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D
baritone
E7
baritone
BARITONE:
[A] [D] [E7] 3x
[E7] Weeeeeeeell,Come on, let's [A] go, let's [D] go little [E7] darlin'[A] Now tell me [D] that you'll never [E7] leave me [A] Come on, [D] come on, let's [E7] go a-[A] Again and again and a-[D]-gain [E7]
Well, now [A] swing me, swing me, [D] All the way [E7] down there[A] Come on, let's [D] go little [E7] darlin' [A] Let's go, let's [D] go a-[E7]-gain once [A] more [D] [A]
Well, [D] I love you [A] so, againAnd [E7] I'll never [A] let you go[D] Come on, [A] baby so, [E7] Oh pretty baby, [E7] I love you so
Leeeeeet's [A] go, let’s go, let's [D] go little [E7] sweetheart[A] Forever we can [D] always be to-[E7]-gether[A] Come on, [D] come on, let's [E7] go a-[A]-gain. [D] [A]
[D] I love you [A] so, againAnd [E7] I'll never [A] let you go[D] Come on, [A] baby so, [E7] Oh pretty baby, I love you so
Let's [A] go, let's [D] go little [E7] darlin'[A] They're dancin' and [D] we be-[E7]-long here[A] Come on, [D] come on, let's [E7] go a-[A] Again and again and [D] again and a-[E7]-gain[A] Again and again and [D] again and a-[E7]-gain[A] Again and again and [D] again and a-[E7]-gainAgain! [A]
chorus:
chorus:
Richard Valenzuela 1958Ritchie Valens
D
A
E7
Choucoune (Haitian Creole: Choukoun) is a 19th-century Haitian song composed by Michel Mauléart Monton with lyrics from a poem by Oswald Durand. It was rewritten with English lyrics in the 20th century as Yellow Bird. - Wikipedia
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[C] Yellow bird, up [G7] high in banana [C] tree.Yellow bird, you [G7] sit all alone like [C] me.
[F] Did your lady friend [C] leave the nest again?[G7] That is very sad, [C] makes me feel so [C7] bad.[F] You can �y away,[C] in the sky away.[G7] You're more lucky than [C] me.
[C] I also had a [F] pretty girl, (handsome friend)
[G7] She's not with me to-[C]-day.They're all the same the [F] pretty girls.[G7] They tend the nest, then they �y a-[C]-way.
[C] Yellow bird, up [G7] high in banana [C] tree.Yellow bird, you [G7] sit all alone like [C] me.
[F] Better �y away, [C] In the sky away,[G7] Picker coming soon, [C] Pick from night to [C7] noon.[F] Black and yellow you, [C] Like banana too[G7] They may pick you some [C] day.
[C] Wish that I were a [F] yellow bird, [G7] I'd �y away with [C] you.[C] But I am not a [F] yellow bird, [G7] so here I sit.Nothing else to [C] do.
Choucoune
Simplifed VersionKey of C
BaritoneDGBE
C
F
C7
G7
G7
baritone
F
baritone
C
baritone
C7
baritone
1
2
1st Note G 1st Note G
First Note GKey of C
1 2 3 4 5 6 7
C D E F G A B
9-14-16 revisedThis work is for educational purposes and not for commercial distribution or performance
Jerry Leiber & Mike Stoller 1967The Coasters, The Monkees, “Smokey Joe’s Cafe”CA7D7G7FCE7AmGaugF#dim
BARITONE - DGBE
[C] [A7] [D7] [G7] 2x
[C] “D. W. [A7] Washburn”, [D7] I heard a sweet voice [G7] say.[C] “D. W. [A7] Washburn. [D7] “This is your lucky [G7] day.[F] “A hot bowl of soup is [C] waiting. [F] “A hot bowl of [C] soup and a [D7] shave [G7] [C] “D. W. [A7] Washburn. [D7] “We picked [G7] you to [C] save!” [G7] “Can't you hear the �uegelhorn, [C] ”Can't you hear the bell? (ring)[G7] ”Even you can be reborn [C] ”You naughty ne'er-do-[C7]well
[F] “If you don't get outta that [C] gutter [F] Before the [C] next big [D7] rain [G7] [C] “D. W. [A7] Washburn. You're gonna [D7] wash right [G7] down the [C] drain.”
[E7] “Up! [E7] Up! [E7] C'mon, get up! [Am] Get up o� the �lthy street[D7] If you can only make it from your hands to your knees [G7] I know you can make it to your [Gaug] feet!”
