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The
Spa
nish
Tra
gedy
TH
OM
AS
KY
D
Edite
d by
J.
R. M
UL
RY
NE
Pr
ofes
sor o
f En
glish
Un
iver
sity
of W
arwi
ck
LO
ND
ON
IER
NE
ST B
EN
N L
IMIT
ED
NE
W Y
OR
K/W
. W. N
OR
TO
N A
ND
CO
MP
AN
Y I
NC
.
1170
I
I IN
TRO
DU
CTI
ON
I TH
E AU
THO
R
THOMAS
KYD
be
long
s to
the
firs
t ge
nera
tion
of E
lizab
etha
n pl
ay-
- w
right
s. H
e was
bor
n in
1558
, som
e six
yea
rs b
efor
e Sha
kesp
eare
and
Mar
low
e, fif
teen
yea
rs b
efor
e Jo
nson
, and
mor
e th
an tw
enty
yea
rs
befo
re M
iddl
eton
and
Web
ster.
His
dea
th i
n 15
94, a
t th
e ag
e of
th
irty-
six,
prec
eded
the s
tagi
ng of
alm
ost a
ll th
e El
izab
etha
n m
aste
r-
piec
es, s
ave
his
own Spanish
Trag
edy
and
the
play
s of
Mar
low
e. K
yd's
impo
rtanc
e in
the
the
atre
lie
s as
muc
h in
his
posi
tion
as
inno
vato
r and
pio
neer
as
in h
is ac
tual
ach
ieve
men
t. K
yd w
as b
aptis
ed at
the
Chu
rch
of S
t Mar
y W
ooln
oth
in L
ondo
n on
6 N
ovem
ber 1
558,
the c
hild
of a
com
forta
bly
mid
dle-
clas
s fam
ily.1
H
is fa
ther
, Fr
anci
s K
yd, a
chie
ved
som
e di
stin
ctio
n as
a s
criv
ener
, se
rvin
g as W
arde
n of
the
Com
pany
of S
criv
ener
s in
1580
, a m
embe
r of
an
auen
t but
ofte
n di
slike
d pr
ofes
sion,
with
dut
ies i
n th
e fie
ld o
f co
pyin
g do
cum
ents
, an
d w
ith s
ome
impo
rtanc
e th
eref
ore
in t
he
com
plic
ated
wor
ld o
f El
izab
etha
n le
gal a
ffairs
. As
a w
ell-e
duca
ted
man
, Fra
ncis
soug
ht a
goo
d ed
ucat
ion
for
his
son,
sen
ding
Tho
mas
in
156
5 at
the
age
of
seve
n to
Mer
chan
t Ta
ylor
s' Sc
hool
, a n
ew
foun
datio
n un
der
the
care
of
Ric
hard
Mul
cast
er, t
he n
oted
edu
ca-
tiona
list,
who
se p
upils
at
this
tim
e in
clud
ed E
dmun
d Sp
ense
r, La
ncel
ot A
ndre
wes
and
Tho
mas
Lod
ge.
Her
e, i
t see
ms
prob
able
, K
yd w
ill h
ave
beco
me
fam
iliar
with
Lat
in, F
renc
h an
d Ita
lian,
and
m
ay h
ave
had
som
e G
reek
; M
erch
ant T
aylo
rs' m
ay a
lso h
ave
first
intro
duce
d hi
m t
o th
e sta
ge,
for
play
s fo
rmed
par
t of
the
boy
s' ac
tiviti
es, s
ome
of t
hem
bei
ng a
cted
bef
ore
Que
en E
lizab
eth
at
Cou
rt.
We
know
virt
ually
not
hing
of K
yd's
early
man
hood
, and
can
onl
y sp
ecul
ate
that
he
follo
wed
his
fath
er's
prof
essio
n of
scr
iven
er-
his
hand
writ
ing
in t
he f
ew s
crap
s th
at r
emai
n is
mar
kedl
y ne
at a
nd
form
al. C
erta
inly
he s
eem
s not
to h
ave a
ttend
ed e
ither
uni
vers
ity. B
y 15
85,
at t
he a
ge o
f tw
enty
-sev
en,
he w
as w
ritin
g pl
ays
for
the
Que
en's
Com
pany
, the
lead
ing
Lond
on p
laye
rs, t
houg
h no
ne o
f hi
s w
ork
for
this
com
pany
is
know
n to
sur
vive
. D
urin
g 15
87-8
he
ente
red
the
serv
ice
of a
lord
, var
ious
ly id
entif
ied
as H
enry
, fou
rth
For f
ull d
ocum
enta
tion o
f the
kno
wn
fact
s abo
ut K
yd se
e Art
hur F
reem
an,
Thom
as Kyd
: Fa
cts a
nd P
robl
ems,
Oxf
ord,
196
7.
xiii
I xi
v TH
OM
AS
KY
D
earl
of S
usse
x, o
r Fer
dina
nd0
Stan
ley,
Lor
d St
rang
e, ei
ther
of w
hom
he
may
hav
e ser
ved
as se
cret
ary
or&
tor.
His
pat
ron
acte
d, w
e kn
ow,
as p
atro
n al
so to
a co
m a
ny o
f pla
yers
a2
Info
rmat
ion
abou
t Ly
dps l
ater
life
com
es a
lmos
t en
tirel
y fro
m
writ
ings
con
nect
ed w
ith a
sin
gle
inci
dent
: hi
s de
tent
ion
and
prob
- ab
le to
rture
at t
he h
ands
of
the
Priv
y Co
unci
l. D
etai
ls of
the
affa
ir ar
e in
parts
unc
erta
in, b
ut it
app
Qrs
that
Kyd
was
arre
sted
durin
g an
in
vesti
gatio
n or
dere
d by
the
Priv
y Co
unci
l on
11
May
159
3, t
o di
scov
er th
e so
urce
of
certa
in 'l
ibels
' -w
ritin
gs,
prob
ably
, dire
cted
ag
ains
t fo
reig
ners
res
iden
t in
Lon
don.
Am
ong
Kyd
's pa
pers
the
of
ficer
s cam
e upo
n w
hat w
ere d
escr
ibed
as 'v
ile h
ereti
cal1
Con
ceip
tes
deny
inge
the
deity
of J
hesu
s Ch
riste
or
Savi
or ', an
d on
susp
icio
n of
ha
ving
writ
ten
such
gra
ve b
lasp
hem
y K
yd w
as i
mpr
i~on
ed.~
K
yd
appa
rent
ly c
laim
ed t
hat
the
writ
ings
wer
e no
t hi
s bu
t M
arlo
we's
. A
fter
Mar
low
e's d
eath
on
30 M
ay 1
593,
he
wro
te t
o Si
r Jo
hn
Puck
erin
g, t
he e
ffec
tual
head
of
the
Priv
y Co
unci
l, se
ekin
g re
leas
e fr
om p
rison
and
exp
lain
ing
how
Mar
low
e's p
aper
s cam
e to
be
in h
is po
sses
sion -
the
two
auth
ors
wer
e 'w
rytin
ge i
n on
e ch
ambe
r tw
oe
year
es s
ynce
'. H
e ad
ded
that
Mar
low
e's k
now
n se
ntim
ents
dov
e-
taile
d pe
rfect
ly w
ith th
ose o
f the
'her
etic
al1
Conc
eipt
es'.
Both
in th
is
lette
r and
in an
othe
r,Kyd
ampl
ified
his
char
ge; M
arlo
we
is a
ccus
ed,
with
viv
id if
som
etim
es f
orce
d ill
ustra
tion,
of
bein
g bl
asph
emou
s, di
sord
erly
, of
tre
ason
ous
opin
ions
, an
irre
ligio
us r
epro
bate
, 'in
- te
mp[
er]a
te &
of
a cr
uel
hart'
. T
he m
oral
ity o
f th
e af
fair
has
been
m
uch
disp
uted
, som
e w
riter
s thi
nkin
g th
at K
yd a
cted
disg
race
fully
. K
yd m
ay, h
owev
er, h
ave
susp
ecte
d th
at M
arlo
we
info
rmed
on
him
, he
may
hav
e gue
ssed
or k
now
n th
at M
arlo
we w
as a
spy
for W
alsin
g-
ham
(and
ther
efor
e de
serv
ed w
hat a
ccus
atio
ns &
me
his
way
), or
he
may
in h
is an
xiet
y to
esc
ape
priso
n an
d to
rture
hav
e sl
ande
red
his
erstw
hile
acq
uain
tanc
e on
ly w
hen
he k
new
him
to b
e de
ad a
nd th
us
/' be
yond
suf
ferin
as
a r
esul
t of
any
thin
g he
sai
d.l'
It is
dou
btfu
l I
wxe
fher
the r
rut f o
f the
mat
ter w
in e
ver b
e kno
wn.
In
any
case
Kyd
I
was
him
self
dead
littl
e m
ore
than
a y
ear l
ater
, his
deat
h ha
stene
d, it
Free
man
arg
ues
for t
he e
arl
of S
usse
x; P
hilip
Edw
ards
(Rev
els
editi
on,
Lond
on, 1
959,
p. w
) sa
ys th
e pa
tron
was
'pos
sibly
' Lo
rd S
trang
e, ci
ting
Tuck
er B
rogk
e and
Boa
s. ' H
e m
ay a
lso h
ave
had
in h
is p
osse
ssio
n so
me
of t
he 'l
ibels
' orig
inall
y so
ught
. Q
uotat
ions
in t
his
para
grap
h ar
e fr
om c
onte
mpo
rary
doc
umen
ts re
prod
uced
in F
reem
an, p
p. 26-30.
W. D
. Brig
gs (S
P, X
X (1
920)
' 153-
9) ha
s sh
own
the
writ
ings
are
tran
scri
pts
from
an
earl
y six
teent
h-ce
ntur
y th
eistic
tre
atise
, alre
ady
in pr
int,
and
scar
cely
'ath
eist
ic'.
Mar
lowe
was
in
fact
arre
sted
(18
May
) sho
rtly
afte
r K
yd, w
heth
er o
n K
yd's
info
rmati
on is
not
kno
wn.
He
was
relea
sed
on 20
May
, ten
day
s onl
y be
fore
he
was
stab
bed
to d
eath
at
Dep
tford
.
INT
RO
DU
CT
ION
xv
se
ems
prob
able
, by
his
expe
rienc
es in
pris
on.
He
was
bur
ied
at S
t M
ary
Colc
hurc
h in
Lon
don
on 1
5 A
ugus
t 159
4.
Kyd
's w
ritin
gs m
ay w
ell
have
bee
n m
uch
mor
e ex
tens
ive
than
th
ose t
hat h
ave c
ome d
own
to u
s as h
is. B
esid
es T
he S
pani
sh T
rage
dy
we h
ave
on g
ood
auth
ority
onl
y a
trans
latio
n of
Tas
so's
Padr
e di
Fa
mig
lia (
publ
ishe
d in
158
8 un
der
the
title
The
Hou
seho
lder
's Ph
iloso
phy)
. K
yd m
ay h
ave
writ
ten
Solim
an a
nd P
erse
da,
a pl
ay
that
shar
es it
s mai
n so
urce
with
Hie
roni
mo'
s las
t -ac
t pla
y-w
ithin
-the-
pl
ay i
n Th
e Sp
anish
Tra
gedy
; th
e ev
iden
ce i
s no
t, ho
wev
er, c
on-
clus
ive.
A p
lay
know
n as
I H
ieron
imo
may
, in
one f
orm
or an
othe
r, be
K
yd's;
a k
ind
of f
ore-
piec
e to
The
Spa
nish
Tra
gedy
, it w
as p
erha
ps
writ
ten
to c
apita
lise
on th
e su
cces
s of t
he g
reat
er p
lay.
The
text
we
have
, pu
blis
hed
in 1
605
by T
hom
as P
avie
r, is
writ
ten
in a
sty
le
rath
er u
nlik
e K
yd's,
and
may
rep
rese
nt a
rev
ision
of
the
play
by
anot
her h
and.
6 N
otor
ious
ly, K
yd m
ay a
lso b
e th
e au
thor
of a
n ea
rly
vers
ion
of H
amle
t, a
vers
ion
now
irr
etrie
vabl
y lo
st. A
lthou
gh t
he
evid
ence
res
ts, in
the
first
insta
nce,
on
wid
ely-
disp
uted
allu
sions
in
Thom
as N
ashe
's pr
efac
e for
Rob
ert G
reen
e's M
enap
hon,
the b
alan
ce
of p
roba
bilit
ies s
eem
s to
incl
ine
tow
ards
Kyd
's ha
ving
in fa
ct w
ritte
n su
ch a
pla
y. A
ltoge
ther
, the
skill
dep
loye
d in
The
Spa
nish
Tra
gedy
, ta
ken
toge
ther
with
ear
ly r
efer
ence
s to
Kyd
as
a dr
amat
ist o
f so
me
impo
rtanc
e, s
trong
ly s
ugge
sts th
at m
uch
mor
e of
his
wor
k th
an w
e no
w k
now
foun
d its
way
on
to th
e sta
ge.
THE
PLAY
Aut
hors
hip
and
Dat
e I
Unt
il 17
73 n
o ed
itor
or d
ram
atic
his
toria
n at
tach
ed t
he n
ame
of
~ Th
omas
Kyd
to
his
one
inde
pend
ent
and
now
und
ispu
ted
play
. ~
Early
prin
tings
car
ried
no a
utho
r's n
ame.
Tho
mas
Hey
woo
d, i
n hi
s A
polo
gy fa A
ctas
(161
2), d
id,
how
ever
, ref
er t
o 'M
. K
id,
in h
is
~ Sp
anis
h Tr
aged
y',
and
this
attr
ibut
ion
was
tak
en u
p in
Tho
mas
H
awki
ns's
The
Ori
gn of
the E
nglis
h D
ram
a (O
xfor
d, 1
773)
. The
re is
no
w n
o re
ason
to d
oubt
Haw
kins
's as
crip
tion.
T
he d
ate
of Th
e Sp
anish
Tra
gedy
has
long
bee
n a
mat
ter
of di
s-
1 pu
te a
nd c
onje
ctur
e. T
he p
oint
is
signi
fican
t to
liter
ary
hist
oria
ns
1 fo
r on
an ac
cura
te d
atin
g of
this
pla
y de
pend
s muc
h in
thei
r acc
ount
of
the
dev
elop
men
t of
Engl
ish tr
aged
y. A
rthur
Fre
eman
writ
es:
I I
shdr
ew S
. Ca
irncr
oss,
the
play
's lat
est
edito
r (R
egen
ts Re
naiss
ance
Dr
ama
Serie
s, Lo
ndon
, 196
7) th
inks
Pav
ier's
text a
'mem
orial
rec
onatr
uc-
tion'
of a
play
by
Kyd.
His e
vide
nce i
s un
conv
incin
g. I
SPA
NIS
H T
F-A
GE
- di
e, C
onta
inin
g th
e la
men
tabl
e en
d of D
on H
~Y&
, and
Bel-i
tnperi
a :
wit1
1 the
pitti
full
dcat
h of
oldc
Hie
roni
mo,
Newl
y cor
reae
d and
amcx
~ded
offu
chgr
offc
&Its
as
pare
d in t
he fir
fi im
prcfs
ion.
1 AT
L
ON
DO
N
PI inr
ed b
y Edip
itrd
ctfff
It,!e
e, fo
r I I
Edwa
rd '
tt'ili
te.
~
[DR
AM
ATI
S PE
RSO
NAE
1 G
HO
ST O
F A
ND
REA
1
REV
ENG
E K
ING
OF
SPA
IN
I CP
PRIA
N,
DUD
E O
F C
ASTI
LE,
his b
roth
er
! LO
REN
ZO, t
he D
uke's
son
BEL
-IM
PER
IA, L
OT
~~
ZO
'S
sister
'
GEN
ERAL
of t
he S
pani
sh A
rmy
VIC
ERO
Y O
F PO
RTU
GA
L PE
DRO
, hi
s bro
th
BALT
HA
ZAR,
his
son
) Po
rtugu
ese
nobl
emen
V
ILLU
PPO
A
MBA
SSA
DO
< of
Portu
gal
HIE
RONI
MO
, Kn
ight
Mar
shal
of
Spai
n IS
ABEL
LA,
his W
ife
HO
RA
TIO
, th
kr So
n PE
DRI
NG
AN
O,
serv
ant t
o Be
l-im
peria
SE
RBER
INE,
ser
vant
to B
alth
azar
C
HR
ISTO
PHIL
, ~e
YVat
tt to L
oY
~~
Z~
O
BAZU
LTO
, an
old
man
Pa
ge to
Lor
mzo
, Thr
ee W
atch
men
, Mes
seng
er, D
eput
y, H
angm
an,
Mai
d to
Isab
ella
, Tw
o Po
rtugu
ese,
Ser
vant
, Thr
ee C
itize
ns, P
ortu
- gu
ese
Nob
les,
Sold
iers
, Offi
cers,
Atte
ndan
ts, H
albe
rdie
rs
i Th
ree
Kni
ghts
, Thr
ee K
ings
, a D
rum
mer
in th
efir
st D
umb-
show
, H
ymen
, Tw
o To
rch-
bear
ers i
n th
e se
cond
Dum
b-sh
ow
In th
e 'A
dditi
ons'
: pB
DRO
) H
iero
nim
's se
rvan
ts J
AQ
m
BAZA
RDO
, a P
ainh
]
THE
SPA
NIS
H TRAGEDY
Act
I, S
cene
i I I
Enter
the G
host
of ANDRE
A, an
d wi
th h
im REVENGE
I
AN
DR
EA
I
Whe
n th
is e
tern
al su
bsta
nce o
f m
y so
ul
Did
live
impr
isone
d in
my
wan
ton
flesh
, Ea
ch in
thei
r fun
ctio
n se
rvin
g ot
her's
nee
d,
I was
a c
ourti
er in
the
Span
ish
cour
t. ~
My
nam
e w
as D
on A
ndre
a, m
y de
scen
t, 5
; Th
ough
not
igno
ble,
yet
infe
rior f
ar
To
grac
ious
fortu
nes o
f m
y te
nder
you
th:
I I
For t
here
in p
rime
and
prid
e of
all
my
year
s, By
dut
eous
serv
ice
and
dese
rvin
g lo
ve,
~ In
secr
et I
pos
sess
ed a
wor
thy
dam
e,
10
Whi
ch h
ight
swee
t Bel
-impe
ria b
y na
me.
Bu
t in
the
harv
est o
f m
y su
mm
er jo
ys
- D
eath
's w
inte
r nip
ped
the
blos
som
s of
my
bliss
, Fo
rcin
g di
vorc
e be
twix
t my
love
and
me.
For i
n th
e la
te c
onfli
ct w
ith P
ortin
gale
15
M
y va
lour
dre
w m
e in
to d
ange
r's m
outh
, Ti
ll lif
e to
dea
th m
ade
pass
age
thro
ugh
my
wou
llds.
8 pr
ime s
prin
g-tim
e 8
prid
e the
mos
t flo
uris
hing
cond
ition
(O.E
.D.)
10 p
osse
ssed
mad
e lo
ve to
I
11 h
ight
was
cal
led
13 n
ippe
d de
stro
yed
by f
rost
14
div
orce
sep
arat
ion
15 P
ortin
gale
Por
tuga
l I
1 ff.
The
se o
peni
ng li
nes
wer
e of
ten
paro
died
in l
ater
Eliz
abet
han
play
s. Ed
war
ds q
uote
s B
eaum
ont's
The
Kni
ght
of t
he B
urni
ng P
estle
(fir
st
~ pe
rfor
med
160
7), V
, i: '
Whe
n I w
as m
orta
l, th
is m
y co
stiv
e co
rpse
/Did
la
p up
figs
and
rais
ins i
n th
e St
rand
.' I
10-1
1 In
sec
ret .
. . by
nam
e T
he d
etai
ls o
f th
is in
trigu
e ar
e ne
ver
mad
e 1
plai
n, p
erha
ps t
o av
oid
an
unfa
vour
able
est
imat
e of
B
el-im
peria
. 1
It is
, ho
wev
er, m
entio
ned
agai
n at
11,
i, 4
5-8,
111,
x, 5
4-5
and
111,
1
xiv,
111
-12.
Its
cla
ndes
tine n
atur
e an
ticip
ates
the
Hor
atio
/ B
el-i
mpe
ria
i re
latio
nshi
p, m
akin
g fo
r one
mor
e pa
raile
l bet
wee
n A
ndre
a an
d H
orat
io.
I
5
o TH
OM
AS
KY
D
Whe
n I
was
slai
n, m
y so
ul d
esce
nded
stra
ight
T
o pa
ss th
e flo
win
g str
eam
of
Ach
eron
: Bu
t chu
rlish
Cha
ron,
onl
y bo
atm
an th
ere,
Sa
id th
at m
y rit
es o
f bu
rial n
ot p
erfo
rmed
, I
mig
ht n
ot si
t am
ongs
t his
pass
enge
rs.
Ere
Sol h
ad sl
ept t
hree
nig
hts
in T
hetis
' lap
A
nd sl
aked
his
smok
ing
char
iot i
n he
r flo
od,
By D
on H
orat
io, o
ur K
nigh
t Mar
shal
's so
n,
My
fune
rals
and
obse
quie
s wer
e do
ne.
Then
was
the
ferry
man
of
hell
cont
ent
To
pass
me
over
to th
e sli
my
stro
nd,
That
lead
s to
fell
Ave
rnus
' ugl
y w
aves
: Th
ere,
ple
asin
g Ce
rber
us w
ith h
oney
ed s
peec
h,
I pa
ssed
the
peril
s of
the
fore
mos
t por
ch.
.Not
far f
rom
hen
ce, a
mid
st te
n th
ousa
nd s
ouls,
Sa
t Min
os, A
eacu
s, an
d Rh
adam
anth
, 7% w
hom
no
soon
er 'g
an I
mak
e ap
proa
ch,
To
crav
e a
pass
port
for
my
wan
derin
g gh
ost,
19 A
cher
on a
riv
er o
f th
e lo
wer
wor
ld,
iden
tifie
d he
re w
ith S
tys
whe
re C
haro
n w
as fe
rryr
nan
23 S
ol th
e su
n 23
The
tis d
augh
ter o
f N
ereu
s, a
Hom
eric
sea-
god;
her
e, th
e sea
24
shk
ed e
xtin
guis
hed
the
flam
e of
24
her
floo
d th
e se
a 28
stro
nd s
hore
29
fel
l cru
el, d
eadl
y 29
Ave
rnus
the
lake
nea
r Pu
teol
i tho
ught
to s
erve
as
entra
nce
to th
e un
derw
orld
30
Cer
beru
s the
mon
stro
us th
ree-
head
ed d
og, g
uard
ian
of t
he u
nder
- w
orld
31
por
ch p
lace
of
entr
y 33
Min
os, A
eacm
, Rha
dam
anth
judg
es o
f th
e un
derw
orld
35
pas
spor
t saf
e-co
nduc
t, le
tters
of
prot
ectio
n
18 ff
. T
his
desc
riptio
n of
the
und
erw
orld
der
ives
fro
m A
eneid
boo
k V
I,
thou
gh K
yd h
as a
ltere
d th
e de
tails
of
Ver
gil's
des
crip
tion.
For
a f
ull
disc
ussi
on s
ee B
oas,
pp. 3
94-5
. 25
Km
ght
Mar
shal
a l
egal
offi
cial
of
the
Engl
ish
roya
l ho
useh
old
'who
ha
d ju
dici
al c
ogni
zanc
e of
tra
nsgr
essi
ons "
with
in th
e ki
ng's
hous
e an
d ve
rge "
, i.e
. w
ithin
a r
adiu
s of
tw
elve
mile
s fr
om t
he k
ing'
s pa
lace
' (O
.E.D
., M
arsh
al s
b.
6b).
Hie
roni
mo'
s ju
dici
al r
espo
nsib
ilitie
s ar
e in
sist
ed u
pon
even
bef
ore
Hor
atio
's m
urde
r.
SCEN
E I]
THE S
PAN
ISH
TR
AG
EDY
Bu
t Min
os, i
n gr
aven
leav
es of
lot
tery
, D
rew
forth
the
man
ner o
f m
y lif
e an
d de
ath.
'T
his
knig
ht,'
quot
h he
, 'bo
th l
ived
and
die
d in
love
, A
nd fo
r his
love
trie
d fo
rtune
of t
he w
ars,
And
by
war
's fo
rtune
lost
both
love
and
life
.' 'W
hy t
hen,
' sai
d A
eacu
s, 'co
nvey
him
hen
ce,
To
walk
with
love
rs in
our
fiel
ds o
f lov
e,
And
spe
nd th
e co
urse
of e
verla
sting
tim
e U
nder
gre
en m
yrtle
tree
s and
cyp
ress
shad
es.'
'No,
no,
' sai
d Rh
adam
anth
, 'it
wer
e no
t well
W
ith lo
ving
soul
s to
plac
e a
mar
tialis
t :
He
died
in w
ar, a
nd m
ust t
o m
artia
l fie
lds,
Whe
re w
ound
ed H
ecto
r liv
es in
lasti
ng p
ain,
A
nd A
chill
es' M
yrm
idon
s do
scou
r th
e pl
ain.
' Th
en M
inos
, mild
est c
enso
r of
the
thre
e,
50
Mad
e th
is d
evic
e to
end
the
diffe
renc
e:
'Sen
d hi
m,'
quot
h he
, 'to
our
infe
rnal
kin
g,
To
doom
him
as
best
seem
s his
maj
esty
.' T
o th
is ef
fect
my
pass
port
stra
ight
was
dra
wn.
In
kee
ping
on
my
way
to P
luto
's co
urt,
5 5
Thro
ugh
drea
dful
shad
es o
f eve
r-gl
oom
ing n
ight
, I
saw
mor
e sig
hts t
han
thou
sand
tong
ues c
an te
ll,
Or p
ens c
an w
rite,
or m
orta
l hea
rts c
an th
ink.
Th
ree
way
s the
re w
ere:
that
on
the
right
-han
d sid
e W
as re
ady
way
unto
the
fore
said
fiel
ds
60
Whe
re lo
vers
live
and
blo
ody
mar
tialis
ts,
But e
ither
sor
t con
tain
ed w
ithin
his
boun
ds.
46 m
rtia
list w
arrio
r 49
Ach
illes
' M
yrm
idon
s fo
llow
ers
of th
e w
arrio
r A
chill
es in
Hom
er;
.
- kille
rs o
f El
ecto
r (1.
48)
49 s
cour
rang
e sp
eedi
ly o
ver
50 c
enso
r jud
ge
52 in
fern
al u
nder
wor
ld
53 d
oom
giv
e ju
dpen
t on
55
Plu
to king
of t
he u
nder
wor
ld
56 m
er-p
Ioom
ing
alw
ays d
ark
and
thre
aten
ing
his
iG o
wn
grav
en ~
MV
U of
lotte
ry n
ot c
lear
. Lo
ts a
re d
raw
n in
Ver
gil
to s
ettle
w
here
the
dea
d w
ill s
pend
th
e af
ter-
life,
bu
t he
re i
t se
ems
that
M
inos
is,
addi
tiona
lly,
read
ing
from
som
e ac
coun
t of
And
rea's
pw
Ed
war
ds c
omm
ents
: 'D
rew
forth
(1.37
) is
bes
t int
erpr
eted
lite
rally
and
w
e m
ust
supp
ose
that
Min
os d
raw
s fr
om h
is u
rn t
he lo
ttery
slip
on
whi
ch w
as e
ngra
ved
the
man
ner
of l
ife w
hich
And
rea'
has
by n
ow
fulfi
lled,
i.e.,
wha
t ha
s be
en h
is lo
t'.
, ,, ' !, '$1 ,.,:
'
I
,, (
,'I!, /Jj; ,,, ,>, . p ,!~i; ,! .
1:. :Ii .!! ill ;I. I:, (i~
8 TH
OM
AS
KY
D
[AC
T I
The
left-
hand
pat
h, d
eclin
ing
fear
fully
, W
as re
ady
dow
nfal
l to
the
deep
est h
ell,
Whe
re b
lood
y Fu
ries
shak
es th
eir w
hips
of s
teel
,. 65
A
nd p
oor
Ixio
n tu
rns
an e
ndle
ss w
heel
; W
here
usu
rers
are
cho
ked
with
mel
ting
gold
, A
nd w
anto
ns a
re e
mbr
aced
with
ugl
y sn
akes
, A
nd m
urde
rers
gro
an w
ith n
ever
-kill
ing
wou
nds,
And
per
jure
d w
ight
s sca
lded
in b
oilin
g le
ad,
70
And
all
foul
sin
s w
ith to
rmen
ts o
verw
helm
ed.
'Tw
ixt t
hese
two
way
s I t
rod
the
mid
dle
path
, W
hich
bro
ught
me
to th
e fa
ir El
ysia
n gr
een,
In
mid
st w
here
of th
ere
stan
ds a
stat
ely
tow
er,
The
wal
ls of
bra
ss, t
he g
ates
of
adam
ant.
75
Her
e fin
ding
Plu
to w
ith h
is Pr
oser
pine
, I s
how
ed m
y pa
sspo
rt, h
umbl
ed o
n m
y kn
ee;
Whe
reat
fair
Pros
erpi
ne b
egan
to sm
ile,
And
beg
ged
that
onl
y sh
e m
ight
giv
e m
y do
om.
Plut
o w
as p
leas
ed, a
nd s
eale
d it
with
a k
iss.
80
Forth
with
, Rev
enge
, she
roun
ded
thee
in th
'ear,
And
bad
e th
ee le
ad m
e th
roug
h th
e ga
tes o
f ho
rn,
Whe
re d
ream
s ha
ve p
assa
ge in
the
silen
t nig
ht.
63
decli
ning
slop
ing
dow
n 64 d
ownf
all p
recip
ice, g
ulf
65 F
urie
s m
ythi
cal a
veng
ers o
f cr
ime
66 I
kon
puni
shed
on a
trea
dmill
for s
eeki
ng H
era's
love
70 o
vight
s per
sons
73
Elys
ian
gree
n El
ysiu
m is
the
abod
e of t
he b
lesse
d in
the a
fter-l
ife ;
Verg
il pl
aces
it in
the
unde
rwor
ld
75 a
dam
ant
very
har
d sto
ne; d
iamon
d 76
Pros
erpm
e th
e Gr
eek
Perse
phon
e, co
nsor
t of
Di
s (o
r Pl
uto)
, qu
een
of th
e un
derw
orld
77 h
umbl
ed o
n m
y kn
ee k
neeli
ng in
hum
ility
79 d
oom
sent
ence
81
roun
ded
whisp
ered
82 h
orn
ed. (
Hor
: 159
2)
63-71
Lore
nzo
and
his
conf
eder
ates a
re d
oom
ed to
this
regi
on o
f he
ll at
th
e pl
ay's
end,
whil
e H
orati
o, B
el-i
mpe
ria a
nd H
ieron
irno
take
the
alter
nativ
e path
(for
love
rs an
d m
artia
lists)
. See
IV, v
, 17
ff.
82 g
ates
of
horn
The
gate
of
horn
in
Aene
id V
I (m
odell
ed o
n H
omer
) is
the
gate
thro
ugh
which
true
dre
ams
or v
ision
s pa
ss, a
s ag
ainst
the
ivor
y ga
te of
fal
se d
ream
s; a
pred
ictio
n th
at th
e pu
rpos
es of
Rev
enge
w
ill be
fulfi
lled.
