Theatre & Drama 2013 Catalogue from Cambridge University Press

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Highlights

A History of

Theatre in Spain

Edited by MAriA M. DelgADo

and DAviD t. gies

leading theatre historians and practitioners map a

theatrical history that moves from the religious

tropes of medieval iberia to the postmodern

practices of twenty-first-century spain. Considering work

across the different languages of spain, from vernacular

latin to Catalan, galician, Castilian and Basque, the

history engages with the work of actors and directors,

designers and publishers, agents and impresarios, and

architects and ensembles in indicating the ways in which

theatre has both commented on and intervened in the

major debates and issues of the day. Chapters consider

paratheatrical activities and popular performance, such as

the comedia de magia and flamenco, alongside the works

of spain’s major dramatists, from lope de vega to Federico

garcía lorca. Featuring revealing interviews with actor

Nuria espert, director lluís Pasqual and playwright Juan

Mayorga, the volume positions spanish theatre within a

paradigm that recognises its links and intersections with

wider european and latin American practices.

MAriA M. DelgADo is Professor of theatre and

screen Arts at Queen Mary, University of london, and

co-editor of the journal Contemporary Theatre Review.

she has published widely in the areas of modern Catalan

and spanish theatre and film with a particular interest in

the work of performers and directors, and the intersections

between stage and screen cultures. Her publications include

Federico García Lorca (2008), ‘Other’ Spanish Theatres

(2003) and nine further co-edited volumes including

Contemporary European Theatre Directors (2010).

DAviD t. gies is Commonwealth Professor of spanish

at the University of virginia. He has published Agustín

Durán (1975), Nicolás Fernández de Moratín (1979),

Theatre and Politics in Nineteenth-Century Spain (1988),

The Theatre in Nineteenth-Century Spain (1994), The

Cambridge Companion to Modern Spanish Culture (1999)

and The Cambridge History of Spanish Literature (2004).

He is the editor of the journal Dieciocho.

Jacket illustration: sara Baras as Carmen, 2007, presented

by the Ballet Flamenco sara Baras (© José luis Alvarez /

Ballet Flamenco sara Baras).

CoNteNts

introduction Maria M. Delgado and David t. gies

the challenges of historiography: the theatre in medieval spain

Ángel gómez Moreno

lope de vega, Pedro Calderón de la Barca and tirso de Molina: spain’s

golden Age drama and its legacy Jonathan thacker

the world as a stage: Politics, imperialism and spain’s seventeenth-

century theatre José María ruano de la Haza

Playing the palace: space, place and performance in early modern spain

Margaret r. greer

the art of the actor, 1565–1833: From moral suspicion to social

institution evangelina rodríguez Cuadros

theatrical infrastructures, dramatic production and performance,

1700–1759 Fernando Doménech rico

Popular theatre and the spanish stage, 1737–1798

Josep Maria sala valldaura

theatre of the elites, neoclassicism and the enlightenment, 1750–1808

rené Andioc

Actors and agency in the modern era, 1801–2010 Josep lluís sirera

Zarzuela: High art, popular culture and music theatre rafael lamas

Nineteenth-century spanish theatre: the birth of an industry

José luis gonzález subías

Copyright, buildings, spaces and the nineteenth-century stage

lisa surwillo

Modernism and the avant-garde in fin-de-siècle Barcelona and Madrid

David george and Jesús rubio Jiménez

Continuity and innovation in spanish theatre, 1900–1936

Dru Dougherty and Andrew A. Anderson

theatrical activities during the spanish Civil War, 1936–1939

Jim McCarthy

theatre, colonialism, exile and the Americas Helena Buffery

theatre under Franco, (1939–1975): Censorship, playwriting and

performance John london

Flamenco: Performing the local / performing the state

lourdes orozco

Nationalism, identity and the theatre across the spanish state in the

democratic era, 1975–2010

sharon Feldman and Anxo Abuín gonzález

Directors and the spanish stage, 1823-2010 Maria M. Delgado

this evolution is still ongoing Nuria espert

theatre as a process of discovery lluís Pasqual

theatre is the art of the future Juan Mayorga

select bibliography

p r i n t e d i n t h e u n i t e d k i n g d o m

Jacket designed by Hart Mcleod ltd

A H

istory of Theatre in Spain

De

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o

and gie

s

DELGADO: A HISTORY OF THEATRE IN SPAIN JKT CMYBLKEvidence, Argument, Controversy

SHAKESPEARE Beyond Doubt

edited by

Paul Edmondson and Stanley Wells

➤ See page 8

➤ See page 3

➤ See page 7

Christopher Innes and Maria Shevtsova

The Cambridge Introduction to

Theatre Directing

This catalogue contains a selection of our most recent publishing in this area. Please visit our website for a full and searchable listing of all our titles in print and also an extensive range of news, features and resources. Our online ordering service is secure and easy to use.

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British theatre 2American theatre 2European theatre 3Classical theatre 4Theatre (general) 6English literature – Renaissance

and early modern to 1700 7Shakespeare 15Also of interest 17Information on related journals

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2 British theatre / American theatre

British theatre

The Cambridge Introduction to Tom StoppardWilliam DemastesLouisiana State University

This Introduction provides an accessible overview of the life and work of Tom Stoppard, widely considered to be one of the most important dramatists ofcontemporarytheatre.Inconciseandreadableform,WilliamDemastesintroduces all the complexity and variety thatmakesStoppard’sworksounique.Cambridge Introductions to Literature

2012 228 x 152 mm 220pp 15 b/w illus. 978-1-107-02195-2 Hardback £45.00 978-1-107-60612-8 Paperback £15.99www.cambridge.org/9781107021952

The Performance of NationalismIndia, Pakistan, and the Memory of PartitionJisha MenonStanford University, California

Imaginethepatrioticcamaraderieof national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? This book offers a fresh analysis of nationalism from the perspective of performance and will appeal to those with an interest in history, culture or politics.Cambridge Studies in Modern Theatre

