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8/14/2019 Unraveling Golf
1/26
Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 00
h t Ntat Yur on ectv g SnBY JOSEPH F. LAURENTINO
8/14/2019 Unraveling Golf
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 2
Ts bk s as avaab nAmazn.cm, Brdrs.cm, andBarnsandNb.cm, as asn ca bkstrs.
Portions of this eBook appear in
The NegoTiABle golf SwiNgHow To Improve Your GamewITHouT pIcTure-perfecT form
A new book by Joseph F. Laurentino, PGAPublished by Mountain Lion, Inc. March 2008. ISBN 978-0977003921
2009 by Joseph F. Laurentino
Copyright holder is licensing this under the Creative Commons License, Attribution 3.0. http://creativecommons.org/licenses/by-nc-nd/3.0/
E-book design by Bob Antler. Contact Bob at [email protected] and interior illustrations by Phil Franke. All illustrations are copyrighted and used with permission.
Special thanks to my brother, Vince, who read the early drats o this e-bookand provided valuable eedback and advice to make it read better.
Please eel ree to post this on your blog or email it to whomever you believe would beneft rom reading it.THANK YOU.
T purcas an autrapd,prsnazd cpy The NegoTiABle golf SwiNgpas vst.jaurntn.cm/prsp
8/14/2019 Unraveling Golf
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 3
The Answer To Gols Greatest Mystery Is SimpleKnowing What Is Negotiable
4
What The HECK Does Learning To Walk Have To Do With Gol
6
The Learning Model Applies To All Physical Skills
8
The Gol World Is Fixated On Form Over Function9
Your Swing Doesnt Need To Be Perect, Just Eective
11
Why The Learning Model Breaks Down With Golers
12
Ball Flight Is The Golers Feedback, But Only I You Understand It
14
Why Ball Flight Is Nonnegotiable15
Gol Has Only Five Irreutable Laws And Here They Are
16
Whats Negotiable Versus Nonnegotiable?
21
Gols Biggest Mystery Unraveled
23
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 4
not long ago, I had a goler come to me who wasvery rustrated with his game. At age 50, he had
been playing gol or a ew years. He was strug-
gling and ed up with being a 25 handicapper.
Fairly athletic and relatively strong, he elt he
should be much better, and was mystied as to why he wasnt. The
rst issue he wanted to address was that he was only hitting his driver
about 200 yards, with no control, and the ball was slicing some 20
to 30 yards. He also told me that he didnt have time to practice. His
swing was home grown with a very unorthodox grip and takeaway. I
started the lesson by explaining to him what the gol club was doing to
make the gol ball fy with a big slice. Then, I explained how his grip,
a negotiable element, was aecting the movement o the clubace. I
suggested we make an adjustment to his grip. Not completely change it
to make it conorm to the model, but rather modiy it, explaining that
the grip was negotiable and that the modications would allow or a
more eective movement o the gol club, and thus lead to the desired
ball fight.
Then, I explained how we needed to change his swing path.
He took a ew swings to get comortable with the newly negotiated grip
and altered swing path. Within a dozen shots, this goler was hitting
the ball between 260 and 270 yards with a slight
draw. He had never seen a ball fy like this, at least
not when he was swinging his driver. He stopped
and just stared at me in disbelie. He was so excited
he was literally shaking. He was amazed that with
the same clubhead speed, he was hitting the ball 60 yards arther and
straighter just by gripping and routing the club dierently.
And the best part o it was that he understood why and that
it wasnt a fuke. With his new grip and swing path he soon got down
to an 11 handicap. In this case, as it is with most golers, it was very
simple; I just needed to change the golers understanding o what the
gol club needed to do to improve his ball fight. And the same is true
or you.
Despite all the advancement the game has seen over the past
ew decades, a golers search or an eective gol swing still remains
one o not just gols, but lies greatest mysteries. But Im going to let
you in on a secret its NEGOTIABLE. See below:
Jack Nicklauss flying right elbow. NEGOTIABLE.
Ben Hogans flat arm swing. NEGOTIABLE.
Arnold Palmers helicopter finish. NEGOTIABLE.
Curtis Stranges floating head. NEGOTIABLE.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 5
Each o these unique elements, rom Nicklauss elbow posi-
tion at the top o his swing to the movement o Stranges head in his
backswing -- although indelibly distinctive o the respective goler
nevertheless unctions as an integral part o the consistent, repeatable
swings o these legendary gol champions. They are characteristic o
the individual player, but not damaging to his perormance.
Why negotiate a consistent swing to create a better game?
Why not simply emulate the model gol swing? Because a negotiable
gol swing gets you where you want to go aster and you make that
journey with many o the tools and physical attributes that you al-
ready possess. A negotiable gol swing allows or the myriad o indi-
vidual dierences among golers, and still yields good results. Its that
simple.