SCBN
E I]
T
HE
SPA
NIS
H T
RA
GED
Y
9 N
o so
oner
had
she
spok
e bu
t we
wer
e he
re,
I w
ot n
ot h
ow, i
n tw
inkl
ing
of a
n ey
e. RE
VEN
GE
Then
kno
w, A
ndre
a, th
at th
ou a
rt ar
rived
W
here
thou
sha
lt se
e th
e au
thor
of
thy
deat
h,
Don
Bal
thaz
ar, t
he p
rince
of P
ortin
gale
, D
epriv
ed o
f life
by
Bel-i
mpe
ria.
Her
e si
t we
dow
n to
see
the
mys
tery
, A
nd se
rve
for C
horu
s in
this
trag
edy.
Act I, Scene
ii En
ter SPAN
ISH K
ING
, G
ENER
AL,
CA
STIL
E, H
IERO
NIM
O
KIN
G
Now
say,
Lor
d G
ener
al, h
ow fa
res o
ur c
amp?
G
ENER
AL
All
wel
l, m
y so
vere
ign
liege
, exc
ept s
ome
few
Th
at a
re d
ecea
sed
by fo
rtune
of
the
war
. K
ING
B
ut w
hat p
orte
nds
thy
chee
rful c
ount
enan
ce,
And
pos
ting
to o
ur p
rese
nce
thus
in h
aste
? 5
Spea
k m
an, h
ath
fortu
ne g
iven
us v
icto
ry?
GEN
ERA
L V
icto
ry, m
y lie
ge, a
nd th
at w
ith li
ttle
loss
. K
ING
O
ur P
ortin
gals
will
pay
us t
ribut
e th
en?
GEN
ERA
L Tr
ibut
e an
d w
onte
d ho
mag
e th
erew
ithal
. K
ING
T
hen
bles
t be
heav
en, a
nd g
uide
r of
the
hea
vens
, 10
From
who
se fa
ir in
fluen
ce su
ch ju
stice
flow
s.
85 w
ot k
now
90 m
yste
ry ev
ents
yet to
be r
evea
led, of
a sp
ecial
sign
ifica
nce
1 ca
mp
arm
y in
the f
ield
5 po
sting
spee
ding
8
Porti
ngal
s Por
tugu
ese
8 tri
bute
trib
ute-
mon
ey
86-9
The
audi
ence
's kn
owled
ge th
at th
ese
even
ts wi
ll tak
e pl
ace
has
an
impo
rtant
bear
ing o
n th
eir at
titud
e to t
he ac
tion a
nd th
e cha
racte
rs in
the
mai
n pl
ay.
1-21
The
open
ing
lines
of
this
scen
e ha
ve a
calc
ulate
d air
of
light
op
timism
and
eve
n co
mpl
acen
cy: i
roni
c in
view
of
our
know
ledge
th
at ca
tastro
phe i
s to
follo
w.
1V
THOMAS KYD
[ACT I
CAST
ILE
0 m
ultu
m d
ilecte
Deo
, ti&
mili
tat a
ether
, Et
cm
jura
tae
mrv
ato
popl
ite g
entes
Su
ccum
bunt
: rec
ti sa
or es
t vict
oria
juris
. K
ING
Th
anks
to m
y lo
ving
bro
ther
of
Casti
le.
15
But G
ener
al, u
nfol
d in
brie
f di
scou
rse
You
r for
m o
f ba
ttle
and
your
war
's su
cces
s, Th
at a
ddin
g al
l the
ple
asuO
of
thy
new
s U
nto
the
heig
ht o
f for
mer
hap
pine
ss,
With
dee
per
wag
e an
d gr
eate
r dig
nity
20
W
e m
ay re
war
d th
y bl
issfu
l chi
valry
. G
ENER
AL
Whe
re S
pain
and
Por
tinga
le d
o jo
intly
kni
t Th
eir f
ront
iers
, lea
ning
on
each
oth
er's
boun
d,
Ther
e m
et o
ur a
rmie
s in
thei
r pro
ud a
rray:
Bo
th fu
rnis
hed
wel
l, bo
th fu
ll of
hop
e an
d fe
ar,
25
Both
men
acin
g al
ike
with
dar
ing
show
s, Bo
th v
aunt
ing
sund
ry c
olou
rs o
f dev
ice,
Bo
th c
heer
ly so
undi
ng tr
umpe
ts, d
rum
s an
d fifes,
Both
raisi
ng d
read
ful c
lam
ours
to th
e sk
y,
Tha
t val
leys
, hill
s, an
d riv
ers
mad
e re
boun
d,
30
And
hea
ven
itsel
f was
frig
hted
with
the
soun
d.
Our
bat
tles
both
wer
e pi
tche
d in
squ
adro
n fo
rm,
13 p
oplit
e ed
. (po
plito
1592
) 16
unf
old
expl
ain
20 d
eepw
wag
e ric
her r
ewar
d 21
chi
valry
ski
ll in
arm
s 23
bou
nd b
ound
ary
25 fu
rnish
ed e
quip
ped
27 v
aunt
ing
disp
layi
ng p
roud
ly
27 c
olou
rs of
dev
ice
hera
ldic
ban
ners
32
bat
tles
forc
es
32 s
quad
ron
form
in a
squa
re fo
rmat
ion
12-1
4 '0
one
muc
h lo
ved
of G
od,
for
thee
the
heav
ens c
onte
nd, a
nd th
e un
ited
peop
les
fall
dow
n on
ben
ded
knee
: vi
ctor
y is
sist
er t
o ju
st
right
s.' B
oas
indi
cate
s th
e lin
es a
re a
dapt
ed f
rom
Cla
udia
n's
De
Terti
o Co
mul
atu
Hon
orii,
96-
8. 22
-84
The
Gen
eral
's ac
coun
t of
th
e ba
ttle
(in a
ccor
danc
e w
ith K
yd's
narr
ativ
e pa
ttern
ing)
exp
ands
that
of
And
rea
at I
, i, 1
5 ff.
, and
ant
ici-
pa
tes
both
the
dist
orte
d ve
rsio
n by
Vill
uppo
(I, i
ii, 5
9 ff.
) and
Hor
atio
's co
rrec
tive
acco
unt a
t I,
iv, 9
ff. I
t ser
ves
both
as
'good
the
atre
' in
the
elab
orat
e th
eatri
cal v
ein
enjo
yed
by E
lizab
etha
ns, a
nd a
lso
to e
stab
lish
an u
nbia
sed
pers
pect
ive
on e
vent
s fr
om w
hich
the
res
t of
the
plo
t sp
rings
.
THE SPANISH TRAGEDY
Each
cor
ner s
trong
ly fe
nced
with
win
gs o
f sho
t; Bu
t ere
we
join
ed a
nd c
ame
to p
ush
of p
ike,
I
brou
ght a
squa
dron
of
our r
eadi
est s
hot
From
out
our
rear
war
d to
beg
in th
e fig
ht:
They
bro
ught
ano
ther
win
g to
enc
ount
er u
s. M
eanw
hile
, our
ord
nanc
e pl
ayed
on
eith
er s
ide,
A
nd c
apta
ins s
trove
to h
ave
thei
r va
lour
s trie
d.
Don
Ped
ro, t
heir
chie
f ho
rsem
en's
colo
nel,
Did
with
his
corn
et b
rave
ly m
ake
atte
mpt
T
o br
eak
the
orde
r of
our
battl
e ra
nks:
Bu
t Don
Rog
ero,
wor
thy
man
of
war
, M
arch
ed f
orth
aga
inst
him
with
our
mus
kete
ers,
And
sto
pped
the
mal
ice
of h
is fe
ll ap
proa
ch.
Whi
le th
ey m
aint
ain
hot s
kirm
ish
to a
nd fr
o,
Both
bat
tles
join
and
fall
to h
andy
blo
ws,
Thei
r vio
lent
shot
rese
mbl
ing
th'oc
ean's
rag
e,
Whe
n, r
oarin
g lo
ud, a
nd w
ith a
sw
ellin
g tid
e,
It b
eats
upon
the
ram
pier
s of
hug
e ro
cks,
And
gap
es to
swal
low
nei
ghbo
ur-b
ound
ing
land
s. N
OW
whi
le B
ello
na ra
geth
her
e an
d th
ere,
Th
ick
stor
ms o
f bu
llets
rain
like
win
ter's
hai
l, A
nd s
hive
red
lanc
es d
ark
the
troub
led
air.
Pede
pes
et cu
spid
e cus
pis;
.bm
a so
nant
arm
is, v
ir pe
titur
que
era.
33 f
ence
d de
fend
ed, r
einf
orce
d 33
win
gs of
sho
t sol
dier
s car
ryin
g fir
earm
s pla
ced
on th
e ou
ter e
dges
of
the
form
atio
n 34
pus
h of
pike
han
d-to
-han
d fig
htin
g 38
ord
nanc
e ed.
(or
dina
nce
1592
) hea
vy a
rtille
ry
38 p
laye
d di
rect
ed th
eir f
ire'
40 c
olon
el ed
. (C
orlo
nell
1592
) thr
ee sy
llabl
es
41 c
orne
t a s
quad
ron
of c
aval
ry
45 m
alice
dan
ger,
harm
47
han
iiy h
and-
to-h
and
48 s
hot s
hoot
ing,
exc
hang
e of
fire
(pre
sum
ably
at c
lose
qua
rters
) 50
ram
pier
s ram
parts
51
nei
~hbo
ur-b
ound
ing n
eigh
bour
ing,
on
its m
argi
n 52
~e
il
m
Rom
an
of w
ar
53 r
ain
ed. (
ran
1592
) 54
dar
k da
rken
56
Arm
a ed
. (A
nni 1
592)
56
arm
is ed
. (an
nis 1
592)
55-6
'Fo
ot a
gain
st f
oot a
nd s
pear
aga
inst
spe
ar, a
rms
ring
on a
rms
and
man
is
assa
iled
by m
an.'
Boas
say
s th
e La
tin i
s ta
ken
partl
y fr
om
Stat
ius
(The
bois
, viii
. 39
9) a
nd,
quot
ing
Schi
ck, p
artly
stru
ctur
ed o
n an
alog
ies i
n ~
e&
il and
Cur
tius.
12
TH
OM
AS
KY
D
[ACT
1
On
ever
y si
de d
rop
capt
ains
to th
e gr
ound
, A
nd so
ldie
rs, s
ome
ill-m
aim
ed, s
ome
slain
out
right
: H
ere
falls
a b
ody
scin
dere
d fr
om h
is he
ad,
Ther
e le
gs a
nd a
rms
lie b
leed
ing
on th
e gr
ass,
60
Min
gled
with
wea
pons
and
unb
owel
led
stee
ds,
Tha
t sca
tterin
g ov
ersp
read
the
pur
ple
plai
n.
In al
l thi
s tu
rmoi
l, th
ree
long
hou
rs a
nd m
ore,
T
he v
icto
ry to
nei
ther
par
t inc
lined
, Ti
ll D
on A
ndre
a w
ith h
is br
ave
lanc
iers
65
In
thei
r m
ain
battl
e m
ade
so g
reat
a b
reac
h T
hat,
half
dism
ayed
, the
mul
titud
e re
tired
: B
ut B
alth
azar
, the
Por
tinga
les'
youn
g pr
ince
, B
roug
ht r
escu
e, a
nd e
ncou
rage
d th
em to
stay
. H
ere-
henc
e th
e fig
ht w
as e
ager
ly re
new
ed,
70
And
in th
at c
onfli
ct w
as A
ndre
a sla
in-
Brav
e m
an a
t arm
s, bu
t wea
k to
Bal
thaz
ar.
Yet
whi
le th
e pr
ince
, ins
ultin
g ov
er h
im,
Bre
athe
d ou
t pro
ud v
aunt
s, so
undi
ng to
our
repr
oach
, Fr
iend
ship
and
har
dy v
alou
r jo
ined
in o
ne
75
Pric
ked
forth
Hor
atio
, our
Kni
ght M
arsh
al's
son,
T
o ch
alle
nge
fqrt
h th
at p
rince
in si
ngle
figh
t. N
ot lo
ng b
etw
een
thes
e tw
ain
the
fight
end
ured
, B
ut s
traig
ht th
e pr
ince
was
bea
ten
from
his
hors
e,
. A
nd fo
rced
to y
ield
him
pris
oner
to h
is fo
e:
80
Whe
n he
was
take
n, a
ll th
e re
st th
ey fl
ed,
And
our
car
bine
s pu
rsue
d th
em to
the
deat
h,
58 i
ll-m
aim
ed b
adly
inju
red
59 s
cinde
red
sund
ered
62
pur
ple
bloo
d-re
d, c
over
ed in
blo
od
65 l
ancie
rs (
two
sylla
bles
) lan
cers
70
Her
e-he
nce a
s a r
esul
t of t
his (
O.E
.D.,
1)
72 m
an a
t arm
s sp
ecifi
cally
, a m
ount
ed so
ldie
r 73
ins
ultin
g ex
ultin
g 74
sou
ndin
g to
tend
ing
to, i
nfer
ring
(O.E
.D.,
5a)
76 P
ricke
d fo
rth
spur
red
on
80 h
im h
imse
lf 82
car
bine
s pr
esum
ably
sol
dier
s ca
rryi
ng t
hese
wea
pons
(O
.E.D
. ha
s no
exam
ple)
72
A r
emin
iscen
ce, i
n ke
epin
g w
ith th
e he
roic
man
ner
of t
hese
line
s, of
re
fere
nces
to d
efea
ted
war
riors
in H
omer
.
SCEN
E 1
1]
TH
E S
PAN
ISH
TR
AG
EDY
Ti
ll, P
hoeb
us w
anin
g to
the
wes
tern
dee
p,
Our
trum
pete
rs w
ere
char
ged
to so
und
retre
at.
KIN
G
Than
ks g
ood
Lord
Gen
eral
for t
hese
goo
d ne
ws;
A
nd fo
r som
e ar
gum
ent o
f m
ore
to c
ome,
Ta
ke th
is a
nd w
ear i
t for
thy
sove
reig
n's
sake
. G
ive
him
his
chai
n B
ut te
ll m
e no
w, h
ast t
hou
conf
irmed
a p
eace
? G
ENER
AL
No
peac
e, m
y lie
ge, b
ut p
eace
con
ditio
nal,
Tha
t if
with
hom
age
trib
ute
be w
ell p
aid,
T
he fu
ry o
f yo
ur fo
rces
will
be
stay
ed:
And
to th
is p
eace
thei
r vic
eroy
hat
h su
bscr
ibed
, G
ive
the
KIN
G a
pap
er
And
mad
e a
sole
mn
vow
that
, dur
ing
life,
H
is tr
ibut
e sh
all b
e tru
ly p
aid
to S
pain
. K
ING
Th
ese
wor
ds, t
hese
dee
ds, b
ecom
e th
y pe
rsnn
wel
l. B
ut n
ow, K
nigh
t Mar
shal
, fro
lic w
ith th
y ki
ng,
For
'tis
thy
son
that
win
s th
is b
attle
's pr
ize.
H
IER
ON
IMO
Lo
ng m
ay h
e liv
e to
serv
e m
y so
vere
ign
liege
, A
nd so
on d
ecay
unl
ess
he se
rve
my
liege
. A
tuck
et af
ar 0
8 K
ING
N
or th
ou, n
or h
e, s
hall
die
with
out r
ewar
d.
Wha
t mea
ns th
e w
arni
ng o
f th
is tr
umpe
t's s
ound
? G
ENER
AL
This
tells
me
that
you
r gra
ce's
men
of
war
, Su
ch a
s w
ar's
fortu
ne h
ath
rese
rved
fro
m d
eath
, C
ome
mar
chin
g on
tow
ards
you
r ro
yal s
eat,
To
show
them
selv
es b
efor
e yo
ur m
ajes
ty,
For s
o I
gave
in c
harg
e at
my
depa
rt.
Whe
reby
by
dem
onst
ratio
n sh
all a
ppea
r,
83 P
hoeb
us th
e su
n 83
wan
ing
ed. (
wau
ing
1592
) 83
dee
p th
e se
a 86
arg
umen
t tok
en
89 b
ut e
xcep
t 91
sta
yed
restr
aine
d, h
alte
d 92
sub
scrib
ed si
gned
his
nam
e 96
fro
lic
rejo
ice,
be h
appy
99
dec
ay fa
il in
hea
lth a
nd fo
rtun
e 10
1 th
e ed
. (th
is 15
92)
That
all
(exc
ept t
hree
hun
dred
or f
ew m
ore)
A
re sa
fe re
turn
ed a
nd b
y th
eir f
oes e
nric
hed.
Th
e Ar
my
enter
s; BA
LTH
AZA
R, b
twee
n LO
REN
ZO a
nd H
ORA
TIO
, ca
ptiv
e K
ING
A
gla
dsom
e sig
ht!
I lo
ng to
see
them
her
e.
T7q
enter
and
pass
by W
as th
at th
e w
arlik
e pr
ince
of P
ortin
gale
, Th
at b
y ou
r nep
hew
was
in tr
ium
ph le
d?
GEN
ERAL
It
was
, my
liege
, the
prin
ce o
f Por
tinga
le.
KIN
G
But
wha
t was
he
that
on
the
othe
r sid
e H
eld
him
by
th'ar
m a
s pa
rtner
of t
he p
rize?
H
IER
ON
IMO
T
hat w
as m
y so
n, m
y gr
acio
us so
vere
ign,
Of
who
m, t
houg
h fr
om h
is te
nder
infa
ncy
My
lovi
ng th
ough
ts d
id n
ever
hop
e bu
t wel
l, H
e ne
ver p
leas
ed h
is fa
ther
's ey
es ti
ll no
w,
Nor
fille
d m
y he
art w
ith o
verc
loyi
ng jo
ys.
120
KIN
G
Go
let t
hem
mar
ch o
nce
mor
e ab
out t
hese
wal
ls,
Tha
t sta
ying
them
we
may
con
fer a
nd ta
lk
With
our
bra
ve p
rison
er a
nd h
is do
uble
gua
rd.
Hie
roni
mo,
it g
reat
ly p
leas
eth
us,
That
in o
ur v
icto
ry th
ou h
ave
a sh
are,
125
By v
irtue
of t
hy w
orth
y so
n's
expl
oit. En
ter It
& Ar
my]
again
Brin
g hi
ther
the
youn
g pr
ince
of P
ortin
gale
: T
he re
st m
arch
on,
but
ere
they
be
dism
issed
, 12
0 ov
erclo
ying
caus
ing
surf
eit,
satia
ting
122
stayi
ng s
topp
ing
-. -
108
Thi
s ca
lm w
ritin
g-of
f of
300
men
per
haps
und
erlin
es w
hat
we
know
to
be
the
fals
e co
mpl
acen
cy o
f th
e Sp
anis
h co
urt.
Com
pare
the
open
ing
spee
ches
of
Muc
h A
do.
109
s.d.
The
dou
ble
entr
y of
the
arm
y (h
ere
and
afte
r 1.1
26)
com
plem
ents
th
e hi
gh v
erba
l flo
uris
h of
the
Gen
eral
's sp
eech
and
ext
ends
the
air
of
mar
tial g
rand
eur
and
conf
iden
ce; i
t als
o pe
rmits
the
the
atric
al d
ispl
ay
so d
ear t
o El
izab
etha
ns.
1 11
ff. K
yd's
very
stro
ng se
nse o
f dr
amat
ic st
ruct
ure
brin
gs th
e th
ree
prin
ci-
pal
anta
goni
sts
toge
ther
at
thei
r fi
rst e
ntry
; th
e la
ter
enm
ity b
etw
een
Lore
nzo
and
Hor
atio
is
visu
ally
sugg
este
d by
eac
h la
ying
cla
im to
the
pr
ison
er B
alth
azar
.
TH
E S
PAN
ISH
TR
AG
EDY
We
will
bes
tow
on
ever
y so
ldie
r Tw
o du
cats
, and
on
ever
y le
ader
ten,
13
0 Th
at th
ey m
ay k
now
our
larg
ess w
elco
mes
them
. Ex
eunt
all
[the
Arm
y] bu
t BA
LTH
AZA
R, L
ORE
NZO
, H
ORA
TIO
W
elco
me,
Don
Bal
thaz
ar , w
elco
me,
neph
ew,
And
thou
, Hor
atio
, tho
u ar
t wel
com
e to
o.
You
ng p
rince
, alth
ough
thy
fath
er's
hard
mis
deed
s, In
kee
ping
bac
k th
e tri
bute
that
he
owes
, 13
5 D
eser
ve b
ut ev
il m
easu
re a
t our
han
ds,
Yet
shal
t tho
u kn
ow th
at S
pain
is h
onou
rabl
e.
BALT
HA
ZAR
The
tres
pass
that
my
fath
er m
ade
in p
eace
Is
now
con
trolle
d by
fortu
ne o
f th
e w
ars;
A
nd c
ards
onc
e de
alt,
it bo
ots n
ot a
sk w
hy so
. H
is m
en a
re s
lain
, a w
eake
ning
to h
is re
alm
, H
is c
olou
rs se
ized
, a b
lot u
nto
his n
ame,
H
is so
n di
stre
ssed
, a c
orsiv
e to
his
hear
t: Th
ese
puni
shm
ents
may
cle
ar h
is la
te o
ffenc
e. K
ING
A
y, B
alth
azar
, if h
e ob
serv
e thi
s tru
ce,
Our
pea
ce w
ill g
row
the
stro
nger
for t
hese
war
s. M
eanw
hile
live
thou
, tho
ugh
not i
n lib
erty
, Y
et fr
ee fr
om b
earin
g an
y se
rvile
yok
e;
For i
n ou
r hea
ring
thy
dese
rts w
ere
grea
t; A
nd in
our
sig
ht th
ysel
f art
grac
ious
. BA
LTH
AZA
R A
nd I
shal
l stu
dy to
des
erve
this
gra
ce.
KIN
G
But
tell
me,
for t
heir
hold
ing
mak
es m
e do
ubt,
To
whi
ch of
the
se tw
ain
art t
hou
pris
oner
?
129-
31 (
linea
tion
ed. W
e . .
. duc
ats
/ And
. . . kn
ow /
Our
. . t
hem
15
92)
131
larg
ess
mon
ey a
nd g
ifts
best
owed
by
a ki
ng
139
cont
rolle
d br
ough
t to
an
end
140
boot
s pr
ofits
14
2 co
lour
s sta
ndar
ds,
flags
14
3 di
stres
sed
take
n pr
ison
er
143
cors
ive c
orro
sive
(a d
estru
ctiv
e su
bsta
nce)
14
4 cl
ear
eras
e 14
4 la
te p
revi
ous,
pas
t th
eir
hold
ing
the
way
they
hol
d yo
u
ff. C
lem
en (
p. 1
01)
poin
ts o
ut t
hat
the
scen
e fr
om t
his
poin
t co
rre-
sp
onds
to
the
fam
iliar
Eliz
abet
han
'trib-
1 sc
ene'
in
whi
ch a
dis
pute
be
twee
n tw
o no
bles
is a
rbitr
ated
by
the
king
. (C
ompa
re e
.g. R
icha
rd 1
1,
I, i
.) K
yd's
hand
ling
of th
is c
onve
ntio
nal
situ
atio
n is
muc
h m
ore
flexi
ble d
ram
atic
ally
than
that
of h
is p
rede
cess
ors.
16
THO
MA
S K
YD
[A
CT
I
LORE
NZO
T
o m
e, m
y lie
ge.
HO
RAT
IO
To
me,
my
sove
reig
n.
LORE
NZO
Th
is h
and
first
took
his
cour
ser
by th
e re
ins.
155
HO
RATI
O
But f
irst m
y la
nce
did
put h
im fr
om h
is ho
rse.
LO
REN
ZO
I sei
zed
his
wea
pon,
and
enj
oyed
it fi
rst.
HO
RATI
O
But
firs
t I f
orce
d hi
m la
y hi
s w
eapo
ns d
own.
K
ING
Le
t go
his
arm
, upo
n ou
r pr
ivile
ge.
[The
y] le
t him g
o Sa
y, w
orth
y pr
ince
, to
whe
ther
did
st th
ou y
ield
? 16
0 BA
LTH
AZA
R T
o hi
m in
cou
rtesy
, to
this
per
forc
e:
He
spak
e m
e fa
ir, th
is o
ther
gav
e m
e st
roke
s;
He
prom
ised
life,
this
oth
er th
reat
ened
dea
th;
He
wan
my
love
, thi
s ot
her
conq
uere
d m
e;
And
tru
th to
say
I yi
eld
mys
elf t
o bo
th.
165
HIE
RO
NIM
O
But
that
I k
now
you
r gr
ace
for
just
and
wise
, A
nd m
ight
see
m p
artia
l in
this
diff
eren
ce,
Enfo
rced
by
natu
re a
nd b
y law
of
arm
s M
y to
ngue
sho
uld
plea
d fo
r yo
ung
Hor
atio
's rig
ht.
He
hunt
ed w
ell t
hat w
as a
lion
's de
ath,
17
0 N
ot h
e th
at in
a g
arm
ent w
ore
his s
kin:
So
har
es m
ay p
ull d
ead
lions
by
the
bear
d.
KIN
G
Con
tent
thee
, Mar
shal
, tho
u sh
alt h
ave
no w
rong
; A
nd fo
r th
y sa
ke th
y so
n sh
all w
ant n
o rig
ht.
Will
bot
h ab
ide
the
cens
ure
of m
y do
om?
175
LORE
NZO
I
crav
e no
bet
ter t
han
your
gra
ce a
war
ds.
159
privi
lege
the
king
's pr
erog
ativ
e 16
0 wh
ether
whi
ch o
f th
e tw
o 16
4 wa
n w
on
167
parti
al g
uilty
of
favo
uriti
sm
175
cens
ure
of m
y do
om th
e ou
tcom
e of
my
judg
men
t
170-
2 H
iero
nim
o ar
gues
th
at H
orat
io d
eser
ves
cred
it as
the
tru
e co
n-
quer
or o
f B
alth
azar
. The
refe
renc
e in
1.17
1 de
rives
, as
Edw
ards
show
s,
from
the
Fou
rth
Fabl
e of
Avi
an c
once
rnin
g an
ass
who
dis
ports
him
- se
lf in
a li
on's
skin
he
has f
ound
. Lin
e 172
is p
rove
rbia
l; ev
en ti
mid
har
es
may
bea
rd a
dea
d lio
n.
SCENE 11]
T
HE
SPA
NIS
H T
RA
GED
Y
17
HO
RATI
O
Nor
I, a
lthou
gh I
sit
besid
e m
y rig
ht.
KIN
G
The
n by
my
judg
men
t thu
s yo
ur s
trife
sha
ll en
d:
You
bot
h de
serv
e an
d bo
th sh
all h
ave
rew
ard.
N
ephe
w, t
hou
took
'st h
is w
eapo
n an
d hi
s ho
rse,
18
0 H
is w
eapo
ns a
nd h
is ho
rse
are
thy
rew
ard.
H
orat
io, t
hou
dids
t for
ce h
im fi
rst t
o yi
eld,
H
is ra
nsom
ther
efor
e is
thy
valo
ur's
fee:
A
ppoi
nt t
he su
m a
s yo
u sh
all b
oth
agre
e.
But n
ephe
w, t
hou
shal
t hav
e th
e pr
ince
in g
uard
, 18
5 Fo
r th
ine
esta
te b
est f
ittet
h su
ch a
gue
st:
Hor
atio
's ho
use
wer
e sm
all f
or a
ll hi
s tra
in.
Yet
in re
gard
thy
subs
tanc
e pa
sset
h hi
s, A
nd th
at ju
st gu
erdo
n m
ay b
efal
l des
ert,
To
him
we
yiel
d th
e ar
mou
r of
the
prin
ce.
190
How
like
s D
on B
alth
azar
of
this
dev
ice?
BA
LTH
AZA
R Ri
ght w
ell m
y lie
ge, i
f th
is p
rovi
so w
ere,
Th
at D
on H
orat
io b
ear
us c
ompa
ny,
Who
m I
adm
ire a
nd lo
ve fo
r chi
valry
. K
ING
H
orat
io, l
eave
him
not
that
love
s the
e so
. 19
5 N
ow le
t us
henc
e to
see
our s
oldi
ers
paid
, A
nd fe
ast o
ur p
rison
er a
s our
frie
ndly
gue
st.
Exeu
nt
Act
I, S
cene
iii
Enter
VIC
ERO
Y, A
LEX
AN
DR
O,
VILL
UPP
O [,
Atte
ndan
ts]
VIC
ERO
Y
Is o
ur a
mba
ssad
or d
espa
tche
d fo
r Spa
in?
ALE
XA
ND
RO
Two
days
, my
liege
, are
pas
sed
since
his
depa
rt.
VIC
ERO
Y
And
trib
ute
paym
ent g
one
alon
g w
ith h
im?
177
sit b
esid
e for
go (E
dwar
ds)
188
in re
card
sin
ce
189
that
in o
rder
tha
t 18
9 gu
erdo
n re
war
d 19
0 hi
m H
orat
io
187
Hor
atio
's so
cial
sta
ndin
g (li
ke H
iero
nim
o's)
is
em
phat
ical
ly
low
er
than
tha
t of
Lo
renz
o an
d B
el-i
mpe
ria (
and
of
cour
se B
alth
azar
). Se
e al
so 1
1, iv
, 61
and
111,
x, 5
7.
THO
MA
S K
YD
a-
[ACT I
ALEX
ANDR
O
Ay
my
good
lord
. Vl
CERO
Y Th
en re
st we
her
e aw
hile
in o
ur u
nres
t, 5
4nd
feed
our
sor
row
s w
ith s
ome
inw
ard
sighs
, Fo
r dee
pest
care
s br
eak
neve
r int
o te
ars.
But w
here
fore
sit I
in a
rega
l thr
one?
Th
is b
ette
r fits
a w
retc
h's e
ndle
ss m
oan.
Falls
to th
e gra
nd
Yet
this
is h
ighe
r th
an m
y fo
rtune
s re
ach,
10
A
nd th
eref
ore
bette
r th
an m
y st
ate
dese
rves
. A
y, a
y, th
is ea
rth, i
mag
e of
mel
anch
oly,
Se
eks h
im w
hom
fate
s adj
udge
to m
isery
: H
ere
let m
e lie
, now
am
I a
t the
low
est.
Qut
jace
t in
terr
a, n
on h
abet
unde
cad
at.
15
In me
cons
umps
it vi
res f
ortu
na n
ocen
do,
Nil
supe
rest
ut ja
m p
ossit
obe
sse m
agis.
Y
es, F
ortu
ne m
ay b
erea
ve m
e of
my
crow
n:
Her
e, ta
ke it
now
; let
For
tune
do
her
wor
st,
She
will
not
rob
me
of t
his s
able
wee
d:
20
0 n
o, s
he e
nvie
s non
e bu
t ple
asan
t thi
ngs.
Such
is th
e fo
lly o
f de
spite
ful c
hanc
e!
Fortu
ne is
blin
d an
d se
es n
ot m
y de
serts
, So
is sh
e de
af a
nd h
ears
not
my
lam
ents:
9
s.d.
fol
low
s 1.1
1 in
159
2 10
'My
circ
umst
ance
s are
eve
n w
orse
than
this
sugg
ests
.' 11
sta
te c
ondi
tion,
situ
atio
n 20
sab
le w
eed
blac
k co
stum
e 21
env
ies f
eels
ill-w
ill to
war
ds
22 d
espi
tefu
l mal
icio
us
ff. T
he V
icer
oy's
spee
ch c
ontra
sts
with
the
sel
f-co
ngra
tula
tion
of t
he
Span
ish
Kin
g, a
nd a
ntic
ipat
es H
iero
nim
o's
sim
ilar
grie
f ov
er t
he lo
ss
of a
son
. C
lem
en (
p. 2
69)
draw
s at
tent
ion
to K
yd's
dram
atic
ally
-den
tra
nsfo
rmat
ion
in th
ese
lines
of
the
stan
dard
'lam
ent
spee
ch'.