2012 228 x 152 mm 272pp 13 b/w illus. 978-1-107-00010-0 Hardback £60.00www.cambridge.org/9781107000100

American theatre

Sexual Politics in the Work of Tennessee WilliamsDesire Over ProtestMichael S. D. HooperThe Princess Helena College

Hooperquestionsthenowfashionableview that Williams was fundamentally a social writer passionately concerned about the state of twentieth-century America. Through detailed analysis of both canonical and recently discovered texts, this book indicates instead how Williams’workprioritisessexualpowerand the experience of the individual over party politics.2012 228 x 152 mm 260pp 5 b/w illus. 978-1-107-01536-4 Hardback £55.00

eBook availablewww.cambridge.org/9781107015364

The Cambridge Companion to African American TheatreEdited by Harvey YoungNorthwesternUniversity,Illinois

With contributions from the leading scholars in the field, this Companion provides a comprehensive and accessible overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community.

http://www.cambridge.org/9781107021952












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American theatre / European theatre 3

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Cambridge Companions to Literature


David Mamet and American MachoArthur HolmbergBrandeisUniversity,Massachusetts

What does it mean to be an American man? Holmberg demonstrates how DavidMamet’splaysexplorecomplexissues of masculinity.Cambridge Studies in American Theatre and Drama, 28


European theatre

A History of Theatre in SpainEdited by Maria M. DelgadoQueenMary,UniversityofLondon

and David T. GiesUniversity of Virginia

Leading theatre historians and practitioners map a theatrical history that moves from the religious tropes ofMedievalIberiatothepostmodernpractices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular LatintoCatalan,GalicianandBasque,this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and

architects and ensembles, in indicating the ways in which theatre has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco,alongsidetheworksofSpain’smajor dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert,directorLluísPasqualandplaywrightJuanMayorga,itpositionsSpanish theatre within a paradigm that recognizes its links and intersections with wider European and Latin American practices.Contributors:MariaM.Delgado,DavidT.Gies,ÁngelGómezMoreno,MargaretR.Greer,JoséMaríaRuanodelaHaza,Jonathan Thacker, Evangelina Rodríguez Cuadros,FernandoDoménech,RicoJosep,MariaSalaValldaura,RenéAndioc,RafaelLamas, José Luis González Subías, Lisa Surwillo,DavidGeorge,JesúsRubioJiménez,DruDougherty,AndrewAnderson,JimMcCarthy,HelenaBuffery,JohnLondon,Lourdes Orozco, Josep Lluís Sirera, Sharon Feldman, Anxo Abuín González, Nuria Espert,LluísPasqual,JuanMayorga2012 228 x 152 mm 558pp 28 b/w illus. 978-0-521-11769-2 Hardback £70.00









4 European theatre / Classical theatre

Dion BoucicaultIrish Identity on StageDeirdre McFeelyTrinityCollege,Dublin

As actor, manager, designer and playwright,DionBoucicaultwasoneofthe most dynamic and influential figures innineteenth-centurytheatre.DeirdreMcFeelypresentsthefirstfullcriticalstudy of Boucicault, providing analysis of his most significant plays whilst also giving an important overview of his entire career and dramatic output.

‘McFeely is not so scholastically detached as to let us forget that Boucicault’s plays are fun and that he was a master of pithy dialogue and comic inventiveness. This is a wonderfully well-researched and discerning book, placing Boucicault as a much more politically motivated playwright than previous critics have ever suggested.’IrishTimes

2012 228 x 152 mm 228pp 5 b/w illus. 978-1-107-00793-2 Hardback £60.00


The Sounds of Paris in Verdi’s La traviataEmilio SalaUniversityofMilan

EmilioSalare-examinesVerdi’sLa traviata in the cultural context of mid-nineteenth-centuryParis.Includingunpublished musical works, journal articles, rare documents and images, thebookexploresVerdi’sinfluencesinthe French capital, particularly that of AlexandreDumasfils’LaDameauxcamélias.

Cambridge Studies in Opera

2013 228 x 152 mm 200pp 16 b/w illus. 40 music examples 978-1-107-00901-1 Hardback c. £55.00 Publication April 2013www.cambridge.org/9781107009011

Classical theatre

Choral Mediations in Greek TragedyEdited by Renaud GagnéUniversity of Cambridge

and Marianne HopmanNorthwesternUniversity,Illinois

Collection of essays exploring how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. Analyses choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves.2013 228 x 152 mm 430pp 5 b/w illus. 3 maps 978-1-107-03328-3 Hardback c. £65.00 Publication May 2013www.cambridge.org/9781107033283

Performance and Culture in Plato’s LawsEdited by Anastasia-Erasmia PeponiStanford University, California

This volume illuminates one underexploredaspectofPlato’sLaws: itsuniquelyrichdiscussionofculturalmatters.Thisrequiresthecontributionsof scholars whose expertise resides beyond the boundaries of pure philosophicalinquiry,spanningart












Classical theatre 5

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theory and criticism, social anthropology and comparative literature.2013 228 x 152 mm 456pp 14 b/w illus. 1 map 978-1-107-01687-3 Hardback c. £65.00 Publication May 2013www.cambridge.org/9781107016873

Greek Comedy and the Discourse of GenresEdited by Emmanuela BakolaKing’sCollegeLondon

Lucia PrauscelloUniversity of Cambridge

and Mario TelòUniversity of California, Los Angeles

InnovativetreatmentofGreekcomedy,showing that an essential characteristic at the heart of its identity is its voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions which surround andshapeit.Explorescomedy’sinteractions with numerous other genres within a unified interpretative framework.2013 228 x 152 mm 400pp 13 b/w illus. 978-1-107-03331-3 Hardback c. £65.00 Publication April 2013www.cambridge.org/9781107033313

Menander in AntiquityThe Contexts of ReceptionSebastiana NervegnaUniversity of Sydney

