The Star-spangled Banner (PREVIEW ONLY) · The Star-spangled Banner Words & music: Francis Scott Key, John Stafford Smith, and Dan Galbraith Arranged by Dan Galbraith As recorded

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The Star-spangled Banner

Words & music: Francis Scott Key, John Stafford Smith, and Dan Galbraith

Arranged by Dan Galbraith

As recorded on the PraiseCharts.com album “Patriotic PraiseHymns”

The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound, but at the same time are scalable up to a medium-sized orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination.

Parts included in the PraiseCharts Worship Band Series

Lead Sheet (SAT) – for worship leader and vocal team Piano/Vocal (SATB) – includes written-out piano part and SATB vocals Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – modified Rhythm part in appropriate capo keys Core Worship Band instrumental parts (written as a section): Trumpet 1-2 Alto Sax Trumpet 3 (doubles Alto Sax) Trombone 1-2 Tenor Sax 1-2 (doubles Trombone)

Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone):

Bass Trombone/Tuba Percussion 1,2 (Timpani, Bells, Sus. Cym., etc) Bari Sax (doubles Bass Trombone) Horn 1-2 (French Horn) Flute/Oboe 1-3 Clarinet (doubles 3rd Flute) Individual string parts - Violin, Viola, Cello-Bass (note, all multi-note parts are divisi) String Reduction – string parts condensed for keyboard synth

Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way".

Vocals: We include both an SAT Lead Sheet and a SATB Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn fashion.

Alternate keys: There is at least one alternate key included to accommodate either a keyboard-based band or a guitar-based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary.

Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to make impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. When a section is repeated in its entirety later in the arrangement, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notated to facilitate these impromptu changes. Finally, each instrumental part includes Lyric Cues to aid the player in keeping their place.

A note on brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and inflections in mind. They have been notated very carefully to aid the player in this interpretation.

Written with core brass

Written as a section

Written as a section

To contact us:

Email feedback@

praisecharts.com or call

(800) 695-6293

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as recorded by PraiseCharts in PraiseHymns Vol. 2 (www.praisecharts.com/2648)

Francis Scott Key, John Stafford Smithand Dan Galbraith

Arr. by Dan Galbraith

CCLI No. pending© 2007 PraiseCharts (www.praisecharts.com)

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

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Key: G-APiano, Vocal(SATB) The Star-spangled Banner

as recorded by PraiseCharts in PraiseHymns Vol. 2 (www.praisecharts.com/2648) Francis Scott Key, John Stafford Smithand Dan Galbraith




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The Star-spangled Banneras recorded by PraiseCharts in PraiseHymns Vol. 2 (www.praisecharts.com/2648)





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.œJœ œ

A bC

ram - parts we

˙ œ œ

EbD b Eb

watched, were so

œ œ œ

Fm7 EbG

gal - lant - ly

œ œ œ ˙

Ab

stream - ing?

& bbbb

Drum fill

26 œŒ œœœ

œœœ

fAbsus

And theAll

2 Chorus

œœœœœœœœœ

A b5

rock - et's red

...œœœ ‰ œœœ œœœglare, the bombs

œœœœœœœœœ

D bA b

burst - ing in

...œœœ ‰ œœœ

B bm7

AbEbG

air gave

& bbbb

31


Fm7

proof through the

...œœœ

‰ œ œCm7

night that our

œœ œn

B b7sus Bb7

flag was still

.œ ‰ œ

Eb

there. O

œ œ œ œAb5 A bma7

say, does that

Key: Ab - BbLead Sheet(SAT) The Star-spangled Banner

as recorded by PraiseCharts in PraiseHymns Vol. 2 (www.praisecharts.com/2648)





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43

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SA

TB

Rhythm

Trumpet 1-2

Alto Sax(Trumpet 3)

Trombone 1-2(Tenor Sax 1-2)

Trombone 3, Tuba(Bari Sax)

1

2

Horn 1-2

Flute (Oboe) 1-3(Clarinet)

Violins

Viola

Cello-Bass

Piano

SATB

Percussion


∑

∑

˙̇˙F

œ œœ

G5

.œjœœ

’ ’ ’F

G5


∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙˙̇ œ œ œœ

C2

.œ œ œ œœ

2

’ ’ ’C2

∑

∑

∑

∑

Œ Œ ¿

F

Tambourine

∑

∑

∑

∑

∑

∑

∑

∑

˙̇˙

œœœ

Em7

.œjœœ

3

’ ’ ’Em7

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

F

œ .œJœ

∑

∑

œœœ œœœ œ œ œœœœ

C2 D

.œ œ œ œ œ

4

’ ’ ’C2 D

Œ Œ œFœ œ.