Com
pare
th
e K
ing'
s lin
es in
Ric
hard
II.
111
. ii.
144
ff
r , --I - . .
---
imag
e of m
elan
chol
y Mel
anch
oly
is th
e bo
dily
'hum
our'
(res
pons
ible
for a
pe
rson
's te
mpe
ram
ent)
that
cor
resp
onds
to
the
elem
ent
eart
h, o
ne o
f th
e fo
ur e
lem
ents
(th
e ot
hers
are
air,
fire
and
wat
er)
that
mak
e up
all
crea
ted
thin
gs.
15-1
7 'If
one
ire
s on
the
gro
und,
one
has
no
furt
her
to fa
ll. T
owar
ds m
e Fo
rtun
e ha
s ex
haus
ted
her
pow
er t
o in
jure
; th
ere
is n
othi
ng f
urth
er
that
can
hap
pen
to m
e.'
The
firs
t lin
e is
bor
row
ed f
rom
Ala
nus
de
Insu
lis, Lib.
Para
b., c
ap. 2
,1.1
9, t
he s
econ
d fr
om S
enec
a's A
gana
nnon
1.
698,
whi
le th
e th
ird
is p
roba
bly
Kyd
's ow
n co
mpo
sitio
n. (
See
W. P
. -M
usta
rd, P
Q, V
(192
6), 8
5-6.
)
r SC
ENE
1111
TH
E S
PAN
ISH
TR
AG
EDY
And
cou
ld s
he h
ear,
yet i
s she
wilf
ul m
ad,
And
ther
efor
e w
ill n
ot p
ity m
y di
stres
s. Su
ppos
e th
at sh
e co
uld
pity
me,
wha
t the
n?
Wha
t hel
p ca
n be
exp
ecte
d at
her
han
ds,
Who
se fo
ot is
stan
ding
on
a ro
lling
ston
e,
And
min
d m
ore
mut
able
than
fick
le w
inds
? W
hy w
ail I
then
, whe
re's
hope
of
no re
dres
s?
0 y
es, c
ompl
aini
ng m
akes
my
grief
see
m le
ss.
My
late
am
bitio
n ha
th d
istai
ned
my
faith
, M
y br
each
of f
aith
occ
asio
ned
bloo
dy w
ars,
Thos
e bl
oody
war
s ha
ve sp
ent m
y tre
asur
e,
And
with
my
treas
ure
my
peop
le's
bloo
d,
And
with
thei
r blo
od, m
y jo
y an
d be
st b
elov
ed,
My
best
bel
oved
, my
swee
t and
onl
y so
n.
0 w
here
fore
wen
t I n
ot to
war
mys
elf?
T
he ca
use
was
min
e, I
mig
ht h
ave
died
for b
oth:
M
y ye
ars
wer
e m
ellow
, his
but y
oung
and
gre
en,
My
deat
h w
ere
natu
ral,
but h
is w
as fo
rced
. AL
E-RO
N
o do
ubt,
my
liege
, but
stil
l the
prin
ce su
rviv
es.
VICE
ROY
Surv
ives
! ay
, whe
re?
ALEX
ANDR
O
In S
pain
, a p
rison
er b
y m
ischa
nce
of w
ar.
VICE
ROY
Then
they
hav
e sla
in h
im f
or h
is fa
ther
's fa
ult.
ALEX
ANDR
O
Tha
t wer
e a
brea
ch to
com
mon
law
of
arm
s.
25 w
ilful
mad
del
iber
atel
y cl
osed
to r
easo
n 29
is
ed. (
not i
n 15
92)
30 m
utab
le e
ver-
chan
ging
33
dist
aine
d su
llied
35
, 36
treas
ure E
dwar
ds s
ays
tri-s
ylla
bic:
'tre
as-u
-er'
42 f
orce
d aga
inst
the
cour
se o
f na
ture
. .
46 f
ault
crim
e, w
rong
doin
g
23-3
0 In
the
em
blem
boo
ks,
Fort
une
is n
orm
ally
dep
icte
d as S
lind,
so
met
imes
as
deaf
, an
d fr
eque
ntly
as
stan
ding
on
a ro
lling
sph
ere;
al
l to
exp
ress
her
lac
k of
dis
crim
inat
iod
and
chan
geab
lene
ss.
The
V
icer
oy's
com
plai
nt o
f Fo
rtun
e co
ntrib
utes
to
the
play
's pr
eocc
upat
ion
with
just
ice
and
retri
butio
n. L
ines
33-
42 a
re t
he V
icer
oy's
atte
mpt
to
cons
truct
a r
atio
nal
(and
the
refo
re '
just
') ex
plan
atio
n fo
r w
hat
has
happ
ened
, and
so
to r
atio
nalis
e Fo
rtune
.
20
TH
OM
AS
KY
D
[AC
T
I
VICE
ROY
They
reck
no
law
s th
at m
edita
te re
veng
e.
AEEX
ANDR
O
His
rans
om's
wor
th w
ill s
tay
from
foul
rev
enge
. Vl
CERO
Y N
o, if
he
lived
the
new
s wou
ld so
on b
e he
re.
50
ALEX
ANDR
O
Nay
, evi
l new
s fly
fas
ter s
till t
han
good
. VI
CERO
Y Te
ll m
e no
mor
e of
new
s, fo
r he
is d
ead.
W
lLLU
PPO
M
y so
vere
ign,
par
don
the
auth
or o
f ill
new
s, A
nd 1'
11 b
ewra
y th
e fo
rtun
e of
thy
son.
w I
CER
OY
Spea
k on
, I'll
gue
rdon
thee
wha
te'er
it b
e:
55
Min
e ea
r is
read
y to
rece
ive
ill n
ews,
My
hear
t gro
wn
hard
'gai
nst m
ischi
ef's
batte
ry;
Stan
d up
I sa
y, a
nd te
ll th
y ta
le a
t lar
ge.
VlL
LUPP
O
The
n he
ar th
at tr
uth
whi
ch th
ese
min
e ey
es h
ave
seen
. W
hen
both
the
arm
ies
wer
e in
bat
tle jo
ined
, 60
D
on B
alth
azar
, am
idst
the
thic
kest
troop
s, T
o w
in re
now
n di
d w
ondr
ous f
eats
of a
rms:
A
mon
gst t
he re
st I s
aw h
im h
and
to h
and
In si
ngle
figh
t with
thei
r Lo
rd G
ener
al;
Till
Ale
xand
ro, t
hat h
ere
coun
terf
eits
65
U
nder
the
colo
ur o
f a
dute
ous
frie
nd,
Disc
harg
ed h
is pi
stol a
t the
prin
ce's
back
, A
s tho
ugh
he w
ould
hav
e sla
in th
eir
gene
ral.
But
ther
ewith
al D
on B
alth
azar
fell
dow
n,
And
whe
n he
fell,
then
we
bega
n to
fly:
70
Bu
t had
he
lived
, the
day
had
sur
e be
en o
urs.
48 r
eck
heed
49
stav
res
trai
n - - 53
aut
hor
one
who
tra
nsm
its;
or o
ne w
ho l
ends
his
aut
hori
ty to
, vo
uche
s fo
r 54
bmu
ray r
evea
l 55
gue
rdon
rew
ard
57 m
ischie
f m
isfor
tune
66
col
our p
rete
nce
48 T
hat
reve
nge
was
by
natu
re l
awle
ss w
as t
he a
ccep
ted
Eliz
abet
han
attit
ude (
see
Bow
ers,
esp.
pp.
3-1
4).
SCEN
E 11
11
TH
E S
PAN
ISH
TR
AG
ED
Y
21
ALEX
ANDR
O
0 w
icke
d fo
rger
y! 0 tr
aito
rous
misc
rean
t ! VI
CERO
Y H
old
thou
thy
peac
e! B
ut n
ow, V
illup
po, s
ay,
Whe
re th
en b
ecam
e th
e ca
rcas
e of
my
son?
V
ILLU
PPO
I s
aw th
em d
rag
it to
the
Span
ish
tent
s. 75
VI
CERO
Y A
y, a
y, m
y ni
ghtly
dre
ams h
ave
told
me
this
. Th
ou fa
lse, u
nkin
d, u
ntha
nkfu
l, tra
itoro
us b
east,
W
here
in h
ad B
alth
azar
offe
nded
thee
, T
hat t
hou
shou
ldst
thus
bet
ray
him
to o
ur fo
es?
Was
't Sp
anis
h go
ld th
at b
lear
ed s
o th
ine
eyes
80
Tha
t tho
u co
ulds
t see
no
part
of o
ur d
eser
ts?
Perc
hanc
e be
caus
e th
ou a
rt Te
rcei
ra's
lord
, T
hou
hads
t som
e ho
pe to
wea
r thi
s di
adem
, If
first
my
son
and
then
mys
elf
wer
e sl
ain:
B
at th
y am
bitio
us th
ough
t sha
ll br
eak
thy
neck
. 8S
Ay,
this
was
it th
at m
ade
thee
spill
his
blo
od,
Take
the c
rown
and
put
it o
n ag
ain
But
I'll
now
wea
r it t
ill th
y bl
ood
be sp
ilt.
ALEX
ANDR
O
Vou
chsa
fe, d
read
sov
erei
gn, t
o he
ar m
e sp
eak.
VI
CERO
Y A
way
with
him
, his
sigh
t is s
econ
d he
ll;
Kee
p hi
m ti
ll w
e de
term
ine
of h
is de
ath.
90
[Exe
unt A
ttend
ants
with
ALE
XAN
DRO
] If
Balth
azar
be
dead
, he
shal
l not
live
. V
illup
po, f
ollo
w u
s fo
r thy
rew
ard.
Ex
it VI
CERO
Y
VILL
UPPO
T
hus
have
I w
ith a
n en
viou
s, fo
rged
tale
72 fo
rgery
fal
seho
od, f
abri
catio
n 72
misc
reant
villa
in, r
asca
l 83
diad
em e
d. (D
iado
me
1592
) 93
env
ious m
alic
ious
82 T
erceir
a's l
ord
Boas
say
s th
at
Ale
xand
ro w
as a
ppar
ently
Cap
itiio
D
onata
rio o
f Te
rcei
ra,
an i
sland
in
the
Azo
res
grou
p, a
nd w
ould
be
caus
e of
thi
s po
sitio
n en
joy
virt
ually
des
potic
pow
ers.
The
title
was
gi
ven
to t
he fi
rst d
iscov
erer
s and
col
onise
rs o
f ove
rsea
s te
rrito
ries
and
w
as h
ered
itary
. 93
-5 T
he v
illai
n's
expl
icit
conf
essio
n se
ems
awkw
ard
to m
odem
rea
ders
; it
rem
aine
d a
conv
entio
n w
idel
y ac
cept
able
in t
he E
lizab
etha
n th
eatr
e.
Com
pare
e.g
. Fla
min
eo in
The
Whi
te D
evil,
IV, i
i, 24
2-6.
I H
UM
AS
KY
D
[AC
T I
Dec
eive
d th
e ki
ng, b
etra
yed
min
e en
emy,
A
nd h
ope
for g
uerd
on of
my
villa
iny.
Ex
it 95
Act I, Scene iv
Enter
HO
RATI
O a
nd B
EL-IM
PER
IA
BEL-
IMPE
RIA
Sign
ior H
orat
io, t
his i
s th
e pl
ace a
nd h
our
Whe
rein
I m
ust e
ntre
at th
ee to
rela
te
The
circ
umsta
nce o
f D
on A
ndre
a's d
eath
, W
ho, l
ivin
g, w
as m
y ga
rland
's sw
eete
st flo
wer
, A
nd in
his
deat
h ha
th b
urie
d m
y de
light
s. H
ORA
TIO
5
For l
ove
of h
im a
nd se
rvic
e to
you
rsel
f, I
nill
refu
se th
is h
eavy
dol
eful
char
ge.
Yet
tear
s and
sigh
s, I f
ear w
ill h
inde
r me.
Whe
n bo
th o
ur a
rmie
s wer
e en
join
ed in
figh
t, Y
our w
orth
y ch
eval
ier a
mid
st th
e th
ick's
t, 10
Fo
r glo
rious
caus
e stil
l aim
ing
at th
e fai
rest,
Was at
the
last
by y
oung
Don
Bal
thaz
ar
Enco
unte
red
hand
to h
and:
thei
r fig
ht w
as lo
ng,
Thei
r hea
rts w
ere
grea
t, th
eir c
lam
ours
men
acin
g,
Their
stre
ngth
alik
e, th
eir s
troke
s bo
th d
ange
rous
. 15
B
ut w
rath
ful N
emes
is, th
at w
icked
pow
er,
Envy
ing
at A
ndre
a's p
raise
and
wor
th,
Cut
shor
t his
life,
to e
nd h
is pr
aise
and
wor
th.
She,
she
her
self,
disg
uise
d in
am
our's
mas
k,
7 ni
ll w
ill n
ot
9 en
join
ed j
oine
d 10
cht
walie
r a la
dy's
cava
lier o
r ga
llant
16
Nem
esis
the
godd
ess o
f ret
ribu
tion,
esp
ecia
lly e
xerc
isd
by th
e go
ds
agai
nst h
uman
pre
sum
ptio
n 17
Ene
ying
at r
egar
ding
with
ill-w
ill
6-43 H
orat
io's
acco
unt o
f th
e ba
ttle
give
s th
e pe
rson
al a
ngle
, as
agai
nst
the
Gen
eral
's m
ore
obje
ctiv
e de
scrip
tion.
Con
tras
t th
e em
otio
ndis
m
of m
any lines
in t
his
spee
ch w
ith t
he G
ener
al's
tech
nisl
ities
(es
p.
I. ii.
32 ff.).
11 '
alw
ays
airh
ing
at th
e m
ast
outs
tand
ing
achi
evem
ents
in h
onou
r of
his
I
glor
ious
cau
sey
(the
love
for
Bel
-irnp
eria
that
insp
ired
him
). l%20
Kyd
pro
babl
y re
fers
to A
mei
d, 1
1, 11
.615-
16,
as B
oas
sugg
arm
, but
th
ough
Pal
las
(Ath
ene)
is
ther
e m
entio
ned,
it
is J
uno
who
is
'few
ac
cinc
ta',
'girt
with
stee
l'.
TH
E S
PAN
ISH
TR
AG
EDY
(As P
alla
s was
bef
ore p
roud
Per
gam
us)
Bro
ught
in a
fres
h su
pply
of
halb
erdi
ers,
Whi
ch p
aunc
hed
his
hors
e, an
d di
nged
him
to th
e Th
en y
oung
Don
Bal
thaz
ar w
ith ru
thle
ss ra
ge,
Taki
ng a
dvan
tage
of h
is fo
e's d
istre
ss,
Did
fini
sh w
hat h
is ha
lber
dier
s beg
un,
And
left
not t
ill A
ndre
a's li
fe w
as d
one.
Th
en, t
houg
h to
o la
te, i
ncen
sed
with
just
rem
orse
I w
ith m
y ba
nd se
t for
th a
gain
st th
e pr
ince
, A
nd b
roug
ht h
im p
rison
er fr
om h
is ha
lber
dier
s. BE
L-IM
PERI
A W
ould
thou
had
st sla
in h
im th
at so
slew
my
love
. B
ut th
en w
as D
on A
ndre
a's c
arca
se lo
st?
grou
nd.
,
DRAT
10
No,
that
was
it fo
r whi
ch I
chie
fly st
rove
, N
or st
eppe
d I
back
till
I re
cove
red
him
: I t
ook
him
up,
and
wou
nd h
im in
min
e ar
ms,
And
wel
ding
him
unt
o m
y pr
ivat
e te
nt,
Ther
e la
id h
im d
own,
and
dew
ed h
im w
ith m
y A
nd si
ghed
and
sorro
wed
as
beca
me
a fr
iend
. B
ut n
eith
er fr
iend
ly so
rrow
, sig
hs n
or te
ars
Cou
ld w
in p
ale
Dea
th fr
om h
is us
urpe
d rig
ht.
Yet
this
I di
d, a
nd le
ss I
coul
d no
t do:
I s
aw h
im h
onou
red
with
due
fune
ral.
tear
s,
20 P
alla
s A
then
e, p
atro
ness
of
Ath
ens,
and
one
of
the
divi
nitie
s as
soci
ated
with
the
Gre
eks
at T
roy
20 P
erga
mur
Tro
y 21
halb
erdi
ers
sold
iers
car
ryin
g ha
lber
ds,
wea
pons
tha
t ar
e a
com
- bi
natio
n of
spe
ar a
nd b
attle
-axe
, the
hea
d be
ing
mou
nted
on
a lo
ng p
ole
22 p
aunc
hed
stab
bed in
the
belly
22 d
itzge
d th
rust
, str
uck
27
iust
rem
orse
righ
teou
s in
dign
atio
n an
d pi
ty
-. 34
Lou
nd e
mbr
aced
35
weld
ing
carr
ying
21-6 A
ndre
a is
ove
rwhe
lmed
by
supe
rior
num
bers
, no
t ki
lled
in f
air
com
bat
(see
Bel
-irnp
eria
's co
mm
ent,
11.73
-5).
I H
iero
taim
als
o la
ys
stre
ss o
n th
e di
shon
oura
ble
way
Bal
thsz
ar b
roug
ht a
bout
And
rea's
de
ath
(sce
ne x
i; an
d se
e C
airn
cros
s, p
p xv
iii a
nd 4
9).
I 24
TH
OM
AS
KY
D
Thi
s sca
rf I
pluc
ked
from
off
his
lifel
ess a
rm,
And
wea
r it i
n re
mem
bran
ce o
f m
y fr
iend
. B
EL-I
MPE
RIA
I
know
the
scar
f, w
ould
he
had
kept
it st
ill,
For
had
he li
ved
he w
ould
hav
e ke
pt it
still
, 45
A
nd w
orn
it fo
r hi
s Be
l-im
peria
's sa
ke:
For
'twas
my
favo
ur a
t his
last
depa
rt.
But
now
wea
r tho
u it
both
for
him
and
me,
Fo
r afte
r hi
m th
ou h
ast d
eser
ved
it be
st.
But
, for
thy
kind
ness
in h
is lif
e an
d de
ath,
50
Be
sur
e w
hile
Bel
-impe
ria's
life
endu
res,
She
will
be
Don
Hor
atio
's th
ankf
ul fr
iend
. H
ORA
TIO
A
nd, m
adam
, Don
Hor
atio
will
not
slac
k H
umbl
y to
serv
e fa
ir Be
l-im
peria
. B
ut n
ow, i
f yo
ur g
ood
likin
g st
and
ther
eto,
55
I'l
l cr
ave
your
par
don
to g
o se
ek th
e pr
ince
, Fo
r so
the
duke
you
r fat
her g
ave
me
char
ge.
Exit
BEL
-IM
PER
IA
Ay,
go
Hor
atio
, lea
ve m
e he
re a
lone
, Fo
r sol
itude
bes
t fits
my
chee
rless
moo
d.
Yet
wha
t ava
ils to
wai
l And
rea's
dea
th,
60
From
whe
nce
Hor
atio
pro
ves
my
seco
nd lo
ve?
Had
he
not l
oved
And
rea
as h
e di
d,
He
coul
d no
t sit
in B
el-i
mpe
ria's
thou
ghts
. B
ut h
ow c
an lo
ve fi
nd h
arbo
ur in
my
brea
st;
Till
I re
veng
e th
e de
ath
of m
y be
love
d?
65
42 l
ifele
ss ed
. (liv
eless
159
2)
47 f
avou
r a
gift
giv
en t
o a
love
r to
be w
orn
as a
toke
n of
affe
ction
42
Thi
s sc
arf
'Sca
rves
' or
'ha
ndke
rche
rs' a
nd s
ometi
mes
glo
ves
were
worn
as l
adies
' fav
ours
(see
1.47
) by
knig
hts o
n th
e ba
ttlef
ield
(com
pare
th
e 'pl
edge
s' Tr
oilu
s and
Cre
ssid
a exc
hang
e: se
e T
C, I
V, iv
and
V, i
i).
Whe
n H
orat
io w
ears
the
scar
f (s
ee 1
1.48,
49)
he b
ecom
es v
isuall
y A
ndre
a's r
epre
sent
ativ
e; if
this
scarf
is
the
'bloo
dy h
andk
erch
er' t
hat
Hier
onim
o tak
es fr
om th
e de
ad H
orati
o's b
ody
(see
11, v
, 51
and
111,
xiii,
86-9
) the
n it
also
serv
es as
a v
isual
link
betw
een
the t
win
reve
nges
, fo
r And
rea a
nd H
orati
o.
60-8
Bel-
impe
ria's
love
for
Hor
atio
may
stri
ke u
s as
sud
den,
unm
otiv
- ate
d an
d ev
en (
11.66
-8)
unpl
easa
ntly
mixe
d w
ith c
alcul
ation
. Pa
rtly
this
is a
matt
er of
dra
mati
c con
vent
ion
(the e
arly
pla
ys w
ere
not g
reatl
y co
ncer
ned
with
psy
chol
ogica
l pro
babi
lity)
and
partl
y an
item
in K
yd's
deve
lopi
ng p
ortra
it of
Bel-
impe
ria a
s a
form
idab
le wo
man
, dec
isive
ly
able
to c
ontro
l and
dire
ct h
er e
mot
ions
. Her
dec
ision
is a
lso o
f co
urse
vi
tal in
join
ing
the
two
reve
nges
.
SCEN
E IV
] T
HE
SPA
NIS
H T
RA
GE
DY
25
Y
es, s
econ
d lo
ve sh
all f
urth
er m
y re
veng
e.
I'll l
ove
Hor
atio
, my
And
rea's
frie
nd,
The
mor
e to
spi
te th
e pr
ince
that
wro
ught
his
end.
A
nd w
here
Don
Bal
thaz
ar, t
hat s
lew
mj l
ove,
Him
self
now
ple
ads
for f
avou
r at m
y ha
nds,
70
He
shal
l in
rigou
r of
my
just
disd
ain
Reap
long
repe
ntan
ce fo
r hi
s m
urde
rous
dee
d.
For
wha
t was
't el
se b
ut m
urde
rous
cow
ardi
ce,
So m
any
to o
ppre
ss o
ne v
alia
nt k
nigh
t, W
ithou
t res
pect
of
hono
ur in
the
figh
t?
75
And
her
e he
com
es th
at m
urde
red
my
delig
ht.
Ente
r LO
REN
ZO and B
ALT
HA
ZAR
LORE
NZO
Si
ster
, wha
t mea
ns th
is m
elan
chol
y w
alk?
B
EL-I
MPE
RIA
Th
at fo
r a
whi
le I
wish
no
com
pany
. LO
REN
ZO
But
her
e th
e pr
ince
is c
ome
to v
isit y
ou.
BEL-
IMPE
RIA
T
hat a
rgue
s th
at h
e liv
es in
libe
rty.
BALT
HA
ZAR
No
mad
am, b
ut in
ple
asin
g se
rvitu
de.
BEL-
IMPE
RIA
Y
our
priso
n th
en b
elik
e is
you
r con
ceit.
BA
LTH
AZA
R A
y, b
y co
ncei
t my
free
dom
is e
nthr
alle
d.
BEL-
IMPE
RIA
T
hen
with
con
ceit
enla
rge
your
self
agai
n.
BALT
HA
ZAR
Wha
t if
conc
eit h
ave
laid
my
hear
t to
gage
? B
EL-I
MPE
RIA
Pa
y th
at y
ou b
orro
wed
and
rec
over
it.
71 d
isdai
n in
dign
ation
(O.E
.D.,
sb. 2
) 74
opp
ress
ove
rwhe
lm w
ith n
umbe
rs (O
.E.D
., lb
) 82
con
ceit
fanc
y, im
agin
ation
83
ent
hral
led
ensla
ved
84 e
nlar
~e set f
ree
- 85
lai
d . .
. to g
age
give
n as
a p
ledge
, plac
ed in
Daw
n -
77-8
9 Th
is sti
chom
ythi
a or
line-
by-li
ne d
ialog
ue is
a d
ram
atic
conv
entio
n de
rivin
g fro
m ~
ekec
a. Fo
r a
refe
renc
e to
"Kyd
Ps im
pres
sive
use
of t
he
conv
entio
n see
Intro
duct
ion,
p. x
xix.
-" TH
OM
AS
KY
D
BALT
HAZ
AR
I di
e if
it re
turn
from
whe
nce i
t lie
s. BE
L-IM
PERI
A A
hear
tless
man
, and
live
? A m
iracl
e!
BALT
HAZ
AR
Ay
lady
, lov
e ca
n w
ork
such
mira
cles
. LO
RENZ
O
~u
sh, tu
sh, m
y lo
rd, l
et g
o th
ese
arnb
ages
, A
nd in
pla
in te
rms a
cqua
int h
er w
ith y
our l
ove.
BE
L-IM
PERI
A W
hat b
oots
com
plai
nt, w
hen
ther
e's n
o re
med
y?
BALT
HAZ
AR
Yes, to
you
r gra
ciou
s sel
f m
ust I
com
plai
n,
In w
hose
fair
answ
er li
es m
y re
med
y,
On
who
se p
erfe
ctio
n al
l my
thou
ghts
atte
nd,
95
On
who
se a
spec
t min
e ey
es fi
nd b
eaut
y's
bow
er,
In w
hose
tran
sluce
nt b
reas
t my
hear
t is l
odge
d.
BEL-
IMPE
RIA
Ala
s, m
y lo
rd, t
hese
are
but
wor
ds o
f cou
rse,
A
nd b
ut d
evic
e to
driv
e m
e fro
m th
is p
lace
. Sh
e, in
goi
ng in
, let
s fal
l her
glo
ve, w
hich
HO
RATI
O, c
omsm
sng ou
t, ta
kes u
p H
ORA
TIO
M
adam
, you
r glo
ve.
100
BEL-
IMPE
RIA
Than
ks g
ood
Hor
atio
, tak
e it
for t
hy p
ains
. BA
LTH
AZAR
Si
gnio
r Hor
atio
stoo
ped
in h
appy
tim
e.
HO
RATI
O
I re
aped
mor
e gr
ace
than
I d
eser
ved
or h
oped
. LO
RENZ
O
My
Lord
, be
not d
ismay
ed fo
r wha
t is
pass
ed,
90 a
mba
ges o
bliq
ue, r
ound
abou
t way
s of s
peak
ing
92 W
hat b
oots
com
$laf
nt W
hat p
oint
is t
here
in p
lead
ing
your
love
? 96
asp
ect f
orm
, app
eara
nce
-.
98 w
ords o
f co
urse
con
vent
iona
l phr
ases
99
de~lice ed
. (de
uise
1592)
99 s
.d. T
his
rath
er a
wkw
ard
piec
e of
sta
ge-a
ctio
n m
ay b
e in
tend
ed t
o un
derl
ine
the
part
acc
iden
t pla
ys in
the
lin
ked
proc
ess
of '
reve
nge'.
C
ompa
re th
e dir
ectio
n 'a
lette
r fa
lleth
' (11
1, ii,
23)
and
the l
ette
r w
ritte
n by
Ped
ring
ano w
hich
find
s its
way
by
chan
ce in
to H
ieron
imo'
a ha
nds a
t 11
1, vi
i, 19
ff.
* LIC
E(NB
IV]
TH
E S
PAN
ISH
TR
AG
EDY
You
kno
w th
at w
omen
oft
are
hum
orou
s:
Thes
e cl
ouds
will
ove
rblo
w w
ith li
ttle
win
d;
Let m
e al
one,
1'11
scat
ter t
hem
mys
elf.
Mea
nwhi
le le
t us
devi
se to
spen
d th
e tim
e In
som
e de
light
ful s
ports
and
rev
ellin
g.
HO
RATI
O
The
kin
g, m
y lo
rds,
is c
omin
g hi
ther
stra
ight
, T
o fe
ast t
he P
ortin
gale
am
bass
ador
: Th
ings
wer
e in
read
ines
s be
fore
I ca
me.
BA
LTH
AZAR
T
hen
here
it fi
ts us
to a
ttend
the
king
, - -
-.--
To
wel
com
e
hi
ther
our
am
bass
ador
, A
nd le
arn
my
fath
er an
d m
y co
untry
's he
alth
. En
ter
the
Banq
uet,
Trum
pets
, the
KIN
G,
ad
AMBA
SSAD
OR
KIN
G
See
Lord
Am
bass
ador
, how
Spa
in e
ntre
ats
Thei
r pr
isone
r Ba
lthaz
ar, t
hy v
icer
oy's
son:
W
e pl
easu
re m
ore
in k
indn
ess
than
in w
ars.
AMBA
SSAD
OR
Sad
is ou
r kin
g, a
nd P
ortin
gale
lam
ents,
Su
ppos
ing
that
Don
Bal
thaz
ar is
slai
n.
BALT
HAZ
AR
[Asid
e] S
o am
I sl
ain
by b
eaut
y's
tyra
nny.
[T
o hi
m] Y
ou se
e, m
y lo
rd, h
ow B
alth
azar
ik s
lain
: I f
rolic
with
the
Duk
e of
Casti
le's son,
Wra
pped
eve
ry h
our i
n pl
easu
res o
f th
e co
urt,
And
gra
ced
with
favo
urs o
f hi
s m
ajes
ty.
125
KIN
G
Put o
ff y
our g
reet
ings
till
our f
east
be d
one;
N
ow c
ome
and
sit w
ith u
s and
tast
e ou
r che
er.
[The
y] s
it to
the
banq
uet
Sit d
own
youn
g pr
ince
, you
are
ouf
sec
ond
gues
t; Br
othe
r sit
dow
n an
d ne
phew
take
you
r pla
ce;
105
hum
orou
s te
mpe
ram
enta
l 11
3 fit
s bef
its
1 18
plea
sure
take
ple
asur
e
11 5
s.d.
the
Banq
uet,
Trum
pets
anot
her o
ppoa
nity
for
disp
lay ,
und
erlin
vlg
the
prou
d, s
elf-c
onfid
ent
soci
ety
of t
he S
pani
sh c
ourt
. A
full-
scal
e oc
casio
n is
evid
ently
int
ende
d (n
ot j
ust
a bu
ffet-t
ype
banq
uet
ofte
n us
ed o
n th
e El
izab
etha
n st
age)
for
they
'sit
to t
he b
anqu
et' (
1.127
s.d
.) an
d re
mai
n se
ated
to
wat
ch H
iero
nim
o's e
nter
tain
men
t. 12
1 T
his a
side
hint
s the
trou
ble
that
is b
reed
ing
unde
r the
surf
ace
appe
ar-
. -
ance
of o
rder
.
28
TH
OM
AS
KY
D
[AC
T I
Sign
ior H
orat
io, w
ait t
hou
upon
our
cup
, 130
For
wel
l tho
u ha
st de
serv
td to
be
hono
ured
. N
ow, l
ordi
ngs,
fall
to; S
pain
is P
ortu
gal,
And
Por
tuga
l is
Spai
n, w
e bo
th a
re fr
iend
s, Tr
ibut
e is
paid
, and
we
enjo
y ou
r rig
ht.
But
whe
re is
old
Hie
roni
mo,
our
mar
shal
? 135
He
prom
ised
us,
in h
onou
r of
our g
uest,
T
o gr
ace
our
banq
uet
with
som
e po
mpo
us je
st.
Enter
HIE
RO
NIM
O w
ith a
Dru
m, t
hree
KN
IGH
TS, e
ach
[with
] his
scut
cheo
n: th
en h
e fe
tches
thre
e K
ING
S, [
the K
NIG
HTS
] ta
ke th
eir
crow
ns a
nd th
em c
aptiv
e H
iero
nim
o, th
is m
asqu
e co
nten
ts m
ine
eye,
A
lthou
gh I
sou
nd n
ot w
ell th
e-m
yste
ry.
