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UNITED NATIONS NATIONS UNIES
21st
Century
Program: EPISODE # 113 SCRIPT WITHOUT ANCHOR SHOW OPEN, GRAPHIC AND MUSIC (15”)
ANNOUNCEMENTS #113 Coming up on 21st Century (2”)
Today – global humanitarian crises – and the search for global solutions.
Virtual reality making a difference by creating empathy. (4’’) And Urban Refugees in Kenya – striving for a life of dignity (6’’)
VIDEO INTRO #1: VIRTUAL REALITY: CREATING HUMANITARIAN EMPATHY
VIDEO
AUDIO
PEOPLE WEARING THE VR HEADSET
NARRATION:
A new technology takes you into the
heart of a scene. (3’’)
Virtual reality breaking new barriers. (3’’)
TOM KENT ON-CAM
GIRL WEARING THE VR HEADSET
PEOPLE WEARING THE VR HEADSET
TOM KENT: (In English)
“It’s working on your brain in ways that I
don’t think is really completely
understood”. (5’’)
NARRATION:
But can it be used for more than just
entertainment? (3’’)
GABO ARORA: (In English)
2
“They come out of it very deeply moved.
I’d say half the people who watch cry”.
(6’’)
NARRATION:
Using virtual reality to create empathy in
a humanitarian crisis - one viewer at a
time. (7’’)
3
TITLE SLATE: VIRTUAL REALITY: CREATING HUMANITARIAN EMPATHY (4’’)
SCRIPT #1: VIRTUAL REALITY: CREATING HUMANITARIAN EMPATHY
(TRT 10’29”)
VIDEO AUDIO
SHELTERS REFUGEES ON BOATS DIFFERENT SHOTS OF REFUGEES AND HUMANITARIAN CRISIS TV SCREEN SCENES VIEWED WITH A VIRTUAL REALITY SET PEOPLE WEARING THE VIRTUAL REALITY HEADSET GABO ARORA ON-CAM GABO ARORA WORKING
MUSIC PLAYING (6’’)
NARRATION:
Humanitarian crises are all too familiar to
television viewers: civil wars that cause
huge movements of refugees - worldwide
pandemics, and natural disasters like
earthquakes and tsunamis. (16’’)
This is the way most of us are used to
seeing these heart-wrenching events. On
a screen in front of us, watching passively.
(8’’)
But what if you could step into the frame,
and actually feel what it’s like for the
individuals on the ground? (6’’)
HANDS CLAPPING (1’’)
GABO ARORA: (in English)
“People come out of it feeling enlightened,
and often moved and often ready to take
action. A lot of people automatically say
‘what can I do? How can I get involved?’ ”
(10’’)
NARRATION:
4
SUSTAINABLE DEVELOPMENT GOALS GRAPHICS GABO ARORA ON-CAM DIFFERENT SCENES FROM THE VIRTUAL REALITY PERSPECTIVE PEOPLE WEARING THE VR HEADSET SCENES FROM THE VIRTUAL REALITY PERSPECTIVE GIRL WEARING THE HEADSET CHILDREN
Gabo Arora is a creative director leading a
team at the United Nations who are using
cutting edge technology to raise
awareness, empathy, and funds, both to
respond to humanitarian crises and to
bolster support for a new set of
Sustainable Development Goals around
the globe. (17’’)
GABO ARORA: (in English)
“Virtual reality is the ability to really take
part in a story that usually you’re only a
passive spectator on. And it’s giving you
the possibility to walk in another person’s
shoes, understand where they live, see
what their world is like. And you actually
get the sensation of feeling like you’re
being there.” (23’’)
NARRATION:
Depicting virtual reality in a 2D medium,
such as the one you see on your screen
right now, will never truly represent what
it’s like when viewing VR through a
headset. (12’’)
By using multiple cameras that can record
in all directions and software that can
stitch the images together, virtual reality
creates an experience that enables the
viewer to see a movie from every angle –
above, below, and behind. (19’’)
GABO ARORA: (in English)
“It’s exciting for the UN to be involved in
5
GABO ARORA ON-CAM AARON KOBLIN ON-CAM AARON KOBLIN WALKING/TALKING VERSE LOGO AND GRAPHICS AARON KOBLIN USING THE VR HEADSET
some of those early experiments of how
we’re trying to tell stories, make these
films and work with some of the most
cutting edge people in the industry on it.”