Œ Œ œ

F

œ œ.

Œ Œ œ

F

œ œ.

∑

Œ Œ ¿

∑

∑

∑

˙̇F

œœ

˙F

œ

.œ jœ œ œ

∑

∑

˙̇˙ œ œ œ

œG5

.œjœœ

5

’ ’ ’G5

.œ œ .œ jœ.

.œ œ .œJœ.

.œ œ .œJœ.

Œ Œ œF

∑

∑

ŒœF

œ

∑

˙̇ œœ œœ

˙ œ œ

.˙

∑

∑

˙˙˙̇ œ œ œ

C2

.œ œ œ œœ

6

’ ’ ’C2

œ œ œ .œ œ œ

œ œ œ .œ œ œ

œ œ œ .œ œ œ

.

.˙˙

Œ Œ ¿

∑

œ œ œ

∑

˙ œ œ œ.˙

œ œ œ

.˙

Key: G-AConductor's Score






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SA

TB

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clarinet)

Vlns.

Viola

Cello-Bass

Piano

SATB

Perc.

∑

∑

˙̇˙ œœœ

œœœ

Em7

.œjœœ

7

’ ’ ’Em7

.˙

.˙

.˙

.

.˙˙

∑

∑

.˙

∑

œ .œ œ œœ œ œ œ œ

˙ œ

.˙

Œ Œœ œ œ

1. O

W.L. solo

∑

œœœ œœ œ œœœœ

C2 D

.œjœ œ

8

’ ’ ’C2 D

Œ œ œ

Œ œ œ

Œœ œ

˙˙

œœ

Œ Œ ¿

∑

.˙

∑

.˙˙ œ

˙ œ

˙ œ

1 Verse


œ œ œsay, can you

∑

œœœœœœœœ

G5

˙œœ

9

’ ’ ’G5

∑

∑

∑

∑

∑

∑

∑

∑

..˙̇

.˙

.˙

˙ œ œ

see by the

∑

...œœœjœ œ œ

Am7

œ.œ j

œ

10

’ ’ ’Am7

∑

∑

∑

∑

Œ Œ ¿

∑

∑

∑

∑

∑

∑

œœ œ#

dawn's ear - ly

∑

œœœœœœ œœ

GB

AC#

.œjœ œ#

11

’ ’ ’

GB

AC#

∑

∑

∑

∑

∑

∑

∑

∑

Œ œœP

œœ

Œ œP

œ#

Œ œP

œ#

.œ‰œ œ

light, what so

∑

˙̇˙

œœœ

Dsus D2

C

.œjœœœ

12

’ ’ ’Dsus D2

C

∑

∑

∑

∑

Œ Œ ¿

∑

∑

Œ Œ œ

P

œ œ œWW solo

˙˙ œœ

˙ œ

˙ œ

The Star-spangled Banner - page 2 of 17 Key: G-AConductor's Score

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SA

TB

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)


Horn 1-2


Vlns.

Viola

Cello-Bass

Piano

SATB

Perc.

Drum fill

.œ jœ œ

proud - ly we

∑

...œœœ

jœ œœ

GB

˙˙

œœ

13

’ ’ ’

GB

∑

∑

∑

∑

∑

∑

∑

˙œ

..˙̇

.˙

.˙

˙ œ œ

hailed at the

∑

˙̇˙

œœ œ œ

DC

.œjœ œ œ

14

’ ’ ’

DC

‰ œœ>

f

œœ> ˙̇>

harmonsopen

∑

∑

∑

Œ Œ ¿

∑

Œ œF

œmuted

œ œ œ œ

Œœ œ œ œ

œ

Œ .œ jœ

Œ .œ Jœ

œ œ œ

twi - light's last

∑

˙̇˙

œœœ

Em7 DF#

.œjœ œ

15

’ ’ ’Em7 D

F#

∑

∑

∑

∑

∑

∑

˙˙ œ

>

˙ œ

˙ œ œ œ œ

˙ œ

˙œ

œ œ œ ˙gleam - ing?

