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8/14/2019 The world of dreams has always been a fantasy to the human mind This inexplicable world full of illusions and im
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The world of dreams has always been a fantasy to the human mind This inexplicable world full
of illusions and images has puzzled humans since centuries, and the curiosity has always tried to
untangle the mysteries and the interpretations of the dreams ,and the occult messages , if there
are any and if those messages and images are the result of our hidden desires or they are the
results of our unconcious mind. But what exactly is meant by unconcious mind ? Does it really
exists or is it just a mere hyopothetical space crafted by philosophers and psychologists?
When we talk of dreams and unconcious, immediately Sigmund Freud comes to our mind, one
of the most important figures who paved the way to deduce the complexities of human dreams
with a scientific approach. As the notable psychoanylst states ( Ch. 1 . The scientific literature of
dream problem, Interpretation of dreams)
I shall demonstrate that there is a psychological technique which makes it possible to interpret
dreams, and that on the application of this technique every dream will reveal itself as a
psychological structure, full of significance, and one which may be assigned to a specific place
in the psychic activities of the waking state
Freud came out with scientific methodologies to unravel the occult mystries of the strangeness
and obscurity of dreams , and how each element of the dreams is a self projection of the desires
( as stated by Lacan) with the help of these methodologies one may be able to decipher the
extraordinary variations in the content as well as the visualisation of the dreams. . First we would
be going through Freudian methodolgies and subsequently we would be using them to analyse
two movies- The Vanilla Sky directed by Cameron Crowe in which we would be going
through the manifestation of the desires on dreams and their uncontrolled outcome and The
Machinist by Brad Anderson, which plays with the subtle unconcious of the protagonist and the
occult emotions of guilt and their projections.
Freud On Dreams
In his book, Interpretation of Dreams ,( ch 1 ,Section B- The Material of Dreams-Memory in
dreams) Freud states that
That all the material composing the content of a dream is somehow derived from experience,
that it is reproduced or remembered in the dream
This is true that our dreams are manifestations of our experiences and daily life. All that is
projected in the dreams is either influenced by a person whom we had talked to or someone whowe know very well , experiences that we have had , places that we have visited or from the
things we do normally, our habits, our lifestyle and the list goes on. According to Freud , the
whole content of a dream can be largely grouped under two entities , they areThe Manifest and
The Latent content. Generally speaking, the former represents the dream itself, the imagery and
the depictions , the visual content of the dream and the latter signifies , as its name suggests the
latent , or the hidden meaning to every imagery , projections, and visuals and related to the occult
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or single words. The secondary revision is responsible for the organized narrative and story like
quality of the dream , that is the sequence of events and their organization .
Vanilla sky
The film Vanilla sky is 2001 American film directed , co produced , and co- written byCameron Crow .It is a remake of 1997 Spanish film Abre los Ojos( open your eyes), written
by Alejandro Amenbar and Mateo Gil. Personally I feel that Vanilla sky Stands out to be
more Intense and creative in representing the theme of the movie.The movie depicts the life of a
young man , David Aames, played by Tom Cruise , and his constant tussle with his unconcious
and dreams and he is unable to decipher whether he is in a state of reality or a dream .
The movie starts with the cityscape of New york from heights and a feminine voice calling out
Open your eyes ,which is the recorded voice of Davids alarm clock .He gets up and gets
ready for work and as he drives towards his office, he finds out that the streets are totally empty
and and none is there . When he reaches New York Times Square he finds out that it is totallydeserted and he begins to Run and being paranoid screams out and finds himself awaken this
time, as this all was nothing but a dream and the sound of his alarm clock speaking Open your
eyes, but this time with a different voice,that is of Juliana, ( Cameron Diaz), who is Davids
casual fling partner . Here we see displacement in the dream , as substitution of Voice in alarm
clock . The actual one being of Julianas , but the substituted one of being Sofias , Davids love
interest . The birdseye view of New York is corollary to Davids real life , as we learn that he is
afraid of heights.Here again we see displacement, that is substituting fear of height with the
images as if he is flying. The absence of people reflects the loneliness and running away from it
is his loneliness where he cannot relate himself to anyone around him, where everyone see him
as a rich brat, who just got to inherit his fathers company without any hard work. Since ,hischildhood , he was considered reckless and irresponsible .The next sequence in which David is
wearing a prosthetic Mask and is in jail , talking to a psychatrist Mr. McCabe as he is been
accused of a murder, and he recollects the moment when he met Sofa , a young dancer who
came to her Birthday Party, with Brian , his Best friend. In one of the scenes , Sofia is looking at
a distorted guitar of a famous rock and roll singer , placed as an artpiece in Davids home. The
distortion of life and the nonlinear form of lifestyle corresponds to the broken guitar.