(11’’)
AARON KOBLIN: (In English)
“So the UN reached out to us and
connected and we realized that there was
a great opportunity here to tell some very
important stories and to tell them in a way
that we thought would be totally new and
highly impactful.” (11’’)
NARRATION:
Aaron Koblin, a technologist working in
Silicon Valley, is the co-founder of VRSE,
a virtual reality production and distribution
company. (9’’)
AARON KOBLIN: (In English)
“It usually consists in the portable form of a
mobile phone that connects directly into a
viewer. Whether that’s a higher end
version like the Gear VR by Samsung, or a
Google Cardboard unit. You have basically
the same idea. Lenses that are using
sensors to orient you and convince
yourself that you’re somewhere where
you’re not. This is the most basic VR
viewer, Google Cardboard. So it comes
like this and you quickly assemble it like
so. Drop your phone in here, like that. So
you can look around and actually be
6
SCENES OF CITIES, CHILDREN, DESTRUCTION AARON KOBLIN ON-CAM PICTURES OF PEOPLE WEARING THE VR HEADSET, CITIES FORUM IN DAVOS GABO ARORA ON-CAM PICTURES OF PEOPLE WEARING THE VR HEADSET GABO ARORA ON-CAM
immersed.” (35’’)
AARON KOBLIN: (In English)
“The way that I define virtual reality at this
point in time is basically the hacking of
your senses to convince you that you’re
somewhere other than where you are.
Often, I think of it as a sense of
vulnerability. So, one of the things that
we’ve realized in some of our stories is
you have a heightened sense of empathy
and a heightened sense connection as a
result of that vulnerability.” (18’’)
NARRATION:
That heightened sense of connection and
empathy was exactly what Gabo Arora
was looking to create at the world
economic forum in Davos, Switzerland -
not only to inspire leaders to take action,
but also to influence donors to increase
funding for disaster response efforts. (18’’)
GABO ARORA: (in English)
“I had started experimenting with using
innovative ways of advocacy. And I started
talking to a lot of different partners and
people. What could we do that would be
incredible? And someone said, you know, I
had just come from a meeting with
Samsung, you know with some of these
virtual reality headsets. Wouldn’t it be
amazing if you got all of those elite people,
who could actually go to a refugee camp.
7
SCENES FROM AFRICA GABO ARORA ON-CAM AARON KOBLIN ON-CAM SAMANTHA POWER WEARING THE VR HEADSET SAMANTHA POWER TALKING SAMANTHA POWER AND GABO ARORA HUGGING
Or, they could go to an Ebola clinic. I just
really felt it would get our issues
highlighted.” (31’’)
AARON KOBLIN: (In English)
“One of the things we were most excited
about was the potential to get these
headsets onto heads that really make the
decisions and have impact on the world.
We were able to put it on the heads of
these change-makers. And for a brief
moment, put them on the ground in the
refugee camp. And it’s, I think, a really
powerful thing. You could see the way that
it was impacting them.” (21’’)
NARRATION:
In addition to the screenings at Davos
virtual reality portals have been set up to
view the films at high level political forums
around the world. One of the leaders who
made use of a VR portal, was Samantha
Power, United States Ambassador to the
United Nations. (17’’)
SAMANTHA POWER: (in English)
“What the portal does is it doesn’t just give
you those faces. It’s not just a newspaper,
but you feel like you’re right there.” (7’’)
MUSIC PLAYING (3’’)
NARRATION:
The virtual reality film that she watched
8
SCENES FROM CLOUDS OVER SIDRA GIRL CRYING AARON KOBLIN ON-CAM BAN KI-MOON WEARING THE VR HEADSET
GABO ARORA ON-CAM
was Clouds Over Sidra. (4’’)
GABO ARORA: (in English)
Clouds Over Sidra is a short film in virtual
reality about a girl named Sidra who lives
in Zatari Camp, which is a Syrian refugee
camp in Jordan. And it is a story about a
young girl who has been there for a year
and a half, and is giving you a tour of the
camp, of what it’s like, of what her life is
like. When the film debuted in Davos, it
was a sensation to everyone we showed it
to. They come out of it very deeply moved.
I’d say half the people who watch Clouds
Over Sidra cry.” (39’’)
AARON KOBLIN: (In English)
“We’re seeing, generally, a much higher
level of engagement. I mean, one because
they’re actively engaged in looking around.