Highly illustrated reconstruction of theafterlifeofMenanderandhisplaysthroughoutantiquityandthevarious social and cultural contexts in which his comedy operated. Employs a broad range of sources such as portraits, illustrations of his plays, papyri

preserving their texts and inscriptions recording their public performances.2013 247 x 174 mm 336pp 40 b/w illus. 978-1-107-00422-1 Hardback c. £60.00 Publication March 2013www.cambridge.org/9781107004221

Slaves and Slavery in Ancient Greek Comic DramaEdited by Ben AkriggUniversity of Toronto

and Rob TordoffYork University, Toronto

This volume offers students and scholars of ancient Greek culture the first major study of the different ways Greek comic drama represents slaves and the institution of slavery. Using textual, art-historical and comparative evidence, the contributors trace the changing picture of Greek slavery from Aristophanes to Menanderandbeyond.2013 228 x 152 mm 288pp 6 b/w illus. 978-1-107-00855-7 Hardback c. £60.00 Publication January 2013www.cambridge.org/9781107008557

Theater Outside AthensDrama in Greek Sicily and South ItalyEdited by Kathryn BosherNorthwesternUniversity,Illinois

The first collection of essays on the development of Greek theater in ancientSicilyandSouthItaly,writtenbyspecialists in a range of fields, including literature, archeology and history. These different perspectives give a more complex picture of the development of western Greek theater than has hitherto been available.











http://www.cambridge.org/

6 Classical theatre / Theatre (general)

2012 247 x 174 mm 496pp 50 b/w illus. 4 maps 978-0-521-76178-9 Hardback £70.00


When Heroes SingSophocles and the Shifting Soundscape of TragedySarah NooterUniversity of Chicago

Uses close readings of the Greek texts to examinethelyricalvoiceofSophocles’heroes and to argue that their identities are grounded in poetic power. This study offers new insight into the ways that Sophoclean tragedy inherits and refracts the traditions of other poetic genres.2012 228 x 152 mm 208pp 978-1-107-00161-9 Hardback £55.00


Music in Roman ComedyTimothy J. MooreWashington University, St Louis

ExplainsthenatureofRomancomedy’smusic and provides musical analyses of songs, scenes and whole plays. This book will be of interest to students of ancient theatre and Latin literature, scholars and students working on the history of music and theatre and performers working with ancient plays.2012 228 x 152 mm 468pp 9 b/w illus. 65 tables 978-1-107-00648-5 Hardback £65.00www.cambridge.org/9781107006485

TexTbook

Sophocles: PhiloctetesSophoclesEdited by Seth L. ScheinUniversityofCalifornia,Davis

Accessible edition with commentary of this widely read but highly complex and challenging play. Provides help with morphology, grammar and syntax and interpretation of the text in its historical, social, cultural and intellectual contexts. The introduction also gives an account ofitsreceptionfromantiquitytothepresent day.Contents:Introduction;Philoctetes;Commentary.Cambridge Greek and Latin Classics

2013 216 x 138 mm 350pp 978-0-521-86277-6 Hardback c. £50.00 978-0-521-68143-8 Paperback c. £19.99 Publication May 2013www.cambridge.org/9780521862776

Theatre (general)

The Cambridge Companion to Theatre HistoryEdited by David WilesRoyal Holloway, University of London

and Christine DymkowskiRoyal Holloway, University of London

This Companion offers students and general readers a lively set of essays on the why, when, where, what and how ofwritingtheatrehistory.Itconsidershow history is told, from whose point of view in our globalised world and what














Theatre / English literature – Renaissance and early modern to 1700 7

eBooks available at www.cambridge.org/ebookstore

boundaries we might place around the notion of theatre.Cambridge Companions to Literature


The Cambridge Companion to Opera StudiesEdited by Nicholas TillUniversity of Sussex

Opera studies is a rapidly expanding field, bringing exciting new perspectives to a brilliant and complex art form. This book will give lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.Cambridge Companions to Music

2012 247 x 174 mm 362pp 978-0-521-85561-7 Hardback £55.00 978-0-521-67169-9 Paperback £19.99www.cambridge.org/9780521855617

TexTbook

The Cambridge Introduction to Theatre DirectingChristopher InnesYork University, Toronto

and Maria ShevtsovaGoldsmiths College, University of London

ChristopherInnesandMariaShevtsovadiscuss the methods of rehearsal and staging created by the path-breaking directors of the twentieth century and the twenty-first. They offer a broad overview of the roots of modern directing, and highlight its innovative theatre practices through details of

major productions and theoretical principles.Contents:Introduction;1. Traditionalstaging and the evolution of the director; 2. The rise of the modern director; 3. Directorsoftheatricality;4. Epictheatredirectors; 5. Total theatre: the director as auteur;6. Directorsofensembletheatre;7. Directors,collaborationandimprovisation.Cambridge Introductions to Literature

2013 228 x 152 mm 270pp 18 b/w illus. 978-0-521-84449-9 Hardback c. £50.00 978-0-521-60622-6 Paperback c. £15.99 Publication March 2013www.cambridge.org/9780521844499

English literature – Renaissance and early modern to 1700

Shakespeare and the Book TradeLukas ErneUniversité de Genève

Shakespeare and the Book Trade follows onfromLukasErne’sgroundbreakingShakespeareasLiteraryDramatist to examine the publication, constitution, dissemination and reception of Shakespeare’sprintedplaysandpoemsin his own time and to argue that their popularity in the book trade has been greatly underestimated.