[C] “D. W. [A7] Washburn”, [D7] I said to my [G7] self.[C] “D. W. [A7] Washburn”, Why don't you [D7] go save somebody [G7] else?Well, I [F] got no job to [C] go to I don't [F] work and I [C] don't get [D7] paid [G7]
I got a [C] bottle of [C7] wine, I'm [F] feelin' [F#dim] �neAnd I [D7] believe I [G7] got it [C] made
[F] I'd like to thank alla you good [C] people[F] For coming [C] to my [D7] aid [G7] But I’m [C] D. W. [A7] Washburn. I do [D7] believe I [G7] got it [C] made
*([C] D. W. [A7] Washburn) I do [D7] believe I've [G7] got it [C] made*repeat *-* 3x and end on C
Strutting Down Strokes
F#dim GaugAm
G7 F E7
C D7A7
Swing Strum, except where noted
First note: E
1st Note E 1st Note E
A7
baritone
D7
baritone
E7
baritone
F#dim
baritone
F#dim7
baritone
Gaug
baritone
G7
baritone
F
baritone
Am
baritone
C
baritone
?
D7 Dm7 FmGdim7C Cm GAm A7 Caug Am/C B7E7 Cdim7
Aba Daba HoneymoonArthur Fields & Walter Donovan 1914
For educational use only.
Gdim7
Gdim7
Gdim7
Original: https://youtu.be/x9aX7bcBPfADebbie Reynolds (with ukes): https://youtu.be/VJHJAkhacGU
[C] "Aba, [Caug] daba, [Am/C] daba, [Caug] daba, [C] daba, [Caug] daba, [Am/C] dab,"[C] Said the Chimpie to the Monk,"Baba, [Caug] daba, [Am/C] daba, [Caug] daba, [C] daba, [Caug] daba, [Am/C] dab,"[G7] Said the Monkey to the Chimp. All night long they'd chatter away,[C] All day long there were happy and gay,[D7] Swinging and singing in their [G7] Hunky-[Gdim7]-tonkey [G7] way.[C] "Aba, [Caug] daba, [Am/C] daba, [Caug] daba, [C] daba, [Caug] daba, [Am/C] dab,"[C] Means "Monk, I love but you."[E7] "Baba, daba, dab," in monkey talk, means [Am] "Chimp, I [E7] love you, [Am] too."
Then the [Dm] big baboon one [B7] night in June, He [C] married them [Cdim7] and [C] very soon,They [D7] went upon their [G7] aba, daba honey-[C]-moon.
[Am] Well, you should have heard that band play upon their [E7] wedding [Am] day,[C] Each [Cm] Chimp and [G] Monkey [A7] had [G] nutshells [G7] (Lordy, how they [D7] played [G7] them)And [Am] now it is ev'ry night, high up in the [E7] cocoanut [Am] tree.It's the [G] same old [D7] thing, with the [G] same old [D7] swing,When the [G7] Monk and [Gdim7] Chimpie [G7] sing:
One [Dm] night they were made [B7] man and wife,And [C] now they cry, [Cdim7] "This [C] is the life,"Since [D7] they came from their [G7] aba, daba honey-[C]-moon. [Fm] [C]
Chorus:
Chorus
C Caug Am/C C Caug Caug Am/C
[Am] Way down in the Congoland, Lived a happy [E7] chimpan-[Am]-zee.[C] She [Cm] loved a [G] monkey [A7] with [G] long tail. [G7] (Lordy, how she [D7] loved [G7] him!)Each [Am] night he would �nd her there, Swinging in the [E7] cocoanut [Am] tree,And the [G] monkey [D7] gay, at the [G] break of [D7] day, Loved to [G7] hear his [Gdim7] Chimpie [G7] say:
Cdim7
Cdim7
Frankie Lymon, Herman Santiago, Jimmy Merchant 1955Frankie Lymon and the Teenagers 1956, Diana Ross 1981
Variation on “Magic Chords”
C7
o o o 1
C13
3 o o o
Dm7
2 3 1 4
Gm7
o 2 1 1
G7
o 2 1 3
Bb6
o 2 1 1
Bbm6
o 1 1 1
F
2 o 1 osuggested �ngers
F7
2 o 1 o
Gm9
2 3 4 1*can beplayed where noted
http://www.ukuleleyes.com/issues/vol10/no2/pedagogy-corner.htmJames Hill discusses the “3000” chord in detail. for educational purposes
[F] Oo [Dm7] wah, [Gm7] oo [C7] wah [F] Oo [Dm7] wah, [Gm7] oo [C7] wah [F] Oo [Dm7] wah, [Gm7] oo [C7] wah [F] Why do fools fall in love?