To better understand what negotiable means, look no urther
than the swings o the best players in the world today. Tiger Woods
plays with a neutral grip and a model backswing, whereas Jim Furyk
plays with a double-overlap grip and a very steep backswing. Fred Cou-
ples plays with a strong, closed-aced grip, while Charles Howell plays
with a weaker open-ace one. John Daly launches 300-yard drives with
an overly long backswing and Allen Doyle won two Senior U.S. Opens
with an extremely short backswing.
By understanding how to use basic learning skills, along with
the nonnegotiable and negotiable and the link between all o them, a
goler can use his or her own analysis and common sense to negotiate
the building o an eective gol swing and unravel the mystery, once
and or all. How can you negotiate your own eective gol swing? By
understanding and combining the ollowing:
1. Basic human learning skills, the ones you used to learn to
run, walk, and throw a ball.
2. The nonnegotiable, that is, the relationship between the
gol club and the gol ball that create the irreutable laws o
the fight o the ball.
3. The negotiable, those aorementioned permissible
alternatives, such as a strong versus weak grip.
With a sound understanding o what is nonnegotiable and
negotiable in the gol swing, youll be able to look at your own gol
swing and diagnose what you need to work on. You will no longer ride
that roller coaster o inconsistency, that pattern o I got it, I had it,
and I lost it. All golers experience this mysterious, vicious cycle. At
times magic comes to us in the orm o good-quality, consistent gol
shots, but then it disappears. You had it last week, but not this week.
You had it on the ront nine, but not on the back nine. You had it on
the last hole, but not on the last shot. What happened? Where did it
go? When golers lose the magic, they struggle to gure out what it was
that they had. Finally, they give in and begin again, usually chasing
random cures and tips. They dont understand whats absolute or non-
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 6
negotiable versus whats negotiable in their swings the negotiating
otheir own eective gol swing and, ultimately, the key to consistency.
Instead, they wander down new paths looking or some other swing
thought or swing change that they hope will bring back the magic.
I have personally experienced this cycle with my own game, only to
have it take more wayward bounces than a ball rolling across a newly
aerated green.
One day a goler came to my tee or a lesson. He was play-
ing terribly, was distraught, and was seriously considering quitting the
game. He was so discouraged that he actually asked me i I thought
it would be a good idea or him to start over and learn to play let-
handed. He then shared an analogy with me. He said, You dont un-
derstand, struggling golers are desperate. Were like drowning victims.
Well grab on to anything just to stay afoat. He was both wrong and
right. He was wrong because I did understand the eelings he was de-
scribing, both rom the perspective o a player and a coach. I believe
his comparison o golers being akin to drowning victims, however, is
very true. In act, in an eort to reach their golng potential, many
golers are waterlogged victims who are barely staying afoat.
I, at times, you eel like a drowning victim, read on and let me
throw you a lieline.
Who taught you how to walk? Or how to hold a
pencil to write? Or how to throw a ball? And didthey really teach you? Yes, certain subjects can be
taught, such as science and math, but physical mo-
tor skills, such as driving a car, jumping a high bar,
or riding a bicycle cannot be taught. They must
be learned. Much scientic inormation describes
in minute detail the process o how these physical skills, the ones that
require motor coordination, are actually learned and perormed. But
its not necessary to understand the how and why
o physiological processes to understand the learn-ing process. Rather, we can learn much about the
learning process by observing humans attempting
to perorm physical skills. We can especially learn
by watching small children, since all the physical
skills they learn are new to them.
The process o how we learn a skill is basically the same, re-
gardless o the particular skill. First, we make an attempt to perorm
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 7
the skill. Next, we observe the eedback on our success or ailure, and
make adjustments based on that eedback. Then, we make another
attempt, observe, and adjust. This process continues until we achieve
the desired results. As children, when we rst learn to walk we lose our
balance and all down, but we keep adjusting to the eedback we expe-
rience, steadily improving at the task, until we can walk. When we rst
learn to throw a ball, we make adjustments based on the weight o the
object being thrown and the distance and the direction o the target. I
you had a bunch o rocks and were trying to hit a bulls eye with them,
you would need to throw the rock an accurate distance and direction.
You might miss right and short or let and short or too high or too
low. Ater every throw, you would make adjustments, many o them
subconscious, until you arrived at the sequence o physical events that
need to take place in order to hit the target with the rock.