Advance praise: ‘An admirable amount of original research has gone into the study,












8 English literature – Renaissance and early modern to 1700

making it of use to a wide array of readers. With Shakespeare and the Book Trade, Lukas Erne manages to do that most coveted of things: he has written another book that everyone must read.’Patrick Cheney, Pennsylvania State University

2013 228 x 152 mm 290pp 25 b/w illus. 21 tables 978-0-521-76566-4 Hardback c. £25.00 Publication April 2013www.cambridge.org/9780521765664

Shakespeare as Literary DramatistSecond editionLukas ErneUniversité de Genève

Firstpublishedin2003,Erne’sgroundbreaking study argues that Shakespeare wrote his plays not only with audiences but also with readers in mind. This second edition includes a substantial, 10,000-word preface that reviews and intervenes in the controversy that the book has triggered.

Reviews of the first edition: ‘The year’s best book on Shakespeare.’Jonathan Bate, The Times Literary Supplement

2013 228 x 152 mm 320pp 12 b/w illus. 978-1-107-02965-1 Hardback c. £50.00 978-1-107-68506-2 Paperback c. £19.99 Publication April 2013www.cambridge.org/9781107029651

Shakespeare Beyond DoubtEvidence, Argument, ControversyEdited by Paul EdmondsonThe Shakespeare Birthplace Trust

and Stanley WellsThe Shakespeare Birthplace Trust

DidShakespearewriteShakespeare?Theauthorshipquestionhasbeenmuchtreated in works of fiction, film and television, provoking interest all over the world. The book explores the issues surrounding the debate in the light of biographical, textual and bibliographical evidence to bring fresh perspectives on an intriguing cultural phenomenon.2013 228 x 152 mm 280pp 5 b/w illus. 978-1-107-01759-7 Hardback c. £50.00 978-1-107-60328-8 Paperback c. £17.99 Publication April 2013www.cambridge.org/9781107017597

Environmental Degradation in Jacobean DramaBruce BoehrerFlorida State University

EnvironmentalDegradationinJacobeanDramaprovides the first general history of the Shakespearean stage to focus primarily on ecological issues. Bruce Boehrer discusses the work ofShakespeare,Jonson,Middleton,Fletcher,DekkerandHeywood,exploringthe strategies by which they made sense of radical ecological change in their drama.2013 228 x 152 mm 260pp 978-1-107-02315-4 Hardback c. £55.00 Publication March 2013www.cambridge.org/9781107023154











English literature – Renaissance and early modern to 1700 9


Medieval ShakespearePasts and PresentsEdited by Ruth MorseParis-Sorbonne-Cité

Helen CooperUniversity of Cambridge

and Peter HollandUniversityofNotreDame,Indiana

Before Shakespeare is our contemporary he is the contemporary of late-medieval European culture, self-consciously regenerating and transforming earlier ideas of history, art, poetry and the stage. This book gives readers the opportunity to appreciate both Shakespeare and his period from the perspectives of the traditions that fostered and surrounded him.2013 228 x 152 mm 300pp 10 b/w illus. 978-1-107-01627-9 Hardback c. £60.00 Publication February 2013www.cambridge.org/9781107016279

Mythologies of the Prophet Muhammad in Early Modern English CultureMatthew DimmockUniversity of Sussex

This book explores how the figure of the ProphetMuhammadwasmisrepresentedin English and wider Christian culture between 1480 and 1735. By tracing the waysinwhich‘Mahomet’waswrittenand rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.

Advance praise: ‘Dr Dimmock has broken new ground, not only in his excavation of neglected English sources from the fifteenth

and sixteenth centuries, but also by his close reading of a wider range of writings than has hitherto been assembled in one place … This book furnishes a detailed and vivid sense of the varied ways in which the early modern English constructed and used the person of Mahomet/Muhammad in the articulation of their own identities, world views and notions of self. As such, it provides a suggestive and instructive point of reference and of self-interrogation for any reader inclined to a historically grounded and culturally contextualized understanding of the many and often-fraught ongoing twenty-first-century Western engagements with the Prophet of Islam.’Shahab Ahmed, Harvard University

2013 228 x 152 mm 304pp 25 b/w illus. 978-1-107-03291-0 Hardback c. £60.00 Publication March 2013www.cambridge.org/9781107032910

Shakespearean SensationsExperiencing Literature in Early Modern EnglandEdited by Katharine A. CraikOxford Brookes University

and Tanya PollardBrooklyn College, City University of New York

This lively and accessible collection of essays explores the ways Shakespeare and his contemporaries imagined literature’simpactonaudiences’bodies,minds and emotions. Readers and theatregoers have always sought out literature for its emotional power, and this book shows how seriously early modern writers took their relationships with their audiences.












2013 228 x 152 mm 220pp 1 b/w illus. 978-1-107-02800-5 Hardback c. £55.00 Publication February 2013www.cambridge.org/9781107028005

The Shakespearean Stage SpaceMariko IchikawaTohoku University, Japan

In The Shakespearean Stage Space, MarikoIchikawaexplorestheoriginalstaging of plays by Shakespeare and his contemporaries to build a new picture of the theatrical artistry of the Renaissance stage.Itwillofferscholars,studentsand actors a new way to analyse and interpret early modern plays.2012 228 x 152 mm 240pp 8 b/w illus. 1 table 978-1-107-02035-1 Hardback £55.00www.cambridge.org/9781107020351

Early Modern Playhouse Manuscripts and the Editing of ShakespearePaul WerstineUniversity of Western Ontario

EarlyModernPlayhouseManuscriptsand the Editing of Shakespeare analyzes surviving manuscripts and printed quartosmarkedupforperformanceinShakespeare’stimetosituatethetheoryand practice of Shakespeare editing in context.Indoingso,itexploreseditorialchoicesaboutwhattogivetoday’sreadersas‘Shakespeare’.2012 228 x 152 mm 448pp 55 b/w illus. 2 tables 978-1-107-02042-9 Hardback £65.00www.cambridge.org/9781107020429