[F] Why do [Dm7] birds [Gm7*] sing [C7] so [F] gay? [Dm7]And [Gm7*] lovers a-[C7]-wait the [F] break of [Dm7] day[Gm7] Why do they [C7] fall in [F] love? [Dm7] [Gm7] [C7]
[F] Whyyy [Dm7] yyy [Gm7] Does the [C13] rain [F] fall from a-[Dm7]-bove?[Gm7] Why do [C13] fools [F] fall in [Dm7] love?[Gm7] Why do they [C7] fall in [F] love?
[Bb6] Love is a [Bbm6] losing game[F] Love can a be [F7] shame[Bb6] I know of a [Bbm6] fool, you see[G7] For that [C7] fool is me
Tell me [F] whyy [Dm7]yy [Gm7] yy[C7]yy [F]yy [Dm7] yy[Gm7]yy [C7] [F]yy [Dm7] yy[Gm7]yy [C7] Tell me [F] why [Dm7] [Gm7] [C7]
[Bb6] Why does my [Bbm6] heart [F] skip a crazy [F7] beat?[Bb6] For I [Bbm6] know [G7] It will [C7] reach defeat!
Tell me [F] whyy [Dm7]yy [Gm7] yy[C7]yy [F]yy [Dm7] yy[Gm7]yy [C7] [F]yy [Dm7] yy[Gm7]yy [C7] Tell me [F] why [Dm7] [F] [F7]
[Bb] Why do [C7] fools fall in [F] loo[Dm7]oo[Gm7]oo[C7]ooo[F]oooove?
[tacet-------------------------------------------]
repeat boxed section
G7
baritone
Gm7
baritone
Bb6
baritone
Dm7
baritone
F7
baritone
Bbm6
F
baritone
C7
baritone
C13
baritone
5
Gm9
baritone
3
BaritoneDGBE
Or GCEA in the key of Bb
[A][E7][F#m][A7][D][A][E7][A] Meet me in the [E7] middle of the dayLet me [F#m] hear you say every-[A7]-thing's okay[D] Bring me southern [A] kisses from your [E7] room
[A] Meet me in the [E7] middle of the nightLet me [F#m] hear you say every-[A7]-thing's alright[D] Let me smell the [A] moon in your per-[E7]-fume
Oh, [D] gods and years will [A] rise and fallAnd there's [Bm] always something [E7] moreIt's [D] lost in talk, I [A] waste my timeAnd it's [Bm] all been said be-[E7]-foreWhile [D] further down be-[A]-hind the masque-[Bm]-rade the tears are [E7] there[D] I don't ask for [A] all that much I just [Bm] want someone to [E7] careThat's right now
[A] Meet me in the [E7] middle of the dayLet me [F#m] hear you say every-[A7]-thing's okay[D] Come on out be-[A]-neath the shining [E7] sun
[A] Meet me in the [E7] middle of the nightLet me [F#m] hear you say every-[A7]-thing's alright[D] Sneak on out be-[A]-neath the stars and [E7] run
[A][E7][F#m][A7][D][A][E7]Oh yeah, oh yeah yeah, oh yeah
It's [D] king and queen and we [A] must go down now be-[Bm]-yond the chande-[E7]-lierWhere [D] I won't have to [A] speak my mind and [Bm] you won't have to [E7] hear[D] Shreds of news and [A] afterthoughts and [Bm] complicated [E7] scenesWe'll [D] huddle down be-[A]-hind the light and [Bm] fade like maga-[E7]-zines
[A] Meet me in the [E7] middle of the dayLet me [F#m] hear you say every-[A7]-thing's okay[D] Bring me southern [A] kisses from your [E7] room
[A] Meet me in the [E7] middle of the nightLet me [F#m] hear you say every-[A7]-thing's alright[D] Let me smell the [A] moon in your per-[E7]-fume
[A] Meet me in the [E7] middle of the dayLet me [F#m] hear you say every-[A7]-thing's okay[D] Let me see you [A] smiling back at [E7] me
Hey [A] Meet me in the [E7] middle of the nightLet me [F#m] hear you say every-[A7]-thing's alright[D] Hold me tight and [A] love and loving's [E7] free
Whoa yeah
Even though the sleeve of his second album Jackrabbit Slim (1979) stated that "Romeo's Tune" is "dedicated to the memory of Florence Ballard," the song is not really about the Supremes singer who died in 1976. The song was actually written about a girl from Forbert's home town of Meridian, Mississippi, but was dedicated to Ballard because, as Forbert explained, "that seemed like such bad news to me and such sad news. She wasn't really taken care of by the music business, which is not a new story." The signature piano part on "Romeo's Tune" was played by former Elvis Presley pianist Bobby Ogdin. - Wikipedia
Steve Forbert 1979
D
F#m
A
A7
E7
Bm
A
baritone
D
baritone
E7
baritone
Bm
baritone
Baritone
F#m
baritone
A7
baritone
Play along with Steve Forbert in this key.