We continue to experience this learning process through eed-
back rom things we do in everyday lie. Our mind is an amazing
computer, constantly making changes, adjusting and adapting to the
environment without our utilizing conscious thought. But eedback is
required through our senses o seeing, hearing, or eeling. I we dont
have our senses, we have no source o eedback to make perormance
improvement possible. Imagine standing at the ree-throw line on a bas-
ketball court. The rst source o eedback you would receive is through
your vision. You throw up the rst shot and might miss. Watching the
ball miss the basket, or example short and to the right, you observe
this result, process it in your brain, and make some adjustments, many
o them subconsciously, or the next shot. I you were blindolded, you
could use your hearing as eedback, making adjustments based on
what you hear, providing you understood what it sounds like when the
ball misses the basket, as opposed to when it goes in. Or i you were
blindolded and someone told you where the ball was missing, you
could make adjustments based on that eedback.
But i you were blindolded and wearing earplugs, and I guided
you to the oul line and gave you some balls, it would be impossible
or you to accurately perorm the skill o making baskets rom the oul
line. Without some source o eedback, we cannot perorm or improve
our skills.
Now that we understand how we learn to walk, lets move on
to learning gol.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 8
through the observations we have made we cancreate a basic learning model shown here.Humans
are problem-solvers by nature and use the experi-
ence o sel-discovery to learn physical skills. One
day I was sitting on the couch and my 5-year-old
son wanted to throw a little oam ball to me. Hewas about 10 eet away rom me. Now, my son
mostly plays with his trucks and other toys. At this
point, he hadnt shown any interest in sports and
had no experience throwing a ball. I said to mysel
this was going to be a disaster, with the possibility
o the ball going just about anywhere. He threw
the ball to me in an overhand style and, to my
surprise, it got pretty close to me. As he continuedthrowing the ball to me, his accuracy improved.
Then, or some reason, he began to throw the ball
with a sidearm and underhand style. The ball was
going all over the room. I became intrigued observ-
ing him throw the ball. Because his best success
was coming rom the overhand method, I encour-
aged him to keep doing it that way. When he did
one o the other methods, I reinorced the idea o
throwing overhand. Ater about 15 minutes, I was
shocked at how accurately he was throwing the ball
to me. But during this process, I wasnt instructinghim on how to use his elbow or when to release the
ball rom his hand. He was just throwing the ball,
learning rom the visual eedback, and letting his
subconscious calculate the adjustments. For a child
who really had no experience throwing objects to a
target, he did amazingly well. Maybe hes got some
potential, but, o course, since then hes gone back
to his computer games and other toys and hasntasked to play catch.
We dont teach children how to walk by
talking about the hip, knee, and ankle movement
in walking, or how and when the heel must make
contact with the ground beore the toes. Generally
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 9
speaking, we learn by doing small things beore big things; we take
little steps beore taking big steps. We also learn movements slowly,
beore learning to do them at a aster pace. We learn to walk beore we
learn to run. In essence, we learn through sel-discovery and the under-standing o the environment in which we learn. Ill also bet that when
cavemen learned to throw a spear, someone wasnt around communi-
cating the actual individual movements needed to throw the spear. Ill
also venture to guess that there wasnt a detailed manual carved on
the inside o the wall o their cave. A physical skill needs to be learned
through sel-discovery, a process o adjusting to eedback and experi-menting through trial and error until the desired results are achieved.
The gol swing is no dierent.
golers talk much about the orm o the swing andthe techniques to produce eective swings and bet-
ter, more predictable results. Look at this photo to
the right o me hitting a ball o a tee thats used by
young kids playing tee ball (the arrow represents
the direction o center eld).
Which way is the ball going to go, to the
let or to the right? Its pretty obvious that the ball
will go to the right. I instead I wanted to hit the
ball straight to center eld, what would I need to
do? I you said to make sure that at impact the bat
is acing more toward center eld, as opposed to
right eld, you would be correct. But i I hit a gol
ball to the right and take a picture o my gol swing
at impact, chances are most golers, and some ex-
perts, would ocus on some body part - such as
the head, hips, or elbow - being out o position. A
ew years ago, I would have been included in this
group. In act, ocusing on body position, or orm,
was the only way that I worked on my own game,
as well as the method I employed when helping
students work on their swings. O course, there has
been some success with this methodology, but I
have ound that its not the most eective way or
golers to improve their gol swing.
The word orm is probably best dened as
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 10
the gol swing model, the one that you see in magazines, books, and
on television. Its the perect gol swing, one with all the elements in
the perect place and in the correct sequence. Its the swing that I stud-
ied, like so many golers, in an eort to emulate every part and posi-
tion. Many instructors and golers use the word ecient as a term to
describe a swing that is close to the model. It has the connotation o a
swing without wasted motion. But the most important thing to under-
stand when building a better swing is how to get the club to unction in
a way that produces the desirable ball fight, whether its to curve the
ball in any direction, high or low, straight, to the right, or to the let. I
consider a swing eective, regardless o the orm being used, when it
gets the club to unction in a way that consistently produces the desired
results.