HIE
RO
NIM
O
The
firs
t arm
ed k
nigh
t, th
at h
ung
his
scut
cheo
n up
, ,
140
He
take
s the
scu
tcheo
n an
d gi
ves i
t to
the
KIN
G
Was
Eng
lish
Rob
ert,
Earl
of G
louc
este
r, W
ho w
hen
Kin
g St
ephe
n bo
re sw
ay in
Alb
ion,
A
rriv
ed w
ith fi
ve a
nd tw
enty
thou
sand
men
In
Por
tinga
le, a
nd b
y su
cces
s of
war
En
forc
ed th
e ki
ng, t
hen
but a
Sar
acen
, 145
To
bear
the
yoke
of
the
Engl
ish
mon
arch
y.
KIN
G
My
lord
of
Porti
ngal
e, b
y th
is y
ou s
ee
Tha
t whi
ch m
ay c
omfo
rt bo
th y
our
king
and
you
, A
nd m
ake
your
late
dis
com
fort
seem
the
less
. B
ut s
ay, H
iero
nim
o, w
hat w
as th
e ne
xt?
150
HIE
RO
NIM
O
The
seco
nd k
nigh
t, th
at h
ung
his
scut
cheo
n up
, H
e do
th a
s he
did
befo
re
137
pom
pour
jest
stat
ely
ente
rtai
nmen
t 13
7 s.
d. D
rum
a d
rum
mer
13
7 s.
d. sc
utch
eon
shie
ld w
ith a
rmor
ial b
eari
ngs
139
soun
d un
ders
tand
, fat
hom
13
9 m
yste
ry s
igni
fican
ce, h
idde
n m
eani
ng
142
Albi
on E
ngla
nd
135
ff. H
iero
nim
o's e
nter
tain
men
t app
eals
to E
nglis
h pa
trio
tism
at a
mom
ent
(the
1580
s or
ver
y ea
rly
90s)
whe
n Sp
ain
was
the
arch
-ene
my;
thea
tre-
go
ers
wou
ld h
ave
expe
cted
som
e pa
trio
tic f
lour
ish.
The
hist
ory
is po
pula
r ra
ther
tha
n ac
adem
ic;
for
a fu
ll di
scus
sion
of K
yd's
sour
ces
and
of h
is er
rors
con
cern
ing
the
earls
of
Glo
uces
ter
and
Ken
t and
the
du
ke of
Lan
cast
er se
e Bo
as, p
p. 3
97-8
, Edw
ards
, p. 2
6.fn
. and
Fre
eman
, pp
. 55
ff.
Sm
NE
~1
TH
E S
PAN
ISH
TFU
GE
DY
29
W
as E
dmun
d, E
arl o
f K
ent i
n A
lbio
n,
Whe
n En
glis
h R
icha
rd w
ore
the
diad
em;
He
cam
e lik
ewise
, and
raze
d Li
sbon
wal
ls,
And
took
the
Kin
g of
Por
tinga
le in
figh
t: 155
For w
hich
, and
oth
er su
chlik
e se
rvic
e do
ne,
He
afte
r was
cre
ated
Duk
e of
Yor
k.
KIN
G
Thi
s is a
noth
er s
peci
al a
rgum
ent,
That
Por
tinga
le m
ay d
eign
to b
ear o
ur y
oke,
Whe
n it
by li
ttle
Engl
and
hath
bee
n yo
ked.
160
But n
ow H
iero
nim
o, w
hat w
ere
the
last
? H
IER
ON
IMO
T
he th
ird
and
last,
not
leas
t in
our a
ccou
nt, Do
ing
as b
efor
e W
as as
the
rest
a v
alia
nt E
nglis
hman
, Br
ave J
ohn
of G
aunt
, the
Duk
e of
Lan
cast
er,
As b
y hi
s scu
tche
on p
lain
ly m
ay a
ppea
r. 165
He
with
a p
uiss
ant a
rmy
cam
e to
Spa
in,
And
took
our
Kin
g of
Cas
tile
priso
ner.
AM
BASS
AD
OR
This
is an
arg
umen
t for
our
vic
eroy
, T
hat S
pain
may
not
insu
lt fo
r he
r suc
cess
, Si
nce
Engl
ish
war
riors
like
wise
con
quer
ed S
pain
, 170
And
mad
e th
em b
ow th
eir k
nees
to A
lbio
n.
KIN
G
Hie
roni
mo,
I d
rink
to th
ee fo
r th
is d
evic
e,
Whi
ch h
ath
plea
sed
both
the
amba
ssad
or a
nd m
e;
Pled
ge m
e H
iero
nim
o, if
tho
u lo
ve th
e ki
ng.
Take
s the
cup
of
HO
RA
TIO
M
y lo
rd, I
fear
we
sit b
ut o
ver-
long
, 175
Unl
ess
our d
aint
ies
wer
e m
ore
delic
ate:
Bu
t wel
com
e ar
e yo
u to
the
best
we
have
. N
ow le
t us
in, t
hat y
ou m
ay b
e de
spat
ched
, I
thin
k ou
r cou
ncil
is al
read
y se
t. Ex
eunt
om
nes
158
spec
ial p
artic
ular
, app
ropr
iate
(O.E
.D.,
5)
158
argu
men
t illu
stra
tion,
pro
of
166
puiss
ant p
ower
ful
169
insu
lt bo
ast
172
devi
ce sh
ow, m
asqu
e (s
ee 1
.138
) 17
4 s.
d. o
f fro
m
176
Unl
ess u
nles
s it
wer
e th
at
TST-
3 **
Act I, Sc
ene v
ANDR
EA
Com
e w
e fo
r th
is fr
om d
epth
of
unde
rgro
und,
T
o se
e hi
m fe
ast t
hat g
ave
me
my
deat
h's
wou
nd?
Thes
e pl
easa
nt s
ight
s ar
e so
rrow
tom
y so
ul,
Not
hing
but
leag
ue, a
nd lo
ve, a
nd b
anqu
etin
g!
REV
ENG
E ~
-
Be st
ill A
ndre
a, e
re w
e go
from
hen
ce,
I'll
turn
thei
r frie
ndsh
ip in
to fe
ll de
spite
, Th
eir l
ove
to m
orta
l hat
e, th
eir d
ay to
nig
ht,
Thei
r hop
e in
to d
espa
ir, th
eir p
eace
to w
ar;
Thei
r joy
s to
pai
n, th
eir
bliss
to m
isery
.
Act IT, Sce
ne i
Enter
LO
RENZ
O an
d BA
LTH
AZAR
LO
RDXZ
O M
y lo
rd, t
houg
h Be
l-im
peria
seem
thus
coy
, L
a re
ason
hol
d yo
u in
you
r won
ted
joy:
'In
th
e th
e sa
vage
bul
l sus
tain
s the
yok
e, In
tim
e all
hagg
ard
haw
ks w
ill st
oop
to lu
re,
In ti
me s
mal
l wed
ges c
leav
e th
e ha
rdes
t oak
, In
tim
e th
e fli
nt is
pie
rced
with
sof
test
show
er'-
And
she
in ti
me
will
fall
from
her
disd
ain,
A
nd r
ue th
e su
ffera
nce
of y
our f
riend
ly p
ain.
6
fell
desp
iie c
ruel
hat
red
1 co
y di
sdai
nful
, un
resp
onsi
ve
3 su
stai
ns u
nder
goes
, ha
s to
sub
mit
to (
0.E
.D..
9)
4 ha
ggar
d w
ild, u
ntra
ined
4
stoo
$ to
Lre
swoo
p do
wn
to th
e lu
re, a
dea
d bi
rd,o
r fea
ther
s as
de
to re
sem
ble
a bi
rd, u
sed
for t
rain
ing
haw
ks
5 w
edge
s wed
ge-s
hape
d pi
eces
of
met
al u
sed
in fe
lling
tre
a 8
rue
pity
8
stla
eran
ce p
atie
nt e
ndur
ance
1
ff. T
he A
ndre
a-R
even
ge e
xcha
nge
serv
es t
o m
aint
ain
the
audi
enc e
$ se
nse
of i
rony
: R
even
ge p
lays
up
(11.6
ff.)
the
antit
hese
s of
lov
e an
d ha
te, h
ope
and
desp
air,
blis
s and
mis
ery
that
und
erlie
it.
3-6
Lore
nzo
argu
es i
n th
e so
nnet
eerin
g ve
in e
xtre
mel
y po
pula
r at
thi
s da
te,
actu
ally
quo
ting,
alm
ost
wor
d fo
r w
ord,
a s
onne
t in
Tho
ma
Wat
son'
s H
ecat
ompa
thia
(en
tere
d fo
r pu
blic
atio
n 15
82).
The
lin
es
repr
esen
t con
vent
iona
l not
ions
abo
ut t
he c
ourts
hip
of r
eluc
tant
ladi
es,
and
ther
efor
e de
liber
atel
y ad
opt
the
artif
ices
of
up-t
o-da
te p
oetry
on
the
subj
ect.
Lin
e 3
is r
ecal
led
in M
uch
Ado
(I,
i, 25
8) a
s D
on P
edro
pr
ophe
sies
that
eve
n B
ened
ick
will
fall
vict
im to
love
.
TH
E S
PAN
ISH
TR
AG
EDY
BALT
HAZA
R 'N
o, s
he is
wild
er, a
nd m
ore
hard
with
al,
Than
bea
st, o
r bird
, or
tree,
or s
tony
wal
l'. Bu
t whe
refo
re b
lot I
Bel
-impe
ria's
nam
e?
It is
my
faul
t, no
t she
, tha
t mer
its b
lam
e.
My
feat
ure i
s no
t to
coilt
ent h
er s
ight
, M
y w
ords
are
rud
e an
d w
ork
her
no d
elig
ht.
The
line
s I s
end
her a
re b
ut h
arsh
and
ill,
Such
as
do d
rop
from
Pan
and
Mar
syas
' qui
ll.
My
prks
ents
are
not o
f su
ffici
ent c
ost,
And
bein
g w
ortll
less
all
my
labo
ur's
lost.
Y
et m
ight
she
love
me
for m
y 11
:llian
cy;
Ay,
but
that
's sla
nder
ed b
y ca
ptiv
ity.
Yet
mig
ht s
he lo
ve m
e to
con
tent
her
sire
; A
y, b
ut h
er re
ason
mas
ters
his
desir
e.
Yet
mig
ht sh
e lo
ve m
e as
her
bro
ther
's fr
iend
; A
y, bu
t her
hop
es a
im a
t som
e ot
her e
nd.
Yet
mig
ht s
he lo
ve m
e to
upr
ear
her s
tate
; A
y, b
ut p
erha
ps sh
e ho
pes s
ome
nobl
er m
ate.
Y
et
she
love
me
as h
er b
eaut
y's
thra
ll;
. . &,
but I
fear
she
can
not l
ove a
t all.
13 fe
atur
e fo
rm, b
earin
g (n
ot m
erel
y th
e fa
ce)
13 -t
o su
ch a
s to
16
Pan
and
Mar
syas
eac
h of
thes
e go
ds, i
n di
ffer
ent s
torie
s, c
halle
n-
~e
d
Apo
llo t
o co
ntes
ts i
n flu
te-p
layi
ng;
neith
er c
ould
mat
ch h
is
;kill
and
bot
h w
ere p
unis
hed
16 ~
uil
l eith
er a
mus
ical
pip
e or
a p
en;
Kyd
app
ears
to
use
both
se
nses
her
e 19
val
ianc
y va
lour
20
sla
nder
ed b
roug
ht in
to d
isre
pute
(O.E
.D.,
v, 2
) 25
upr
ear
her s
tate
impr
ove
her
soci
al p
ositi
on
A
-A,..
27 b
eaut
y's
ed. (
beau
teou
s 13
YZ)
+I0
Bal
thaz
ar q
uote
s (w
ith v
aria
tion)
the
lin
es o
f W
atso
n's
sonn
et t
hat
follo
w t
hose
quo
ted'
by
Lore
nzo.
(T
he o
rigin
al r
eads
: 'M
ore
fierc
e is
my
swee
t lou
e, m
ore
hard
with
all,
The
n B
east
, or B
irde,
then
Tre
e,
or S
tonv
wal
l.')
The
two
youn
g m
en a
re s
how
ing
thei
r fa
mili
arity
with
co
ntem
pora
ry p
oetry
. 11-2
8 B
alth
azar
's sp
eech
bec
ame
fam
ous,
and
was
ofte
n pa
rodi
ed.
The
pa
rodi
sts,
lik
e m
oder
n re
ader
s, a
re n
o do
ubt
reac
ting
agai
nst
this
hi
ghly
arti
ficia
l and
sel
f-co
nsci
ous
way
of
dram
atis
ing
inde
cisi
on a
nd
self -
doub
t. B
alth
azar
mus
t of
cou
rse
be a
t le
ast
half-
ridic
ulou
s he
re,
bein
g ex
cess
ivel
y in
love
, and
bei
ng in
any
cas
e a
wea
k na
ture
.
32
TH
OM
AS
KY
D
[ACT I
I
LORE
NZO
M
y lo
rd, f
or m
y sa
ke le
ave
thes
e ec
stasie
s, A
nd d
oubt
not
but
we'l
l fin
d so
me
rem
edy.
30
Som
e ca
use
ther
e is
that
lets
you
not b
e lo
ved:
Fi
rst t
hat m
ust n
eeds
be'k
now
n, a
nd th
en re
mov
ed.
Wha
t if m
y si
ster
love
som
e ot
her k
nigh
t?
BALT
HAZ
AR
My
sum
mer
's da
y w
ill tu
rn to
win
ter's
nig
ht.
LORE
NZO
I h
ave
alre
ady
foun
d a
stra
tage
m,
35
To
soun
d th
e bo
ttom
of
this
dou
btfu
l the
me.
M
y lo
rd, f
or o
nce
you
shal
l be
rule
d by
me:
H
inde
r me
not w
hate
'er y
ou h
ear o
r see
. By
forc
e or
fair
mea
ns w
ill I
cas
t abo
ut
To
find
the
trut
h of
all
this
que
stio
n ou
t. 40
Ho,
Ped
ringa
no 1
PED
RIN
GA
NO
[Within] Si
gnio
r 1
LORE
NZO
Vi
en pi
pres
to.
Ente
r PE
DR
ING
AN
O
PED
RIN
GA
NO
H
ath
your
lord
ship
any
ser
vice
to c
omm
and
me?
LO
RENZ
O
Ay,
Ped
ringa
no, s
ervi
ce o
f im
port.
A
nd n
ot to
spe
nd th
e tim
e in
trifl
ing
wor
ds,
Thu
s sta
nds
the
case
: it i
s no
t lon
g th
ou k
now
'st,
45
Sinc
e I d
id sh
ield
the
e fr
om m
y fa
ther
's w
rath
, Fo
r th
y co
nvey
ance
in A
ndre
a's l
ove,
Fo
r w
hich
thou
wer
t adj
udge
d to
pun
ishm
ent.
I sto
od b
etw
ixt t
hee
and
thy
puni
shm
ent;
And
sin
ce, t
hou
know
'st h
ow I
have
favo
ured
thee
. 50
Now
to th
ese
favo
urs
will
I ad
d re
war
d,
Not
with
fair
wor
ds, b
ut st
ore
of g
olde
n co
in,
And
land
s an
d liv
ing
join
ed w
ith d
igni
ties,
29 e
csta
sies u
nrea
soni
ng p
assio
ns (E
dwar
ds)
36 s
ound
the
bot
tom
disc
over
the
exa
ct f
eatu
res
(the
met
apho
r is
from
'sou
ndin
g' a
wat
erw
ay to
det
ect s
nags
and
shal
low
s)
41
Vie
n qu
i pre
sto C
ome
here
qui
ckly
(Ita
lian)
41
qrri
ed. (
que
1592
) 47 c
onve
yanc
e se
cret
or
unde
rhan
d de
alin
g 52
sto
re a
bund
ance
29
ecs
tasie
s Lo
renz
o's
wor
d sh
ows
that
Kyd
mea
nt B
alth
azar
's sp
eech
to
be
deliv
ered
in a
n ex
agge
rate
d fa
shio
n.
SCENE I
] T
HE
SPA
NIS
H T
RA
GE
DY
33
If
thou
but
sat
isfy
my
just
dem
and.
Te
ll tr
uth
and
have
me
for t
hy la
sting
frie
nd.
5 5
PED
RIN
GA
NO
W
hate
'er i
t be
your
lord
ship
shal
l dem
and,
M
y bo
unde
n du
ty b
ids
me
tell
the
trut
h,
If ca
se it
lie
in m
e to
tell
the
trut
h.
LORE
NZO
Th
en, P
edrin
gano
, thi
s is
my
dem
and:
W
hom
love
s my
sist
er B
el-im
peria
? 60
For s
he re
pose
th a
ll he
r tru
st in
thee
- Sp
eak
man
, and
gai
n bo
th fr
iend
ship
and
rew
ard:
I
mea
n, w
hom
love
s she
in A
ndre
a's p
lace
? PE
DR
ING
AN
O
Ala
s, m
y lo
rd, s
ince
Don
And
rea's
dea
th,
I hav
e no
cre
dit w
ith h
er a
s be
fore
, 65
A
nd th
eref
ore
know
not
if s
he lo
ve o
r no
. LO
RENZ
O
Nay
, if
thou
dal
ly th
en I
am th
y fo
e,
[Dra
ws hi
s .w
ord]
A
nd fe
ar sh
all f
orce
wha
t frie
ndsh
ip b
nnot
win
. T
hy d
eath
sha
ll bu
ry w
hat t
hy li
fe c
once
als.
Thou
die
st fo
r mor
e es
teem
ing
her
than
me.
70
PE
DR
ING
AN
O
0, s
tay,
my
lord
. LO
RENZ
O
Yet
spe
ak th
e tr
uth
and
I will
gue
rdon
thee
, A
nd s
hiel
d th
ee fr
om w
hate
ver c
an e
nsue
, A
nd w
ill c
once
al w
hate
'er p
roce
eds
from
thee
: Bu
t if
thou
dal
ly o
nce
agai
n, th
ou d
iest.
75
PE
DR
ING
AN
O
If M
adam
Bel
-im
peria
be
in lo
ve-
LORE
NZO
W
hat,
villa
in, i
fs a
nd a
nds?
[O
flers
to k
ill h
im]
PED
RIN
GA
NO
0 st
ay m
y lo
rd, s
he lo
ves
Hor
atio
. BA
LTH
AZAR
star
ts b
ack
58 i
t lie
in m
e I
am a
ble
to
71 s
tay
wai
t, ho
ld o
ff
72 g
uerd
on re
war
d 77
ift a
nd a
nds
'ifs
and
ifs' (
and
used
to
mea
n 'if
'). A
str
ong
thea
tric
al
mom
ent
(as
Lore
nzo
lung
es a
t Pe
drin
gano
) th
at N
ashe
may
be
re-
mem
beri
ng in
his
pref
ace
to G
reen
e's
Men
apho
n, w
here
he
wri
tes
of
'tran
slato
rs'
who
are
con
tent
'to
bodg
e up
a b
lank
ver
se w
ith i
fs a
nd
ands
'.
I'MU
IMA
S KYD
LORE
NZO
W
hat,
Don
Hor
atio
our
Kni
ght M
arsh
al's
son?
PE
DRIN
GAN
O
Even
him
my
lord
. LO
RENZ
O
Now
say
but h
ow k
now
'st t
hou
he is
her
love
, A
nd th
ou s
halt
find
me
kind
and
libe
ral:
Stan
d up
, I sa
y, a
nd fe
arle
ss te
ll th
e tm
th.
PEDR
ING
ANO
Sh
e sen
t him
lette
rs w
hich
mys
elf p
erus
ed,
Full-
fraug
ht w
ith li
nes a
nd a
rgum
ents
of lo
ve,
Pref
errin
g hi
m b
efor
e Prin
ce B
alth
azar
. LO
RENZ
O
Swea
r on
this
cro
ss th
at w
hat t
hou
say'
st is
true,
A
nd th
at th
ou w
ilt c
once
al w
hat t
hou
hast
told
. PE
DRIN
GAN
O
I sw
ear t
o bo
th b
y hi
m th
at m
ade
us a
ll.
LORE
NZO
In
hop
e th
ine
oath
is tr
ue, h
ere's
thy
rew
ard,
90
But
if I
pro
ve th
ee p
erju
red
and
unju
st,
This
ver
y sw
ord
whe
reon
thou
took
'st t
hine
oat
h,
Shal
l be
the
wor
ker o
f thy
trag
edy.
PE
DRIN
GAN
O
Wha
t I h
ave s
aid
is tr
ue, a
nd sh
all f
or m
e Be
still
con
ceal
ed fr
om B
el-im
peria
. Be
sides
, you
r hon
our's
libe
ralit
y D
eser
ves m
y du
teou
s ser
vice
even
till
deat
h.
LORE
NZO
Le
t thi
s be
all t
hat t
hou
shal
t do
for m
e:
Be w
atch
ful w
hen,
and
whe
re, t
hese
love
rs m
eet,
And
giv
e m
e no
tice
in so
me
secr
et so
rt.
PEDR
ING
ANO
I w
ill m
y lo
rd.
LORE
NZO
T
hen
shal
t tho
u fin
d th
at I
am
libe
ral.
Thou
kno
w'st
tha
t I c
an m
ore
adva
nce t
hy st
ate
Tha
n sh
e, b
e th
eref
ore
wise
and
fail
me
not.
Go
and
atte
nd h
er a
s thy
cus
tom
is,
105
85 f
raug
ht lo
aded
87
thi
s cr
oss h
is s
wor
d-hi
lt 90
In
hope
in th
e fa
ith th
at
91 u
njus
t fal
se, d
isho
nest
,
100
in s
ort b
y so
me
xcre
t m
eans
10
3 ad
vanc
e th
y sta
te im
prov
e yo
ur s
ocia
l pos
ition
end
you
r ha
ncm
I SC
ENE
I] T
HE
SPA
NIS
H T
RA
GED
Y
35
Lest
abs
ence
mak
e he
r thi
nk th
ou d
ost a
miss
. Ex
it PE
DR
ING
AN
O
Why
so:
tam
ar
k qu
am in
geni
o:
k !>
Whe
re w
ords
pre
vail
not,
viol
ence
pre
vails
; ;
But g
old
doth
mor
e th
an e
ither
of
them
bot
h.
j H
ow li
kes P
rince
Bal
thaz
ar th
is st
rata
gem
? BA
LTH
AZAR
Bo
th w
ell,
and
ill: i
t mak
es m
e gl
ad a
nd s
ad:
Gla
d, th
at I
kno
w th
e hi
nder
er o
f m
y lo
ve,
Sad,
that
I fe
ar sh
e ha
tes m
e w
hom
I lo
ve.
Gla
d, th
at I
kno
w o
n w
hom
to b
e re
veng
ed,
Sad,
that
she'l
l fly
me
if I
take
reve
nge.
Yet
mus
t I ta
ke re
veng
e or
die
mys
elf,
For l
ove
resis
ted
grow
s im
patie
nt.
I th
ink
Hor
atio
be
my
desti
ned
plag
ue:
Firs
t, in
his
hand
he
bran
dish
ed a
swor
d,
And
with
that
swor
d he
fier
cely
wag
ed w
ar,
And
in th
at w
ar h
e ga
ve m
e da
nger
ous w
ound
s, A
nd b
y th
ose
wou
nds h
e fo
rced
me
to y
ield
, A
nd b
y m
y yi
eldi
ng 1
beca
me
his s
lave
. N
ow in
his
mou
th h
e ca
rries
ple
asin
g w
ords
, W
hich
ple
asin
g w
ords
do
harb
our s
wee
t con
ceits
, W
hich
swee
t con
ceits
are
limed
with
sly
dece
its,
Whi
ch sl
y de
ceits
smoo
th B
el-im
peria
's ea
rs,
And
thro
ugh
her e
ars d
ive
dow
n in
to h
er h
eart,
A
nd in
her
hea
rt se
t him
whe
re I
shou
ld s
tand
. T
hus
hath
he
ta'en
my
body
by
his f
orce
, A
nd n
ow b
y sle
ight
wou
ld c
aptiv
ate
my
soul
: Bu
t in
his f
all I
'll t
empt
the
desti
nies
, A
nd e
ither
lose
my
life,
or
win
my
love
.
107
tom
. . . ing
enio
by
equa
l par
ts o
f fpr
ce an
d sk
ill
125
swee
t con
ceits
ple
asin
g fig
ures
of
spee
ch
126
limed
with
mad
e in
to t
raps
with
(fr
om b
ird-
lime,
a g
luey
sub
- st
ance
use
d to
cat
ch b
irds
) 12
7 sm
ooth
sedu
ce, f
latte
r (c
ompa
re O
.E.D
., v,
5a)
13
1 sle
ight
tri
cker
y 13
2 in
his
fall
in c
ausin
g hi
s do
wnf
all
111-
33 C
lem
en (
pp. 1
06-7
) us
eful
ly c
omm
ents
: 'th
e la
ck o
f su
bsta
nce
in
this
rep
etiti
ve s
tyle
of
his,
tedi
ousl
y am
plifi
ed b
y an
tithe
sis
and
othe
r rh
etor
ical
figu
res,
is e
xact
ly in
kee
ping
with
the
irr
esol
ute,
dep
ende
nt,
pupp
et-li
ke r
ole
that
Bal
tham
is
to s
usta
in i
n th
e pl
ay.'
His
spe
ech
here
pa
ralle
ls an
d co
rnpl
erne
n~ hi
s lin
es
on B
el-h
peri
a (11
.9 A)
near
the
sce
ne's
beg
inni
ng.
36
TH
OM
AS
KY
D
[AC
T
II
LORE
NZO
Le
t's g
o, m
y lo
rd, y
our s
tayi
ng s
tays
rev
enge
. D
o yo
u bu
t fol
low
me
and
gain
you
r lov
e:
135
Her
favo
ur m
ust b
e w
on b
y hi
s re
mov
e.
Exeu
nt
Act
11, Scene
ii
Enter
HO
RATI
O a
nd B
EL-I
MPE
RIA
HO
RA
TIO
N
ow, m
adam
, sin
ce b
y fa
vour
of
your
love
O
ur h
idde
n sm
oke
is tu
rned
to o
pen
flam
e,
And
that
with
look
s and
wor
ds w
e fe
ed o
ur th
ough
ts
(Tw
o ch
ief c
onte
nts,
whe
re m
ore
cann
ot b
e ha
d),
Thu
s in
the
mid
st o
f lo
ve's
fair
blan
dish
men
ts,
5 W
hy s
how
you
sig
n of
inw
ard
lang
uish
men
ts?
PED
RIN
GA
NO
show
eth a
ll to
the
PRIN
CE
and
LORE
NZO
, pla
cing
them
in se
cret
[abo
ve]
BEL-
IMPE
RIA
M
y he
art,
swee
t frie
nd, i
s lik
e a
ship
at s
ea:
She
wish
eth
port,
whe
re r
idin
g al
l at e
ase,
Sh
e m
ay re
pair
wha
t sto
rmy
times
hav
e w
orn,
A
nd le
anin
g on
the
shor
e, m
ay si
ng w
ith jo
y 10
T
hat p
leas
ure
follo
ws
pain
, and
blis
s an
noy.
Po
sses
sion
of t
hy lo
ve is
th'o
nly
port,
W
here
in m
y he
art,
with
fear
s and
hop
es lo
ng to
ssed
, Ea
ch h
our
doth
wish
and
long
to m
ake
reso
rt;
Ther
e to
repa
ir th
e jo
ys th
at it
hat
h lo
st,
15
And
sitt
ing
safe
, to
sing
in C
upid
's ch
oir
That
swee
test
bliss
is c
row
n of
lov
e's d
esire
.
3 th
ough
ts ed
. (th
ough
159
2) w
ishe
s, im
agin
ings
4
cont
ents
sour
ces
of c
onte
ntm
ent
7 fr
iend
love
(a c
omm
on E
lizab
etha
n se
nse)
9
may
ed.
(m
ad 1
592)
15
rep
air
rest
ore
16 s
ing
cele
brat
e 17
is
whi
ch is
17
159
2 ha
s s.
d. 'B
alth
azar
abo
ve';
Edw
ards
sug
gest
s, c
onvi
ncin
gly,
th
at t
his
is a
not
e by
the
auth
or to
cla
rify
the e
arlie
r dire
ctio
n (1
.6)
and
need
not
be
repe
ated
6 s.d
. B
alth
azar
and
Lor
enzo
wat
ch t
he l
over
s fr
om t
he u
pper
-sta
ge o
r ba
lcon
y. E
dwar
ds i
s, I
thin
k, c
orre
ct i
n ar
guin
g th
at 1
592'
s 'B
alth
azar
ab
oue.
' af
ter
1.1 7
is
an a
utho
r's c
larif
icat
ion;
lik
e hi
m I
tra
nsfe
r th
e 'ab
ove'
to t
he e
nd o
f th
e pr
esen
t dire
ctio
n.
SCEN
E 11
] T
HE
SPA
NIS
H T
RA
GED
Y
37
BALT
HAZ
AR
0 sl
eep
min
e ey
es, s
ee n
ot m
y lo
ve p
rofa
ned;
Be
dea
f, m
y ea
rs, h
ear
not m
y di
scon
tent
; D
ie, h
eart,
ano
ther
joys
wha
t tho
u de
serv
est.
20
LORE
NZO
W
atch
still
min
e ey
es, t
o se
e th
is lo
ve d
isjo
ined
; H
ear s
till m
ine
ears
, to
hear
them
bot
h la
men
t; Li
ve, h
eart,
to jo
y at
fond
Hor
atio
's fa
ll.
BEL-
IMPE
RIA
W
hy st
ands
Hor
atio
spee
chle
ss a
ll th
is w
hile
? H
ORA
TIO
T
he le
ss I
spe
ak, t
he m
ore
I m
edita
te.
25
BEL-
IMPE
RIA
But w
here
on d
ost t
hou
chie
fly m
edita
te?
HO
RATI
O
On
dang
ers
past,
and
ple
asur
es to
ens
ue.
BALT
HAZ
AR
On
plea
sure
s pa
st, a
nd d
ange
rs to
ens
ue.
BEL-
IMPE
RIA
Wha
t dan
gers
and
wha
t ple
asur
es d
ost t
hou
mea
n?
HO
RATI
O
Dan
gers
of
war
and
ple
asur
es o
f ou
r lov
e.
30
LORE
NZO
D
ange
rs o
f de
ath,
but
ple
asur
es n
one
at a
ll.
BEL-
IMPE
RIA
Le
t dan
gers
go,
thy
war
shal
l be
with
me,
Bu
t suc
h a
war
as
brea
ks n
o bo
nd o
f pe
ace.
Sp
eak
thou
fair
wor
ds, I
'll c
ross
them
with
fair
wor
ds;
Send
thou
swee
t loo
ks, I
'll m
eet t
hem
with
swee
t loo
ks;
3 5
Writ
e lo
ving
line
s, I'l
l an
swer
lovi
ng li
nes;
G
ive
me
a ki
ss, I
'll c
ount
erch
eck
thy
kiss
: Be
this
our
war
ring
peac
e, o
r pe
acef
ul w
ar.
HO
RATI
O
But g
raci
ous
mad
am, t
hen
appo
int t
he fi
eld
Whe
re tr
ial o
f th
is w
ar sh
all f
irst b
e m
ade.
