspect of the
process is an audio-recorded summative dialogue of one hour between the
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applicant and assessors. Prior to this event, the assessors are given access to the
applicant’s e-portfolio. The e-portfolio is also used as an aide memoire in the
final dialogue and to showcase good practice. For further information about the
integration of the e portfolio into our dialogue process please see Asghar (2014).
3. What were the challenges associated with introducing/implementing a
dialogue approach for your scheme, and how did you surmount these?
Getting mentors, assessors and applicants to understand what dialogue is and
isn’t, was an initial problem and we overcame this by inviting Ann Brockbank to
deliver workshops about dialogue. This stimulated thinking about what it was we
were trying to achieve, and helped us develop a shared understanding. We
practiced dialogue using role play and talked about the challenges of the
process. It also became important to allow flexibility and fluidity across the three
dialogues. Often we found that no two encounters would be the same, although
ultimately they were achieving the same end. We identified, early on, the
importance of ongoing training and development for those supporting the CPD
framework so that the ethos of what we were trying to achieve was maintained.
The e-portfolio was the most often complained about aspect of the process,
despite the support we put in place. We have overcome this by providing
additional support sessions often on a one to one basis. That said, we have
seen some amazing portfolios that tell incredible stories of members of staff
who have created innovative learning opportunities for their students.
Applicants sometimes struggle with trying to decide what a portfolio page
should contain. Use of examples in the workshop has helped in showing what is
possible. We have avoided created templates as we want to keep the portfolio
flexible, allowing a variety of approaches and use of different media.
Trying to organise assessments and ensuring that everyone was where they
should be at the same time was one of our biggest challenges. When the CPD
framework was first in place there was no administrative support and it is a
critical success factor.
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4. What would be the key considerations you would highlight for others to
consider when introducing dialogue, and why?
Start small, take a pilot group through to assessment and learn as you develop
your processes, so that you iron out problems and gain confidence in your
decisions.
As the leader of a CPD Framework although it might feel awkward to do so, go
through your own scheme when seeking personal recognition. Use your external
to ensure quality and robustness of the outcome. This way you role model the
process to others, you know what it’s really like, and are more convincing in
encouraging others to engage in it.
Keep members of staff, who are engaging in the dialogue process, together in
groups. We have three cohorts a year who mostly start and finish in a three
month period. If you do not do this it becomes very chaotic.
Bring a couple of senior academics on board and support them through the
process. Early on I mentored a Dean to become a Principal Fellow through
dialogue. This had an enormous impact on her Faculty and she became a real
advocate for the dialogue process and engagement with Fellowship recognition.
Be careful not to overuse your early adopters who often become your
champions and participate as mentors and assessors. We found that we were
over reliant on a few who soon became fed up of the extra workload.
Think carefully about how you will engage with your externals in a dialogue
scheme. You may have externals involved in your assessments or you may just
have one overall external who will review a sample of your dialogues19. Consider
how you will share the files with them and remember it can be time consuming
to listen to lots of dialogues, longer than it would to review a sample of
documentary applications.
Learn from others who have been there before you in developing dialogue
routes. Increasing numbers of schemes in the UK are using a dialogic process,
you might find it useful to visit, talk to scheme leaders and watch dialogues in
action.
19 Please refer to the HEA accreditation policy for minimum requirements relating to externality (Section 4.6)
69
5. What recommendations would you make to others to help them introduce
effective dialogue processes?
Make sure your framework is effectively resourced and that you have your
champions who can talk positively about using dialogue in this way.
Keep encouraging those who have gone through the dialogue route themselves
to become involved as mentors and assessors so as to make your framework
sustainable.
Introduce new assessors to your framework gradually; give them an opportunity
to observe one or two assessments prior to doing any independently.
Be flexible and if you do not think someone is ready for the final assessed
dialogue make space for further mentor meetings. This ensures that applicants
are ready and helps to avoid the challenges of some might react to not
succeeding.
When running an assessment particularly with SFHEA and PFHEA where there is
a requirement for more than two assessors, consider how one may take the lead
in terms of the dialogue. This helps to avoid the final dialogic assessment from
becoming more like a viva.
Make sure your applicants are apprised of what to expect in the final summative
dialogue. It’s not an interview and you should avoid treating as one.