Golers need to ocus on making their swings more eective.
The gol community is so ocused on orm and the perect gol swing
that its no surprise that the bulk o tips and theories are about orm.
We have become obsessed with the movement o the body, as opposed
to the movement o the gol club.
Several years ago, I was driving in a car with my ather on
the way to a ather/son tournament. My dad was a real student o
the game (my mom called it obsessed). While driving to the tourna-
ment, we listened to a tape o someone, I believe a sports psychologist,
discussing the gol swing. I remember the person asking the question,
Are you looking or good orm or good unction? Interestingly, back
then I didnt even think about orm, much less study the gol swing. I
just thought about making the ball go straight, and thus had a rela-
tively unorthodox swing. But based on his in-depth studying, my dad
did ocus on orm. I asked him which one he wanted: good orm or
good unction. He replied, Both. Today, my response to his answer
would be that i we get the club to unction eectively, many times the
desired orm will also improve. Hence, in many ways orm can ol-
low unction. Nowadays, many instructors teach and golers learn the
opposite way, by trying to learn orm rst, with the intention o unc-
tion ollowing. Because we dont learn other things this way, I consider
this a backward method o learning.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 11
Understand that you do not need to have perectorm in order to get the club to unction eectively.
This is not to say that ocusing on the body is a
poor or ineective way to think; it just depends on
what the goler is thinking about. Over the years
Ive ocused on my toes, knees, thighs, hamstrings,hips, buttocks, rib cage, chest, elbows, eyes, neck,
shoulders, wrists, ngers, elbows, and orearms.
Unortunately, many times this was done ran-
domly as a result o studying swing sequences or
written material that ocused on swinging like the
model, and most o the time was ineective. This
is how most golers choose to change elements: on
a random basis with a ocus on the model swing.The dierence or me now is that when I ocus on
changing a particular movement with my body, I
understand how the change aects the movement
o the gol club and whether or not the change
is negotiable. For instance, a particular element,
such as the grip, should only be addressed i it
is negatively aecting the movement o the gol
club.
Many golers will point to tour players to
illustrate how all their gol swings look the same
and are perect model swings. Not true. Some stand
with an open stance, some take the club above theplane during the takeaway, some move their heads
back more than others on the backswing, and so
on. Fred Couples, Lee Trevino, and Jim Furyk, along
with many others, have unorthodox swings. Jack
Nicklaus played with a fying elbow, and he did
okay, didnt he? I you look closely and understand
what youre looking at, youll see many more di-
erences among the swings o the best players inthe world than you may have originally thought.
Many will credit the success o some tour
players to the act that they do have a swing that
closely resembles the model. This may be a valid
point; however, I believe there have been players
well never hear about, or others who were on their
Jack Nicklaus and his fying elbow.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 12
way to success but ell o the radar screen, all because they were try-
ing so hard to conorm to the model and create a swing with perect
orm, as opposed to sticking with their own unique way o swinging the
gol club. Successul players with less than orthodox swings are usually
credited with resources, such as an amazing natural ability and the
time to hit thousands o gol balls to groove that unusual movement.
But i they have so much talent and time to hit balls, which they do,
why dont they change to the model i it is a much better way o swing-
ing the gol club? The answer is that they ound the best way to swing
the club is their own individual way.
I youre trying to build a swing with perect orm, you have to
ask yoursel some questions. Do you possess the strength, fexibility,
and coordination to build this type o swing, and i so, do you have the
time and the resources to build it? Most golers dont. I your body has
weaknesses and limitations, you may not be able to perorm many o
the movements you are trying to execute. In act, i you are not aware
o these limitations and are attempting to execute movements that you
cannot physically perorm, its very likely youll have more struggles
with your swing, with the possibility o making it worse. Many o these
struggles are caused by golers trying to do things that their bodies
are incapable o doing. I remember taking lessons on two dierent oc-
casions with two dierent instructors, both well respected nationally.
Both instructors were hands on and were physically trying to put
me into the model positions they were suggesting. The problem was
that in both cases my limited fexibility would not allow me to get into
those positions, and when I did, it was actually painul. I understood
why they wanted me to be in those positions, but unless I was able to
improve my fexibility, there was no way I could perorm those move-
ments. The mind will ght the body when trying to perorm move-
ments that cause physical discomort.
The important thing to understand is that the swing that will
work or you can be very unique. Like a ngerprint, in a way. But the
rst thing you need to understand is what are the negotiable and non-
negotiable elements o the gol swing.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 13
Weve seen in the learning model a sequenceo events that takes place when perorming any
physical skill. No doubt gol is a physical skill that
requires motor coordination. You use your body to
hold and swing the gol club, and with that club,
you strike a gol ball with the goal o getting the
ball to a specic target. As with the other physi-
cal skills that weve talked about, gol cannot be
taught. It must be learned. Someone can give you
suggestions about what to do to play gol well, but
like learning to drive a car or throw a ball, you
have to teach yoursel what to do.