Late Shakespeare, 1608–1613Edited by Andrew J. PowerTrinityCollege,Dublin

and Rory LoughnaneSyracuse University, New York

A team of leading international Shakespeare scholars provides a critical reappraisal of the final phase of Shakespeare’swritinglife.Containingoriginal scholarly approaches to the last seven extant plays, the volume includes dedicated chapters on Coriolanus and Shakespeare’stwolateco-authoredplays, KingHenryVIII and The Two Noble Kinsmen.2012 228 x 152 mm 355pp 5 b/w illus. 978-1-107-01619-4 Hardback £60.00www.cambridge.org/9781107016194

Rethinking Historicism from Shakespeare to MiltonEdited by Ann Baynes CoiroRutgers University, New Jersey

and Thomas FultonRutgers University, New Jersey

This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. Written by leading voices in the field, the book is designed for scholars and students of early modern English literature (1500–1700).2012 228 x 152 mm 280pp 1 b/w illus. 978-1-107-02751-0 Hardback £60.00www.cambridge.org/9781107027510


















Milton and the Art of RhetoricDaniel ShoreGeorgetownUniversity,WashingtonDC

ThisbookshowshowMiltonusedinnovative and cunning means to persuade his readers in an age that was distrustfuloftraditionalrhetoric.Itwillappeal to readers interested in early modern literature, poetry and polemic, as well as those concerned with Greek, Roman and Renaissance rhetoric.2012 228 x 152 mm 211pp 978-1-107-02150-1 Hardback £55.00


Performing Early Modern Drama TodayEdited by Pascale AebischerUniversity of Exeter

and Kathryn PrinceUniversity of Ottawa

Little attention has been focused on modern productions of the plays of Shakespeare’scontemporaries.Thisbook offers an overview of, and an essential reference to, recent stage and screen adaptations of early modern drama written by leading scholars and practitioners, including three detailed appendices listing amateur and professional performances.2012 228 x 152 mm 258pp 5 b/w illus. 978-0-521-19335-1 Hardback £60.00www.cambridge.org/9780521193351

Shakespeare and World CinemaMark Thornton BurnettQueen’sUniversityBelfast

This book explores the significance of Shakespeare in contemporary worldcinemaforthefirsttime.MarkThornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China,France,India,Malaysia,Mexico,Singapore, Tibet, Venezuela, Yemen and elsewhere.2012 228 x 152 mm 285pp 25 b/w illus. 978-1-107-00331-6 Hardback £60.00www.cambridge.org/9781107003316

Problem Fathers in Shakespeare and Renaissance DramaTom MacFaulUniversity of Oxford

Problem Fathers in Shakespeare and RenaissanceDrama explores the central role of fathers in a wide range of Elizabethan and Jacobean plays. Placing Shakespeare among his contemporaries, this book enables an understanding of the development of his dramatic genres and shows how ideas of patriarchy evolved over the period.2012 228 x 152 mm 264pp 978-1-107-02894-4 Hardback £60.00www.cambridge.org/9781107028944
















Sleep, Romance and Human EmbodimentVitality from Spenser to MiltonGarrett A. Sullivan, JrPennsylvania State University

Contributing to the histories of genre, embodiment and vitality, this study shows the impact of Aristotelian and Cartesian conceptions of humanness on works by Shakespeare, Spenser, MiltonandSidney.Sullivanshowshow,through the representation of sleep, epic and romance model the distinctive relationships between man, plant and animal.

‘This is a major new study with wide ranging implications for a variety of early modern interests – in the contested category of the human, in the ecological place of the human body in relation to its environment, in the legacy of Aristotelianism against the advent of Cartesianism, and in the relations between epic and romance.’Gail Paster, Folger Shakespeare Library

2012 228 x 152 mm 216pp 978-1-107-02441-0 Hardback £55.00


New iN PaPerback

Documents of Performance in Early Modern EnglandTiffany SternUniversity of Oxford

Aswellasbeingcalled‘poets’,playwrightsofShakespeare’speriodwereknownas‘play-patchers’becausetheir texts were made up of separate documents. Using fresh print and

manuscript evidence, Stern explores the piecemeal nature of the playscript in the theatre, redefining what a play, and what a playwright, actually is.

‘… outstrips the magisterial E. K. Chambers.’KatherineDuncan-Jones,Times Literary Supplement

2012 228 x 152 mm 376pp 978-1-107-65620-8 Paperback £19.99 Also available 978-0-521-84237-2 Hardback £65.00


New iN PaPerback

Shakespeare and Early Modern Political ThoughtEdited by David ArmitageHarvardUniversity,Massachusetts

Conal CondrenUniversity of New South Wales, Sydney

and Andrew FitzmauriceUniversity of Sydney

This volume is the first historically informed collection of essays focussing onShakespeare’sengagementwiththepolitical thinking of his time. Covering thefullrangeofShakespeare’swork,a distinguished team of contributors provides a coherent and challenging portraitofShakespeare’sengagementwiththequestionsofearlymodernpolitical thought.

Review of the hardback: ‘… one of the most important new studies of Shakespeare to have appeared this century. It takes the discussion of Shakespeare and early modern political thought to a hitherto unseen level of sophistication. For the
















first time, we are offered a serious and sustained reading of Shakespeare in the light of the ‘Cambridge school’ of work on the language of political theory … contributors come from diverse perspectives … and yet they create a strikingly unified image of a Shakespeare who is at once a deep political thinker, a consummate master of rhetoric and a wily refusenik when it comes to orthodox positions … deserves a prominent place on the bookshelf of anyone interested in Shakespeare – more than that, of anyone interested in the interplay between literature and the history of political thought.’Jonathan Bate, University of Warwick

2012 228 x 152 mm 304pp 978-1-107-69250-3 Paperback £19.99 Also available 978-0-521-76808-5 Hardback £65.00


The Cambridge Edition of the Works of Ben JonsonBen JonsonEdited by David BevingtonUniversity of Chicago

Martin ButlerUniversity of Leeds

and Ian DonaldsonAustralian National University, Canberra

The Cambridge Edition of the Works of Ben Jonson presentsJonson’scomplete writings in the light of current editorial thinking and recent scholarly interpretation and discovery. Itprovidesaclearsenseoftheshape,scale and variety of the entire Jonsonian canon,includingplays,courtmasquesand entertainments, poems, prose

works and letters. Each text, edited in modern spelling, is accompanied by an introduction containing essential information about its date, sources and interpretation, and is supported by detailed on-page commentary and collation. The Edition presents Jonson’stextsinaformwhichcombines thoroughness of explanation with readability. An accompanying electronic edition is in development for launch in 2013. The Edition as a wholeexplicatesJonson’sworksfullyin the light of modern scholarship, making them accessible to students, scholars, theatrical practitioners and anyone wishing to explore the work of Shakespeare’sgreatcontemporary.Forfurther information, additional resources and textual essays, please visit http://blog.cewbj.org.