40
20
joy
s en
joys
23
fon
d fo
olis
h, b
esot
ted
33 w
ar e
d. (
war
ring
1592
) 34
cro
ss m
eet,
com
plem
ent
(a p
unni
ng r
efer
ence
to
cros
s m
eani
ng
c th
war
t, go
cou
nter
to, i
s in
tend
ed)
e 37
cou
nter
chec
k op
pose
, tak
e co
unte
ring
actio
n ag
ains
t E
18 ff
. T
he a
ntith
etic
al s
peec
hes
by t
he lo
vers
and
thos
e w
atch
ing
them
is
I on
e of
Kyd
's m
ore
obvi
ous
way
s of
ins
istin
g on
dra
mat
ic ir
ony.
Bel
- k
impe
ria's
desc
riptio
n of
th
e bo
wer
(11
.42 ff
.) is
al
so
obvi
ousl
y an
d
---v
-.-u
~
IU
[A
CT
11
RALT
HA
ZAR
Am
bitio
us v
illai
n, h
ow h
is bo
ldne
ss g
row
s !
BEL-
IMPE
RIA
Th
en b
e th
y fa
ther
's pl
easa
nt b
ower
the
field
, W
here
firs
t we
vow
ed a
mut
ual a
mity
: T
he co
urt w
ere
dang
erou
s, th
at p
lace
is sa
fe.
Our
hou
r sha
ll be
whe
n V
espe
r gin
s to
rise,
45
That
sum
mon
s hom
e di
stre
ssfu
l tra
velle
rs.
Ther
e no
ne sh
all h
ear u
s bu
t the
har
mle
ss b
irds:
H
appi
ly th
e ge
ntle
nig
htin
gale
Sh
all c
arol
us a
sleep
ere
we
be w
are,
And
sin
ging
with
the
pric
kle a
t her
bre
ast,
50
Tell
our
delig
ht a
nd m
irthf
ul d
allia
nce.
Till
then
eac
h ho
ur w
ill s
eem
a y
ear a
nd m
ore.
H
ORA
TIO
B
ut, h
oney
swee
t, an
d ho
nour
able
love
, R
etur
n w
e no
w in
to y
our f
athe
r's s
ight
: D
ange
rous
susp
icio
n w
aits
on o
ur d
elig
ht.
55
LOR
EN20
A
y, d
ange
r mix
ed w
ith je
alio
us d
espi
te
Shal
l sen
d th
y so
ul in
to e
tern
al n
ight
. Ex
ant
Act
11, Scene ii
i En
ter K
ING
of Sp
ain,
Por
tinga
le A
MBA
SSA
DO
R, D
ON
CY
PRIA
N,
etc.
KIN
G
Bro
ther
of
Cas
tile,
to th
e pr
ince
's lo
ve
Wha
t say
s po
ur d
augh
ter
Bel
-impe
ria?
CAST
ILE
Alth
ough
she
coy
it as
bec
omes
her
kin
d,
And
yet
diss
embl
e th
at s
he lo
ves t
he p
rince
, I
doub
t not
, I, b
ut s
he w
ill st
oop
in ti
me.
5
42 b
ower
an
arbo
ur, o
r en
close
d ga
rden
-seat,
cove
red w
ith b
rmch
es
of tr
ees,
plan
ts e
tc. C
f. 11
, iv, 5
3 s.d
. and
not
e 45
Ves
per
the
even
ing st
ar o
r V
enus
46
dist
ress
ful t
rave
llers
wea
ry la
bour
ers
('tra
vel'
and
'trav
ail'
wer
e cl
osel
y lin
ked
in E
lizab
ethan
use
) 48
Hap
pily
hap
ly, p
erha
ps
50 p
rickl
e th
orn
56 je
alio
us e
d. (
jealo
us 1592) w
atchf
ul, s
uspi
ciou
s; m
etre
req
uim
s th
ree
sylla
bles
3
coy
it af
fect
s di
sincli
natio
n 3
as b
ecom
es h
er k
ind
as it
is a
wom
an's
natu
re to
do
5 sto
op b
ecom
e ob
edien
t; an
d co
mpa
re 11
, i, 4
and
not
e
TH
E S
PAN
ISH
TR
AG
EDY
sh
e fr
owar
d, w
hich
she
will
not
be,
Y
et h
erei
n sh
all s
he fo
llow
my
advi
ce,
! is
to lo
ve h
im o
r for
go m
y Lo
ve.
, K
ING
Th
en, L
ord
Am
bass
ador
of P
ortin
gale
, A
dvise
thy
king
to m
ake
this
mar
riage
up,
Fo
r stre
ngth
enin
g of
our l
ate-
conf
irmed
leag
ue;
I kno
w n
o be
tter m
eans
to m
ake
us fr
iend
s. H
er d
owry
sha
ll be
larg
e an
d lib
eral
: B
esid
a th
at sh
e is
dau
ghte
r and
hal
f-he
ir U
nto
our b
roth
er h
ere,
Don
Cyp
rian,
I
And
shal
l enj
oy th
e m
oiet
y of
his l
and,
I'l
l gra
ce h
er m
arria
ge w
ith a
n un
cle's
gift
. A
nd th
is it
is: i
n ca
se th
e m
atch
go
forw
ard,
T
he tr
ibut
e w
hich
you
pay
shal
l be
rele
ased
, A
nd if
by
Balth
azar
she
have
a so
n,
He
shal
l enj
oy th
e ki
ngdo
m a
fter u
s. AM
BASS
ADOR
1'1
1 m
ake
the
mot
ion
to m
y so
verk
gn li
ege,
And
wor
k it
if m
y co
unse
l may
pre
vail.
K
ING
D
o so
, my
lord
, and
if h
e gi
ve c
onse
nt,
I ho
pe h
is pr
esen
ce h
ere
will
hon
our u
s In
cel
ebra
tion
of th
e nu
ptia
l day-
And
let h
imse
lf de
term
ine o
f th
e tim
e. '
.4M
BASS
AD
OR
Will
't pl
ease
you
r gra
ce c
omm
and
me
augh
t bes
ide?
K
ING
C
omm
end
me
to th
e ki
ng, a
nd so
fare
wel
l. B
ut w
here
's Pr
ince
Bal
thaz
ar to
take
his
leav
e?
AMBA
SSAD
OR
That
is p
erfo
rmed
alre
ady,
my
good
lord
. K
ING
A
mon
gst t
he re
st of
wha
t you
hav
e in
cha
rge,
The
prin
ce's
rans
om m
ust n
ot b
e fo
rgot
; Th
at's
none
of m
ine,
but
his
that
took
him
pris
oner
, A
nd w
ell h
is fo
rwar
dnes
s des
erve
s re
war
d:
It w
as H
orat
io, o
ur K
nigh
t Mar
shal
's so
n.
6 fr
owar
d pe
rver
se, r
efra
ctor
y 16
moi
ety
a ha
lf-sh
are
22 m
ake
the motion p
ut th
e pr
opos
al 35
for
ward
ness
ente
rpris
e, ze
al
40
TH
OM
AS KYD
[AC
T
II
AMBA
SSAD
OR
Betw
een
us th
ere's
a p
rice
alre
ady
pitc
hed,
A
nd s
hall
be se
nt w
ith a
ll co
nven
ient
spe
ed.
KIN
G
The
n on
ce a
gain
fare
we ll,
my
lord
. AM
BASS
ADO
R Fa
rew
ell,
my
Lord
of
Casti
le a
nd th
e re
st.
Exit
40
KIN
G
Now
, bro
ther
, you
mus
t tak
e so
me
little
pai
ns
To
win
fair
Bel-i
mpe
ria fr
om h
er w
ill:
You
ng v
irgin
s m
ust b
e ru
led
by th
eir f
riend
s. T
he p
rince
is a
mia
ble,
and
love
s he
r w
ell,
If sh
e ne
glec
t him
and
forg
o hi
s lo
ve,
45
She
both
will
wro
ng h
er o
wn
esta
te a
nd o
urs.
Ther
efor
e, w
hile
s I
do e
nter
tain
the
prin
ce
With
gre
ates
t ple
asur
e th
at o
ur c
ourt
affo
rds,
Ende
avou
r you
to w
in y
our d
augh
ter's
tho
ught
: If
she
give
bac
k, a
ll th
is w
ill c
ome
to n
augh
t. Ex
eunt
50
Act
11,
Scen
e iv
En
ter H
ORA
TIO
, BE
L-IM
PERI
A,
and
PEDR
ING
ANO
HO
RA
TIO
N
ow th
at th
e ni
ght b
egin
s w
ith s
able
win
gs
To
over
clou
d th
e br
ight
ness
of
the
sun,
A
nd th
at in
dar
knes
s pl
easu
res
may
be
done
, Co
me
Bel-i
mpe
ria, l
et u
s to
the
bow
er,
And
ther
e in
saf
ety
pass
a p
leas
ant h
our.
BEL-
IMPE
RIA
I
follo
w th
ee m
y lo
ve, a
nd w
ill n
ot b
ack,
A
lthou
gh m
y fa
intin
g he
art c
ontro
ls m
y so
ul.
HO
RA
TIO
W
hy, m
ake
you
doub
t of
Pedr
inga
no's
faith
?
37 p
itche
d ag
reed
42
will
wilf
ulne
ss
49 th
ough
t ed.
(tho
ught
s 15
92)
50 g
ive
back
'tur
n he
r ba
ck o
n us
' (Ed
war
ds),
refu
se
1 sa
ble
blac
k 7
cont
rols
oppr
esse
s, m
aste
rs (
the
hear
t's
fear
fuln
ess
stru
ggle
s ag
ains
t the
sou
l's w
ishes
)
1-5
An
Eliz
abet
han
audi
ence
wou
ld i
mm
edia
tely
fee
l th
e ir
ony
of
invo
king
nig
ht,
asso
ciat
ed w
ith e
vil,
to w
atch
ove
r th
e re
latio
nshi
p.
The
iro
nies
are
st
recg
then
ed i
n th
e ne
xt l
ines
; se
e es
p.
11.1
619.
SCEN
E IV
] THE S
PAN
ISH
TRAGEDY
41
BEL-
IMPE
RIA
N
o, h
e is
as
trust
y as
my
seco
nd s
elf.
Go
Pedr
inga
no, w
atch
with
out t
he g
ate,
10
A
nd le
t us k
now
if a
ny m
ake
appr
oach
. PE
DR
ING
AN
O
[Asid
e] In
stea
d of
wat
chin
g, I
'll d
eser
ve m
ore
gold
By
fet
chin
g D
on L
oren
zo to
this
mat
ch.
Exit
PED
RIN
GA
NO
H
OR
ATI
O
Wha
t mea
ns m
y lo
ve?
BEL-
IMPE
RIA
I kn
ow n
ot w
hat m
ysel
f. A
nd y
et m
y he
art f
oret
ells
me
som
e m
ischa
nce.
15
H
OR
ATI
O
Swee
t say
not
so,
fair
fortu
ne is
our
frie
nd,
And
hea
vens
hav
e sh
ut u
p da
y to
ple
asur
e us
. T
he st
ars
thou
see
'st h
old
back
thei
r tw
inkl
ing
shin
e,
And
Lun
a hi
des
hers
elf
to p
leas
ure
us.
BEL-
IMPE
RIA
Th
ou h
ast p
reva
iled,
I'll
con
quer
my
mis
doub
t, A
nd in
thy
love
and
cou
nsel
dro
wn
my
fear
. I f
ear
no m
ore,
love
now
is a
ll m
y th
ough
ts.
Why
sit w
e no
t? fo
r pl
easu
re a
sket
h ea
se.
HO
RA
TIO
T
he m
ore
thou
sit'
st w
ithin
thes
e le
afy
bow
ers,
The
mor
e w
ill F
lora
dec
k it
with
her
flow
ers.
BEL-
IMPE
RIA
A
y, b
ut if
Flo
ra s
py H
orat
io h
ere,
H
er je
alou
s eye
will
thin
k I s
it to
o ne
ar.
HO
RA
TIO
H
ark,
mad
am, h
ow th
e bi
rds
reco
rd b
y ni
ght,
For j
oy th
at B
el-i
mpe
ria si
ts in
sigh
t. BE
L-IM
PER
IA
No,
Cup
id c
ount
erfe
its th
e ni
ghtin
gale
, T
o fr
ame
swee
t mus
ic to
Hor
atio
's ta
le.
HO
RA
TIO
If
Cup
id si
ng, t
hen
Ven
us is
not
far:
A
y, th
ou a
rt V
enus
or s
ome
faire
r sta
r.
10 w
ithou
t out
side
13 m
atch
mee
ting
19 L
una
the
moo
n 23
ask
eth
need
s, re
quir
es
28 r
ecor
d sin
g 31
fra
me
adap
t, co
mpo
se
32-5
Ven
us . .
. Mar
s A
phro
dite
(Ven
us)
was
unf
aith
ful t
o he
r hu
sban
d H
epha
estu
s with
Are
s (M
ars)
the g
od o
f war
.
. -
mur
VIA
8 K
YD
BE
L-IM
PERI
A
If I
be V
enus
, tho
u m
ust n
eeds
be
Mar
s, A
nd w
here
Mar
s re
igne
th th
ere
mus
t nee
ds b
e w
ars.
35
HO
RA
TIO
Th
en th
us b
egin
our
war
s: pu
t for
th th
y ha
nd,
That
it m
ay c
omba
t with
my
rude
r han
d.
BEL
-IM
PER
IA
Set f
orth
thy
foot
to tr
y th
e pu
sh o
f m
ine.
HO
RATI
O
But
firs
t my
look
s sh
dI co
mba
t aga
inst
thin
e.
BEL-
IMPE
RIA
Th
en w
ard
thys
elf:
I da
rt th
is k
iss a
t the
e.
40
HO
RATI
O
Thus
I re
tort
the
dart
thou
thre
w'st
at m
e. BE
L-IM
PERI
A
Nay
then
, to
gain
the
glor
y of
the
fiel
d,
My
twin
ing
arm
s sha
ll yo
ke a
nd m
ake
thee
yie
ld.
HO
RATI
O
~a
'
then
, my
arm
s are
larg
e an
d st
rong
with
al:
Thus e
lms b
y vi
nes a
re c
ompa
ssed
till
they
fall.
BE
L-IM
PERI
A
0 le
t me
go, f
or in
my
troub
led
eyes
N
OW
may
'st t
hou
read
that
life
in p
assio
n di
es.
HO
RATI
O
0 st
ay a
whi
le an
d I
will
die
with
thee
, So
shal
t tho
u yi
eld
and
yet h
ave
conq
uere
d m
e. BE
L-IM
PERI
A
Who
's th
ere?
Ped
ringa
no! W
e ar
e be
traye
d!
35 w
ars e
d. (
war
159
2); r
hym
e re
quire
s th
e pl
ural
form
37
rud
er r
ough
er. c
oars
er
40 w
ard
*aid
, sh
ield
----
# w
ithal
ed.
(w
ith 1
592)
W
ho's
ther
e? ~
edri
ngah
! ed. (
Who
se th
ere
Pedr
inga
no? 1
592)
-5 E
dwar
ds s
how
s th
at H
orat
io h
ere
inve
rts a
fam
iliar
saying
abou
t th
e el
m (
usua
lly a
n em
blem
of
frie
ndsh
ip:
the
vine
hol
ds u
p th
e tre
e in
its
em
brac
es);
take
n w
ith t
he d
oubl
e m
eani
ng in
'die
' (a
com
mon
se
xual
pun
), it
beco
mes
obv
ious
tha
t K
yd w
ishe
s to
em
phas
ise
the
sens
ualit
y of
the
mom
ent,
thus
mak
ing
the
ironi
es m
ore
emot
iona
lly
char
ged.
The
lite
ral s
ense
of 1
.48 d
oes
of c
ours
e co
me
abou
t; a
som
e-
wha
t hea
vy-h
ande
d iro
ny.
SC~IN
E IV
] THE S
PAN
ISH
TR
AG
EDY
43
En
ter L
ORE
NZO
, BA
LTH
AZA
R, S
ER
BE
RI~
, PED
RIN
GA
NO
, dis
guise
d LO
RENU
) M
y lo
rd, a
way
with
her
, tak
e he
r asid
e. 0 si
r. fo
rbea
r, yo
ur v
alou
r is
alre
ady
tried
. ~u
icid
y des
pat&
h, m
y m
aste
rs.
They
han
g hi
m in
the
arbo
ur
HO
RATI
O
Wha
t, w
ill y
ou m
urde
r me?
LO
RENZ
O Ay
, thu
s, an
d th
us; t
hese
are
the
frui
ts o
f lov
e. 5 5
Th
ey st
ab h
im
BEL
-IM
PRIA
0 sa
ve h
is li
fe an
4 let
me
die
for h
im!
0 sa
ve h
im, b
roth
er, s
ave
him
, Bal
thaz
ar :
I lov
ed H
orat
io, b
ut h
e lo
ved
not m
e. BA
LTH
AZA
R B
ut B
alth
azar
love
s Bel
-impe
ria.
LOR
EN20
A
lthou
gh h
is lif
e w
ere s
till a
mbi
tious
pro
ud,
Yet
is he
at t
he h
ighe
st no
w h
e is
dead
. BE
L-IM
PERI
A
Mur
der l
mur
der 1
Hel
p, H
iero
nim
o, h
elp l
LO
REN
20
Com
e, st
op h
er m
outh
, aw
ay w
ith h
er.
*
Exeu
nt, [
leavin
g H
ORA
TIO
'S b
ody]
52 t
ried
test
ed,
prov
ed, T
he th
ough
t of
Hor
atio
's m
artia
l pr
owes
s -
~
still
ran
kles
with
Lor
enzo
60 a
dit
- pr
oud
ambi
tious
for
a p
ositi
on t
hat
wou
ld s
atis
fy h
is
prid
e
53 s
.d.
Whe
ther
a s
tage
-tre
e w
as u
sed
for
this
pur
pose
rem
ains
unc
lear
; Is
abel
la (I
V, i
i, 6 ff.) seem
s to
ref
er to
a tr
ee;
Hie
roni
mo
says
(IV
, iv
, 11
1) h
e fo
und
Hor
atio
'han
ging
on
a tr
ee';
the
auth
or o
f th
e Fo
unh
Add
ition
thi
nks
very
spe
cific
ally
of
a tre
e (s
ee 1
1.60
ff.).
But
edi
tore
m
ay w
ell b
e rig
ht in
arg
uing
that
the
arbo
ur il
lust
rate
d on
the
title
-pag
e of
the
1615
edi
tion
(a tr
ellis
-wor
k ar
ch w
ith a
seat
in it
) may
hav
e be
en
deco
rate
d w
ith le
aves
and
bra
nche
s, a
nd s
o ha
ve se
rved
as
both
arb
our
and
tree.
44
TH
OM
AS
KY
D
[AC
T
11
Act
11, S
cene
v
Enter
HIE
RO
NIM
O in
his
shirt
, etc
. H
IER
ON
IMO
W
hat o
utcr
ies
pluc
k m
e fr
om m
y na
ked
bed,
A
nd c
hill
my
thro
bbin
g he
art w
ith tr
embl
ing
fear
, W
hich
nev
er d
ange
r yet
cou
ld d
aunt
bef
ore?
W
ho c
alls
Hie
roni
mo?
Spe
ak, h
ere
I am
. I
did
not s
lum
ber,
ther
efor
e 'tw
as n
o dr
eam
, 5
No,
no,
it w
as so
me
wom
an c
ried
for
help
, A
nd h
ere
with
in th
is g
arde
n di
d sh
e cr
y,
And
in th
is g
arde
n m
ust I
res
cue
her.
But s
tay,
wha
t mur
dero
us sp
ecta
cle
is th
is?
A m
an h
ange
d up
and
all
the
mur
dere
rs g
one,
10
A
nd in
my
bow
er to
lay
the
guilt
on
me.
Th
is p
lace
was
mad
e fo
r pl
easu
re n
ot fo
r de
ath.
H
e cu
ts hi
m d
own
Thos
e ga
rmen
ts th
at h
e w
ears
I of
t hav
e se
en-
Ala
s, it
is H
orat
io, m
y sw
eet s
on!
Oh
no, b
ut h
e tb
at w
hilo
m w
as m
y so
n.
15
0 w
as it
thou
tha
t cal
leds
t me
from
my
bed?
0 sp
eak,
if a
ny s
park
of
life
rem
ain:
I
am th
y fa
ther
. Who
hat
h sla
in m
y so
n?
Wha
t sav
age
mon
ster
, not
of
hum
an k
ind,
H
ath
here
bee
n gl
utte
d w
ith th
y ha
rmle
ss b
lood
, 20
A
nd le
ft th
y bl
oody
cor
pse
dish
onou
red
here
, Fo
r m
e, a
mid
st th
is d
ark
and
deat
hful
sha
des,
To
drow
n th
ee w
ith a
n oc
ean
of m
y te
ars?
1 s.d
. sh
irt n
ight
shir
t 1
nake
d be
d a
tran
sfer
red
epit
het;
the
slee
per i
s nak
ed (
or li
ghtly
clo
thed
). E
dwar
ds s
ays
the
phra
se w
as fa
mili
ar
15 w
hilo
m in
the
pas
t, til
l now
22
thi
s an
acce
pted
plu
ral
form
at
this
dat
e
1 s.d
. Fo
r a
desc
riptio
n of
pr
obab
le s
tage
-pra
ctic
e he
re s
ee F
ourt
h A
dditi
on 1
1.135-9
. 1-
33
Hie
roni
mo'
s so
liloq
uy,
perh
aps
the
mos
t fa
mou
s of
th
e pl
ay,
is on
e w
hich
, as
Cle
men
(p.
103
) poi
nts
out,
'is n
ot o
nly
spok
en b
ut
acte
d',
carr
ying
its
own
inte
rnal
'sta
ge-d
irect
ions
', a
tech
niqu
e fo
llow
ed,
and
mad
e m
ore
subt
le, b
y Sh
akes
pear
e.
12 c
ontin
uing
the
plea
sure
/ de
ath
irony
of
11, i
i and
11,
iv.
13 ff
. G
ood
dire
ctio
n an
d ac
ting
can
mak
e th
e m
omen
t of
di
scov
ery
deep
ly p
oign
ant.
Kyd
's w
ords
may
see
m a
bsur
dly
sim
ple
here
, but
he
is su
rely
rig
ht n
ot to
ove
rload
Hie
roni
mo'
s sp
eech
with
rhe
toric
.
SCEN
E v
] T
HE
SPA
NIS
H T
RA
GE
DY
45
0 h
eave
ns, w
hy m
ade
you
nigh
t to
cove
r sin
? By
day
this
dee
d of
dar
knes
s ha
d no
t bee
n.
0 ea
rth, w
hy d
idst
thou
not
in ti
me
devo
ur
The
vild
pro
fane
r of
thi
s sac
red
bow
er?
0 p
oor H
orat
io, w
hat h
adst
thou
misd
one,
T
o le
ese
thy
life
ere
life
was
new
beg
un?
0 w
icke
d bu
tche
r, w
hatso
e'er
thou
wer
t, H
ow c
ould
thou
stra
ngle
virt
ue a
nd d
eser
t?
Ay
me
mos
t wre
tche
d, th
at h
ave
lost
my
joy,
In
lees
ing
my
Hor
atio
, my
swee
t boy
! En
ter IS
ABE
LLA
ISA
BELL
A
My
husb
and'
s ab
senc
e m
akes
my
hear
t to
thro
b-
Hie
roni
mo !
H
IER
ON
IMO
H
ere,
Isa
bella
, hel
p m
e to
lam
ent,
For s
ighs
are
stop
ped
and
all m
y te
ars
are
spen
t. IS
ABE
LLA
W
hat w
orld
of
grie
f! M
y son
Hor
atio
! 0 w
here
's th
e au
thor
of
this
end
less
woe
? H
IER
ON
IMO
T
o kn
ow th
e au
thor
wer
e so
me
ease
of
grie
f, Fo
r in
reve
nge
my
hear
t wou
ld fi
nd r
elie
f. IS
ABE
LLA
Th
en is
he
gone
? and
is m
y so
n go
ne to
o?
0, g
ush
out,
tear
s, fo
unta
ins
and
flood
s of
tear
s;
Blow
, sig
hs, a
nd ra
ise a
n ev
erla
sting
sto
rm:
For o
utra
ge fi
ts ou
r cur
sed
wre
tche
dnes
s. 45
H
IER
ON
IMO
'
I
/I,::.
, , .
Swee
t lov
ely
rose
, ill
pluc
ked
befo
re th
y tim
e,
Fair
wor
thy
son,
not
con
quer
ed, b
ut b
etra
yed:
I'l
l ki
ss th
ee n
ow, f
or w
ords
with
tear
s ar
e sta
yed.
IS
ABE
LLA
A
nd I
'll c
lose
up
the
glas
ses o
f hi
s sig
ht,
For
once
thes
e ey
es w
ere
only
my
delig
ht.
50
26 i
n tim
e at
the
due
mom
ent
27 w
ild v
ile
29 l
eese
lose
29
was
new
beg
un h
ad e
nter
ed a
new
pha
se;
perh
aps
the
refe
renc
e is
to
Hor
atio
's ne
w l
ife a
s a
prom
inen
t ci
tizen
aft
er h
is s
ucce
ss i
n w
ar
39 a
utho
r th
e on
e re
spon
sibl
e 45
out
rage
pas
sion
ate
beha
viou
r (O.E.D.,
sb.
2)
48 w
ith b
y 48
sta
yed
ed. (
stai
nde
1592
) sto
pped
49
gla
sses
of
his
sight
his
eye
s
*'-
-J'*
ul3
KYU
! H
IERO
NIM
O
See's
t th
ou th
is ha
ndke
rche
r be
smea
red
with
blo
od?
It sh
all n
ot fr
om m
e til
l I ta
ke re
veng
e. Se
e'st t
hou
thos
e w
ound
s tha
t yet
are
ble
edin
g fr
esh?
c I
I'll
not e
ntom
b th
em ti
ll I
have
reve
nged
. Th
en w
ill I
joy
amid
st m
y di
scon
tent
, 1
55
Till
then
my
sorro
w n
ever
shal
l be
spen
t. IS
ABEL
LA
-.
The
hea
vens
are
just
, mur
der c
anno
t be
hid:
Ti
me
is th
e au
thor
bot
h of
tru
th a
nd ri
ght,
I A
nd ti
me
will
brin
g th
is tr
each
ery
to li
ght.
HIE
RONI
MO
M
eanw
hile
, goo
d Is
abel
la, c
ease
thy
plai
nts,
60
Or a
t the
leas
t diss
embl
e th
em a
whi
le:
So sh
all w
e soo
ner f
ind
the
prac
tice
out,
And
lear
n by
who
m a
ll th
is w
as b
roug
ht a
bout
. C
ome
Isab
el, n
ow le
t us
take
him
up,
Th
ey ta
ke h
im u
p A
nd b
ear h
im in
from
out
this
curs
ed p
lace
. 65
I'l
l say
his
dirg
e, si
ngin
g fit
s no
t thi
s ca
se.
0 a
lipus
mih
i pun
s pu
~u
m
ver e
duca
t her
bas
51 h
andk
erch
er h
ankd
erch
ief,
smal
l sca
rf
60 p
lain
ts co
mpl
aint
s, s
orro
win
g 62
pra
ctice
plo
t 66
dirg
e fu
nera
l son
g or
hym
n (f
rom
diri
ge, t
he &
st w
ord
of a
Lat
in
antip
hon
in t
he o
ffice
for
the
dead
) 67
ver
edu
cat e
d. (v
ar ed
ucet
1592
)
51-2
For
the
poss
ible
orig
in o
f thi
s 'ha
ndke
rche
r' se
e I,
iv, 4
2 no
te.
57-9
Is
abel
la's
wor
ds ar
e a
com
mon
Eliz
abet
han
axio
m (s
ee T
illey
M1315),
skilf
ully
use
d by
Kyd
to
cont
rast
with
Hie
roni
mo'
s co
mpl
ete
bew
ilder
- m
ent.
67-8
0 'L
et s
omeo
ne b
ind
for
me
the
herb
s w
hich
bea
utih
rl sp
ring
fost
ers,
an
d le
t a sa
lve b
e giv
en fo
r our
gri
ef; o
r let
him
app
ly ju
ices
, if t
here
are
an
y th
at b
ring
forg
etfu
lnes
s to
men
's m
inds
. I
mys
elf
shal
l st
her
an
ywhe
re in
the
gre
at w
orld
wha
teve
r pl
ants
the
sun d
raw
s fo
rth
into
th
e fa
ir re
gion
s of
lig
ht;
I m
ysel
f sh
all
drin
k w
hate
ver
drug
the
wise
- w
oman
de
vise
s, an
d w
hate
ver
herb
s in
cant
atio
n as
sem
bles
by
its
secr
et p
ower
. I s
hall
face
all
thin
gs, d
eath
eve
n, u
ntil
the
mom
ent o
ur
ever
y fe
elin
g di
es in
this
dea
d br
east
. And
so
shal
l I
neve
r ag
ain,
my
life,
see
thos
e ey
es o
f yo
urs,
and
has
eve
rlast
ing
slum
ber
seal
ed u
p yo
ur
light
of
life?
I sh
all p
eris
h w
ith y
ou; t
hus,
thus
wou
ld it
ple
ase
me
to g
o to
the
shad
es b
elow
. But
non
e th
e le
ss I
shal
l kee
p m
ysel
f fro
m y
ield
ing
to a
hast
ened
dea
th. l
est i
n th
at ca
se n
o re
veng
e sho
uld
follo
w y
our d
eath
'. T
he p
assa
ge,
whi
ch c
onta
ins
rem
inis
cenc
es o
f Lu
cret
ius,
Ver
gil
and
Ovi
d, i
s 'a
pasti
che,
in K
yd's
sing
ular
fas
hion
, of
tags
fro
m ~
lass
ical
po
etry
, and
line
s of
his
own
com
posi
tion'
(Boa
s).
#?
SCBN
E v]
THE
SPA
NIS
H T
RA
GED
Y
HIE
RONI
MO
sets
his b
reas
t unt
o hi
s swo
rd
F M
iscea
t, et
nostr
o de
tur m
edici
na d
olm
i; B
Aut,
si qu
i fac
iunt
ani
mir
obliv
ia, s
ucco
s Pr
aebe
at;
ipse
meta
m m
agnu
m q
uaec
unqu
e pe
r or
bem
h
Gra
min
a So
l pul
chra
r e#
ert
in lu
min
is a
m;
I ? Ip
se b
ibam
pic
quid
med
itatu
r sa
ga v
emni
, 3
Quicq
uid
et he
rbar
um v
i cae
ca n
enia
nec
tit :
Om
nia
perp
etiar
, let
hun
quoq
ue, d
urn
serne
l om
nis
i ' N
ostn
in e
xtin
ct0 m
oria
tur
pecto
re se
nsus
. Er
go tu
os o
culos
nun
quam
, men
vita
, vid
ebo,
>
Et tu
a pe
rpetu
us s
epeli
vit lu
min
a so
mnur
? Em
aiar
ter
n: s
ic, si
c juv
at i
re su
b um
brm
. L
At t
amm
absis
tam
prop
"nto
ced
ere l
etho,
N
e na
orter
n wi
ndict
a tua
m tu
m n
ulla
sequ
atur
. H
eye
he th
rows
it fr
om h
im a
nd b
ears
the
body
Act
II, S
cene v
i
ANDREA
Brou
ght's
t tho
u m
e hi
ther
to in
crea
se m
y pa
in?
I loo
ked
that
Bal
thaz
ar s
houl
d ha
ve b
een
slai
n;
But
'tis
my
frien
d H
orat
io th
at is
slai
n,
And
they
abu
se fa
ir Be
l-im
peria
, O
n w
hom
I do
ted
mor
e th
an a
ll th
e w
orld
, 5
,
Beca
use
she
love
d m
e m
ore
than
all
the w
orld
. ~
'~
fl
'i
'I"
.,
,I
- .