Lets plug a gol shot and learning gol into
our learning model. With some modication and
an addition, the model or learning looks like the
diagram to the right.
I we use the learning model or physi-
cal skills, we should be able to use it or playing
gol, right? We should be able to use the model
or any type o gol shot rom a putt to a drive,
right? While many golers believe they are using
this learning model, i you listen to most o them
youll hear that they arent improving their games,
no matter how many swing changes they make. As
mentioned earlier, occasionally golers nd a swing
thought that seems to work well, but the positive
results are feeting.
So, why arent golers using the learning
model eectively? There are several reasons that
explain why the learning model breaks down with
golers. One problem that intereres with the eec-
tiveness o the learning model or golers and com-
plicates the mystery -- and this is a big one -- is
the abundance o inormation with which golers
are being bombarded. I went to Amazon.com and
searched the words gol instruction. The search
returned results that exceeded one thousand books
and DVDs. In addition, golers have access to nu-
merous monthly gol magazines and 24/7 cover-
age on the Gol Channel. All o the proessional
tournaments are now broadcast, including exam-
ples o tour players swings with slow motion pic-
tures and commentary oered to viewers. However,
much o the inormation that is available to golers
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 14
is conficting in theory. Or it is misunderstood, misapplied, incomplete,
or oversimplied. Some o the inormation is completely inaccurate,
but appears logical and convincing with a orced perspective. In my
early teaching years, I took ideas that appeared very logical and con-vinced both mysel and my students o the relevancy and importance
o certain concepts. I spent years experimenting, jumping rom theory
to theory, concept to concept, in an eort to nd the magic that would
take my game to new levels. Now, beore the entire golng community
seeks me out or a lynching, Im not suggesting that all o the inorma-
tion out there is worthless. On the contrary, an abundance o it oers
very sound concepts. However, it is dicult to sort through all o the
available inormation in all o its orms. The abundance o inorma-tion provides hundreds o suggestions and secrets that can temporar-
ily improve ones gol game. I nd that most golers randomly choose
swing thoughts and make changes with the hope that improvement
will take place. Many times this method is nothing more than a goler
taking a stab in the dark, an eort to catch lightning in a bottle, so to
speak. Working on and changing the position o your elbow at the topjust because you heard an expert state the importance o it does not
necessarily lead to improvement.
Golers need to understand the importance o eedback in the
learning process. It is essential to achieving our goals. Without it, we
cant properly monitor our progress and make the necessary adjust-
ments to achieve our goals. Imagine going to the range and hitting
balls into total darkness. All you see is the ball on the ground in ront
o you. Ater you hit the ball, it goes into the darkness. You could makeobservations about how it elt to hit the ball, but none about where the
ball went. Feedback is necessary in order or you to improve.
In gol, our primary source o eedback in the learn-
ing model is the fight o the ball or the path the ball
takes ater it comes o the clubace, whether its a
slice, a hook, a straight shot, high, low, a chip, or
a putt. It stands to reason then that golers need to
understand this relationship between the club and
the ball, a relationship termed ball fight. Most golers think they un-
derstand ball fight, but they dont. I know this rom experience, both
as a goler and as a teacher. When Im workingwith golers, in the very beginning o the lesson, Ill
ask what the problem is and theyll tell me how the
ball is slicing or hooking, or that theyre topping it,
or whatever other unacceptable ball fight they are
experiencing. Sometimes the rst question I ask is
What is the gol club doing to produce that result? Most golers look
at me with a quizzical expression and shrug their shoulders. They just
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 15
dont know. Golers understand general things like I slice the ball be-
cause Im cutting across it or to hit a hook, I need to swing rom
inside out. But do you know what the clubace should look like at im-
pact? Do you know why your short irons go straighter than your longirons? Do you know that i you curve the ball, in either direction, that
you need to aim at thirteen dierent targets to be accurate? I you dont
know the answers to these questions, then you really dont understand
ball fight. Since most golers dont understand the balls relationship
with the club -- the nonnegotiable laws o ball fight -- success utilizingthis model is doomed rom the start.
We live in a physical world, one that is governedby the laws o physics. These physical laws allow
us to predict things that will happen. They are ab-
solutes and are nonnegotiable. Something happens, and then some-
thing else happens as a result o it. I you drop a ball rom a particular
height onto a hard surace, it will bounce back up to a certain height.