‘… [a] formidable enterprise … There would have to be either a transformation of our mental world beyond present imagination, or some sensational textual discovery before anyone could think it necessary to edit Jonson again.’Blair Worden, London Review of Books

Contributors:AnneBarton,DavidBevington,KarenBritland,DerekBritton,ColinBurrow,MartinButler,TomCain,Hugh Craig, Katharine Craik, John Creaser, IanDonaldson,RichardDutton,Inga-StinaEwbank,DavidGants,EugeneGiddens,Suzanne Gossett, Peter Happé, Peter Holland, Lorna Hutson, Gabriele Bernhard Jackson,W.DavidKay,JamesKnowles,DavidLindley,TomLockwood,JosephLoewenstein,RandallMartin,RobertMiola,HelenOstovich,AnthonyParr,EricRasmussen, Julie Sanders, William Sherman, MatthewSteggle







2012 228 x 152 mm 5224pp 135 b/w illus. 3 maps 978-0-521-78246-3 7 Volume Set £650.00www.cambridge.org/9780521782463

Heresy Trials and English Women Writers, 1400–1670Genelle GertzWashington and Lee University, Virginia

By analyzing the interrogations of MargeryKempe,AnneAskew,MarianProtestantwomen,MargaretClitherowand Quaker women, Genelle Gertz examines the complex dynamics ofwomen’swriting,preachingandauthorship under religious persecution and censorship and uncovers unexpected connections between the writings of women on trial for their religious beliefs.2012 228 x 152 mm 268pp 978-1-107-01705-4 Hardback £55.00


The New Milton CriticismEdited by Peter C. HermanSanDiegoStateUniversity

and Elizabeth SauerBrock University, Ontario

The contributors to this volume emphasize ambivalence and discontinuityinMilton’sworkand interrogate the assumptions andcertaintiesinpreviousMiltonscholarship. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.2012 228 x 152 mm 266pp 978-1-107-01922-5 Hardback £55.00 978-1-107-60395-0 Paperback £17.99


Versions of AntihumanismMilton and OthersStanley FishFloridaInternationalUniversity,Miami

StanleyFish’sfinestpublishedworkisbrought together here with brand new materialonMiltonandonotherauthorsand topics in early modern literature. Lucid, provocative, direct and inimitable, thisbookisrequiredreadingforanyoneteachingorstudyingMiltonandearlymodern literary studies.

‘Fish can be distinctive, absorbing and powerful.’Times Literary Supplement

2012 228 x 152 mm 300pp 978-1-107-00305-7 Hardback £50.00 978-0-521-17624-8 Paperback £17.99















English literature – Renaissance & early modern to 1700 / Shakespeare 15


The Cambridge Companion to Shakespeare and Contemporary DramatistsEdited by Ton HoenselaarsUniversiteit Utrecht, The Netherlands

WhileShakespeare’spopularityhascontinued to grow, so has the attention paid to the work of his contemporaries. This Companion introduces the distinctive drama of playwrights fromShakespeare’stime,includingKyd,Marlowe,Middleton,Jonsonand Webster. The book also covers Shakespeare as a collaborator and the difficultquestionofco-authorship.Cambridge Companions to Literature

2012 228 x 152 mm 323pp 7 b/w illus. 1 music example 978-0-521-76754-5 Hardback £50.00 978-0-521-12874-2 Paperback £19.99www.cambridge.org/9780521767545

Shakespeare Survey 65A Midsummer Night’s DreamVolume65:AMidsummerNight’sDreamEdited by Peter HollandUniversityofNotreDame,Indiana

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains asectionofreviewsofthatyear’stextual and critical studies and of the year’smajorBritishperformances.ThethemeforVolume65is‘AMidsummerNight’sDream’.Thecompletesetof

Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.Contributors: Laura Aydelotte, Helen Barr,MichaelHattaway,JesseLander,HenryBuchanan,MichaelSaenger,SibylleBaumbach, Stuart Sillars, Laura Levine, MichaelP.Jensen,RussMcDonald,RogerWarren,CarolThomasNeely,MattKozusko,JacquelynBessell,AndrewJamesHartley,Paul Edmondson, Stanley Wells, Pascale Aebischer,MargaretTudeau-Clayton,John Jowett, Holger Schott Syme, Robert Bearman, Brian Cummings, K. E. Attar, Todd Borlik, Charlotte Brewer, Robert N. Watson, AndreasHöfele,TobyMalone,MargaretShewring, Curt L. Tofteland, Hal Cobb, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Eric RasmussenShakespeare Survey, 65


Shakespeare

Shakespeare in the Eighteenth CenturyEdited by Fiona RitchieMcGillUniversity,Montréal

and Peter SaborMcGillUniversity,Montréal

Duringtheeighteenthcentury,editionsand adaptations of Shakespeare proliferated, making him the most popular English dramatist. He exerted a profound influence on a variety of authors and on several other












16 Shakespeare

literary genres. Shakespeare in the Eighteenth Century explores the impact Shakespeare had on various aspects of society and culture.2012 228 x 152 mm 468pp 17 b/w illus. 978-0-521-89860-7 Hardback £65.00


TexTbook

The TempestSecond editionEdited by David LindleyUniversity of Leeds

The Tempest is one of the most suggestive, yet most elusive of all Shakespeare’splays,andhasprovokedawiderangeofcriticalinterpretations.Inthisupdatededition,DavidLindleyhasthoroughly revised the introduction and reading list to take account of the latest directions in criticism and performance.