-
REVE
NGE
Thou
talk
'st o
f har
vest
whe
n th
e co
rn is
gre
en:
The
end
is cr
own
of e
very
wor
k w
ell d
one;
T
he si
ckle
com
es n
ot ti
ll th
e co
rn b
e rip
e.
Be s
till,
and
ere
I lea
d th
ee fr
om th
is p
lace
, 10
T'll s
how
thee
Bal
thaz
ar in
hea
vy c
ase.
-L
69 a
nim
u ob
livia
ed.
(an
num
obl
imia
159
2)
70 m
tan
mag
num
qua
ecun
que
ed.
(met
un, ~
gm
). (/
uit~
nqw
71
efie
rt ed
. (ef
iecit
1592
) 72
vene
ni e
d. (
ztene
ri 15
92)
73 h
eyba
rurn
vi ca
eca n
enia
ed. (
irrau
i eue
caec
a m
mia
159
2)
75 p
ecto
re e
d. (p
ecto
ra 1
592)
80
tum
ed.
(ta
m 1
592)
2
look
ed e
xpec
ted,
hop
ed
5 O
n ed
. (O
r 15
92)
11 i
n he
avy
case
in a
sad
sta
te
1 O
ne e
ffec
t of
the
And
rea-
Rev
enge
exc
hanp
is
to
deta
chm
ent,
thre
aten
ed b
y th
e em
otio
n-la
den
past
scen
es.
-
main
tain
even
ts-of
-
an
the
48
TH
OM
AS
KY
D
[AC
~ 111
Act
111,
Scen
e i
Ente
r VI
CER
OY
of Po
rting
ale,
NO
BLES
, VIL
LUPP
O
VICE
ROY
Info
rtuna
te c
ondi
tion
of ki
ngs,
Seat
ed a
mid
st s
o m
any
help
less
dou
bts !
Fi
rst w
e ar
e pl
aced
upo
n ex
trem
est h
eigh
t, A
nd o
ft su
ppla
nted
with
exc
eedi
ng h
eat,
But e
ver s
ubje
ct t
o th
e w
heel
of
chan
ce;
5 A
nd a
t our
hig
hest
neve
r joy
we
so,
As w
e bo
th d
oubt
and
dre
ad o
ur o
verth
row
. So
striv
eth
not t
he w
aves
with
sun
dry
win
ds
As
Fort
une
toile
th in
the
affa
irs o
f ki
ngs,
That
wou
ld b
e fe
ared
, yet
fear
to b
e be
love
d,
10
Sith
fear
or l
ove
to k
ings
is fl
atte
ry.
For i
nsta
nce,
lord
ings
, loo
k up
on y
our k
ing,
By
hat
e de
priv
ed o
f hi
s de
ares
t son
, T
he o
nly
hope
of
our s
ucce
ssiv
e lin
e.
1 N
OBL
EMA
N
I ha
d no
t tho
ught
that
Ale
xand
ro's
hear
t 15
H
ad b
een
enve
nom
ed w
ith s
uch
extre
me
hate
: B
ut n
ow I
see
that
wor
ds h
ave
seve
ral w
orks
, A
nd th
ere's
no
cred
it in
the
coun
tena
nce.
1 s.d
. NO
BLES
, V
ILLU
PPO
ed.
(Nob
les,
Alex
andr
o, V
illup
po 1
592)
1
Info
rtuna
te i
ll-us
ed b
y Fo
rtun
e 2
Seat
ed p
lace
d 2
help
less f
or w
hich
ther
e is
no
help
2
doub
ts fe
ars
4 he
at f
ury
10 w
ould
be
wis
h to
be
11 S
ith si
nce
12 l
ordi
ngs
lord
s 14
suc
cess
ive li
ne li
ne o
f su
cces
sion
15
s.p
. 1 N
OB
LEM
AN
ed.
(Nob
. 159
2)
17 w
ords
hav
e se
vera
l wor
ks i
.e.
wha
t a
man
doe
s m
ay n
ot a
lway
s re
flect
wha
t he
say
s 18
no
cred
it in
no
poin
t in
trus
ting
1-11
A c
omm
on t
hem
e in
Eliz
abet
han
writ
ing
(see
e.g
. Ri
char
d II
, 11
1, i
i, 15
5 ff,)
and
with
par
alle
ls a
lso
in S
enec
a (s
ee A
gam
emno
n,
57-7
3).
5 th
e wh
eel
of ch
ance
the
com
mon
Eliz
abet
han
figur
e to
des
crib
e th
e cy
cle
of a
chie
vem
ent
and
failu
re i
n hu
man
(an
d es
peci
ally
pol
itica
l) lif
e: k
ings
ris
e to
the
top
of th
e w
heel
in p
rosp
erity
and
fal
l, in
evita
bly,
to
its
low
est
poin
t in
def
eat
and
deat
h. S
ee I
ntro
duct
ion,
p. m
dv f
or
the
ironi
es o
f th
is s
peec
h an
d th
is s
cene
.
SCEN
E I
] T
HE
SPA
NIS
H T
RA
GE
DY
49
V
ILLU
PPO
N
o, fo
r, m
y lo
rd, h
ad y
ou b
ehel
d th
e tra
in
That
feig
ned
love
had
col
oure
d in
his
look
s, 20
W
hen
he in
cam
p co
nsor
ted
Balth
azar
, Fa
r m
ore
inco
nsta
nt h
ad y
ou th
ough
t the
sun,
Th
at h
ourly
coa
sts th
e ce
ntre
of
the
earth
, T
han
Ale
xand
ro's
purp
ose
to th
e pr
ince
. VI
CERO
Y N
o m
ore,
Vill
uppo
, tho
u ha
st sa
id e
noug
h,
25
And
with
thy
wor
ds th
ou s
lay'
st ou
r w
ound
ed th
ough
ts.
Nor
sha
ll I
long
er d
ally
with
the
wor
ld,
Proc
rasti
natin
g A
lexa
ndro
's de
ath:
G
o so
me
of y
ou a
nd fe
tch
the
traito
r for
th,
That
as
he is
con
dem
ned
he m
ay d
ie.
30
Ente
r AL
EXAN
DRO
with
a N
OBL
EMAN
and
HAL
BERT
S
2 N
OBL
EMA
N
In su
ch e
xtre
mes
will
nau
ght b
ut p
atie
nce
serv
e.
ALEX
ANDR
O
But i
n ex
trem
es w
hat p
atie
nce
shal
l I u
se?
Nor
dis
cont
ents
it m
e to
leav
e th
e w
orld
, W
ith w
hom
ther
e no
thin
g ca
n pr
evai
l but
wro
ng.
2 N
OBL
EMA
N
Yet
hop
e th
e be
st.
ALEX
ANDR
O
'Tis
Hea
ven
is m
y ho
pe.
21 c
onso
rted
asso
ciat
ed w
ith, k
ept c
ompa
ny w
ith
24 p
urpo
se a
ttitu
de, r
elat
ions
hip
30 s
.d.
HAL
BER
TS
halb
erdi
ers;
see
I, i
v, 2
1 no
te
31 s
.p.
2 N
OB
LEM
AN
ed.
(N
ob. 1
592)
34
Wit
h . . . wr
ong
i.e. S
ince
all I
eve
r mee
t is i
njus
tice
19-2
0 'if
you
had
see
n th
e fa
lse
appe
aran
ce [o
f fr
iend
ship
] th
at p
rete
nded
lo
ve h
ad c
ount
erfe
ited
in h
is fa
ce.'
'Tra
in'
liter
ally
mea
ns 't
reac
hery
'; V
illup
po u
ses
the
wor
d to
des
crib
e th
e fa
lse
appe
aran
ce o
f lo
ve (
a tre
ache
rous
mas
k) A
lexa
ndro
is a
ccus
ed o
f w
earin
g.
23 T
hat h
ourly
. . . e
arth
'tha
t w
ith a
reg
ular
mot
ion
(in a
pre
cise
num
ber
of ho
urs)
circ
les
this
ear
th,
the
cent
re o
f th
e un
iver
se.'
Kyd
writ
es
in t
erm
s of
th
e ol
d co
smol
ogy;
the
sun
's (a
ppar
ent)
circ
ling
ofte
n se
rved
as
a m
etap
hor
for c
onst
ancy
. 32
-7 A
lexa
ndro
's se
nse
of l
ife's
inju
stic
es a
ntic
ipat
es m
uch
that
Hie
roni
mo
has
to s
ay in
the
nex
t sce
ne:
part
of
the
'ove
rlapp
ing'
te
chni
que
Kyd
us
es so
succ
essf
ully
(see
111
, ii, 3
ff.).
As f
or th
e ea
rth, i
t is
too
muc
h in
fect
T
o yi
eld
me
hope
of
any
of h
er m
ould
. VI
CERO
Y wh
y lin
ger y
e? b
ring
forth
that
dar
ing
fiend
, A
nd le
t him
die
for h
is a
ccur
sed
deed
. AL
EXAN
DRO
N
ot th
at I
fear
the
extre
mity
of
deat
h,
40
For
nobl
es c
anno
t sto
op to
ser
vile
fear
, D
o I,
0-ki
ng, t
hus
disc
ontc
nted
live
. B
ut th
is, 0 th
is, t
orm
ents
my
labo
urin
g so
ul,
Tha
t thu
s I
die
susp
ecte
d of
a si
n,
Whe
reof
, as
heav
ens
have
kno
wn
my
secr
et th
ough
ts,
45
So a
m I
fre
e fro
m th
is su
gges
tion.
VI
CERO
Y N
o m
ore,
I s
ay!
to th
e to
rture
s! w
hen!
Bi
nd h
im, a
nd b
urn
his
body
in th
ose f
lam
es.
They
bind
him
to th
e sta
ke
Tha
t sha
ll pr
efig
ure
thos
e un
quen
ched
fire
s O
f Ph
lege
thon
pre
pare
d fo
r hi
s sou
l. 50
AL
EXAN
DRO
M
y gu
iltle
ss d
eath
will
be
aven
ged
on th
ee,
On
thee
, Vill
uppo
, tha
t hat
h m
alic
ed th
us,
Or f
or th
y m
eed
hast
false
ly m
e ac
cuse
d.
VIL
LUPP
O
Nay
, Ale
xand
ro, i
f th
ou m
enac
e m
e, I'l
l le
nd a
han
d to
send
thee
to th
e la
ke
55
Whe
re th
ose
thy
wor
ds sh
all p
eris
h w
ith th
y w
orks-
Inju
rious
trai
tor,
mon
stro
us h
omic
ide!
Enter
ATB
ASS
AD
OR
AM
BASS
ADO
R St
ay, h
old
a w
hile
, A
nd h
ere,
with
par
don
of hi
s m
ajes
ty,
Lay
hand
s up
on V
illup
po.
36 i
nfec
t in
fect
ed
To y
ield
. . . m
ould
i.e.
to
allo
w m
e to
pla
ce a
ny f
aith
in a
nyon
e bo
rn a
nd b
roug
ht u
p th
ere
sugg
estio
n fa
lse
accu
satio
n (O
.E.D
., 3)
wh
en!
an im
patie
nt e
xcla
mat
ion
Phle
geth
on t
he m
ythi
cal
rive
r of
hel
l w
hose
wav
es w
ere
of f
ire
mal
iced
ent
erta
ined
mal
ice
(O.E
.'D., v
, 2)
mee
d re
war
d, a
dvan
tage
lake
the
lake
of
Ach
eron
in
hell,
int
o w
hich
Phl
eget
hon
(1.50
) flo
ws
THE
SPA
NIS
H T
RA
GED
Y
VICE
ROY
Am
bass
ador
, W
hat n
ews h
ath
urge
d th
is su
dden
ent
ranc
e?
AMBA
SSAD
OR
Kno
w, s
over
eign
lord
, tha
t B
alth
azar
dot
h liv
e. VI
CERO
Y W
hat s
ay'st
tho
u? li
veth
Bal
thaz
ar o
ur so
n?
AM
BASS
ADO
R Y
our h
ighn
ess'
son,
Lor
d B
alth
azar
, dot
h liv
e;
And
, wel
l ent
reat
ed in
the
cour
t of
Spai
n,
Hum
bly
com
men
ds h
im to
you
r maj
esty
. Th
ese
eyes
beh
eld,
and
thes
e m
y fo
llow
ers;
W
ith th
ese,
the
lette
rs o
f th
e ki
ng's
com
men
ds,
Give
s him
lette
rs
Are
hap
py w
itnes
ses o
f hi
s hi
ghne
ss' h
ealth
: Th
e VI
CERO
Y lo
oks o
n th
e le
tters
, and
pro
ceed
s VI
CERO
Y [R
eaa
'Thy
son
dot
h liv
e, y
our t
ribut
e is
rece
ived
, 70
T
hy p
eace
is m
ade,
and
we
are
satis
fied.
T
he re
st r
esol
ve u
pon
as th
ings
pro
pose
d Fo
r bo
th o
ur h
onou
rs a
nd th
y be
nefit
.' AM
BASS
ADO
R Th
ese
are
his
high
ness
' far
ther
arti
cles
. H
e give
s him
mor
e lett
ers
VICE
ROY
Acc
urse
d w
retc
h, to
intim
ate
thes
e ill
s '
Aga
inst
the
life
and
repu
tatio
n O
f nob
le A
lexa
ndro
! C
ome,
my
lord
, Le
t him
unb
ind
thee
that
is b
ound
to d
eath
, T
o m
ake
a qu
ital f
or th
y di
scon
tent
. Th
ey u
nbin
d him
58-61
linea
tion
ed. (
Stay
-
- -- . . -.
. Mai
estie
,/Lay
. . . V
illup
po./E
mba
ssa-
do
ur . .
. ent
ranc
e? 1
592)
61
ent
ranc
e th
ree
sylla
bles
68 c
omm
ends
gre
etin
gs
69
s.d. VICEROY e
d. (
Kin
g 15
92)
72 r
esol
ve u
pon
deci
de u
pon 75 i
ntim
ate
mak
e kn
own,
ann
ounc
e pu
blic
ly
77 C
ome.
my
lord
, ed.
(co
me
my
lord
vnb
inde
him
. 159
2)
. .
, -
79 q
uita
l req
uita
l, re
com
pens
e
77 C
ome,
my
lord
159
2 ad
ds 'v
nbin
de h
im',
but t
his
give
s th
e lin
e th
irte
en
sylla
bles
. The
ext
ra w
ords
may
hav
e be
en in
clud
ed in
to th
e te
xt fr
om a
st
age-
dire
ctio
n pl
aced
too
ear
ly (
and
not
canc
elle
d w
hen
the
dire
ctio
n at
1.79 w
as a
dded
), or
they
may
res
ult
from
a c
ompo
sito
r's a
ntic
ipat
ion
-- ..
of t
hat d
irec
tion.
-Edw
ards
mus
t be
rig
ht t
o om
it th
em.
79 s
.d. V
illup
po u
nbin
ds A
lexa
ndro
as
the
text
dir
ects
; 'th
ey u
nbin
d hi
m'
is u
sed
to m
ean
'he
is un
boun
d'.
52
TH
OM
AS
KY
D
[AC
T 11
1
ALEX
ANDR
O
Dre
ad lo
rd, i
n ki
ndne
ss y
ou c
ould
do
no le
ss,
80
Upo
n re
port
of s
uch
a da
mne
d fa
ct.
But t
hus
we
see
our
inno
cenc
e ha
th sa
ved
The
hope
less
life
whi
ch th
ou, V
illup
po, s
ough
t By
thy
sugg
estio
ns t
o ha
ve m
assa
cred
. VI
CERO
Y Sa
y, fa
lse V
illup
po, w
here
fore
did
st th
ou th
us
85
False
ly b
etra
y Lo
rd A
lexa
ndro
's lif
e?
Him
, who
m th
ou k
now
est t
hat n
o un
kind
ness
else
, Bu
t eve
n th
e sl
augh
ter o
f ou
r dea
rest
son,
Co
uld
once
hav
e m
oved
us
to h
ave
misc
once
ived
. AL
EXAN
DRO
I
Say,
trea
cher
ous
Vill
uppo
, tel
l the
kin
g,
90
Whe
rein
hat
h A
lexa
ndro
use
d th
ee il
l?
VIL
LUPP
O
Ren
t with
rem
embr
ance
of s
o fo
ul a
dee
d,
My
guilt
y so
ul s
ubm
its m
e to
thy
doom
: Fo
r no
t for
Ale
xand
ro's
inju
ries,
But
for
rew
ard
and
hope
to b
e pr
efer
red,
95
T
hus
have
I s
ham
el~s
sly h
azar
ded
his
life.
V
l CER
OY
Whi
ch, v
illai
n, sh
all b
e ra
nsom
ed w
ith th
y de
ath,
A
nd n
ot s
o m
ean
a to
rmen
t as
we
here
D
evise
d fo
r hi
m w
ho th
ou s
aid'
st sle
w o
ur so
n,
But w
ith th
e bi
ttere
st to
rmen
ts a
nd e
xtre
mes
10
0 Th
at m
ay b
e ye
t inv
ente
d fo
r th
ine
end.
AL
EXAN
DRO
See
ttlS t
o en
trea
t En
treat
me
not,
go, t
ake
the
traito
r he
nce.
Ex
it V
ILLU
PPO
[gu
arde
d]
And
, Ale
xand
ro, l
et u
s ho
nour
thee
W
ith p
ublic
not
ice
of t
hy lo
yalty
. T
o en
d th
ose
thin
gs a
rticu
late
d he
re
105
By o
ur g
reat
lord
, the
mig
hty
Kin
g of
Spa
in,
80 i
n ki
ndne
ss b
y yo
ur n
atur
e (a
s a
king
) 81
fac
t dee
d 82
our
my
84 s
ugge
stion
s fal
se a
ccus
atio
ns
.89
misc
once
ived
susp
ecte
d, fo
rmed
a w
rong
opi
nion
af
91 W
here
in e
d. (
Or
whe
rein
159
2)
93 d
oom
judg
men
t 98
mea
n m
oder
ate
105
artic
ulat
ed c
onta
ined
in
the
prop
osal
s (o
r ar
ticle
s) s
ent
by t
he
King o
f Sp
ain
(see
1.74
)
SCEN
E I]
T
HE
SPA
NIS
H T
RA
GED
Y
53
We
with
our
Cou
ncil
will
del
iber
ate.
Co
me,
Ale
xand
ro, k
eep
us c
ompa
ny.
Exeu
nt
Act
111
, Sce
ne ii
En
ter
HIE
RON
IMO
HIE
RO
NIM
O
0 ey
es, n
o ey
es, b
ut fo
unta
ins
frau
ght w
ith te
ars;
0 li
fe, n
o lif
e, b
ut li
vely
form
of
deat
h;
0 w
orld
, no
wor
ld, b
ut m
ass o
f pu
blic
wro
ngs,
Conf
used
and
fille
d w
ith m
urde
r and
mis
deed
s!
0 sa
cred
hea
vens
! if
this
unh
allo
wed
dee
d,
If th
is in
hum
an a
nd b
arba
rous
atte
mpt
, If
this
inco
mpa
rabl
e m
urde
r th
us
Of
min
e, b
ut n
ow n
o m
ore
my
son,
Sh
all u
nrev
eale
d an
d un
reve
ngkd
pas
s, H
ow s
houl
d w
e te
rm y
our d
ealin
gs to
be
just
, 10
If
you
unju
stly
dea
l with
thos
e th
at in
you
r jus
tice
trus
t?
The
nig
ht, s
ad se
cret
ary
to m
y m
oans
, W
ith d
irefu
l visi
ons w
ake
my
vexe
d so
ul,
And
with
the
wou
nds o
f m
y di
stres
sful
son
So
licit
me
for
notic
e of
his
dea
th.
The
ugl
y fie
nds
do sa
lly fo
rth o
f he
ll,
And
fram
e m
y st
eps
to u
nfre
quen
ted
path
s, A
nd fe
ar m
y he
art w
ith fi
erce
infla
med
thou
ghts
. T
he cl
oudy
day
my
disc
onte
nts
reco
rds,
Early
beg
ins
to re
giste
r m
y dr
eam
s A
nd d
rive
me
forth
to se
ek th
e m
urde
rer.
1 fr
augh
t fill
ed
2 k
ely
form
of
deat
h de
ath
with
the
appe
aran
ce o
f lif
e 4
Conf
used
dis
orde
red
12 s
ecre
tary
con
fidan
t 13
wak
e pl
ural
for
sin
gula
r; E
dwar
ds c
ompa
res
solic
it (1
.1 5)
and
dr
ive
(1.2
1)
14 d
istre
ssfu
l cau
sing
dis
tress
, or
dist
ress
ed
18 f
ear
frig
hten
I ff.
Whe
n B
obad
il an
d M
atth
ew d
iscu
ss p
lays
(in
Ev
erym
an i
n hi
s H
umou
r, I,
iv)
they
res
erve
the
ir hi
ghes
t (c
low
nish
) pr
aise
for
thi
s sp
eech
; and
thus
con
vey
Jons
on's
scor
n fo
r K
yd's
'conc
eite
d' o
rato
rical
st
yle
(Jon
son
may
him
self
have
act
ed H
iero
nirn
o). S
ympa
thet
ic m
odem
cr
itics
thin
k ot
herw
ise:
Cle
men
's an
alys
is (p
p. 2
71-5
) sho
ws t
he sp
eech
as
'a
mas
terp
iece
of
rhet
oric
al a
rt.
Its
stru
ctur
e an
d pr
opor
tions
are
w
orke
d ou
t w
ith a
n al
mos
t m
athe
mat
ical
exa
ctne
ss, a
nd a
var
iety
of
styl
istic
figu
res a
re h
arm
onio
usly
dov
etai
led
in o
rder
to m
ake
a po
wer
ful
emot
iona
l im
pact
.'
aauA
r&?b
Y
Ax
J-J [ACT 1
11
Eyes
, life
, wor
ld, h
eave
ns, h
ell,
nigh
t, an
d da
y,
See,
sea
rch,
show
, sen
d so
me
man
, som
e m
ean,
that
may
- A
lette
r faf
ieth
W
hat's
her
e? a
lette
r? tu
sh, i
t is
not s
o!
A le
tter w
ritte
n to
Hie
roni
mol
Re
d in
k [R
e&]
' For
wan
t of i
nk, r
ecei
ve th
is b
lood
y w
rit.
Me
hath
my
hapl
ess b
roth
er h
id fr
om th
ee:
Reve
nge
thys
elf o
n Ba
lthaz
ar an
d hi
m,
For t
hese
wer
e th
ey th
at m
urde
rkd
thy
son.
H
iero
nim
o, re
veng
e H
orat
io's
deat
h,
And
bet
ter f
are t
han
Bel -i
mpe
ria d
oth.
' W
hat m
eans
this
une
xpec
ted
mira
cle?
M
y so
n sl
ain
by L
oren
zo a
nd th
e pr
ince
! W
hat c
ause
had
they
Hor
atio
to m
alig
n?
Or w
hat m
ight
mov
e th
ee, B
el-im
peria
, T
o ac
cuse
thy
brot
her,
had
he b
een
the
mea
n?
Hie
roni
mo,
bew
are,
thou
art
betra
ved.
J
--.
And
to e
ntra
p th
y lif
e th
is tr
ain
is la
id.
Adv
ise th
ee th
eref
ore,
be
not c
redu
lous
: Th
is is
dev
ised
to e
ndan
ger t
hee,
40
Th
at th
ou b
y th
is L
oren
zo sh
ould
st ac
cuse
, A
nd h
e, fo
r thy
dis
hono
ur d
one,
shou
ld d
raw
T
hy li
fe in
que
stio
n, an
d th
y na
me
in h
ate.
Dea
r was
the
life
of m
y be
love
d so
n,
And
of h
is d
eath
beh
oves
me
be re
veng
ed:
45
Then
haz
ard
not t
hine
ow
n, H
iero
nirn
o,
But
live
t'ef
fect
thy
reso
lutio
n.
I the
refo
re w
ill b
y ci
rcum
stanc
es tr
y W
hat I
can
gath
er to
con
firm
this
writ
, A
nd, h
eark
enin
g ne
ar th
e D
uke
of Ca
stile
's ho
use,
50
23 S
ee. . .
may- e
d. (
See.
. . som
e m
an, / Some.. . m
ay: 1
592)
23
mea
n m
eans
, way
26
'Fo
r ed
. (B
el. F
or 1
592)
267
wri
t wri
ting.
doc
umen
t ~
-.-
27 hapless l
uzes
s; p
erha
ps 'a
ttend
ed w
ith iu
-luck
B 32
Wha
t ed.
(Hie
ro W
hat 1
592)
34
mal
ign
hate
38
tra
in p
lot,
trap
47 t'
effe
ct th
y res
olut
ion t
o br
ing a
bout
wha
t you
hav
e res
olve
d 48
by
circu
msta
nces
by
obse
rvin
g how
they
act
; by
gath
erin
g circum-
stan
tial e
vide
nce
23 s
.d. T
he p
at a
rriv
al o
f th
e le
tter
may
be
inte
nded
to e
mp
hh
e ho
w
acci
dent
, und
er th
e di
rect
ion
of R
even
ge, f
avou
rs th
e ulti
mat
e wor
king
- ou
t of
veng
eanc
e. 2.5
Red
brk
roba
ably
an a
utho
r's n
ote
that
the
lette
r sh
ould
be se
en to
hav
e be
en w
ritte
n in
red
.
TH
E S
PAN
ISH
TR
AG
EDY
-
; Cl
ose
if 1 c
an w
ith B
el-im
peria
, T
o lis
ten
mor
e, b
ut n
othi
ng to
bew
ray.
En
ter P
EDRI
NGAN
O
Now
Ped
ringa
no !
PEDR
ING
ANO
N
ow, H
iero
nim
o !
HIE
RONL
MO
W
here
's th
y la
dy?
PED
RIN
GAN
O
I kn
ow n
ot; h
ere's
my
lord
. - -
Enter
LO
RENZ
O
' LO
RENZ
O
How
now
, who
's th
is? H
iero
nim
o? M
v lo
rd.
PED
RIN
GA
NO
H
e as
keth
for
my
lady
Bel
-impe
ria.
LORE
NZO
W
hat t
o do
, Hie
roni
mo?
The
duk
e m
y fa
ther
hat
h U
pon
som
e disg
race
aw
hile
rem
oved
her
hen
ce;
But i
f it b
e au
ght I
may
info
rm h
er o
f, Te
ll m
e, H
iero
nim
o, a
nd I
'll le
t her
kno
w it
. H
IER
ON
IMO
N
ay, n
ay, m
y lo
rd, I
than
k yo
u, it
shal
l not
nee
d.
I ha
d a
suit
unto
her
, but
too
late
, A
nd h
er d
isgra
ce makes m
e un
fortu
nate
. ' LO
REN
20
Whv
so, H
iero
nirn
o? us
e m
e. H
IER
ON
IMO
0 n
o, m
y lo
rd, I
dar
e no
t, it
mus
t not
be,
+ P if-:' : [,; 65 I
hum
bly
than
k yo
ur lo
rdsh
ip.
1
Whv
then
, far
ewel
l. H
IER
ON
IMO
M
y gr
ief n
o he
art,
my
thou
ghts
no
tong
ue c
an te
ll.
Exit
LORE
NZO
Co
me
hith
er, P
edrin
gano
, see
'st t
hou
this
? PE
DR
ING
AN
O
My
lord
, I se
e it,
and
susp
ect i
t too
. LO
RENZ
O
This
is th
at d
amne
d vi
llain
Ser
berin
e,
That
bat
h, I
fear
, rev
ealed
Hor
atio
's de
ath.
51 C
lose
mee
t; co
me t
o an
und
erst
andi
ng
52 b
ewra
y di
sclo
se
64 u
se m
e pu
t you
r su
it to
me
56
TH
OM
AS
KY
D
[ACT
111
PED
RIN
GA
NO
M
y lo
rd, h
e co
uld
not,
'twas
so la
tely
don
e;
And
sin
ce, h
e ha
th n
ot le
ft m
y co
mpa
ny.
LORE
NZO
A
dmit
he h
ave
not,
his c
ondi
tion'
s su
ch,
As f
ear o
r fla
tterin
g w
ords
may
mak
e hi
m fa
lse.
75
I kn
ow h
is hu
mou
r, an
d th
erew
ith re
pent
T
hat e
'er I
use
d hi
m in
this
ent
erpr
ise.
B
ut P
edrin
gano
, to
prev
ent t
he w
orst
, A
nd 'c
ause
I k
now
thee
secr
et a
s m
y so
ul,
Her
e, fo
r thy
furth
er s
atis
fact
ion,
take
thou
this
, 80
Gi
ves h
im m
ore g
old
And
hea
rken
to m
e. T
hus
it is
dev
ised
: T
his
nigh
t tho
u m
ust,
and
prith
ee s
o re
solv
e,
Mee
t Ser
berin
e at
Sai
nt L
uigi
's Pa
rk-
Tho
u kn
ow'st
'tis
her
e ha
rd b
y be
hind
the
hous
e.
The
re ta
ke th
y st
and,
and
see
thou
stri
ke h
im su
re,
85
For
die
he m
ust,
if w
e do
mea
n to
live
. PE
DR
ING
AN
O
But
how
sha
ll Se
rber
ine
be th
ere,
my
lord
? LO
RFNZ
O
Let m
e al
one,
I'll
sen
d to
him
to m
eet
The
prin
ce a
nd m
e, w
here
thou
mus
t do
this
dee
d.
PED
RIN
GA
NO
It
shal
l be
done
, my
lord
, it s
hall
be d
one,
90
And
I'll
go
arm
mys
elf
to m
eet h
im th
ere.
LO
RENZ
O
Whe
n th
ings
sha
ll al
ter,
as I
hop
e th
ey w
ill,
The
n sh
alt t
hou
mou
nt fo
r thi
s: th
ou k
now
'st m
y m
ind.
Ex
if PE
DR
ING
AN
O
Che
le Ie
ron!
74
con
ditio
n na
ture
, tem
pera
men
t 76
hum
our d
ispo
sitio
n 83
Sai
nt L
uigi
's ed
. (S.
Liu
gis
1592
) 88
Let
me
alon
e le
ave
it to
me
93 m
ount
ris
e (s
ocia
lly);
with
a p
unni
ng r
efer
ence
to
'mou
ntin
g'
the
gallo
ws,
as h
e do
es; c
f. 11
, iv,
60-
1 on
Hor
atio
's si
mila
r ris
e 94
-7 li
neat
ion
ed. (
Goe
. . . f
orth
with
, / M
eet .
. . Pa
rke,
/ B
ehin
de . . .
bo
y. 1
592)
94 C
he l
e Ie
ron!
un
expl
aine
d; p
erha
ps,
as B
oas
sugg
ests
, a
corr
uptio
n of
the
pag
e's n
ame.
Fre
eman
(p.
68)
offe
rs th
e su
gges
tion
that
'Che
le'
is e
quiv
alen
t to
Ita
lian
'chi
la'
(Who
[is]
the
re?)
and
Ier
on e
ither
the
page
's na
me
or a
n ab
brev
iatio
n of
Hie
roni
mo;
in
the
latte
r ca
se t
he
phra
se w
ould
be
prom
pted
by
Lore
nzo'
s he
arin
g a
nois
e. Thi
s su
gges
- tio
n se
ems
rath
er im
plau
sibl
e dr
amat
ical
ly.
SCEN
E II
] T
HE
SPA
NIS
H T
RA
GED
Y
Enter
PAG
E
PAG
E M
y lo
rd?
LORE
NZO
G
o, si
rrah
, to
Serb
erin
e,
And
bid
him
forth
with
mee
t the
prin
ce a
nd m
e A
t Sai
nt L
uigi
's Pa
rk, b
ehin
d th
e ho
use,
Th
is e
veni
ng, b
oy.