But also, I think, a higher level of
emotional connection and empathy.” (9’’)
GABO ARORA: (in English)
“The film was then integrated with the
Secretary General in the Kuwait pledging
conference for Syria. He made everyone
at the reception of the pledging conference
watch it. And it really made a big
difference in getting people to pledge
more, to care more, and to be more
involved.” (17’’)
GABO ARORA: (in English)
9
UNICEF – PEOPLE WEARING THE HEADSET ON THE STREET
WOMAN 1 ON STREET BEING INTERVIEWED
MAN ON STREET BEING INTERVIEWED
WOMAN 2 ON STREET BEING INTERVIEWED
SCENES FROM UNICEF FUNDRAISING ON THE STREETS
TOM KENT ON-CAM
“And then we cut a version for UNICEF for
its face-to-face fundraisers. The way they
do that is usually someone with a
clipboard on the street in Europe or
different countries. So they thought, what if
we got people to experience virtual reality
in the street.” (17’’)
WOMAN 1 ON STREET: (in Chinese)
“This really opened my eyes to the fact
that children are living without basic
necessities like clean water.” (6'')
MAN ON STREET: (In English)
“I was a little depressed about the
situation for the people there.” (2'')
WOMAN 2 ON STREET: (in English)
“Quite sad. They don’t have a good
environment to stay in. We try our best to
help them.” (4'')
NARRATION:
Early reporting from UNICEF has shown
that when using virtual reality they have
doubled the effectiveness of their
fundraising efforts. (8'')
TOM KENT: (in English)
“The fact that virtual reality is so real
means that we have to think a lot more
about the ethical aspects of what we do.”
10
COLUMBIA UNIVERSITY BUILDING
TOM KENT WALKING
TOM KENT ON-CAM
TOM KENT TEACHING A CLASS
TOM KENT ON-CAM
GIRL WEARING THE VR HEADSET
SCENES FROM WAVES OF GRACE
BAN KI-MOON TALKING
(6'')
NARRATION:
Tom Kent is the standards editor at the
Associated Press and is a professor at
New York’s Columbia University. (7'')
TOM KENT: (in English)
“There’s a psychological impact that VR
has that’s greater than the impact of
photos or video. It hits you at a more
elemental level. When somebody’s
watching a video or someone is looking at
a photo they know that they are external to
the scene and they’re looking in a
something. VR operates at a different
level. It’s putting you in the scene and
working on your brain in ways that in ways
that I don’t think is really completely
understood.” (29'')
GABO ARORA: (in English)
“We got the blessing to do one on Ebola.
‘Waves of Grace’ is an Ebola survivor who
is basically you get access to her prayer.
And you feel like you have this intimate
moment with her as she’s praying to God.”
(19'')
NARRATION:
Waves of Grace was integrated into the
UN Secretary General’s International
11
GABO ARORA ON-CAM
EBOLA BURYING SITE
WOMAN PRAYING
GABO ARORA ON-CAM
SCENES OF CHILDREN
Ebola Recovery Conference, which
garnered US $5.2 billion in pledges. (10'')
GABO ARORA: (in English)
“What people really feel moved by is,
they’ve never been in a poor slum in a hut.
They’ve never been in in an Ebola burying
site. So many people said they’ve seen
that picture in the news, but actually being
there while a body is being buried is
something else. It makes you think about
this crisis and other crises in a different
way.” (26'')
MUSIC PLAYING (5'')
TOM KENT: (in English)
“The most important thing is transparency.
If the VR producer is trying to advance a
political cause or a social cause that needs
to be made clear.” (9'')
GABO ARORA: (in English)
“I think one just has to be open and clear
about one’s methods. We’re going to be
constantly evolving and thinking about
these ethics even more as we go forward.”
(8'')
MUSIC PLAYING (3'')
GABO ARORA: (in English)
“We privilege the human story. It isn’t so
12
PLAYING
much, the UN did this, and this is what’s
happening, and this is what you should do.
It really is a quiet sort of, like, let’s put
yourself in the shoes of another. It
definitely is something that we’re just at
the beginning of. Being at the forefront of
it, especially for the United Nations, gives
us a lot of advantages to tell our stories
and make a difference with a whole new
generation of viewers. And especially a lot
of young people. Because if we didn’t do
what we do with virtual reality, it would fill
up with games and escapism. When a 15
year-old would unwrap his Christmas
present a year from now, or two years
from now, he wouldn’t have Clouds Over
Sidra and this UN series there for him.”