Reviews of the first edition: ‘If you are looking for a model edition – by which I mean one that is concerned to honour the text and to explain the processes involved in editing – this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley’s edition of The Tempest open beside me.’Peter Thompson

Contents: List of abbreviations and conventions; Preface to the second edition; Introduction;Noteonthetext;Listofcharacters; The play; Textual analysis; Appendix 1. The songs; Appendix 2. Parallel passages from Virgil and Ovid; Appendix 3. And others: casting the play; Reading list.

The New Cambridge Shakespeare

2013 228 x 152 mm 280pp 26 b/w illus. 978-1-107-61957-9 Paperback c. £8.99 Publication April 2013 Also available 978-1-107-02152-5 Hardback c. £25.00www.cambridge.org/9781107619579

The New Cambridge ShakespeareSecond editionEdited by A. R. Braunmullerand Brian Gibbons

The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes allShakespeare’splays,sonnetsandpoems, in modern spelling, annotated texts, presented in attractively designed volumes.The New Cambridge Shakespeare

2012 228 x 152 mm 9000pp 978-1-107-65663-5 41 Volume Set £295.00www.cambridge.org/9781107656635

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The Tempest is one of the most suggestive, yet most elusive, of Shakespeare’s plays. It is a magical romance, yet embedded in seventeenth-century debates about authority and power. David Lindley’s introduction and commentary refer to contemporary documents in attending to the implications of Prospero’s magic, his political and paternal ambitions and the controversial issue of his ‘colonialist’ control of Caliban. Shakespeare’s experimental response to the new Blackfriars indoor theatre is apparent in the play’s unique dramatic form, its stage-craft and especially its use of music and spectacle.

T h e N e w C a m B r I D g e S h a k e S P e a r eNCS

Cover illustration: karl weatherly / getty images.

portrait of William shakespeare on back and spine: design by Paul Oldman, based on a drawing by David hockney, reproduced by permission of the artist.

Cover design: andrew ward

The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes all Shakespeare’s plays, sonnets and poems, presented in attractively designed volumes.

• modernised texts• full notes and lively introductions• informative illustrations• precise details of staging and performance.

T h e N e w C a m B r I D g e S h a k e S P e a r eNCS

The TemPeST

edited by David Lindley

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Shakespeare / Also of interest 17


TexTbook

The Two Gentlemen of VeronaSecond editionEdited by Kurt SchlueterAlbert-Ludwigs-Universität Freiburg, Germany

Professor Schlueter approaches this early comedy as a parody of two types of Renaissance educational fiction:thelove-queststoryandthetest-of-friendship story. A thoroughly researched, illustrated stage history reveals changing conceptions of the play and this updated edition features a new introductory section on recent stage and critical interpretations.Contents:Introduction:date;Themesandcriticism; Structure and sources; Speed and Lance; The outlaws; Stage history; Recent stage and critical interpretations by Lucy Munro;Listofcharacters;Theplay;Textualanalysis; Appendix: a further note on stage directions; Reading list.The New Cambridge Shakespeare

2012 228 x 152 mm 180pp 16 b/w illus. 978-0-521-18169-3 Paperback £8.99 Also available 978-1-107-00489-4 Hardback £45.00www.cambridge.org/9780521181693

TexTbook

The Two Noble KinsmenWilliam ShakespeareEdited by Robert Kean Turnerand Patricia Tatspaugh

With scholarly attention recently focusingonShakespeare’slateplays,collaboration and sexuality, The Two Noble Kinsmen has become an essential script. Containing a detailed performance history and a lively

introduction which surveys contemporary critical responses and addresses Shakespeare’scraftsmanship,thiseditionargues that the play can no longer be marginalized.Contents:Introduction:authorship;Date;Sources; Craftsmanship; Critical reception; Shakespeare’slatestyle;The Two Noble Kinsmen in performance; Note on text; List of characters; The play; Supplementary notes; Textual analysis; Appendix: The Two Noble Kinsmen: a performance chronology; Reading list.The New Cambridge Shakespeare

2012 228 x 152 mm 246pp 10 b/w illus. 978-0-521-68699-0 Paperback £8.99 Also available 978-0-521-43270-2 Hardback £45.00www.cambridge.org/9780521686990

Also of interest

Antigone, InterruptedBonnie HonigNorthwesternUniversity,Illinois

Antigone, Interrupted explores the intertwined history of law, politics, gender and humanism through a new readingofSophocles’classicaltragedy.Studying the play in its fifth-century and modern contexts, Bonnie Honig argues for an Antigone committed not just to dissidence but to a positive politics of counter-sovereignty and solidarity.2013 228 x 152 mm 300pp 978-1-107-03697-0 Hardback c. £55.00 978-1-107-66815-7 Paperback c. £17.99 Publication March 2013www.cambridge.org/9781107036970








18 Also of interest

The Handbook of Journal PublishingSally MorrisEd BarnasDouglas LaFrenierand Margaret Reich

The Handbook of Journal Publishing is an up-to-date and comprehensive handbook written by experienced professionals, covering all aspects of journal publishing, both online andinprint.Itisabasicreferencesource for publishers, librarians and scholars dealing with such issues as copyright, business models, scholarly communication and intellectual property.2013 228 x 152 mm 380pp 8 b/w illus. 43 tables 978-1-107-02085-6 Hardback c. £60.00 978-1-107-65360-3 Paperback c. £19.99 Publication February 2013www.cambridge.org/9781107020856




Index 19


A Aebischer, Pascale .................................11Akrigg, Ben .............................................5Antigone,Interrupted ............................17Armitage,David ....................................12