PAG
E I g
o, m
y lo
rd.
LORE
NZO
B
ut, s
irrah
, let
the
hour
be
eigh
t o'cl
ock.
Bi
d hi
m n
ot fa
il.
PAG
E I
fly, m
y lo
rd.
LORE
NZO
N
ow to
con
firm
the
com
plot
thou
has
t cas
t O
f al
l the
se p
ract
ices
, I'll
spr
ead
the
wat
ch,
Upo
n pr
ecise
com
man
dmen
t fro
m th
e ki
ng,
Stro
ngly
to g
uard
the
plac
e w
here
Ped
ringa
no
This
nig
ht s
hall
mur
der
hapl
ess S
erbe
rine.
Th
us m
ust w
e w
ork
that
will
avo
id d
istru
st,
Thu
s mus
t we
prac
tise
to p
reve
nt m
isha
p,
And
thus
one
ill a
noth
er m
ust e
xpul
se.
Thi
s sly
enq
uiry
of
Hie
roni
mo
For B
el-im
peria
bre
eds s
uspi
cion
, A
nd th
is s
uspi
cion
bod
es a
furth
er il
l. A
s for
mys
elf,
I kn
ow m
y se
cret
faul
t; A
nd s
o do
they
, but
I h
ave
deal
t for
them
. Th
ey th
at fo
r co
in th
eir s
ouls
end
ange
red,
T
o sa
ve m
y lif
e, fo
r coi
n sh
all v
entu
re th
eirs
: A
nd b
ette
r it's
tha
t bas
e co
mpa
nion
s di
e,
Than
by
thei
r life
to h
azar
d ou
r goo
d ha
ps.
Nor
sha
ll th
ey li
ve, f
or m
e to
fear
thei
r fai
th:
Exit
100
96 S
aint
Lui
gi's
ed. (
S. L
iugi
s 15
92)
100
com
plot
con
spira
cy
100
cast
dev
ised
:
101
prac
tices
dec
eits
, plo
ts
1.. 10
1 sp
read
the
wat
ch p
ositi
on th
e co
nsta
bles
k.
105
dist
rust
susp
icio
n p
106
prac
tise
sche
me
I 10
7exp
ulse
expe
l p! 1;;
108-
9 lin
eatio
n ed
. (T
his .
. . su
spiti
on,
one
line
1592
) :
115
it's
ed. (
its 1
592)
11
5 ba
se c
ompa
nion
s lo
w-b
red
vulg
ar fe
llow
s 11
6 go
od h
aps
good
for
tune
, sec
urity
:,
117
fear
the
ir fai
th b
e app
rehe
nsiv
e ab
out t
heir
keep
ing
faith
105 -
19 a
spee
ch fu
ll of
sent
imen
ts ty
pica
l of t
he E
lizab
etha
n 'M
achi
avel
lian'
.
a-
THO
MA
S K
YD
I'l
l tr
ust m
ysel
f, m
ysel
f sha
ll be
my
frien
d,
For d
ie th
ey sh
all,
slave
s are
ord
aine
d to
no
othe
r
Act
III, Scene
iii
Enter
PED
RIN
GA
NO
with
a p
istol
PE
DR
ING
AN
O
Now
, Ped
ringa
no, b
id th
y pi
stol h
old,
A
nd h
old
on, F
ortu
ne!
once
mor
e fa
vour
me;
G
ive
but s
ucce
ss to
min
e at
tem
ptin
g sp
irit,
And
let m
e sh
ift fo
r tak
ing
of m
ine
aim
!, H
ere
is th
e go
ld, t
his
is th
e go
ld p
ropo
sed:
It
is n
o dr
eam
that
I a
dven
ture
for,
But
Ped
ringa
no is
pos
sess
ed th
ereo
f. A
nd h
e th
at w
ould
not
stra
in h
is co
nsci
ence
Fo
r him
that
thus
his
liber
al p
urse
hat
h st
retc
hed,
U
nwor
thy
such
a fa
vour
may
he
fail,
A
nd, w
ishin
g, w
ant,
whe
n su
ch a
s I
prev
ail.
As f
or th
e fe
ar o
f ap
preh
ensio
n,
I kn
ow, i
f nee
d sh
ould
be,
my
nobl
e lo
rd
Will
stan
d be
twee
n m
e an
d en
suin
g ha
rms;
Be
sides
, thi
s pl
ace
is fr
ee fr
om a
ll su
spec
t. H
ere
ther
efor
e w
ill I
stay
and
take
my
stand
.
Enter
the
WAT
CH
1 W
ATCH
I
won
der
muc
h to
wha
t int
ent i
t is
Tha
t we
are
thus
expr
essly
cha
rged
to w
atch
. 2
WAT
CH
'Tis
by
com
man
dmen
t in
the
king
's ow
n na
me.
3
WAT
CH
But
we
wer
e ne
ver w
ont t
o w
atch
and
war
d So
nea
r the
duk
e hi
s br
othe
r's h
ouse
bef
ore.
end.
11 9
slave
s 'm
ean,
wor
thle
ss fe
llow
s 1
hold
be
true
, fun
ctio
n pr
oper
ly
2 ho
ld o
n co
ntin
ue, b
e co
nsis
tent
4
let m
e sh
ifi le
ave
it to
me
7 is
posse
ssed
ther
eof a
ctua
lly h
as th
e go
ld in
his
gras
p 10
fai
l be
unsu
cces
sful
, fal
l int
o po
vert
y 15
sus
pect
susp
icio
n 20
wat
ch a
nd w
ard
patr
ol. k
eep
guar
d. 'O
rigi
nally
par
t of
the
lega
l de
finiti
on o
f th
e du
ties
of a
sent
inel
' (Ed
war
ds)
THE
SPA
NIS
H T
RA
GED
Y
2 W
ATCH
C
onte
nt y
ours
elf,
stan
d cl
ose,
ther
e's s
omew
hat i
n't.
SERB
ERIN
E H
ere,
Ser
berin
e, a
ttend
and
stay
thy
pace
, Fo
r her
e di
d D
on L
oren
zo's
page
app
oint
T
hat t
hou
by h
is c
omm
and
shou
ldst
mee
t with
him.
How
fit a
pla
ce, i
f on
e w
ere s
o di
spos
ed,
Met
hink
s thi
s cor
ner i
s, to
clo
se w
ith o
ne.
PED
RIN
GA
NO
H
ere
com
es th
e bi
rd th
at I
mus
t sei
ze u
pon;
N
ow, P
edrin
gano
, or n
ever
, pla
y th
e m
an!
SERB
ERIN
E I w
onde
r tha
t his
lord
ship
stay
s so
long
, O
r whe
refo
re sh
ould
he
send
for m
e so
late
? PW
RIN
GA
NO
Fo
r thi
s, Se
rber
ine,
and
thou
sha
lt ha
't.
Shoo
ts th
e da
g So
, the
re h
e lie
s, m
y pr
omise
is p
erfo
rmed
. Th
e W
ATCH
1 W
ATCH
H
ark
gent
lem
en, t
his i
s a
pisto
l sho
t. .
2 W
ATCH
A
nd h
ere's
one
slai
n; s
tay
the
mur
dere
r. PE
DR
ING
AN
O
Now
by
the
sorro
ws o
f th
e so
uls
in h
ell,
He
strive
s with
the
WAT
CH
Who
firs
t lay
s han
d on
me,
I'll
b; hi
s pr
iest.
3
WAT
CH
Sirr
ah, c
onfe
ss, a
nd th
erei
n pl
ay th
e pr
iest
; W
hy h
ast t
hou
thus
unk
indl
y ki
lled
the
man
? PE
DRIN
GAN
O
Why
? bec
ause
he
wal
ked
abro
ad s
o la
te.
j 1
, ,
22 c
lose
conc
eale
d 23
sta
y th
y pa
ce c
ease
wal
king
27
clos
e ru
ith g
rapp
le w
ith, a
ttack
at
clos
e qu
arte
rs (O
.E.D
., v,
13)
32
s.d
. dug
a h
eavy
pist
ol
35 s
tay
arre
st 37
I'll
be
his p
ieest
i.e. I
'll b
e th
ere a
t his
dea
th;
I'U m
ake
an e
nd o
f hi
m
39 u
nkin
dly
inhu
man
ly, a
gain
st na
ture
40
abr
oad
out o
f do
ors
60
TH
OM
AS
KY
D
[~c
r 111
3 W
ATCH
Co
me
sir,
you
had
been
bet
ter
kept
you
r be
d,
Tha
n ha
ve c
omm
itted
this
misd
eed
so la
te.
2 W
ATCH
Co
me,
to th
e m
arsh
al's
with
the
mur
dere
r!
1 W
ATCH
O
n to
Hie
roni
mo'
sl he
lp m
e he
re
To
brin
g th
e m
urde
red
body
with
us
too.
PE
DR
ING
AN
O
Hie
roni
mo?
carry
me
befo
re w
hom
you
will
, W
hate
'er h
e be
I'll
answ
er h
im a
nd y
ou.
And
do
your
wor
st, fo
r I
defy
you
all.
Ex
eunt
Act
111, Sc
ene
iv
Enter
LO
RENZ
O an
d BA
LTH
AZA
R
BALT
HAZ
AR
How
now
, my
lord
, wha
t mak
es y
ou ri
se so
soon
? LO
RENZ
O
Fear
of
prev
entin
g ou
r m
ishap
s to
o la
te.
BALT
HAZ
AR
Wha
t misc
hief
is it
that
we
not m
istru
st?
LORE
NZO
O
ur g
reat
est i
lls w
e le
ast m
istru
st, m
y lo
rd,
And
inex
pect
ed h
arm
s do
hur
t us
mos
t. BA
LTH
AZAR
W
hv te
ll m
e D
on L
oren
zo, t
ell m
e m
an,
. - -
-J
If au
ght c
once
rns
our
hono
ur a
nd y
our o
wn.
LO
RENZ
O
Nor
you
nor
me,
my
lord
, but
bot
h in
one
; Fo
r I
susp
ect,
and
the
pres
umpt
ion'
s gr
eat,
That
by
thos
e ba
se c
onfe
dera
tes
in o
ur fa
ult
10
Touc
hing
the
deat
h of
Don
Hor
atio
, W
e ar
e be
traye
d to
old
Hie
roni
mo.
BA
LTH
AZAR
Be
traye
d, L
oren
zo?
tush
, it c
anno
t be.
LO
RENZ
O
A g
uilty
con
scie
nce,
urg
ed w
ith th
e th
ough
t 43
Com
e, e
d. (C
ome
1592
) 2
prev
entin
g fo
rest
allin
g 3
mist
rust
'sus
pect
the
exist
ence
of
or a
ntic
ipat
e th
e oc
curr
ence
of
[som
ethi
ng e
vil]'
(O.E
.D., v
, 3)
5 in
expe
cted
ed.
(in
expe
cted
159
2)
10 c
onfe
dera
tes i
n ou
r fa
ult p
artn
ers
in c
rim
e
SCEN
E IV
] T
HE
SPA
NIS
H T
RA
GED
Y
61
Of f
orm
er e
vils,
eas
ily c
anno
t err
: I a
m p
ersu
aded
, and
diss
uade
me
not,
That
all'
s re
veal
ed to
Hie
roni
mo.
A
nd th
eref
ore
know
that
I ha
ve c
ast i
t thu
s-
[Ent
er P
AGE]
But h
ere's
the
pag
e. H
ow n
ow, w
hat n
ews
with
thee
? PA
GE My
lord
, Ser
berin
e is
slain
. BA
LTH
AZAR
W
ho? S
erbe
rine,
my
man
? PA
GE You
r hig
hnes
s' m
an, m
y lo
rd.
LORE
NZO
Sp
eak
page
, who
mur
dere
d hi
m?
PAG
E He
that
is a
ppre
hend
ed f
or th
e fa
ct.
LORE
NZO
W
ho?
PAG
E Pedr
inga
no.
BALT
HAZ
AR
Is S
erbe
rine
slain
, tha
t lov
ed h
is lo
rd s
o w
ell?
In
jurio
us v
illai
n, m
urde
rer o
f hi
s fr
iend
! LO
RENZ
O
Hat
h Pe
drin
gano
mur
dere
d Se
rber
ine?
M
y lo
rd, l
et m
e en
treat
you
to ta
ke th
e pa
ins
To
exas
pera
te a
nd h
aste
n hi
s re
veng
e W
ith y
our c
ompl
aint
s un
to m
y lo
rd th
e ki
ng.
This
thei
r di
ssen
sion
bree
ds a
gre
ater
dou
bt.
BALT
HAZ
AR
Ass
ure
thee
, Don
Lor
enzo
, he
shal
l die
, O
r else
his
high
ness
har
dly
shal
l den
y.
Mea
nwhi
le I
'll h
aste
the
Mar
shal
-Ses
sions
, Fo
r di
e he
shal
l for
this
his
dam
ned
deed
. Ex
it BA
LTH
AZA
R
18 c
ast i
t th
us la
id th
ese
plan
s 24
fac
t dee
d, c
rim
e 31
exa
sper
ate
mak
e ha
rshe
r 32
com
plai
nts o
utcr
ies,
stat
emen
ts o
f gri
evan
ce
33 d
oubt
fea
r 35
har
dly
shal
l de
ny e
ither
'ref
use
only
with
diff
icul
ty' o
r (a
s Ed
- w
ards
sugg
ests
) 'sh
ow h
arsh
ness
in d
enyi
ng m
e'
TST-
4 **
uA
'I'
HO
MA
S K
YD
[A
CT
111
LORE
NZO
W
hy so
, thi
s fits
our
form
er p
olic
y,
And
thus
exp
erie
nce
bids
the
wise
to d
eal:
I lay
the
plot
, he
pros
ecut
es th
e po
int;
40
I set
the
trap,
he
brea
ks th
e w
orth
less
twig
s, A
nd s
ees
not t
hat w
here
with
the
bird
was
lim
ed.
Thu
s ho
pefu
l men
, tha
t mea
n to
hol
d th
eir o
wn,
M
ust l
ook
like
fow
lers
to th
eir d
eare
st fr
iend
s. H
e ru
ns to
kill
who
m I
hav
e ho
lp to
cat
ch,
45
And
no
man
kno
ws i
t was
my
reac
hing
fatc
h.
'Tis
har
d to
trus
t unt
o a
mul
titud
e.
Or
anyo
ne, i
n m
ine
opin
ion,
W
hen
men
them
selv
es- th
eir s
ecre
ts w
ill re
veal
. En
ter a
MES
SEN
GER
with
a le
tter
Boy!
PA
GE
50
My
lord
? LO
REN
20
Wha
t's h
e?
MES
SEN
GER
I
have
a le
tter
to y
our l
ords
hip.
LO
RENZ
O
From
whe
nce?
M
ESSE
NG
ER
From
Ped
ringa
no th
at's
impr
isone
d.
LORE
NZO
So
he
is in
pris
on th
en?
MES
SEN
GER
Ay,
my
good
lord
. LO
RENZ
O
Wha
t wou
ld h
e w
ith u
s? H
e w
rites
us
here
55
,
To
stan
d go
od lo
rd a
nd h
elp
him
in d
istre
ss.
Tell
him
I ha
ve h
is le
tters
, kno
w h
is m
ind,
A
nd w
hat w
e m
ay, l
et h
im a
ssur
e hi
m o
f. Fe
llow
, beg
one:
my
boy
shal
l fol
low
thee
. Ex
it M
ESSE
NGER
40 p
rose
cutes
the
poin
t bri
ngs a
bout
the g
oal a
imed
at
42 l
imed
cau
ght i
n bi
rd-li
me
45 h
olp h
elpe
d 46
rea
chin
g pe
netr
atin
g, d
esig
ning
46
fat
ch st
rata
gem
(equ
als '
fetc
h', 0.E.D ,
sb.1
, 2)
55-6
line
atio
n ed
. (W
hat. . . v
s? / H
e. . . d
istre
s. 15
92)
56 s
tand
goo
d lo
rd a
ct a
s go
od lo
rd a
nd p
rote
ctor
38-4
9 an
othe
r ty
pica
l sp
eech
of
Mac
hiav
ellia
n 'p
olic
y',
whe
re t
he m
ain
aim
was
to
man
ipul
ate
othe
rs.
THE S
PAN
ISH
TR
AG
EDY
Th
is w
orks
like
wax
; yet
onc
e m
ore
try
thy
wits
. Bo
y, g
o co
nvey
this
pur
se to
Ped
ringa
no,
Thou
kno
wes
t the
pris
on, c
lose
ly g
ive
it hi
m,
And
be
advi
sed
that
non
e be
ther
e ab
out.
Bid
him
be
mer
ry st
ill, b
ut se
cret
; A
nd th
ough
the
Mar
shal
-Ses
sions
be
toda
y,
Bid
him
not
dou
bt o
f hi
s de
liver
y.
Tell
him
his
pard
on is
alre
ady
sign
ed,
And
ther
eon
bid
him
bol
dly
be re
solv
ed;
For,
wer
e he
read
y to
be
turn
ed o
ff (A
s 'ti
s m
y w
ill th
e ut
term
ost b
e tri
ed)
Thou
with
his
pard
on s
halt
atte
nd h
im st
ill.
Show
him
this
box
, tel
l him
his
pard
on's
in't,
B
ut o
pen'
t no
t, an
d if
thou
lov's
t th
y lif
e,
But
let h
im w
isely
kee
p hi
s ho
pes
unkn
own;
H
e sh
all n
ot w
ant w
hile
Don
Lar
enzo
live
s. A
way
! PA
GE
I go
my
lord
, I ru
n.
LORE
NZO
B
ut s
irrah
, see
that
this
be
clea
nly
done
. N
ow s
tand
s our
fortu
ne o
n a
tickl
e po
int,
And
now
or n
ever
end
s Lo
renz
o's
doub
ts.
One
onl
y th
ing
is un
effe
cted
yet
, A
nd th
at's
to se
e th
e ex
ecut
ione
r. B
ut to
wha
t end
? I
list n
ot tr
ust t
he a
ir W
ith u
ttera
nce
of ou
r pre
tenc
e th
erei
n,
For f
ear t
he p
rivy
whi
sper
ing
of t
he w
ind
Conv
ey o
ur w
ords
am
ongs
t unf
riend
ly e
ars,
Tha
t lie
too
open
to a
dvan
tage
s. E
quel
che
vogl
io io
, nes
sun
lo sa
, In
tend
o io:
que
l mi b
aste
d.
Exit
60 w
orks
like
wax
follo
ws m
y de
sign
(as
wax
is ea
sily
mou
lded
and
fo
rmed
) 62
clo
sely
secr
etly
63
be
advi
sed
take
car
e 68
bol
dly
be r
esol
ved
feel
com
plet
ely
assu
red
69 t
urne
d off
han
ged
(the
priso
ner
is 'tu
rned
off'
the
sup
port
he
stan
ds o
n an
d so
han
ged;
see
111,
vi, 1
04 s
.d.)
73 a
nd if
if
75-6
line
atio
n ed
. (on
e lin
e 15
92)
77 c
lean
ly e
ffici
ently
78
tic
kle
prec
ario
us, f
inel
y-ba
lanc
ed
79 d
oubt
s fe
ars
82 l
ist n
ot h
ave
no w
ish t
o 83
pre
tence
des
ign,
inte
ntio
n 86
adv
anta
ges
taki
ng a
dvan
tage
, get
ting
the
uppe
r ha
nd
87-8
E qu
el . . .
baster
d ed
. (E
t que
l que
vog
lio I
i nes
sun
le sa
./Int
endo
io
quel
mi
bass
ara.
159
2) 'A
nd w
hat
I w
ish,
no o
ne k
now
s; I
un
ders
tand
, tha
t suf
fices
me'
Ejn't
PA
GE
64
TH
OM
AS
KY
D
[AC
T III
Act
111,
Scen
e v
Enter
BO
Y w
ith th
e bo
x PA
GE My
mas
ter h
ath
forb
idde
n m
e to
look
in th
is b
ox, a
nd b
y m
y tro
th 't
is li
kely
, if
he h
ad n
ot w
arne
d m
e, I
shou
ld n
ot h
ave
had
so m
uch
idle
tim
e; fo
r we m
en's -
kind
in o
ur m
inor
ity a
re
like
wom
en i
n th
eir
unce
rtain
ty:
that
the
y ar
e m
ost
for -
bi
dden
, the
y w
ill s
oone
st at
tem
pt.
So I
now
. By
my
bare
5
hone
sty, h
ere's
not
hing
but
the
bare
em
pty
box.
Wer
e it n
ot
sin
agai
nst s
ecre
cy, I
wou
ld sa
y it
wer
e a p
iece
of g
entle
man
- lik
e kn
aver
y. I
mus
t go
to
Pedr
inga
no,
and
tell
him
his
pard
on is
in th
is b
ox; n
ay, I
wou
ld h
ave s
wor
n it,
had
I n
ot
seen
the
cont
rary
. I
cann
ot c
hoos
e bu
t sm
ile to
thin
k ho
w
10
the
villa
in w
ill f
lout
the
gal
l~w
s, sc
orn
the
audi
ence
, and
de
scan
t on
the
hang
man
, and
all
pres
umin
g of
his
pard
on
from
hen
ce. W
ill't
not b
e an
odd
jest,
for
me
to st
and
and
grac
e ev
ery
jest
he m
akes
, poi
ntin
g m
y fin
ger a
t thi
s bo
x, a
s w
ho w
ould
say
, 'M
ock
on,
here
's th
y w
arra
nt'.
Is't
not
a 15
scur
vy j
est t
hat
atm
an sh
ould
jes
t hi
mse
lf to
dea
th?
Ala
s, po
or P
edrin
gano
, I a
m in
a so
rt so
rry
for t
hee,
but
if I
shou
ld
be h
ange
d w
ith th
ee, I
can
not w
eep.
Ex
it
Act
III, S
cene
vi
Enter
HIE
RO
NIM
O a
nd th
e D
EPU
TY
HIE
RO
NIM
O
Thu
s m
ust w
e to
il in
oth
er m
en's
extre
mes
, T
hat k
now
not
how
to re
med
y ou
r ow
n;
And
do
them
justi
ce, w
hen
unju
stly
we,
1 s.
p. PAG
E e
d. !?
tot i
n 15
92)
3 m
inor
ity w
hile
stil
l boy
s 4
unce
rtain
ty f
earf
ulne
ss
11 p
out
jest
at
12 d
esca
nt o
n ho
ld fo
rth
abou
t 16
scu
rvy
bitt
er, b
ase
1 s.
d. DEPUTY 't
he o
ffici
al
title
of
the
assis
tant
to
the
Kni
ght
Mar
shal
' (E
dwar
ds)
1 ex
trem
es d
iffic
ultie
s, ha
rdsh
ips
- 1 ff.
Thi
s sp
eech
, and
that
at
111,
vii,
10 ff
., is
cruc
ial t
o an
und
erst
andi
ng
of H
iero
nim
o's
outlo
ok a
t th
is s
tage
in t
he p
lay.
Bot
h sp
eech
es s
how
, ag
ains
t ho
stile
cri
tics,
Hie
roni
mo'
s de
ep c
once
rn f
or j
ustic
e (a
nd n
ot
mer
ely
veng
eanc
e), t
oget
her
with
his
frus
trat
ion
at H
eave
n's
appa
rent
de
afne
ss.
SCEN
E V
I]
TH
E S
PAN
ISH
TR
AG
ED
Y
65
For a
ll ou
r w
rong
s, ca
n co
mpa
ss n
o re
dres
s. Bu
t sha
ll I
neve
r liv
e to
see
the
day
5 Th
at I
may
com
e, b
y ju
stice
of
the
heav
ens,
To
know
the
caus
e th
at m
ay m
y ca
res a
llay?
Th
is to
ils m
y bo
dy, t
his c
onsu
met
h ag
e, T
hat o
nly
I to
all m
en ju
st m
ust b
e,
And
nei
ther
god
s no
r m
en b
e ju
st to
mc.
10
D
EPU
TY
Wor
thy
Hie
roni
mo,
you
r offi
ce as
ks
A c
are
to p
unish
suc
h as
do
trans
gres
s. H
IER
ON
IMO
So
is't
my
duty
to r
egar
d hi
s de
ath
Who
whe
n he
live
d de
serv
ed m
y de
ares
t blo
od.
But c
ome,
for
that
we
cam
e fo
r, le
t's b
egin
, Fo
r he
re li
es th
at w
hich
bid
s m
e to
be
gone
. En
ter O
FFIC
ERS,
BOY
, and
PED
RIN
GA
NO
, with
a le
tter i
n his
han
d,
boun
d D
EPU
TY
Brin
g fo
rth
the
priso
ner,
for
the
cour
t is s
et.
PED
RIN
GA
NO
G
rarn
ercy
, boy
, but
it w
as ti
me
to c
ome;
Fo
r I
had
writ
ten
to m
y lo
rd a
new
A
nea
rer
mat
ter t
hat c
once
rnet
h hi
m,
For f
ear
his l
ords
hip
had
forg
otte
n m
e.
But s
ith h
e ha
th r
emem
bere
d m
e so
well
- Co
me,
com
e, c
ome
on, w
hen
shal
l we
to th
is g
ear?
H
IER
ON
IMO
St
and
forth
, tho
u m
onste
r, m
urde
rer
of m
en,
And
her
e, fo
r sat
isfac
tion
of th
e w
orld
, Co
nfes
s thy
folly
and
repe
nt th
y fa
ult,
For
ther
e's th
y pl
ace o
f ex
ecut
ion.
7 kn
ow th
e ca
use
expe
rien
ce th
e ci
rcum
stan
ce
8 to
ils b
urde
ns
8 co
mm
eth
age
wea
rs o
ut m
y lif
e 13
reg
ard
care
abo
ut, c
once
rn m
ysel
f w
ith
14 d
eser
ved
mer
ited
my
spill
ing
15 e
d. (
But
com
e, fo
r th
at w
e ca
me
for
lets
beg
in, 1
592)
18
Gra
mer
cy a
n ex
clam
atio
n of
rel
ief
20 n
eare
r of g
reat
er c
once
rn, m
ore
seri
ous
23 n
ear b
usin
ess
25 f
or sa
tisfa
ctio
n of
to c
onvi
nce,
dem
onst
rate
to
16 h
ere
Hie
roni
mo
touc
hes
his
head
or
hear
t. O
r po
ssib
ly (a
s Bo
as th
inks
) he
ref
ers t
o th
e bl
oody
han
dker
cher
.
66
THO
MA
S K
YD
[A
CT
III
PED
RIN
GA
NO
Th
is is
sho
rt w
ork!
Wel
l, to
you
r m
arsh
alsh
ip
Firs
t I c
onfe
ss, n
or fe
ar I
deat
h th
eref
ore,
I
am th
e m
an, '
twas
I s
lew
Ser
berin
e.
3 0
But s
ir, th
en y
ou th
ink
this
shal
l be
the
plac
e W
here
we
shal
l sat
isfy
you
for t
his
gear
? D
EPU
TY
Ay,
Ped
ringa
no.
PED
RIN
GAN
O
NO
W I
thin
k no
t so.
H
IER
ON
IMO
Pe
ace,
impu
dent
, for
thou
sha
lt fin
d it
so:
For
bloo
d w
ith b
lood
sha
ll, w
hile
I si
t as
judg
e,
3 5
Be s
atisf
ied,
and
the
law
disc
harg
ed.
And
thou
gh m
ysel
f can
not r
ecei
ve th
e lik
e, Y
et w
ill I
see
that
oth
ers
have
thei
r rig
ht.
Des
patc
h, t
he fa
ult's
app
rove
d an
d co
nfes
sed,
A
nd b
y ou
r law
he
is c
onde
mne
d to
die
. 40
HA
NG
MA
N
Com
e on
sir,
are
you
read
y?
PED
RM
GA
NO
T
o do
wha
t, m
y fin
e of
ficio
us k
nave
? H
AN
GM
AN
T
o go
to th
is g
ear.
PED
RIN
GA
NO
0 s
ir, y
ou a
re to
o fo
rwar
d; t
hou
wou
ldst
fai
n fu
rnis
h m
e w
ith a
hal
ter,
to d
isfu
rnis
h m
e of
my
habi
t. So
I sh
ould
go
45
out o
f th
is g
ear,
my
raim
ent,
into
that
gea
r, th
e ro
pe. B
ut,
hang
man
, now
I s
py y
our
knav
ery,
I'll
not
cha
nge
with
out
boot
, tha
t's f
lat.
HA
NG
MA
N
Com
e si
r. PE
DR
ING
AN
O
So th
en, I
mus
t up?
50
29
the
refo
re 't
here
for'
may
be
the
corr
ect r
eadi
ng
32 g
ear
actio
n, b
ehav
iour
39
app
rovb
d pr
oved
, sho
wn
open
ly
43 t
his g
ear
i.e. h
angi
ng
44 f
orwa
rd p
resu
mpt
uous
4-4
-8 pr
ose
ed. (0 sir
. . . h
abit.
I So
, . .
rope
. 1 Bu
t . . .
flat.
1592
) 45
hab
it cl
othe
s 47
-8 w
ithou
t bo
ot w
ithou
t co
mpe
nsat
ion,
with
out
som
e am
ends
(O
.E.D
., sb
. 19)
45
disf
urni
sh m
e of
my
habi
t Ped
ring
ano
refe
rs to
the
cus
tom
of g
ivin
g th
e ha
ngm
an h
is vi
ctim
's cl
othe
s.
1 SC
EXE
VI]
TH
E S
PAN
ISH
TR
AG
EDY
i H
AN
GM
AN
N
o re
med
y.
PED
RIN
GA
NO
Y
es, b
ut th
ere
shal
l be
for
my
com
ing
dow
n.
, H
AN
GM
AN
In
deed
, her
e's a
rem
edy
for t
hat.
PED
RIN
GA
NO
H
ow? b
e tu
rned
off
? H
AN
GM
AN
A
y, t
ruly
; co
me,
are
you
rea
dy?
I pr
ay, s
ir, d
espa
tch,
the
55
da
y go
es aw
ay.
PED
RIN
GA
NO
W
hat,
do y
ou h
ang
by th
e ho
ur? I
f yo
u do
, I m
ay c
hanc
e to
br
eak
your
old
cus
tom
. H
ANG
lMAN
Fa
ith, y
ou h
ave
reas
on, f
or I
am
like
to b
reak
you
r yo
ung
neck
. 60
PE
DR
ING
AN
O
Dos
t tho
u in
ock
me,
han
gman
? Pra
y G
od I
be n
ot p
rese
rved
to
bre
ak y
our k
nave
's pa
te fo
r th
is.
HA
NG
MA
N
,41as
, sir,
you
are
a fo
ot to
o lo
w to
reac
h it,
and
I ho
pe y
ou
will
nev
er g
row
so h
igh
whi
le I
am in
the
offi
ce.
PED
RIN
GA
NO
Si
rrah
, dos
t see
yon
der
boy
with
the
box
in h
is h
and?
H
AN
GM
AN
W
hat,
he th
at p
oint
s to
it w
ith h
is fin
ger?
PE
DR
ING
AN
O
Ay,
that
com
pani
on.
HA
NG
MA
N
I kno
w h
im n
ot, b
ut w
hat o
f hi
m?
PED
RIN
GA
NO
D
ost t
hou
thin
k to
live
till
his
old
doub
let w
ill m
ake
thee
a
new
trus
s?
70
HA
NG
MA
N
Ay,
and
man
y a
fair
year
afte
r, to
trus
s up
man
y an
hon
este
r m
an th
an e
ither
thou
or h
e.
54 t
urne
d off
be
thru
st o
ff th
e su
ppor
t and
so
hang
55
des
patc
h w
ork
quic
kly
55-6
as p
rose
ed.