[C] [F] [Am] [G]
[C] I don't know my [F] name[Am] I don't play by the [G] rules of the gameSo [C] you said I'm just [F] tryingJust [Am] try-yyyyyy-[G]-ing
(speed up stroke)So I [C] heard you are [F] my sister’s friendYou [Am] get along quite [G] nicelyYou [C] ask me why I [F] cut my hairAnd [Am] change myself comp-[G]-letely
Repeat Chorus I [C] went from bland and [F] popularTo [Am] joining the marching [G] bandI [C] made the closest [F] friendsI'll [Am] ever have in my [G] life time
[F] I am lost [G] [F] Trying to get found [G]In an ocean of [F] people[tacet]Please don't ask me any [Am] questions[tacet]There won't [G] be a valid answerI'll just [F] say...
[C] I don't know my [F] name[Am] I don't play by the [G] rules of the game(Various strums. Starts with Down Strums and builds)So [C] you said I'm just [F] tryingJust [Am] try-yyyyyy-[G]-ing
[C] I now know my [F] name[Am] I don't play by the [G] rules of the gameSo [C] you said I'm just [F] tryingJust [Am] try-yyyyyy-[G]-ing[tacet] To �nd my way [C]
[D] I don't know my [G] name[Bm] I don't play by the [A] rules of the gameSo [D] you said I'm just [G] tryingJust [Bm] try-yyyyyy-[A]-ing
(speed up stroke)So I [D] heard you are my [G] sister’s friendYou [Bm]get along quite [A] nicelyYou [D] ask me why I cut my [G] hairAnd [Bm] change myself comp-[A]-letely Repeat Chorus
I [D] went from bland and [G] popularTo [Bm] joining the marching [A] bandI [D] made the closest [G] friendsI'll [Bm] ever have in my [A] life time= Single Down Strum
[G] I am lost [A] [G] Trying to get found [A]In an ocean of [G] people[tacet]Please don't ask me any [A] questions[tacet]There won't [A] be a valid answerI'll just [G] say...
[D] I don't know my [G] name[Bm] I don't play by the [A] rules of the game(Various strums. Starts with Down Strums and builds)So [D] you said I'm just [G] tryingJust [Bm] try-yyyyyy-[A]-ing
[D] I now know my [G] name[Bm] I don't play by the [A] rules of the gameSo [D] you said I'm just [G] tryingJust [Bm] try-yyyyyy-[F]-ing[tacet]To �nd my way [D]
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Grace VanderWaal - 2016
https://youtu.be/nHN5mmi1kcETenThumbs Productions’ Tutorial
Keys: C, C w/ optional Capo on 2nd fret & D
Key: D (On AGT, Grace played using C key chords butw/ a capo on 2nd fret, making the key D)
chorus: chorus:
D-D-DuDu
= Single Down Strum
d-d-dudu
rest rest
up strumdown strum rest
C Am GF D AG Bm
[D] [G] [Bm] [A]
Alecia Moore (P!nk), Max Martin, Johan Schuster (Shellback) 2010P!NK
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C
G
D
Em
1st Note G Made a [G] wrong turn, once or [D] twiceDug my [Em] way out, blood and [C] �reBad de-[G]-cisions, that's al-[D]-rightWelcome [Em] to my [C] silly life
Mis-[G]-treated, misplaced, misunder-[D]-stoodMiss "No way, it's all [Em] good", it didn't slow me [C] downMis-[G]-taken, always second [D] guessing, underesti-[Em]-matedLook, I'm still a-[C]-round
[G] Pretty, pretty please, don't you [D] ever ever feelLike you're [Em] less than, less than [C] perfect[G] Pretty pretty please, if you [D] ever, ever feel like you're [Em] nothingYou are [C] perfect to [G] me!
You're so [G] mean, when you [D] talk, about your-[Em]-self you were [C] wrongChange the [G] voices in your [D] head, make them [Em] like you in-[C]-steadSo compli-[G]-cated, look how big, you'll [D] make itFilled with so much [Em] hatred, such a tired [C] gameIt's e-[G]-nough! I've done all I can [D] think ofChased down all my [Em] demons, I've seen you do the [C] same
[rap w/ instrumental]The whole world's [G] scared, so I [D] swallow the fearThe [Em] only thing I should be drinking is an [C] ice cold beerSo [G] cool and limed and we [D] try, try, tryBut we [Em] try too hard and its a [C] waste of my timeDone [G] looking for the critics 'cause they’re [D] everywhereThey [Em] don't like my jeans, they don't [C] get my hairEx-[G]-change ourselves and we [D] do it all the[Em] time[C] Why do we do that, [C] why do I do that?[spoken] [C] Why do I do that?