I you hammer a nail with a certain amount o orce, the nail will bedriven into the surace to a certain depth. All causes, when exactly re-
produced, will produce identical eects. This is reerred to as cause and
eect. In gol, a club is used to strike a ball. The cause, the club, has an
eect on the fight o the ball. Simply put, gol is nothing more than a
stick-and-ball game; we use a stick to hit the ball. And we need to make
the ball do two things: go a distance in a certain direction. The cause
and eect is an irreutable relationship between
the gol club and the gol ball. The collision be-
tween the club and ball, i exactly repeated either
positively or negatively, will produce the same results every time.
This cause and eect relationship needs to be understood be-
cause it is the primary source o our eedback in gol, and hence a nec-
essary ingredient in the learning model. I vividly remember playinga casual round where one o the golers hit a really unusual-looking
poor tee shot that went very low and to the right. The goler turned
around and looked at me bewildered and said How did that happen?
That moment really drove home the act that most golers, and in this
instance the goler was a single-digit handicap player, just dont un-
derstand the cause and eect between the club and the ball. A goler
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 16
should be able to watch the ball fy and know what the club did to
produce that result.
I you were stranded on a desert island and had only a set oclubs and a bunch o balls, the only eedback you would have would
be ball fight. No mirrors, no video, no instructor, and no second set
o eyes. However, without knowledge o cause and eect, most gol-
ers would take a long time, i ever, to gure out how the relationship
between the club and ball works because it can be very conusing and
counterintuitive. I love to hear golers say let the club do the work.
This commonly heard phrase sounds really good and very simplei
you understand how the club works. For most golers this is really anempty concept that is much too vague. Theres certainly truth in the
statement; however, in order to let the club do the work, you need to
understand how the club is designed to unction and how it aects the
fight o a gol ball.
In gol, there is what is reerred to as the laws thatdetermine ball fight. These laws are irreutable or
all golers and or all gol shots. Five major laws
aect the fight o a gol ball, each o them having
a primary infuence on either distance or direction, with some second-
ary infuence on the other. The laws are speed, centeredness o contact,
path, ace angle, and angle o approach.
SPeeD. How ast the club moves (speed) deter-
mines how ar the ball will go. The aster the club
is moving, the more orce is transerred to the gol
ball, resulting in increased distance. The primary
eect o speed is distance, with a secondary eect on direction.
centereDneSS oF contact. Centeredness o contact reers to the
spot where the ball is struck in relation to the center o the clubace. Its
primary eect is distance, with a secondary eect on direction.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 17
Path. The path is the approach the clubhead takes as it nears the ball.
The path o the club has a primary eect on direction, with a second-
ary eect on distance.
Face angle. The ace angle reers to where the ace o the club is
pointing at impact relative to the target line. Its primary eect is direc-
tion, with a secondary eect on distance.
The three clubace angle positions atimpact (or a right-handed goler),relative to the target line. Open(to the right), square (at the target),
and closed (to the let).
The three basic clubhead pathsrelative to the target line.
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angle oF aPProach. The angle o approach is the angle
at which the clubhead moves down as it approaches the
ground. The primary eect is distance, with a secondary e-
ect on direction.
When combined, these laws produce what are called
The Nine Ball Flight Patterns.
I have incorporated these ve laws into a baseball
diamond to provide reerence points. and have ound this to
be a very eective tool in helping me communicate to the
golers I work with. For example, when I speak about the
movement o the clubhead path and clubace, I might ex-
plain that the PULL shot is produced when the clubhead and
clubace are both moving in the direction o the shortstop,
sending the ball directly into let eld. This is essentially a
straight shot and is the easiest to comprehend. However, i
the clubhead path was to be swinging more toward third
base, with the clubace pointing at the shortstop, this would
produce a PULL SLICE. (see next page)
Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 18
PULL
PUSH
STRAIGHT
STRA
IGHT
SLICE
PULL
SLICE
PU
SHSLI
CE
STRA
IGHTH
OOK
PULLHOOK
PUSHH
OOK
The Nine Ball Flight Patterns
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 19
O course, when you use the baseball diamond, you need to imagine that center
eld is more like 300 yards, as opposed to 400 eet, and that all fights are relative to the
target line, which, in this illustration, is a straight line over second base into center eld.
The illustration also labels all o the ball fights that are possible.O course, there are more than nine, as there is an innite
number o ball fights within these nine fights.