Think about how you might use edited recordings of dialogues for training
purposes.
Have discussions with mentors and assessors to share ideas about how best to
integrate scholarship and leadership into the dialogues.
Keep up with mentor/assessor support and training to ensure the ethos you set
out to create in your scheme does not become derailed. I believe it is important
to remain curious about dialogue and what we are trying to achieve. I often
return to Ellinor and Gerard (1998) who suggest that the best thing about
dialogue is that it “slows the pace of our conversation down so we can see what
is behind all the rushing around”. They explore the differences between dialogue
and discussion which they regard as on a conversation continuum. Dialogue is
seen as “learning through inquiry” and “creating shared meaning” whereas
discussion is much more about defending a position, persuasion and finding the
right answer.
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6. What have been the wider benefits/impacts of dialogue for your scheme/
your participants / your institution?
Many of those who have had success have suggested that it has had a big
impact on their self-confidence and self-esteem. Many applicants talk about
being proud to be e.g. a Senior Fellow. They also talk about enjoying the process
and the opportunity to talk about what they do in the classroom.
We have identified potential National Teaching Fellows from the dialogues we
have had and who we would otherwise not have known about.
We have created increased opportunities for colleagues to share their practice
with others.
Many more staff now use e-portfolios with their students as a result of their
engagement in the dialogue process.
7. What has been the impact of dialogue for you and have you any final
reflections and lessons?
The impact of the dialogue process has been invaluable within the institution. It
has brought many staff together who would otherwise not have met each other.
I am confident that the dialogue route is more developmental than the
alternative documentary process, and that can only be good for the institution.
Remember to celebrate success, not just those who have gained recognition but
your mentors and assessors without whom the dialogue process would be
unsustainable.
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Appendix 4 – Samples of case study guidance for
reviewers
Appendix 4 sets out some examples of the types of questions and approaches
that the three case study institutions take to questioning in dialogue. The three
sections below include some samples of guidance used for reviewers.
Appendix 4.1 Edinburgh Napier University
The questioning is intended to clearly frame an open dialogue following the
model of drawing on evidence and Descriptors but with open-ended (scene
setting and mop-up) questions to encourage ownership and input by the
applicant.
Initial question – focus on what category of Fellowship and why? Don’t look for a
long answer, the purpose of the question is to help the participant settle.
Follow with – ask the participant to select something from their presentation
page “of which they are proud”
Other question areas, which you may need to ask, depending on the dialogue.
Remember you need to think about the questions (and responses) through the
lens of the relevant Descriptor (e.g. Associate Fellowship, Fellowship, Senior
Fellowship or Principal Fellowship) :
Approaches to learning, teaching and assessment practice
Managing change
Recent CPD and its influence on practice
Scholarship and its influence on practice
Final Question – is there something you wanted to tell us about that you
haven’t had the chance to?
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Appendix 4.2 Ulster University
Some institutions structure dialogue around the e-portfolio and Descriptors,
focusing on the process of dialogue management. For example, Ulster provides
guidance to assessors on how to manage the dialogue as set out in the ‘boxes’ in
Appendix 3.2 above and in the extracts of the guidance below:
Extracts from the guidance for assessors about managing the Assessed
Professional Conversation (APC)
Prior to the APC
Ensure that you are familiar with the requirements for the category of
Fellowship that you are assessing, particularly the dimensions of the UKPSF
against which the application is to be assessed.
Review the e-Portfolio to identify areas where the evidenced provided
matches the appropriate/relevant dimensions of the UKPSF commensurate
with the category of Fellowship being applied for;
Areas where there appears to be insufficient or partial evidence
supplied against one or more of the appropriate/relevant
dimensions of the UKPSF commensurate with the category of
Fellowship being applied for.
Check that the advocate statements broadly support the
application.
Based on the above you should begin to formulate questions that will allow
applicants to explore in more detail areas that you think are examples of good
and/or insufficient evidence.
During the APC
Establish the purpose of the APC: an opportunity for further exploration of
the evidence provided to ensure coverage of the appropriate/relevant
dimensions of the UKPSF commensurate with the category of Fellowship
being applied for.
Key questions will be asked of all applicants together with a range of more
tailored questions adapted for their practice (see indicative question hand-
out for the relevant category of fellowship).