You are [C] perfect to [G] me!
chorus:
repeat chorus
repeat chorus
outro:
key of G major - moderate tempo 92 BPM, 4/4 time. I–V–vi–IV progression (G–D–Em–C)
For educational purposes
Recorded 2007–08Genre: Baroque popWriters Guy Berryman Jonny Buckland Will Champion Chris Martin
Based on “Ukulele Vlog Trips” tutorial.However, try listening to the record, and playing the rhythm. Your version could be better!
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R. LevinTrout Fishing In America
D7 - -F#dim
E7
E7
A
A
AF#m F#m-
A F#m F#m-
AF#m F#m F#m- F#m -
D7 D7- F#dim A AF#m F#m- F#mF#m -
F#m F#m-
You give me hard eggs in the morning,
Cheese omelet you go.
Yeah, you give me hard eggs in the morning,
Cheese omelet you go.
You just hot buttered grits your teeth and bear it girl,
I doughnut love you no more.
(Now don't get that glazed look on your face!)Ham bacon you to leave me,I never sausage misery. 2xWell, you treated me so ungrapefruitly,You gave me a raisin to be free.
Well, what do you Eggs Benedict me to do now?I've got mu�n else to say. 2xYeah, you left such a wa�e toast in my mouth,You biscuit out of town today.(You know I ain't gonna keep those home fries burning for you.)
repeat �rst verse except end with(Jelly roll it again?)
D7
-
F#dim
E7
A
F#m
-
7 chords
Paul Williams Kenneth Ascher 1979 Kermit the Frog (Jim Henson)
3/4 time[G] [Gsus4] 2x
[Gmaj7] Why are there [G6] so many [Am7] songs about [D7sus4] rainbows And [Gmaj7] what's on the [G6] other [C] side? [D7] [Gmaj7] Rainbows are [G6] visions, but [Am7] only [D7sus4] illusions, And [Gmaj7] rainbows have [G6] nothing to [C] hide. [Cmaj7] So we've been [G6] told and some [Cmaj7] choose to be-[G6]-lieve it[Bm7] I know they're [Bm11] wrong wait and [Bm7] see [Bm11]
[Am7] Someday we'll [D7] �nd it, the [Bm7] rainbow con-[E7]-nectionThe [Am7] lovers, the [D7] dreamers and [G] me[G] [Gsus4] 2x
[Gmaj7] Who said [G6] every wish would [Am7] be heard and [D7sus4] answered When [Gmaj7] wished on the [G6] morning [C] star? [D7][Gmaj7] Somebody [G6] thought of that and [Am7] someone [C] believed [D7] it[Gmaj7] Look what it's [G6] done so [C] far[Cmaj7] What's so a-[G6]-mazing that [Cmaj7] keeps us star-[G6]-gazing [Bm7] And what do we [Bm11] think we might [Bm7] see? [Bm11]
[Am7] Someday we'll [D7] �nd it, the [Bm7] rainbow con-[E7]-nectionThe [Am7] lovers, the [D7] dreamers and [G] me
[D] All of us [Em] under its [G] spellWe [C] know that it's [G] probably [C] mag-[D7]-ic
[Gmaj7] Have you been [G6] half asleep And [Am7] have you heard [D7sus4] voices?[Gmaj7] I've heard them [G6] calling my [C] name [D7][Gmaj7] Is this the [G6] sweet sound that [C] calls the young [D7] sailors?The [Gmaj7] voice might be [G6] one and the [C] same[Cmaj7] I've heard it [G6] too many [Cmaj7] times to ig-[G6]-nore it[Bm7] It's something that [Bm11] I'm supposed to [Bm7] be [Bm11]
[Am7] Someday we'll [D7] �nd it, the [Bm7] rainbow con-[E7]-nectionThe [Am7] lovers, the [D7] dreamers and [G] me
[D] La da da [Em] dee da da [G] do, La [D7] da de da [Gmaj7] do
1
2
3
chorus
chorus
coda
refrain
chorus
G Gsus4
Gmaj7
Am7 Dsus4
D7 D7
D Em
Cmaj7 C
Bm7 Bm11
G6
G
baritone
Gsus4
baritone
Gmaj7
baritone
G6
baritone
Am
baritone
D
baritone
D7
baritone
Em
baritone
C
baritone
Cmaj7
baritone
Bm7
baritone
Bm11/D
baritone
D7sus4
baritone
or key of C in GCEA