B Bakola, Emmanuela .................................5Barnas, Ed .............................................18Baynes Coiro, Ann .................................10Bevington,David ...................................13Boehrer, Bruce .........................................8Bosher, Kathryn .......................................5Braunmuller, A. R. ..................................16Butler,Martin ........................................13

C Cambridge Companion to African

American Theatre, The ...........................2Cambridge Companion to Opera

Studies, The ..........................................7Cambridge Companion to Shakespeare andContemporaryDramatists,The ......15

Cambridge Companion to Theatre History, The ...........................................6

Cambridge Edition of the Works of Ben Jonson, The ........................................13

CambridgeIntroductiontoTheatreDirecting,The .......................................7

CambridgeIntroductiontoTomStoppard, The .......................................2

ChoralMediationsinGreekTragedy .........4Condren, Conal .....................................12Cooper, Helen .........................................9Craik, Katharine A. ..................................9

D DavidMametandAmericanMacho .........3Delgado,MariaM. ...................................3Demastes,William ...................................2Dimmock,Matthew .................................9DionBoucicault .......................................4DocumentsofPerformanceinEarlyModernEngland .................................12

Donaldson,Ian ......................................13Dymkowski,Christine ..............................6

E EarlyModernPlayhouseManuscripts

and the Editing of Shakespeare ...........10Edmondson, Paul.....................................8EnvironmentalDegradationinJacobeanDrama ..................................................8

Erne, Lukas.......................................... 7, 8

F Fish, Stanley ..........................................14Fitzmaurice, Andrew ..............................12Fulton, Thomas ......................................10

G Gagné, Renaud .......................................4Gertz, Genelle .......................................14Gibbons, Brian ......................................16Gies,DavidT. ...........................................3GreekComedyandtheDiscourseof

Genres .................................................5

H Handbook of Journal Publishing, The......18Heresy Trials and English Women

Writers, 1400–1670 ...........................14Herman, Peter C. ...................................14History of Theatre in Spain, A ...................3Hoenselaars, Ton ...................................15Holland, Peter ................................... 9, 15Holmberg, Arthur.....................................3Honig, Bonnie .......................................17Hooper,MichaelS.D. ...............................2Hopman,Marianne .................................4

I Ichikawa,Mariko ...................................10Innes,Christopher ...................................7

J Jonson, Ben ..........................................13

20 Index

L LaFrenier,Douglas .................................18Late Shakespeare, 1608–1613 ..............10Lindley,David ........................................16Loughnane, Rory ...................................10

M MacFaul,Tom ........................................11McFeely,Deirdre ......................................4MedievalShakespeare .............................9MenanderinAntiquity .............................5Menon,Jisha ...........................................2MiltonandtheArtofRhetoric ...............11Moore,TimothyJ. ....................................6Morris,Sally ..........................................18Morse,Ruth ............................................9MusicinRomanComedy .........................6MythologiesoftheProphetMuhammadinEarlyModernEnglishCulture ............9

N Nervegna, Sebastiana ..............................5New Cambridge Shakespeare, The .........16NewMiltonCriticism,The ......................14Nooter, Sarah ..........................................6

P Peponi, Anastasia-Erasmia .......................4PerformanceandCultureinPlato’sLaws ..4Performance of Nationalism, The ..............2PerformingEarlyModernDramaToday ..11Pollard, Tanya ..........................................9Power, Andrew J. ...................................10Prauscello, Lucia ......................................5Prince, Kathryn ......................................11Problem Fathers in Shakespeare and RenaissanceDrama ............................11

R Reich,Margaret .....................................18Rethinking Historicism from ShakespearetoMilton ........................10

Ritchie, Fiona ........................................15

S Sabor, Peter ...........................................15Sala, Emilio .............................................4Sauer, Elizabeth .....................................14Schein, Seth L. .........................................6Schlueter, Kurt .......................................17Sexual Politics in the Work of Tennessee

Williams ...............................................2ShakespeareandEarlyModernPolitical

Thought .............................................12Shakespeare and the Book Trade .............7Shakespeare and World Cinema .............11ShakespeareasLiteraryDramatist ............8ShakespeareBeyondDoubt .....................8Shakespeare in the Eighteenth Century ..15Shakespeare Survey 65 ..........................15Shakespeare, William .............................17Shakespearean Sensations .......................9Shakespearean Stage Space, The ............10Shevtsova,Maria .....................................7Shore,Daniel .........................................11Slaves and Slavery in Ancient Greek ComicDrama .......................................5

Sleep, Romance and Human Embodiment .......................................12

Sophocles ...............................................6Sophocles: Philoctetes .............................6SoundsofParisinVerdi’sLa traviata ......4Stern, Tiffany .........................................12Sullivan, Jr, Garrett A. .............................12

T Tatspaugh, Patricia ................................17Telò,Mario ..............................................5Tempest, The .........................................16Theater Outside Athens ...........................5ThorntonBurnett,Mark .........................11Till, Nicholas ............................................7Tordoff, Rob ............................................5Turner, Robert Kean ...............................17Two Gentlemen of Verona, The ..............17Two Noble Kinsmen, The ........................17

V Versions of Antihumanism .....................14

Index 21


W Wells, Stanley ..........................................8Werstine, Paul .......................................10When Heroes Sing ...................................6Wiles,David ............................................6

Y Young, Harvey .........................................2

22 Notes

Notes 23


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ARTICLES101 Editorial: Aesthetics, Politics and the Public Sphere

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vol. 66 no. 259 january 2012

out of the shadows and silences:lotta wennäkoski in profileTim Howell

schoenberg: the petrarch setting in the serenade, op. 24; form and material in klavierstück, op. 33bEdward Green, Hugh Collins-Rice

‘the space of the soul’: an interview with sofia gubaidulinaIvan Moody

the evolution of form in the music of roger reynolds (part i)Michael Boyd

first performances: proms 2011, cheltenham, presteigne &manchester festivals

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