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Figures for
Uncommon Steps and Notation in the Sarabande de Mr. de Beauchamp
SDHS 2003Limerick, Ireland
(These are the figures referred to in: Ken Pierce, ”Uncommon Steps and Notation in the Sarabandede Mr. de Beauchamp”, inProceedings Society of Dance History Scholars, 2003: 91-98.)
Figure 1: First page of theSarabande de Mr. de Beauchamp
For Figure 1, please see one of the sources cited in the text.
Ken Pierce Beauchamps — SDHS 2003 2
Figure 2:
missing barline
missing barline
missing step into
first position
missing quarter-
turn symbols
missing quarter-
turn symbol
ambiguous
liaison line
missing quarter-
turn symbol
hemiola
hemiola
hemiola
hemiola
2B2.9-13
2A2.6-8
1A2.8, 2A1.8, 2A2.4
1B1.6-8
2B1.6-8
1B1.13
Ken Pierce Beauchamps — SDHS 2003 3
Figure 3:
1B2.6
2A2.1
from a sarabande by Feuillet in Rés. 817
missing “foot in the air” sign?
from Passacaille... de Scilla (1704), plate 6
from Passacaille... de Persée (1704), plate 3
from Sarabande Espagnole (1700, p. 29), plate 3
from Chaconne pour un homme
(1704, p. 176), plate 2
from step tables, Chorégraphie, p. 75
from step tables, Chorégraphie, p. 75
Ken Pierce Beauchamps — SDHS 2003 4
Figure 4:
ambiguous
liaison line
1B1.1 and 2B1.1
2A1.6-7
2A1.6, with
suggested revision
of liaison lines
from Entrée pour deux hommes (1704), plate 3
from step tables, Chorégraphie, p. 82
from step table supplement, Chorégraphie 1701
from Traité de la Cadance (1704)
from step tables, Chorégraphie, p. 54
Entrée d'Apolon by
Feuillet (1700): opening
of petite reprise
Ken Pierce Beauchamps — SDHS 2003 5