CLUB
FACE
CLUBFA
CE
CLUBHEAD
CLUBHEAD
DIRECTIO
NOFC
LUBH
EADPATH
DIRECTIONOFCLUBFACE
PULL
THE PULL SLICETHE PULL
PULL
SLICE
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Understanding ball fight is relatively simple, but it can be very mystiying. Each
club in your bag has a dierent degree o lot. More loted clubs, like the short irons, create
more backspin and, in turn, have a dierent eect on the fight o the ball. I oten hear
how golers are satised with their ball fight rom their wedge to their seven iron, but that
their ball fight starts to become unmanageable as the club they are hitting with gets lon-
ger, and their ball fight is really magnied and out o control with their driver. Short irons
move with less speed than longer clubs, imparting much less sidespin than the longer
ones. Also, the lot on the short irons and a sharper angle o approach cause more back-
spin. Backspin osets sidespin and causes the ball to curve less. I you hit a nine iron and a
our iron with the identical ace angle and clubhead path, the amount o curvature would
be greater with the our iron. Understand that i you are a goler who curves the ball, in
either direction, you actually need the starting direction o the ball, or your alignment, to
be dierent with every club in your bag, since each club will curve a dierent amount.
Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 20
9-IRON
9-IRON
4-IRON
4-IR
ON
I a nine iron and aour iron are hit withthe identical aceangle and clubheadpath, the amount ocurvature with theour iron would bemuch greater than
the nine iron.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 21
Other times understanding ball fight can be counterintuitive.
I experienced this many times with my own game beore I understood
the laws o ball fight. Ater I started to change rom hitting a ade as
my regular shot and learned to draw the ball, sometimes I would
miss let, sometimes really ar to the let. My conscious mind would say
that I must be swinging the club to the let, on an outside-in clubhead
path. I would swing more inside out to prevent the ball rom going let.
But unbeknownst to me at the time, it was my inside-out swing path
that was causing the let shot. The more I hit it to the let, the more
inside out I swung and the arther to the let the ball went. I was be-
ing ooled by the eedback that I was observing. It was a rustrating,
vicious circle that went on or some time. However, once I ully under-
stood the ball fight laws, real progress began, both with my game, and
the game o my students.
The importance o understanding ball flight cannot be over-
stated. Most books and articles dont really talk much about this,
which is why in my book, The Negotiable Gol Swing,I went to great
lengths to explain in detail the laws that govern ball fight and how
all o the nine ball fights are produced. Only with this knowledge can
golers ully understand the eedback they get when their ball fies in
a particular distance and direction, and what the gol club did to pro-
duce that fight.
once ball fight is understood, the next most impor-tant aspect o learning and improving your game
is to understand the gol swing. But this knowledge
and understanding must be o what a unctional
and eective gol swing is. Not necessarily the perect model swing, the
stu you mostly hear and read about, but rather what makes a swing
unctional, what is negotiable and nonnegotiable in the gol swing.
Golers are working without this knowledge. While
working with golers, Ill show them a picture o a
sound unctional gol swing, usually that o a tour
player, and put it up against their swing. Ill ask
them what they think is going on, the dierence between the two. De-
spite seeing it, their observations are usually a refection o the precon-
ceived notion o what they think they are doing wrong. Theyll make
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 22
observations and comment on what
the proessional player is doing with his
knees, hips, or head. Yet, none o these
things are areas they need to ocus on.
Even i you gave most golers a video o
their swing and let them work on it by
themselves, they probably still wouldnt
improve because they dont understand
what they are looking at and what to
look or. Many are too busy trying to
model the perect swing, a model swing
that theyre not capable o produc-
ing or various reasons. In act, many
times, because o this lack o knowl-
edge, I see golers change things or the
worse. I cant even tell you the number
o times that I changed something in
my gol swing, which was undamen-
tally sound, or the worse because I was
working on something else, ideas that
were irrelevant to why I was struggling
at the time.
To diagnose and make chang-
es to improve their gol swing, golers
need to understand the components, or
what I like to reer to as the elements, o
the gol swing. These elements can be
broken down into two types: pre-swing
and in-swing. Examples o pre-swing
elements are anything that takes place
beore the swing is in motion, such as
posture, grip, and stance. In-swing ele-
ments can be anything that takes place
during the swing, such as when and
how the wrists, arms, legs, shoulders, or
just about any body part you can think
o, moves during the swing. Ideally, a-
ter a goler observes the balls fight, an
element can be adjusted that will infu-
ence the club, which in turn will infu-
ence the balls fight. These elements
are all negotiable, and the key is to un-
derstand how they infuence the move-
ment o the gol club, which in turn de-
termines the fight o the gol ball.