Demonstrate respect and interest for the applicant’s perspective. Establish an
atmosphere of trust where the applicant is comfortable to take risks and
explore issues honestly.
73
Maintain the focus on the overarching issues (UKPSF) and avoid tangential
issues.
Use positive presuppositions. E.g. “What patterns do you see in student
coursework?” rather than “What are the patterns in student coursework?”
Although these two questions may seem to be asking the same thing, the
former suggest that the applicant is already alerted to such patterns and has
already noted them.
Avoid closed questions which evoke a yes/no response. Where the applicant
answers yes/no, invite further comment and thinking: e.g. “tell me more
about...”
Use plural rather than singular forms. E.g. “What possible explanations are
there for...?” This indicates that there is not a single correct answer but
multiple possibilities that are all worthy of consideration.
Promote analytical thinking by using “would ....if...” constructions to promote
hypothetical thinking and reflection.
Encourage metacognition – extract general principles from the
evidence/experience provided and see how the applicant’s thinking has come
about and/or evolved.
Examine assumptions and implication – make observations and probe
further
Paraphrase what the applicant says – this shows that you have been listening
and have understood what’s been said
Ensure that the questions/conversation allow for the areas where evidence
was insufficient or unclear to be explored in more depth, but you should also
encourage further reflection on areas where you felt good evidence had been
provided in the portfolio. Applicants should have the opportunity to reflect
on what has influenced their evolving practice and/or beliefs.
(Please also refer to the key questions contained in the boxes in Appendix 3.2, Question 3 above).
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Appendix 4.3 York St John University
Some suggested questions for dialogue to frame and promote an open
dialogue;
I think of a fellowship dialogue as a moment in time to stand still, to reflect
on where you have come from and think about where you are going. Can you
tell us what the future holds for you in terms +of continuing to develop your
pedagogic practice?
Can you tell me about a teaching practice that was particularly successful/
unsuccessful? What did you learn from it?
Can you tell me about a time when you influenced someone else’s teaching
practice? What did you do and what impact did it have?
Tell us about where your ideas come from when you are designing learning
opportunities for students?
Is there anything you have learnt through the dialogue process that will
influence your future practice as a teacher?
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References & Further Reading
Appleby, Y. and Pilkington, R. (2014). Developing Critical Professional Practice in
Education. Leicester: NIACE
Asghar, M. (2014) Using e-portfolios to evidence the UKPSF. SEDA Educational
Developments Issue 15.4 p22-26.
Barnett, R. (2008). Critical Professionalism in an Age of Supercomplexity. In: B.
Cunningham (ed.), Exploring Professionalism, pp.190-207. London: Bedford Way
Papers
Bolton, R. (2014). A Comparison of a Habermas-Inspired Approach and
Economists´Approaches to social capital. North American Regional Science
Conference Version, 1–51
Claude, C. (2011) Protocols for Professional Learning Conversations: Cultivating
the Art and the Discipline. Bloomington: Solution Tree Press
Danielson, C. (2009) Talk About Teaching! Leading Professional Conversations.
Thousand Oaks: Corwin Press
Davies, V. (2016) A Framework for HEA Professional Recognition through
Dialogue Unpublished
Driscoll, L., Parkes, K., Tilley-Lubbs, G., Brill, J., & Pitts Bannister, V. (2009).
Navigating the lonely sea: Peer mentoring and collaboration among aspiring
women scholars. Mentoring & Tutoring: Partnership in Learning, 17 (911724993),
5–21. http://doi.org/10.1080/13611260802699532
Ellinor, E & Gerard, G (1998) Dialogue. Rediscover the Transforming Power of
Conversation. New York. Wiley & Sons Ltd.
Eraut, M. (1994). Developing Professional Knowledge and Competence. London:
Routledge
Evans, L. (2008). Professionalism, Professionality and the Development of
Education Professionals. British Journal of Educational Studies, 56(1), 28-38
Floyd, S. and Davies, V. (2016) Dialogue as an institutional change agent.
Unpublished
Johnson, K. and Golombek, P. (2002) Inquiry into experience: Teachers' personal
and professional growth. In: Johnson, K. and Golombek, P. eds. Teachers'
Narrative Inquiry as Professional Development. Cambridge: Cambridge
University Press, 1-15
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