(47'')
MUSIC PLAYING (7'')
13
NEW STORY- GRAPHIC AND MUSIC (6”)
VIDEO INTRO #2: KENYA : URBAN REFUGEES – STRIVING FOR A LIFE OF
DIGNITY
VIDEO AUDIO
FARHAN ON-CAM
SCENES OF REFUGEES
CATHERINE HAMON-SHARPE ON-
CAM
REFUGEES IN NAIROBI
FARHAN AND HIS SON
FARHAN - SOMALI REFUGEE: (IN
ENGLISH)
“We don't have a life here - our life is
very hard. Being a refugee is not a life -
and we don't have a country.” (6’’)
NARRATION:
More than half of the world’s ten million
refugees live in cities. (5’’)
CATHERINE HAMON-SHARPE-
ASST. REPRESENTATIVE OF
UNHCR KENYA: (in English)
“Why the urban refugees are here?
They’ve not made a choice to come,
they were forced at some point to leave
their houses, their loved ones for their
safety and they ended up in Nairobi.”
(12’’)
NARRATION:
In Kenya, urban refugees – and their
struggle for acceptance. (5’’)
FARHAN: (In English)
“Nobody respects us as refugee guys.
If you go to town, you are afraid of the
police, even the people, they look at
you differently.” (8’’)
14
TITLE SLATE: KENYA: URBAN REFUGEES (3’’)
SCRIPT #2: KENYA: URBAN REFUGEES (TRT 12’23”)
VIDEO AUDIO
STREETS OF NAIROBI
FARHAN ON-CAM
MUSIC PLAYING (14’’)
FARHAN - SOMALI REFUGEE: (in
English)
“We don't have a life here - our life is
very hard. Being a refugee is not a life.”
(7’’)
And we don't have a country. I wish, I
wish I had a country - and all the
refugees have a country. If there is
peace in every country there is no
refugee. But you see, expect that
tomorrow it will happen in your country -
what will you do? If you become a
refugee. What will you do? You will face
the same life we are facing now - not less
that that.” (26’’)
STREETS OF NAIROBI
ON SCREEN TEXT
Kenya hosts more than 600,000
refugees, most of whom have fled
decades of war and drought in
neighboring Somalia, that have left
tens of thousands dead and millions
traumatised. (10’’)
Most of them live here in Dadaab - the
world’s largest refugee camp. (9’’)
But as many as 30,000 live in the
MUSIC PLAYING (22’’)
15
capital Nairobi, in an area called
Eastleigh. (7’’)
CATHERINE HAMON-SHARPE ON-
CAM
ON SCREEN TEXT
Catherine Hamon-Sharpe, Asst.
Representative UNHCR KENYA
SOMALI WOMEN AND CHILDREN WASHING CLOTHES IN THE INTERIOR COURTYARD OF AN EASTLEIGH HOUSE
CATHERINE HAMON-SHARPE, ASST.
REPRESENTATIVE UNHCR KENYA: (in
English)
“The mandate of UNHCR as you know is
to protect refugees and to find solutions.
So as a way to protect urban refugees
and refugees in general, we make sure
that they are first of all identified as such
and properly documented. As asylum
seekers or refugees with documentation
they are protected against refoulement,
which means the Kenyan authorities will
not send them back to their country of
origin or to another country where they
could also be persecuted. (28’’)
And people who have been granted
refugee status get an identification
refugee card issued by the national
registration bureau.
The overwhelming majority of urban
refugees are self-sufficient - they are not
being assisted by UNHCR or our
partners, we would only assist the most
most vulnerable people.
So most of the urban refugees work, take
care of themselves and are not
dependent on any aid.” (26’’)
NAT SOT (16’’)
16
FARHAN HOLDING HIS CHILD AND
LOOKING DOWN ON WOMEN
FARHAN ON-CAM
ON SCREEN TEXT
Farhan Somali Refugee Living in Eastleigh for 5 years
FARHAN’S HOUSE
ON SCREEN TEXT Sartu Farhan’s Wife Refugee from Ethiopia
FARHAN’S WIFE SARTU PREPARING BREAKFAST
FARHAN: (In English)
“Nobody respects us as a refugee guy.
If you go to town, you are afraid of the
police, even the people, they look at you
differently.
It feels terrible. We are just human
beings - like you guy. We deserve the life
you live - not less than that. The way that
people treat us - being different - they
saw us as a different person, they saw us
like we don't belong to this world. But
God created us - what do we do?
