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Toelating | Admission
BMus, BA (met Musiek) Algemeen BMus, BA (with Music) General
SAMPLE PAPER KONSEP VRAESTEL
Please be advised that this is not the actual paper
Neem asseblief kennis dat hierdie slegs 'n soortgelyke vraestel is
D E P A R T E M E N T M U S I E K • D E P A R T M E N T O F M U S I C
Privaat Sak / Private Bag X1 • Matieland 7602 • Suid-Afrika / South Africa Tel: +27 21 808 2345 • Faks / Fax: +27 21 808 2340 • E-pos / E-mail : [email protected]
Afdeling A: Gehooropleiding Section A: Aural Training
Vraag 1 | Question 1
Noteer die eenstemmige tonale melodie [34] Notate the one-part tonal melody [34]
Vraag 2 | Question 2
Noteer die eenstemmige atonale melodie [6] Notate the one-part atonal melody [6]
Vraag 3 | Question 3
Noteer die ritme [32] Notate the rhythm [32]
Vraag 4 | Question 4
Identifiseer die volgende intervalle [8] Identify the following intervals [8]
1) ______________________
2) ________________________
3) ______________________ 4) ________________________
Vraag 5 | Question 5
Onderskei tussen driestemmige majeur of mineur drieklanke. Identifiseer die posisie as grondposisie, eerste omkering of tweede omkering. [8] Distinguish between three-part major and minor triads. Identify the position as root position, first inversion or second inversion. [8]
1. _________________________________________________________
2. _________________________________________________________
3. _________________________________________________________
4. _________________________________________________________
Vraag 6 | Question 6
Identifiseer die kadense as volmaak, onvolmaak, plagaal of onderbroke. [12] Identify the following cadences as perfect, imperfect, plagal or interrupted. [12]
1. ___________________________________________________________________
2. ___________________________________________________________________
3. ___________________________________________________________________
4. ___________________________________________________________________
Afdeling B: Musiekteorie, Analise Section B: Theory of music, Analysis
Vraag 7 | Question 7
Voltooi, fraseer en besyfer die vierstemmige harmonisering volgens die gegewe aanwysings. [36] Complete, phrase and figure the four part harmonization according to the given instructions. [36]
(a) Die V7 vierklank | The V7 quartad. (b) Akkoord | Chord vi (c) Akkoord | Chord iv (d) Die V7 vierklank in omkering | The V7 quartad in inversion (e) ‘n Deurgangs-6
4 progressie | A Passing 64 progression. (f) 'n Kadensiële 64 progressive | A Cadential 64 progression. (g) Die dominant akkoord in eerste omkering / The dominant chord in first inversion. (h) 'n Sekondêre akkoord | A Secondary chord. (i) 'n Verminderde akkoord in ‘n geskikte posise | A Diminished chord in a suitable
position. (j) Die V7 vierklank in omkering | The V7 quartad in inversion. (k) Die V7 vierklank in laaste omkering | The V7 quartad in last inversion. (l) Die V7 vierklank / The V7 quartad.
Voeg een van elk van die volgende in u harmonisering by | Add one of each of the following
to your harmonization:
• 'n Deurgangsnoot / a Passing note
• 'n Bohulpnoot / an Upper auxiliary note
• 'n Onderhulpnoot / an Lower auxiliary note
Vraag 8 | Question 8
Besyfer die volgende. [32] Figure the following. [32]
Vraag 9 | Question 9
Bestudeer die Gavotte van JS Bach en beantwoord die volgende vrae: [32] Study the Gavotte by JS Bach and answer the following questions: [32] 1. Benoem die aanvangstoonsoort. Name the opening key.
________________________________________________________________________
2. Verskyn daar teenoorgestelde beweging in die Gavotte? Indien wel, gee 'n voorbeeld deur die maat en maatslae waarin dit verskyn te noem.
Does contrary motion occur in the Gavotte? If so, give an example by naming the bar and beats in which it occurs.
________________________________________________________________________
3. Verskyn daar vooruitneming? Indien wel, noem die maat en maatslae waarin dit verskyn. Does an anticipation occur? If so, name the bar and beats in which it occurs.
________________________________________________________________________
4. Benoem die toonaard waar maat 8 in eindig. Name the key in which the Gavotte ends at bar 8.
________________________________________________________________________
5. Benoem die kadens wat in maat 4 verskyn. Name the cadence in bar 4.
________________________________________________________________________
6. Benoem die kadens wat in maat 7 en 8 verskyn. Name the cadence in bar 7 and 8.
________________________________________________________________________
7. Skryf die harmonieë vandie volgende akkoorde neer (bv. V in C majeur) Write down the harmonies of the following chords (eg. V in C major)
Maat 1 – maatslag 1 en 2 | Bar 1 – 1st and 2nd beats
________________________________________________________________________
Maat 1 – maatslag 3 en 4 | Bar 1 – 3rd and 4th beats
________________________________________________________________________
Maat 2 – maatslag 1 en 2 | Bar 2 – 1st and 2nd beats
________________________________________________________________________
Maat 2 – maatslag 3 | Bar 2 – 3rd beat
________________________________________________________________________
Maat 2 – maatslag 4 | Bar 2 – 4th beat
________________________________________________________________________
Maat 3 – maatslag 1 | Bar 3 – 1st beat
________________________________________________________________________
Maat 3 – maatslag 3 en 4 | Bar 3 – 3rd and 4th beats
________________________________________________________________________
Maat 4 – maatslag 3 en 4 | Bar 4 – 3rd and 4th beats
________________________________________________________________________
Maat 7 – maatslag 1 | Bar 7 – 1st beat
________________________________________________________________________
TOTAAL | TOTAL: [200]