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Time, music and mathematics Wilfrid Hodges Dartmoor, November 2009 http://wilfridhodges.co.uk/greenwichtime.pdf

Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

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Page 1: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Time, music andmathematics

Wilfrid Hodges

Dartmoor, November 2009

http://wilfridhodges.co.uk/greenwichtime.pdf

Page 2: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

‘Time’

‘Ear’ (!)

Mathematician

Page 3: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Time looks like this:

-

Page 4: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Grasshopper warbler

Page 5: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

(1) Events in time(2) Rhythms and repeated events(3) Hierarchies of rhythms(4) Clash of rhythms(5) Mixing time and space (pitch)

Page 6: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

1. Events in time

Time only becomes interesting when an eventoccurs in it.

Three kinds of event:(a) At a point.(b) Over an interval, i.e. between two points.(c) With a clear start (the ‘attack’) but

no clear end.

Page 7: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

(a) A point event (Haydn, ‘SurpriseSymphony’)

0 4 51 5 3 0

Page 8: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

(b) An interval event (Haydn, ‘The Creation’)

&

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&

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c

c

c

c

Choir

Orchestra

Allegro

Allegro

Allegro

Allegro

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ev-er,

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Page 9: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

(c) An event with clear start but no clear end

A piano note

Page 10: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Haydn, ‘Minuet al Rovescio’

Page 11: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

2. Rhythms and repeated events

Part, ‘Cantus in Memoriam Benjamin Britten’

41 5 3 0

Page 12: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Dot-dot-dot in Britten ‘Peter Grimes’

Page 13: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Glinka, Finn’s song in ‘Ruslan and Lyudmila’

&

###

cœ œ œ œ

œ œ œ œœ œ œ œ

œ œ œ œ

Page 14: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

3. Hierarchies of rhythms

Page 15: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

“Whichever art makes the greater use ofperfection [i.e. dividing time into 3s]appears to be the more perfect.But this is true of the ancient art. . . .The new art has what it calls imperfect time[which divides time into 2s or 4s].”Jacob of Liege, c. 1330.

Ravel, ‘String quartet’

(Cf. Genesis, ‘Apocalypse in 9/8’.)

Page 16: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,
Page 17: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

4. Clash of rhythms

Time ratio 1:2 (Brahms, ‘Ein DeutschesRequiem’)

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V

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Soprano solo

Tenors

Strings

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Page 18: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Time ratios 20:19:18:17:

Nancarrow, ‘Study 36 for player piano’

?c w . . .˙ œ# œ wb w w

?

œb

Œ Ó

œb

Œ Ó Ó Œ ‰ ®

œ# œ œ# œŒ Ó

?

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œb œ œb œ w w

Page 19: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

5. Mixing time and space (pitch)

Josquin Desprez (c. 1500), ‘Huc me sydereo’,represents a meteor shower

&b˙ .˙ œ œ œ .˙ œ œ œ œ œ ˙ w

de - scen - - de - re ius - sit O - lym - po

Page 20: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

To read

J. Fauvel, R. Flood and R. Wilson (eds.),Music and Mathematics: From Pythagoras toFractals, Oxford University Press 2003.

L. Harkleroad, The Math behind the Music,Cambridge University Press 2006.

Diagrams from G. Reaney in The New Oxford History of Musicvol. III 1960;W. Malm, Music Cultures of the Pacific, The Near East, and Asia,Prentice-Hall 1977;and H. Olson, Music, Physics and Engineering, Dover 1977.

Page 21: Time, music and mathematics - Wilfrid Hodgeswilfridhodges.co.uk/greenwichtime.pdf · Music and Mathematics: From Pythagoras to Fractals, Oxford University Press 2003. L. Harkleroad,

Music citedI Johannes Brahms, Ein Deutsches Requiem, EMI Classics

1993.I Josquin Desprez, Huc me sydereo, Archiv 2000.I Mikhail Glinka, Ruslan and Lyudmila, Bolshoi 1978-9.I Joseph Haydn, The Creation, Oiseau-Lyre 1990.I Joseph Haydn, Piano sonata Hob.xvi.26, Auvidis Valois

1993.I Joseph Haydn, Surprise Symphony, Brilliant Classics 2001.I Inde du Nord, Girija Devi en concert, Harmonia Mundi

1995.I Conlon Nancarrow, Studies for Player Piano 36, Wergo

1990.I Arvo Part, Cantus in Memoriam Benjamin Britten, EMI

Classics for Pleasure 2002.I Maurice Ravel, String Quartet, Lindsay String Quartet,

ASV 1995.