I wish people treated us like a human
being - respect us as a human being,
live as a human being. That’s what I
wish.” (42’’)
“This is our kitchen. Come on in.
This is our bedroom - this is where I
sleep. Come on in.
This is our sitting room. This is a refugee
house. This is where a refugee lives.”
(38’’)
NAT SOT (Kitchen noises, people
talking) (24’’)
17
FARHAN, SARTU AND THEIR CHILD EATING BREAKFAST
ON SCREEN TEXT Sartu is the only breadwinner in the family.
Refugees are particularly vulnerable to abuse.
FARHAN ON-CAM
PAPERS – POLICE AND MEDICAL
REPORTS
ON SCREEN TEXT In 2013, Sartu was gang-raped by 3 men. Three years later, nobody has been prosecuted.
TAWAKAL MEDICAL CLINIC IN EASTLEIGH, NAIROBI
DR. ABDIKADIR ON-CAM
ON SCREEN TEXT Dr. Abdikadir Hussein Warsame Tawakal Medical Clinic
FARHAN: (In English)
“I will show you some papers that prove
that something terrible happened to my
wife, which I don't want to mention in
front of the camera. So if it’s good for me
to show you the papers so can read for
yourself. Here are the papers.” (21’’)
MUSIC PLAYING (28’’)
DOCTOR ABDULKADIR WARSAME: (in
English)
“I came here to Eastleigh, Nairobi, 18
years back. These patients were different
from the ones I was having during my
lifetime experience.” (13’’)
“Most of them are refugees from
Somalia or Ethiopia. We saw that most of
them were complaining of pain, different
parts of the body. We give them
treatment and after a few days again
they are here reappearing with no
change in their symptoms. It’s at that
time that we consulted with a professor
who was our friend and he told us that
we were probably in front of
psychosomatic symptoms.” (25’’)
18
DR. ABDIKADIR WALKING DR. ABDIKADIR DRIVING
VARIOUS STREET SCENES DOCTOR ENTERS FARHAN’S HOUSE
NAT SOT (4’’)
DOCTOR ABDIKADIR WARSAME: (in
English)
“PTSD cases were around 30-40 percent
- I have seen people not going out of the
home they live in for years and they are
afraid to even venture out of the door. A
lot of cases.” (15’’)
NAT SOT (7’’)
DOCTOR ABDIKADIR WARSAME: (in
English)
“You cannot treat psychosomatic illness
only with tablets or injections. You have
to go to the community, you have to
understand what is the problem of the
community - you have to try to change
something in the community. That’s the
only way to treat these kind of problems
because as I told you, these are physical
manifestations of psychological
problems.” (33’’).
NAT SOT (13’’)
DOCTOR ABDIKADIR: (in Somali)
“Did you sleep well last night?”
FARHAN: (In Somali)
“Yes thanks, we slept well and peacefully
19
DOCTOR, FARHAN AND FAMILY SIT TOGETHER IN SITTING ROOM AND TALK CCTV FOOTAGE OF THE WESTGATE SHOPPING MALL TERRORIST ATTACK ON SCREEN TEXT On the morning of Saturday 21st September 2013, 4 gunmen from the
- we don't have any problems.”
(6’’)
DOCTOR ABDIKADIR: (in Somali)
“What about you wife? Is she sill getting
headaches?”
FARHAN: (in Somali)
“No, she’s been fine. Come and join us.”
(7’’)
DOCTOR ABDIKADIR: (in Somali)
“How are the headaches and insomnia?”
SARTU: (in English)
“I’m fine.”
DOCTOR ABDIKADIR: (in Somali)
“Are you sleeping ok?”
SARTU: (In Somali)
“Yes.”
DOCTOR ABDIKADIR: (in Somali)
“I came today because I haven't seen
you for a while. I’m happy to see that you
guys are doing well.”
(25’’)
MUSIC PLAYING (33’’)
20
Somali Islamist group Al-Shabaab entered Nairobi’s Westgate Shopping Centre. At Least 67 people were killed and more than 175 injured in the mass shooting that followed. CATHERINE HAMON-SHARPE ON-CAM CLIVE WANGUTHI ON-CAM TWO YOUNG MEN TALKING CLIVE WANGUTHI WALKING IN THE
CATHERINE HAMON-SHARPE, ASST.
REPRESENTATIVE UNHCR KENYA: (in
English)
“Terrorism and insecurity in Kenya has
been having a direct impact on the
Somali refugees. There were many
terrorist attacks and threats in Nairobi but
also on the coast and throughout Kenya
again Somali refugees were being
pointed at as responsible for insecurity.”