Meeting with Sofia was a inforgettable moment for David,as he sees himself falling for her at
first sight.In the succcessive scenes, he leaves from the Sofias House and finds himself being
stalked by Juliana .Obviously , Juliana is envious about the growing proximity of David andSofia, and while she tries to persuade David , of their relationship , she asks him What is
Happiness to you David? . This is the same question that we see being a sked about by the
young man , on the terrace to David. Here we see , that this dream leads David to his unending
search for the reasons of his happiness. According to Freud, our latent wishes and emotions are
the manifest content of the dreams ,so this simplifies that Davids reasons for happiness are
being manifested in this question , which appears many times in the movie.
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The accident appears to be a dream to David which he later tells Sofia , But sees her running
away from himself. Though we do not see yet the disfigured face, but later it explains the cause
of the disfigurement. This distortion of face depicts the non -linearity and the broken life of
David and exclusion of Juliana from his life. The prosthetic mask follows the censorship , where
he to accept his deformity, and much more being distanced away from Sofa . One of the peculiar
things of the movie is its Non linear form of depiction , where the protagonist himself is
ambiguous about his presence state, whether he is in dream or is he In reality. As Freud says
the dream has at its disposal no means of representing these logical relations between the dream-
thoughts. In most cases it disregards all these conjunctions, and undertakes the elaboration only of the
material content of the dream-thoughts. It is left to the interpretation of the dream to restore the
coherence which the dream-work has destroyed. ( Pg 102,C. the means of representation of
Dream,I nterpretation of dreams)
The bar scene , where David , confronts with his friend Brian and Sofia, whom he feels is ignoring her
because of his distorted face is where it leads a scuffle amongst the two and David because of his uncanny
behaviour. After the incident , he breaks up and lies unconcious in the street near Sofias house. In the
morning , Sofia comes up to wake her up with her Open Your eyes. We see that whenever he gets up
from a dream it is the voice of Sofia , who is doing that. The dream reproduces only a distorted form of
the dream-wish in the unconscious.Again, in the lock up , while discussing the incident, Dr. McCabe asks
him the same question again , that What is Happiness to you David?. This is Nothing, But another self
projection of David and catapulting the same question again and again to himself only.
displacement of another kind does occur, and that it manifests itself in an exchange of the verbal
expression for the thought in question ( Pg 110, D. Regard for representability,the Interpretaion of
dreams )
Thus we see , how displacement helps us to unravel the circulation of Davids question to himself in
different manifestations.
Davids dreams starts to play with him,on the night when he is with Sofa ,when he sees that he is now
cured and the distortion of has been cured and returned to normalcy.Though he still have some
hallucinations of his distorted face. But , the night when he is with Sofa , but actually finds out Juliana
beside her , who tells him that she is Sofa and he asfixiates her with pillow and when he removes the
pillow , he realizes that he has killed Sofa. Here we see condensation playing a major role in the dreams
of David. His fear and desires entangle in such a way that they are intensely represented as violence and
yearning for Sofa in his dreams.
The Lucid dream of the life extension in the final part of the movie explains all the mysteries of Davids
Mind.This whole series of events was nothing but Davids extended dream,and the whole thing is his
creation.After he had fallen in the street, Sofa didnt ever turnedup, and he went home and later ended
his life.But his Lucid dream begins from that point where he was lying in the street .After that he moment
it was all a dream of the life that he wanted to live with Sofa.Elements of plastic representation begin to
reveal, when the Man calling himself the tech support of Life extension explains him that it is he who
chose this whole scenario
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.The individual parts of this complicated structure naturally stand in the most manifold logical relationsto one another. They constitute foregroundand background, digressions, illustrations, conditions, lines of
argument and objections. When the whole mass of these dream-thoughts is subjected to the pressure of
the dream-work, during which the fragments are turned about, broken up and compacted,
( Pg, 102, C . the means of representations of dreams, The interpretation of dreams)
The moments that he spent in his dream was crafted out from the iconography of his youth.He and Sofa
walking by the street was inspired by the album cover that once moved him. Dr. McCabe is also not real ,
but a figment of his imagination that was inspired by a movie in which a father talked to son , and this
was represented as a protective and understanding figure of Dr. McCabe, just like a father having a
conversation with his son and clearing his dilemmas. The fact that he barely knew Sofa in his real life but
in his dream she was his saviour truly stands out. The Monet like skies in the final scene , were his
mothers favourite and the last scene on the roof where he has the final choice to continue with the dream
or to face the real world,is a concrete representation of his own choices in life, but in dream with a slight
imaginative touch. He chose the roof as to end his fear of heights. Again the projection of his question
by the young man what is happiness to you David? And the fact that Brian used to say that the Thesweet is never as sweet without the sour are his manifestations derived from the real life, a means of
plastic representation and symbolism.