∑

˙̇˙ œœ

œœ

G

.œ jœ œ

16

’ ’ ’G

∑

∑

∑

∑

Œ Œ ¿

∑

.˙> open

˙ œ œ

˙ œ œ œ

˙ œ

˙ œœ

œŒœ œ œ

Whose broad

∑

....œœœœ

jœœœœ

Gsus

˙˙

œœ

17

’ ’ ’Gsus

œFœ œ .œ J

œ

œ

F

œ œ .œ Jœ

œ

F

œ œ ..œœ J

œœ

∑

∑

∑

∑

.˙

.˙

.˙

..˙̇

"Whose broad stripes..."

œ œ œ

stripes and bright

∑

˙̇˙ œ œ

G5

˙˙ œ

18

’ ’ ’G5

.˙

.˙

.˙

∑

Œ Œ ¿

∑

∑

∑

∑

∑

∑


&

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&

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SA

TB

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)


Horn 1-2


Vlns.

Viola

Cello-Bass

Piano

SATB

Perc.

˙ œ œ

stars, through the

∑

˙̇˙

œœœ

Am7

˙œ

19

’ ’ ’Am7

Œ œ œ

Œ œ œ

Œ œ œ

Œ ˙

∑

∑

∑

∑

∑

∑

∑

œœ œ#

per - i - lous

∑

œœœœœœœœœ

GB

AC#

˙˙

œœ##

20

’ ’ ’

GB

AC#

˙ œ

˙ œ

˙ œ#

˙ œœ##

Œ Œ ¿

∑

∑

∑

Œ œœ œœ

Œ œ œ#

Œ œ œ#

˙ œ œfight, o'er the

∑

˙˙̇ œœ œœ

Dsus D2

C

.

.œœ

jœœœœ

21

’ ’ ’Dsus D2

C

.˙

˙ œ

.˙

.

.˙˙

∑

∑

∑

Œ Œ œœœœœœœœ

All play

˙˙ œœ

˙ œ

˙ œ

.œ jœ œ

ram - parts we

∑

...œœœ

jœ œ œ

GB

.

.˙˙

22

’ ’ ’

GB

∑

∑

∑

∑

Œ Œ ¿

∑

Œ œF

œ

...œœœJœœœ. œœœ-

˙̇ œ œ œ œ

˙œ œ œ œ

.˙

˙ œ œ

watched, were so

∑

œœœœœ

œ œ

DC D

˙˙ œ œ

23

’ ’ Û ÛDC D

Œ ‰ œFœ œ œ

Œ ‰œFœ œ œ

Œ ‰ œ

F

œ œ œ

Œ Œ œœœœ

∑

∑

˙̇ œœ

...˙̇˙

.˙

.˙

˙ œ œ

œ œ œgal - lant - ly

∑

œœœœœœœœœ

Em7 DF#

.œjœ œ

24

’ ’ ’Em7 D

F#

.˙̇ œ

˙ œ

.˙

˙˙ œ

Œ Œ ¿

∑

˙̇ œœ

∑

Œ œœœœ

˙ œ

˙œ


&

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÷

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&

&

&

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SA

TB

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)


Horn 1-2


Vlns.

Viola

Cello-Bass

Piano

SATB

Perc.

Drum fill

œ œ œ ˙stream - ing?

∑

...œœœ

jœ œ œ

G

.œjœœ

25

’ ’ ’G

Œ Œ œ œ œ

Œ Œ œ œ œ

Œ Œœ œ œ

˙ œ

∑

∑

..˙̇

Œ œ œ œœœ œœœœ

˙ œ œ œ

.œ jœ œ œ

.˙

œŒ œœ œœ

And the

All

Œ Œœœ œœAll

...œœœ

jœœœœœœ

Gsus

.œjœœœ

26

’ ’ ’Gsus

.œœ .œ

jœœ

.