The grip is a pre-swing, negotiableelement and infuences the clubaceangle at impact.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 23
While I go into much greater detail in my
book, heres an example o what can happen when
a goler doesnt have the understanding o whats ne-
gotiable and nonnegotiable in the gol swing. Dur-
ing a lesson a goler once told me that he was work-
ing on something specic: keeping his head down
throughout his swing. This was something he elt
was nonnegotiable and something all golers must
do to hit the ball well. I resisted the urge to com-
ment on this and had him hit a ew shots. During the
rst ew swings, I said nothing, but captured every
swing on my video system. Struggling, the goler hit
a ew very poor shots, all the while clearly keeping
his head down, with his eyes glued to the ground, to
the point where I wasnt sure i he could see where
the ball was going. Ater hitting a ew poor shots,
he nally connected and hit a shot airly solid and
straight. He then turned to me and said, You see. I
kept my head down on that one. I then played back
the video o the shot he hit well. He could clearly see
that he kept his head down well past impact. He said
that as long as he could do that, he could hit the ball
well. Then, I showed him the other swings when he
hit the ball poorly. Basically, the swings all looked
the same, with him clearly perorming the objective
o keeping his head down. He looked at me with
that puzzled look all golers have in their expres-
sion toolbox. The act o the matter was that his
swing key, the position o his head, had nothing to
do with the success o the shot. He hit one good shot
in spite o what he thought he was working on. This
is an example o the conscious mind working with
an ineective swing thought and the subconscious
part o the mind working toward trying to strike the
ball eectively. Sometimes the subconscious mind
achieves its goal through making minute adjust-
ments and compensations, despite the thoughts
o the conscious mind. This is why many times a
swing thought, one that a goler believes is the solu-
tion to his problem, sometimes works, then mysteri-
ously does not.
So now lets get down to it and unravel the
mystery.
Ball position is a pre-swing,negotiable element and
infuences clubhead path.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 24
When a goler is armed with the understand-ing o whats negotiable and nonnegotiable,
and the laws o ball fight, our gol learning
model is modied to look like this:
Now the mystery is unraveled and the
goler can begin to negotiate his or her own
gol swing. This model can be applied to any
part o the game, rom putting to the ull swing
-- and it works or all golers.
Improvement can be attained by all
golers by understanding the relationship be-
tween the club and the ball, the pre-swing and
in-swing elements, and the impact they have
on the movement o the gol club. The diagno-
sis process must start with observing the ball
fight and what the club did to create that ball
fight. Then, when needed, the appropriate ele-
ment can be ocused on and modied. This is
where the challenge o diagnosis exists. I the
elements and their impact are not ully under-
stood, diagnosing and changing elements can
be a utile, rustrating, and sometimes com-
plete waste o time and eort.
Remember, the things that you do in
the swing to move the gol club, the elements
o the swing, are negotiable. No one grip ex-
ists or every player. You dont need to take the
club back on a certain path to make an eec-
tive swing. Your elbow can be in an unortho-
dox position at the top and still make an e-
ective downswing. However, to allow or these
unique and individual elements, you need to
understand how they impact the movement o
the gol club, which in turn aects the fight o
the gol ball. Your goal should not be to make a
perect swing, but rather to nd a combination
o elements that are compatible or you and
that you can physically perorm to produce
a predictable ball fight. Armed with this ap-
proach, youll be well on your way to realizing
your ull golfng potential!
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 25
I you enjoyed reading this eBook and would like to learn more
about how to negotiate your own eective gol swing, please visit
www.joelaurentino.com/proshopto purchase an autographed,
personalized copy o Joes book, The Negotiable Gol Swing;
How to Improve Your Game Without Picture-Perect Form.
There is more than one way to
eectively swing the gol club.
Thats why the gol swing is
negotiable.
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Joseph F. Laurentino UNRAVELING GOLFS GREATEST MYSTERY 26
Joe Laurentino is the Head Gol Proessional at Indian Hills Country Club on Long Island, New York.
He has been a member o the Proessional Gol Association o America since 1997. In 2009 he be-
came a TPI -Certied Gol Fitness Instructor. He has given numerous seminars on learning gol and
the gol swing, including presentations to the PGA Proessional Gol Management students at Ferris
State University, North Carolina State University, Campbell University, and Penn State University.
Joe has studied the mechanics o the gol swing under the tutelage o PGA Top 100 teachers such
as Mike Hebron, David Glenz, Tom Patri, Darell Kestner, Ben Doyle, Martin Hall, and Dr. Jim Sut-
tie, as well as the mental game under Dr. Bob Rotella. Joes weekly television gol segment, which
regularly eatures elements o a negotiable gol swing, can be seen on News 12 every Wednesday
and airs in the homes o several hundred thousand cable subscribers on Long Island.
You can learn more about Joe by visiting his website at
www.joelaurentino.com.
Check out his blog at www.joelaurentino.com/blog.
To purchase an autographed, personalized copy o
The Negotiable Gol Swing: How To Improve Your Game
Without Picture-Perect Form,
please visit www.joelaurentino.com/proshop
This book is also available on Amazon.com, Borders.com,
BarnesandNoble.com, and in local bookstores.