(19’’)
NAT SOT (9’’)
CLIVE WANGUTHI, CHAIRMAN OF
NYUMBAKUMI WARD AND WARD REP
IN OFFICE OF MP: (in English)
“There is a lot of risk in Eastleigh for the
youth vis-a-vis radicalisation and
recruitment. There is a lot of risk in
Eastleigh and it’s something that we
know that is on-going. Youth are
radicalised through preaching. They are
given narratives that connect to the
suffering they undergo as youth -
unemployment, poverty and all this and
many are believing the story.” (32’’)
CLIVE WANGUTHI: (in English)
21
STREETS, TALKING TO PEOPLE CLIVE WANGUTHI ON-CAM CLIVE WANGUTHI WALKING TOWARDS TAWAKAL MEDICAL CLINIC CLIVE MEETS DOCTOR AND DOCTOR’S ASSISTANT CLIVE AND DOCTOR ENTER DOCTORS OFFICE DR. ABDIKADIR ON-CAM
“My Job actually is information gathering.
I am the conduit between the
government and the people.” (7’’)
NAT SOT (5’’)
CLIVE WANGUTHI: (in English)
“Every morning I do my rounds to see if
there are any problems - people being
harassed because they are refugees, or
an indigenous Kenyan, maybe has
insulted or abused our refugees because
they are not – because they are
strangers and they don’t belong to this
country. So we get a lot of those cases
around here.” (26’’)
CLIVE WANGUTHI: (in English)
“I can imagine the refugee community
complaining about lacking identity. They
don’t feel like they belong because they
have not been made to feel like they
belong. And much of the work we do in
this community is trying to tell the host
community - the Kenyan people - that
refugees are also people and we need to
accommodate them in the situation they
are in right now.” (24’’)
NAT SOT (TALKING) (21’’)
DOCTOR ABDIKADIR WARSAME: (in
English)
“Most of the time these youths are
becoming gangsters and hopeless
22
REFUGEES DANCING YOUTH GROUP DANCING CATHERINE HAMON-SHARPE ON-CAM STREETS SHOTS ON SCREEN TEXT Around the world there are an estimated 10.5 million refugees. More than half of them live in cities.
because of a lack of identity. They create
an identity by joining gangs.” (11’’)
“That’s why we decided to create an
identity for them to teach them Somali
cultural dance, to teach them about the
language even, to teach them about the
past of Somalia, to teach them … at least
to create something for them to be proud
of.” (19’’)
NAT SOT (MUSIC PLAYING) (20’’)
CATHERINE HAMON-SHARPE, ASST.
REPRESENTATIVE UNHCR KENYA: (in
English)
“Why the urban refugees are here?
They’ve not made a choice to come, they
were forced at some point to leave their
houses, their loved ones for their safety
and they ended up in Nairobi, but they
could have ended up anywhere else. So
it’s not a choice to become a refugee.
These people are extremely courageous
and resilient. They fend for themselves,
they work - most of them in the informal
sector but they do work. Like anywhere
else, the majority of refugees are
peaceful people, they are civilians, they
are women, children, men who work very
hard to make a living and to find a
solution, and its important to pass that
message to the authorities.” (40’’)
23
MUSIC PLAYING (19’’)
24
CREDITS (TRT 54”)
21st Century A production of
United Nations Television Department of Public Information
VIRTUAL REALITY:
CREATING HUMANITARIAN EMPATHY
Producer Ben Lybrand
Videographer
Michal Lopatniuk Eric Balgley Joon Park
Ben Lybrand
Editor Ben Lybrand
Production Assistant
Flaminia Bondi
Special Thanks Sustainable Development Goals Action Campaign
UNDP Kristen Gutekunst
Gabo Arora VRSE
David Gough Nathan Beriro
Shared Studios UNICEF
KENYA: URBAN REFUGEES
Producer
David Gough
Videographers Thomas Maddens
Editors
David Gough Thomas Maddens
Drone Videography
Chris Omuko
25
Assistant Producer Elijah Kanye
Translator
Farhan Osman
Special Thanks Mondeas.com
The Andrewes Family
Line Producer Dina Barazi
Post- production Editor
Ben Lybrand
Post-production Coordinator Lebe Besa
Executive Producers
Gill Fickling Francis Mead
Executive-in-Charge
Chaim Litewski