.œ œ .œ Jœ.

.œœ .œ J

œ.

˙ œ œ

Œ ¿æ

¿ ¿ ¿ ¿

Œ æ̇F

Timpani

..˙̇

œœ...œœœò

Jœœœ.



˙̇ œœ

2 Chorus


œœ œœ œœ

rock - et's red

œœœœœœ

œœœf

œœœœ

G5

.

.œœ

jœ œ œ

27

’ ’ ’f

G5

add Sn. on 3

..˙̇Í

.˙

Í.˙

Í

.˙Í

’ ’ ’lite 16th groove

.˙f

∑

...˙̇˙

.˙F

.˙F

.˙

F

..œœ ‰ œœ œœ

glare, the bombs˙˙

œœ œœ

...œœœ

jœœœœ œœœ

˙ œœ

28

’ ’ ’

..˙̇

.˙

.˙

.˙

’ ’ ’

∑

∑

˙̇˙ œ œ œ œ

∑

œ œ œ œ œ

œ œ œ œ œ

œœ œœœœ

burst - ing in

œœ œœœœ

œœœœœœœ

CG

.

.œœ

jœ œ œ

29

’ ’ ’

CG

∑

∑

∑

∑

’ ’ ’

∑

ŒœFœ œ

...˙̇̇

Œ œ œ œ

˙

.˙

..œœ ‰ œœ

air gave..œœ ‰

œœ

œœœœ œ œ œœ œœœœ

Am7

GDF#

œœ

œ

30

’ ’ ’

Am7

GDF#

∑

∑

∑

∑

’ ’ ’

∑

.œjœ œ œ

∑

.œ Jœ œ œ

.œjœ œ œ

œ œ œ


&

?

&

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&

&

&

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÷

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&

&

B

?

#

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#

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SA

TB

Rhy.

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)


Horn 1-2


Vlns.

Viola

Cello-Bass

Piano

SATB

Perc.

Drum fill

..œœjœœ œœ

proof through the..œœ

Jœœ œœ

...œœœ

jœœœœœœ

Em7

˙œœ

31

’ ’ ’Em7

Œ .œF

œ œ

Œ .œ

F

œ œ

Œ..œœ

F

œœœœ

ŒœF

œœ

’ ’ ’

∑

.˙

∑

.˙

.˙

.˙

..œœ‰ œ œ

night that our

.

.œœ ‰ œ œ

...œœœjœ œ

œ

Bm7

.œ œ œ œœ

32

’ ’ ’Bm7

.œ œ ˙

.œ œ ˙

.

.œœœœ˙˙

.

.˙˙

’ ’ ’

∑

˙ œ œ œ

∑

˙ œ œ œ

.˙

..˙̇

œœ œ#

flag was still

œ œœ

œœ##

œœœœœœ œœœ#

A7sus A7

.œjœœ

33

’ ’ ’A7sus A7

Œ œ œ œ œ

Œ œ œ œ œ

Œœœœœœœœœ

Œ œœ

œœ

’ ’ ’

∑

˙ œœ

∑

˙ œ

˙ œ#

˙˙

œœ

.œ‰œ

there. O..œœ ‰

œœ

...œœœjœ œ œ

œ œD

.œjœ œ

34

’ ’ ’D

˙ œ

˙ œ

˙ œ

˙ œ

’ ’ ’

Œ Œ œæ

œœ˙̇

Œ Œ œœœœœœœœœœœœœœ

7


7


7

..˙̇

"O say, does..."

œ œ œ œ

say, does that

œ œ œ œ

˙̇˙ œœœ

G5 Gma7

.œjœœ

35

’ ’ ’G5 Gma7

œœ-

f

œœ^‰ Œ œ œ

œ-

f

œ̂ ‰ Œ œ œ

œœ-

f

œœ^‰ Œ

œ œ

˙f

œ

’ ’ ’

.˙

∑

˙˙ œ

œœœ

˙ œ œ

˙ œ œ

˙ œ œ


Documents

The Star-spangled Banner (PREVIEW ONLY) · The Star-spangled Banner Words & music: Francis Scott Key, John Stafford Smith, and Dan Galbraith Arranged by Dan Galbraith As recorded