The final scene where he jumps from the roof is his way to end the dream and with it the fear of
heights.Its is his moment of choice , where he wants to continue with his real life. In the end , he wakes
up with the voice calling him to Open your eyes , which is the voice of Sofa , and it is the same voice
that wakes him up from every dream.This is his manifestation that Sofa is reality to him and that is why
each time it is Sofas voice, waking him up from the world of his dreams.
The Machinist
The Machinist is a 2004 English language film directed by Brad Anderson , starring Christian Bale as
Trevor Reznik, who is a machinist in a metal workshop and who claims that he has not slept in a year and
is haunted by flashes of recurring imagery and everyday events in his life , where he is unable to deduce
the reasons and lead him to a state of paranoia. It is his unconcious psyche that plays with him in which
his occult emotions are deeply based , which results in an unusual series of events . First of all the the
imageries that flashes before his eyes keep repeating themselves. As Freud states
A relaxation of resistances with a consequent pushing forward ofunconscious material, takes placeregularly in the state of sleep, and thus brings about a necessary precondition for the
construction of dreams. ( Pg. 13 ,Chp.IV , Psychichal qualities, An outline of Psychoanalysis)
These are many images that flash before Trevor in his daily life, and someway or the other he experiences
Dejv ,and the simplest reason is that these all images are a play of Trevors unconcious mind , and they
keep appearing before him conveying some ciphered messages which Trevor and leading him to utter
confusion . Starting with the car cigarette lighter , Trevor is bewildered every time he uses that lighter and
the constanly appearing post it notes with a game of hangman and a puzzle written on it, which he is
able to solve in the final and explains the reason for his insomnia. These all are a result of profusion and
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like the tunnel through which he passed after the accident, all these are manifestations of his repressed
memories.
the young and feeble ego put back into the unconscious state some of the material it had already taken
in, dropped it, and behave in the same way to some fresh impressions which it might have taken in, so that
these, having been rejected, could leave a trace only in the id. In consideration of its origin we speak of
this latter portion of the id as the repressed ( Pg.14, Chp. Dream interpretation as an illustration, An
outl ine of Psychoanalysis)
The notes on his regfrigerator with stick figures and the wordplay with the letters is also his depiction of
guilt. The word that he makes from the missing letter , are mother and killer , both pertaining from
the incident. The photograph that he finds out in Ivans purse, proving his acquaintance with other co-
worker Reynolds, and as a proof of his existence , upon being confronted with Stieve , turns out to be his
own photograph, thus proving that Ivan really does not exist, but it is the repressed id of Trevor, that
Trevor who killed Nicholas and ran away.
The final scene in which he kills Ivan and after rolling him in a carpet and he goes to the dam to dump
him reveals the height of his uncontrolled psyche over his feeling of guilt. As he dumps him, and sees
somebody approaching him , and as the carpet rolls over , it is seen that it is totally empty , and the man
who has approached him , is no one but Ivan, his id. In the final , as he washes his hand, which again is
his one of the actions to get rid of the guilt,and the feeling of despite, he sees Ivan standing behind him ,
and he recognizes as himself, the murderer and all the events of the hit and run flash before his eyes.
In the end he realizes his mistake , and decides to stop running from it. He goes to the police station and
surrenders so to and this feeling of guilt , and we see Trevor sleeping contently for the first time in the
entire movie.
The super-ego is aware of it in its judicial functions as our conscience. It is a remarkable thing that
the super-ego often displays a severity for which no model has been provided by the real parents,
and moreover that it calls the ego to account not only for its deeds but equally for its thoughts and
unexecuted intentions, of which the super-ego seems to have knowledge. This reminds us that the
hero of the Oedipus legend too felt guilty for his deeds and submitted himself to self-punishment
(Pg 35 chapter IX , The internal world, an Outline of psychoanalysis)
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