(I . .
. read
y I I
. . . a
way
. 159
2)
57 b
y th
e ho
ur a
t set
tim
es
67 c
ompa
tzion
fello
w
70 t
russ
a cl
ose-
fittin
g jac
ket (
O.E
.D., s
b. 3
a); t
o 'tr
uss u
p' (1
.71)
is to
ha
ng
68
THO
MA
S K
YD
[A
CT
III
PED
RIN
GA
NO
W
hat h
ath
he in
his
box,
as
thou
thin
k'st
? H
AN
GM
AN
Fa
ith, I
can
not t
ell,
nor
I ca
re n
ot g
reat
ly. M
ethi
nks
you
shou
ld r
athe
r he
arke
n to
you
r sou
l's h
ealth
. 75
PE
DR
ING
AN
O
Why
, sirr
ah h
angm
an, I
take
it th
at th
at is
goo
d fo
r the
bod
y is
likew
ise g
ood
for
the
soul
; and
it m
ay b
e, in
that
box
is
balm
for
both
. H
AN
GM
AN
W
ell,
thou
art
even
the
mer
riest
piec
e of
man
's fle
sh th
at
e'er
groa
ned
at m
y of
fice
door
. 80
PE
DR
ING
AN
O
Is y
our
rogu
ery
beco
me
an 'o
ffice
' w
ith a
kna
ve's
nam
e?
HA
NG
MA
N
Ay,
and
that
shal
l all
they
witn
ess t
hat s
ee y
ou se
al it
with
a
thie
f's n
ame.
PE
DR
ING
AN
O
I pr
ithee
, req
uest
this
goo
d co
mpa
ny to
pra
y w
ith m
e. H
AN
GM
AN
Ay
mar
ry s
ir, t
his
is a
goo
d m
otio
n; m
y m
aste
rs, y
ou s
ee
85
here
's a
good
fello
w.
PED
RIN
GA
NO
N
ay, n
ay, n
ow I
rem
embe
r me,
let t
hem
alo
ne ti
ll so
me o
ther
tim
e, fo
r now
I ha
ve n
o gr
eat n
eed.
H
IWO
NIM
O
I ha
ve n
ot s
een
a w
retc
h so
impu
dent
! 0 m
onstr
ous
times
, whe
re m
urde
r's s
et s
o lig
ht;
90
And
whe
re th
e so
ul th
at sh
ould
be
shrin
ed in
hea
ven,
So
lely
del
ight
s in
inte
rdic
ted
thin
gs,
Still
wan
derin
g in
the
thor
ny p
assa
ges
Tha
t int
erce
pts
itsel
f of
happ
ines
s. M
urde
r, 0
blo
ody
mon
ster,
God
forb
id
95
A fa
ult s
o fo
ul sh
ould
'sca
pe u
npun
ishe
d.
75 h
eark
en to
car
e fo
r 74-5 a
s pr
ose
ed. (
Faith
. . .
grea
tly. /
Me
thin
ks . .
. hea
lth.
1592
) 85
mot
ion
sugg
estio
n, id
ea
93
Stil
l alw
avs.
for
ever
81 I
s yo
ur . .
. 'ofic
e' P
edri
ngan
o m
ocks
the
hign
-sou
ndin
g 'o
ffice
' us
ed t
o de
scri
be th
e ha
ngm
an's
low
-bor
n ('k
nave
's')
occu
patio
n.
94 E
dwar
ds e
xpla
ins '
whi
ch p
reve
nt it
(the
soul
) fro
m a
ttain
ing
happ
ines
s.'
A m
ore
natu
ral
cons
truc
tion
wou
ld a
rise
if 'T
hat'
wer
e a
mis
prin
t fo
r 'A
nd',
mak
ing
'soul
' th
e su
bjec
t of
'inte
rcep
ts';
ther
e ar
e, h
owev
er,
no g
roun
ds f
or e
men
datio
n.
SCENE V
I]
TH
E S
PAN
ISH
TR
AG
EDY
69
D
espa
tch
and
see
this
exec
utio
n do
ne-
This
mak
es m
e to
rem
embe
r the
e, m
y so
n. Ex
it H
IER
ON
IMO
PE
DR
ING
AN
O
Nay
soft,
no
haste
. D
EPU
TY
Why
, whe
refo
re st
ay y
ou? H
ave
you
hope
of
life?
PE
DR
ING
AN
O
Why
, aye
H
AN
GM
AN
A
s ho
w?
PED
RIN
GA
NO
W
hy, r
asca
l, by
my
pard
on fr
om th
e ki
ng.
HA
NG
MA
N
Stan
d yo
u on
that
? the
n yo
u sh
all o
ff w
ith th
is.
He
turn
him
08
DEP
UTY
So
, exe
cutio
ner.
Conv
ey h
im h
ence
, Bu
t let
his
body
be
unbu
ried :
Le
t not
the
earth
be
chok
ed o
r inf
ect
With
that
whi
ch h
eave
n co
ntem
ns, a
nd m
en n
egle
ct. Ex
eunt
Act
111, Scene
vii
Enter
HIE
RONI
MO
HLW
ON
IMO
W
here
shal
l I ru
n to
bre
athe
abr
oad
my
woe
s, M
y w
oes w
hose
wei
ght h
ath
wea
ried
the
earth
?
99 s
oft
wai
t a m
omen
t 10
4 St
and
you
on th
at?
Do
you
depe
nd o
n th
at?
The
han
gman
the
n re
fers
to th
e lit
eral
sen
se o
f 'st
and'
10
8 he
aven
ed.
(he
auen
s 15
92)
1 s.
p. H
IER
ON
IMO
ed.
(no
t in
1592
) 1
brea
the
abro
ad g
ive
expr
essi
on to
104
s.d.
The
pro
peq
whi
ch h
as a
lrea
dy d
one
duty
as
an a
rbou
r may
hav
e ag
ain
been
use
d he
re (
stri
pped
, pe
rhap
s, o
f its
lea
ves
and
bran
ches
) to
eff
ect t
his s
econ
d ha
ngin
g. B
ut se
e 11
, iv, 53
s.d.
and
not
e.
'
1-9
Hie
roni
mo'
s la
ngua
ge,
and
the
impl
ied
stag
e-ac
tion,
may
see
m
exag
gera
ted
and
over
-the
atri
cal
to m
odem
rea
ders
; th
e sp
eech
is,
ho
wev
er, v
ery
nice
ly c
alcu
late
d fo
r st
age-
deliv
ery
and
may
be
play
ed
with
res
trai
nt,
whi
le th
e w
ordi
ng v
ery
effe
ctiv
ely
conv
eys
Hie
roni
mo'
s to
tal p
reoc
cupa
tion
with
his
son
's de
ath.
iv
THOMAS KYD
[ACT
1x
1
Or m
ine
excl
aim
s, th
at h
ave
surc
harg
ed th
e ai
r W
ith c
ease
less
pla
ints
for m
y de
ceas
ed so
n?
The
blus
terin
g w
inds
, con
spiri
ng w
ith m
y w
ords
, 5
At m
y la
men
t hav
e m
oved
the
leaf
less
tree
s, D
isrob
ed t
he m
eado
ws o
f th
eir f
low
ered
gre
en,
Mad
e m
ount
ains
mar
sh w
ith s
prin
g -tid
es o
f my
tear
s, A
nd b
roke
n th
roug
h th
e br
azen
gat
es o
f he
ll.
Yet
stil
l tor
men
ted
is m
y to
rture
d so
ul
10
With
bro
ken
sighs
and
restl
ess p
assio
ns,
Tha
t win
ged
mou
nt, a
nd h
over
ing i
n th
e ai
r, Be
at a
t the
win
dow
s of
the
brig
htes
t hea
vens
, So
liciti
ng fo
r jus
tice
and
reve
nge;
B
ut th
ey a
re p
lace
d in
thos
e em
pyre
al h
eigh
ts,
15
Whe
re, c
ount
er-m
ured
with
wal
ls of
dia
mon
d,
I fin
d th
e pl
ace
impr
egna
ble;
and
they
Re
sist m
y w
oes,
and
give
my
wor
ds n
o wa
y. En
ter H
AN
GM
AN w
ith a
lette
r H
AN
GM
AN
0
lord
sir,
God
ble
ss y
ou si
r, th
e m
an s
ir,
Pete
rgad
e sir,
he
that
was
so fu
ll of
mer
ry c
once
its-
20
HIE
RO
NIM
O
Wel
l, w
hat o
f hi
m?
HA
NG
MA
N
0 lo
rd s
ir, h
e w
ent
the
wro
ng w
ay, t
he fe
llow
had
a f
air
com
miss
ion
to th
e co
ntra
ry. S
ir, h
ere
is hi
s pas
spor
t; I p
ray
you
sir,
we
have
don
e hi
m w
rong
. H
IER
ON
IMO
I
war
rant
thee
, giv
e it
me.
25
HA
NG
MA
N
You
will
sta
nd b
etw
een
the
gallo
ws a
nd m
e?
HIE
RO
NIM
O
AY
, aye
3
excl
aim
crie
s 11
pas
sions
suff
erin
gs, p
rote
stin
g cr
ies
15 e
mpy
real
of
the
high
est h
eave
n; t
he d
wel
ling-
plac
e of
God
16
cou
nter
-mur
ed h
avin
g tw
o w
alls
, one
with
in t
he o
ther
20
Pet
erga
de th
e ha
ngm
an's
bung
ling
atte
mpt
at
'Ped
ringa
no'
20 c
once
its ie
sts
a
-
22-3
fai
r com
miss
ion
prop
er w
ritte
n au
thor
ity
10-1
8 H
iero
nim
o's
sens
e of
thw
arte
d rig
ht, a
nd t
he a
ppar
ent
indi
ffer
ence
of
'th
e br
ight
est
heav
ens',
are
mai
n el
emen
ts in
our
sym
path
y fo
r hi
s ca
use.
His
stat
e of
min
d pr
edic
ts, i
f br
iefly
and
uns
ubtly
, the
baf
fled
and
thw
arte
d qu
estio
ning
of
Ham
let.
SCEN
E VI
I] TH
E SP
AN
ISH
TR
AG
EDY
p
HA
NG
MA
N
-
I th
ank
your
Lor
d W
orsh
ip.
Exit
HAN
GMAN
i' H
IER
ON
IMO
E
And
yet
, tho
ugh
som
ewha
t nea
rer
me
conc
erns
, d
I w
ill, t
o ea
se th
e gr
ief t
hat I
susta
in,
30
Take
truc
e w
ith so
rrow
whi
le I
read
on
this
. 'M
y lo
rd, I
writ
as
min
e ex
trem
es r
equi
red,
T
hat y
ou w
ould
labo
ur m
y de
liver
y;
If yo
u ne
glec
t, m
y lif
e is
des
pera
te,
And
in m
y de
ath
I sha
ll re
veal
the
troth
. Y
ou k
now
, my
lord
, I sl
ew h
im fo
r you
r sak
e;
And
as
conf
eder
ate
with
the
prin
ce a
nd y
ou,
Won
by
rew
ards
and
hop
eful
pro
misc
s, I h
olp
to m
urde
r D
on H
orat
io to
o.'
Hol
p he
to m
urde
r min
e H
orat
io?
And
act
ors i
n th
' acc
urse
d tra
gedy
W
ast t
hou,
Lor
enzo
, Bal
thaz
ar a
nd th
ou,
Of
who
m m
y so
n, m
y so
n de
serv
ed so
wel
l?
Wha
t hav
e I
hear
d, w
hat h
ave
min
e ey
es b
ehel
d?
0 sa
cred
hea
vens
, may
it c
ome
to p
ass
Tha
t suc
h a
mon
strou
s an
d de
teste
d de
ed,
So c
lose
ly sm
othe
red,
and
so lo
ng c
once
aled
, Sh
all t
hus
by th
is b
e ve
ngdd
or r
evea
led!
N
ow se
e I
wha
t I d
urst
not
then
sus
pekt
, T
hat B
el-im
peria
's le
tter w
as n
ot f
eign
ed.
Nor
feig
ned
she,
thou
gh fa
lsely
they
hav
e w
rong
ed
Both
her
, mys
elf,
Hor
atio
and
them
selv
es.
32 w
rit e
d. (
writ
e 15
92)
32 e
xtre
mes
ext
rem
e ~o
siti
on, pr
edic
amen
t 34
des
pera
te d
espa
ired
of, w
ithou
t ho
pe
37 a
s ed
. (w
as 1
592)
47
clo
sely
.mot
here
d ke
pt a
clo
se s
ecre
t
32 w
rit
The
pas
t te
nse
(see
tex
tual
glo
ss)
mus
t be
cor
rect
; Pe
drin
gallo
re
fers
to h
is p
revio
us le
tter.
37 a
s co
nfed
erat
e Edw
ards
's co
rrec
tion
('as'
for '
was
') gi
ves g
ood
sens
e an
d sy
ntax
; Jos
eph'
s re
tent
ion
of '
was
' on
the
gro
unds
tha
t thr
ee s
epar
ate
siat
emin
ts a
re i
nvol
ved
is po
ssib
le b
ut s
train
ed.
45 ff
. H
iero
nim
o ac
cept
s th
at c
oinc
iden
ces i
ndic
ate
Hea
ven'
s w
ish
to b
ring
abou
t ju
stic
e; a
wea
kene
d fo
rm o
f th
e m
edia
eval
bel
ief
in F
oq:tu
oe a
s G
od's
serv
ant.
5G1
was
not
feig
ned.
Nor
feig
ned
she
'He
is re
lieve
d of
two d
oubt
s [s
ee
111,
ii, 3
7-52
], w
heth
er o
r no
t Bel
-im
peria
real
ly w
rote
the
lette
r, ai
ld if
so
whe
ther
or n
ot sh
e w
as te
lling
the
trut
h.' (
McI
lwra
ith.)
72
THO
MA
S K
YD
[A
CT 1
11
Now
may
I m
ake
com
pare
, 'tw
ixt h
ers
and
this
, O
f eve
ry a
ccid
ent;
I ne
'er c
ould
find
Ti
ll no
w, a
nd n
ow I
feel
ingl
y pe
rcei
ve,
55
They
did
wha
t hea
ven
unpu
nish
ed w
ould
not
leav
e. 0 fa
lse L
oren
zo, a
re th
ese
thy
flatte
ring
look
s?
Is th
is th
e ho
nour
that
thou
did
st m
y so
n?
And
Bal
thaz
ar, b
ane
to th
y so
ul a
nd m
e,
Was
this
the
rans
om h
e re
serv
ed th
ee fo
r?
60
Woe
to th
e ca
use
of t
hese
con
stra
ined
war
s, W
oe to
thy
base
ness
and
cap
tivity
, W
oe to
thy
birth
, thy
bod
y an
d th
y so
ul,
Thy
cur
sed
fath
er, a
nd th
y co
nque
red
self!
A
nd b
anne
d w
ith b
itter
exe
crat
ions
be
65
The
day
and
pla
ce w
here
he
did
pity
thee
! B
ut w
here
fore
was
te I
min
e un
frui
tful w
ords
, W
hen
naug
ht b
ut b
lood
will
satis
fy m
y w
oes?
I
will
go
plai
n m
e to
my
lord
the
king
, A
nd c
ry a
loud
for
justi
ce th
roug
h th
e co
urt,
70
Wea
ring
the
flint
s w
ith th
ese
my
with
ered
feet
, A
nd e
ither
pur
chas
e ju
stice
by
entre
ats
Or t
ire
them
all
with
my
reve
ngin
g th
reat
s. Ex
it
Act
111
, Sce
ne v
iii
Enter
ISAB
ELLA
and
her
MA
ID
ISAB
ELLA
So
that
, you
say
, thi
s he
rb w
ill p
urge
the
eye,
A
nd th
is th
e he
ad?
54 a
ccid
ent;
ed.
(acc
iden
t, 15
92) h
appe
ning
, oc
curr
ence
(re
latin
g to
H
orat
io's
deat
h)
54 f
ind
unde
rsta
nd
55 fe
elin
gly
vivi
dly,
with
feel
ing
59 b
ane
pois
on, c
ause
of
ruin
61
con
stra
ined
forc
ed,
unne
cess
ary
65 b
anne
d cu
rsed
69
pla
it: c
ompl
ain,
ple
ad
1 pu
rge
clea
nse,
hea
l 2-
3 lin
eatio
n ed
. (on
e lin
e 15
92)
53-6
'Now
I c
an c
heck
on
evel
y ha
ppen
ing,
by
usin
g th
e tw
o le
tters
; I
coul
d ne
ver
be s
ure
till
now
- b
ut n
ow I
see
ver
y vi
vidl
y - th
at
they
com
mitt
ed
this
cri
me
whi
ch
Hea
ven
mus
t an
d w
ill p
unis
h.'
Edw
ards
, 1 ta
ke it
, is
corr
ect i
n ke
epin
g (a
nd g
ivin
g gr
eate
r w
eigh
t to
) 15
92's
stop
afte
r 'ac
cide
nt'.
69-7
3 H
iero
nim
o's
impu
lse
is
to s
eek
just
ice
thro
ugh
the
appr
oved
ch
anne
ls; o
nly
if he
is th
war
ted
will
he
take
mat
ters
into
his
ow
n ha
nds.
1-
5 T
hese
lin
es m
ay c
once
ivab
ly h
ave
sugg
este
d O
phel
ia's
flow
er-l
ore
in m
adne
ss.
SCEN
E V
III]
T
HE
SPA
NIS
H T
RA
GED
Y
73
Ah,
but
non
e of
the
m w
ill p
urge
the
hear
t: N
o, th
ere's
no
med
icin
e le
ft fo
r m
y di
seas
e,
Nor
any
phy
sic to
rec
ure
the
dead
. Sh
e ru
ns lu
natic
H
orat
io! 0, w
here
's H
orat
io?
MA
ID
Goo
d m
adam
, affr
ight
not
thus
you
rsel
f W
ith o
utra
ge fo
r you
r son
Hor
atio
: H
e sle
eps i
n qu
iet i
n th
e El
ysia
n fie
lds.
ISAB
ELLA
W
hy, d
id I
not g
ive
you
gow
ns a
nd g
oodl
y th
ings
, B
ough
t you
a w
histl
e an
d a
whi
psta
lk to
o,
To
be r
even
ged
on th
eir v
illai
nies
? M
AID
M
adam
, the
se h
umou
rs d
o to
rmen
t my
soul
. IS
ABEL
LA
My
soul
! po
or s
oul,
thou
talk
s of
thi
ngs
Tho
u kn
ow'st
not
wha
t-m
y so
ul h
ath
silve
r w
ings
, T
hat m
ount
s m
e up
unt
o th
e hi
ghes
t hea
vens
; T
o he
aven
, ay,
ther
e si
ts m
y H
orat
io,
Back
ed w
ith a
troo
p of
fier
y ch
erub
ins,
D
anci
ng a
bout
his
new
ly-h
eale
d w
ound
s, Si
ngin
g sw
eet h
ymns
and
cha
ntin
g he
aven
ly n
otes
, R
are
harm
ony
to g
reet
his
inno
cenc
e,
Tha
t die
d, a
y di
ed a
mirr
or in
our
day
s. B
ut sa
y, w
here
shal
l I fi
nd th
e m
en, t
he m
urde
rers
, T
hat s
lew
Hor
atio
? Whi
ther
shal
l I r
un
To
find
them
out
that
mur
dere
d m
y so
n?
Exeu
nt
5 re
cure
reco
ver,
rest
ore
to h
ealth
8
outra
ge o
utra
geou
s be
havi
our,
pass
ion
9 El
ysia
n fie
lds
the
plac
e of
the
ble
ssed
in
the
afte
rwor
ld
11 w
hips
talk
whi
p-ha
ndle
; use
d, p
resu
mab
ly, i
n a
child
's ga
me
13 h
umou
rs u
ncon
trol
led
fanc
ies
21 g
reet
hon
our
(not
, as
the
con
text
sho
ws,
'w
elco
me')
; Ed
war
ds
com
pare
s (O
.E.D
., 3e
) Spe
nser
's us
e of
the
wor
d to
mea
n 'to
off
er
cong
ratu
latio
ns'
22 m
irror
mod
el o
f ex
celle
nce
14-2
2 Is
abel
la's
lang
uage
her
e, p
erha
ps o
nly
to s
ecur
e pa
thos
, is
dist
inct
ly
Chr
istia
n in
its
desc
ript
ion
of t
he a
fter -
life,
in
cont
rast
to
the
Ver
gilia
n la
ngua
ge o
f m
ost
othe
r re
fere
nces
. Ed
war
ds h
as s
how
n th
at K
yd's
wri
ting
here
may
be
inde
bted
to
Tho
mas
Wat
son'
s el
egy
on W
alsi
ng-
ham
, pub
lishe
d in
159
0.
/ Y
TH
OM
AS
KY
D
[AC
~ 11
1
Act
111
, Sce
ne ix
BE
L-IM
PERI
A
at a
win
dow
BEL
-IM
PER
IA
Wha
t mea
ns th
is o
utra
ge th
at is
offe
red
me?
W
hy a
m I
thus
seq
uest
ered
from
the
cour
t?
No
notic
e? S
hall
I no
t kno
w th
e ca
use
Of
this
my
secr
et a
nd s
uspi
ciou
s ill
s?
Acc
urse
d br
othe
r, un
kind
mur
dere
r, 5
Why
ben
ds th
ou th
us th
y m
ind
to m
arty
r m
e?
Hie
roni
mo,
why
writ
I o
f th
y w
rong
s, O
r why
art
thou
so
slack
in th
y re
veng
e?
And
rea,
0 A
ndre
a, th
at th
ou s
awes
t M
e fo
r th
y fr
iend
Hor
atio
han
dled
thus
, 10
And
him
for
me
thus
cau
sele
ss m
urde
red.
W
ell,
forc
e pe
rforc
e, I
mus
t con
strai
n m
ysel
f T
o pa
tienc
e, a
nd a
pply
me
to th
e tim
e,
Till
heav
en, a
s I
have
hop
ed, s
hall
set m
e fre
e.
Enter
CH
RIST
OPH
IL
CH
RIS
TOPH
IL
Com
e, M
adam
Bel
-impe
ria, t
his
may
not
be.
Ex
eunt
15
Act
111
, Sce
ne x
En
ter L
OR
ENZO
, BA
LTH
AZA
R,
and
the
PAG
E
LOR
ENZO
Bo
y, ta
lk n
o fu
rther
, thu
s far
thin
gs g
o w
ell.
Thou
art
assu
red
that
thou
saw
est h
im d
ead?
PA
GE Or e
lse m
y lo
rd I
live
not.
LORE
NZO
Th
at's
enou
gh.
As f
or h
is re
solu
tion
in h
is en
d,
Leav
e th
at to
him
with
who
m h
e so
jour
ns n
ow.
5 H
ere,
take
my
ring
and
give
it C
hris
toph
il,
2 se
ques
tered
kep
t apa
rt, s
eclu
ded
3 N
o no
tice
kept
in i
gnor
ance
4
susp
iciou
s aro
usin
g su
spic
ion
5 un
kind
unn
atur
al
6 be
nds a
pplie
s 12
for
ce p
erfo
rce
of n
eces
sity
13
app
ly m
e to
the
time
acce
pt th
ings
as
they
are
4
reso
lutio
n co
urag
e
TH
E S
PAN
ISH
TR
AG
EDY
I A
nd b
id him l
et m
y sis
ter
be e
nlar
ged,
A
nd b
ring
her
hith
er s
traig
ht.
Exit
PAG
E F
Thi
s tha
t I d
id w
as fo
r a p
olic
y 1
To
smoo
th a
nd k
eep
the
mur
der
secr
et,
Whi
ch a
s a
nine
-day
s' w
onde
r be
ing
o'er
blow
n,
I M
y ge
ntle
siste
r w
ill I
now
enl
arge
. BA
LTH
AZA
R A
nd ti
me,
Lor
enzo
, for
my
lord
the
duke
, Y
ou h
eard
, enq
uire
d fo
r he
r ye
ster-
nigh
t. LO
REN
ZO
Why
, and
, my
lord
, I h
ope
you
hear
d m
e sa
y Su
ffici
ent r
easo
n w
hy s
he k
ept a
way
. B
ut th
at's
all o
ne. M
y lo
rd, y
ou lo
ve h
er?
BALT
HA
ZAR
AY
* LO
REN
ZO
The
n in
you
r lov
e be
war
e, d
eal c
unni
ngly
, Sa
lve
all s
uspi
cion
s; on
ly s
ooth
e m
e up
; A
nd if
she
hap
to st
and
on te
rms
with
us,
As f
or h
er s
wee
thea
rt, a
nd c
once
alm
ent s
o,
Jest
with
her
gen
tly:
unde
r fei
gned
jest
Are
thin
gs c
once
aled
that
else
wou
ld b
reed
unr
est.
But
her
e sh
e co
mes
. Enter
BEL
-IM
PERI
A
Now
, sist
er-
BEL-
IMPE
RIA
Sist
er? N
o!
Tho
u ar
t no
bro
ther
, but
an
enem
y, '
Else
wou
ldst
thou
not
hav
e us
ed th
y si
ster
so:
Fi
rst,
to a
ffrig
ht m
e w
ith th
y w
eapo
ns d
raw
n,
And
with
ext
rem
es a
buse
my
com
pany
; A
nd th
en to
hur
ry m
e, li
ke w
hirlw
ind'
s ra
ge,
Am
idst
a c
rew
of
thy
conf
eder
ates
, A
nd c
lap
me
up w
here
non
e m
ight
com
e at
me,
7 en
larg
ed s
et fr
ee
9 po
licy
stra
tage
m, c
unni
ng p
urpo
se
10 s
moo
th a
void
diff
icul
t con
sequ
ence
s 19
Sal
ve a
llay
19 s
ooth
e m
e up
agr
ee w
ith m
e 20
sta
nd o
n te
rm a
rgue
, pro
ve d
iffic
ult
24 N
ow e
d. (
Lor.
Now
159
2)
24-5
lin
eatio
n ed
. (B
ut . . .
comes
. / N
ow S
iste
r. /
Sist
er . . .
enem
y.
1592
) 28
ext
rem
es h
arsh
beh
avio
ur
31 c
lap
me
up lo
ck m
e up
, unc
erem
onio
usly
76
TH
OM
AS
KY
D
[ACT
11
1
Nor
I at
any
, to
reve
al m
y w
rong
s. W
hat m
addi
ng fu
ry d
id p
osse
ss th
y w
its?
Or
whe
rein
is't
that
I of
fend
ed th
ee?
LORE
NZO
A
dvis
e yo
u be
tter,
Bel
-im
peria
, 3 5
Fo
r I
have
don
e yo
u no
dis
para
gem
ent;
Unl
ess,
by
mor
e di
scre
tion
than
des
erve
d,
I sou
ght t
o sa
ve y
our
hono
ur a
nd m
ine
own.
BE
L-IM
PER
IA
Min
e ho
nour
! why
, Lor
enzo
, whe
rein
is't
Tha
t I n
egle
ct m
y re
puta
tion
so,
40
As
you,
or
any,
nee
d to
resc
ue it
? LO
RENZ
O
His
hig
hnes
s an
d m
y fa
ther
wer
e re
solv
ed
To
com
e co
nfer
with
old
Hie
roni
mo,
C
once
rnin
g ce
rtain
mat
ters
of
esta
te,
Tha
t by
the
vice
roy
was
det
erm
ined
. 45
BE
L-IM
PER
IA
And
whe
rein
was
min
e ho
nour
touc
hed
in th
at?
BALT
IIAZ
AR
Hav
e pa
tienc
e, B
el-i
mpe
ria;
hear
the
rest
. LO
RENZ
O
Me
next
in s
ight
as
mes
seng
er th
ey s
ent,
To
give
him
not
ice
that
they
wer
e so
nig
h:
Now
whe
n I c
ame,
con
sorte
d w
ith th
e pr
ince
, 5 0
A
nd u
nexp
ecte
d, in
an
arbo
ur th
ere,
Fo
und
Bel
-impe
ria w
ith H
orat
io-
BEL-
JMPE
RIA
H
ow th
en?
LORE
NZO
W
hy th
en, r
emem
berin
g th
at o
ld d
isgr
ace,
W
hich
you
for
Don
And
rea
had
endu
red,
55
A
nd n
ow w
ere
likel
y lo
nger
to
sust
ain,
36 d
ispar
agem
ent d
isho
nour
, hum
iliat
ion
48 n
ext i
n sig
ht s
tand
ing
near
by
37 '
unle
ss i
t w
ere
that
, sh
owin
g m
ore
conc
ern
and
fore
sigh
t th
an y
ou
dese
rved
. . . '
44-5
Edw
ards
, citi
ng O
.E.D
., ex
plai
ns:
'con
cern
ing
cert
ain
mat
ters
abo
ut
poss
essi
ons
whi
ch t
he
vice
roy
had
give
n up
.' 'd
eter
min
ed'
mig
ht,
how
ever
, m
ean
mor
e si
mpl
y 'd
ecid
ed'
or '
spec
ified
', an
d 'm
atte
rs o
f es
tate
' mig
ht m
ean
'mat
ters
of i
mpo
rtan
ce',
'sta
te-m
atte
rs'.
54 t
hat o
ld d
isgra
ce S
ee I
, i, 1
0-11
and
not
e.
SCE
NE
X]
TH
E S
PAN
ISH
TR
AG
ED
Y
77
By b
eing
foun
d so
mea
nly
acco
mpa
nied
, Th
ough
t ra
ther
, for
I k
new
no
read
ier m
ean,
T
o th
rust
Hor
atio
fort
h m
y fa
ther
's w
ay.
BALT
HAZ
AR
And
car
ry y
ou o
bscu
rely
som
ewhe
re e
lse,
60
Lest
that
his
hig
hnes
s sh
ould
hav
e fo
und
you
ther
e.
BEL-
IMPE
RIA
Ev
en so
, my
lord
? A
nd y
ou a
re w
itnes
s T
hat t
his
is tr
ue w
hich
he
entr
eate
th o
f?
You
, gen
tle b
roth
er, f
orge
dthi
s fo
r m
y sa
ke,
And
you
, my
lord
, wer
e m
ade
his
inst
rum
ent:
65
A w
ork
of w
orth
, wor
thy
the
notin
g to
o!
But
wha
t's t
he c
ause
that
you
con
ceal
ed m
e si
nce?
LO
RENZ
O
You
r mel
anch
oly,
sis
ter,
sinc
e th
e ne
ws
Of
your
firs
t fav
ourit
e D
on A
ndre
a's d
eath
, M
y fia
ther
's ol
d w
rath
hat
h ex
aspe
rate
. BA
LTH
AZAR
A
nd b
ette
r w
as't
for y
ou, b
eing
in d
isgr
ace,
T
o ab
sent
you
rsel
f, an
d gi
ve h
is fu
ry p
lace
. BE
L-IM
PER
IA
But
why
had
I n
o no
tice
of h
is ir
e?
LORE
NZO
T
hat w
ere
to a
dd m
ore
fuel
to y
our f
ire,
Who
bur
nt li
ke A
etna
for
And
rea's
loss
. BE
L-IM
PER
IA
Hat
h no
t my
fath
er th
en e
nqui
red
for
me?
LO
RENZ
O
Sist
er, h
e ha
th, a
nd th
us e
xcus
ed I
thee
. H
e wh
isper
eth
in h
er e
ar
But
, Bel
-impe
ria, s
ee th
e ge
ntle
pri
nce;
Lo
ok o
n th
y lo
ve, b
ehol
d yo
ung
Bal
thaz
ar,
Who
se p
assi
ons
by th
y pr
esen
ce a
re in
crea
sed;
80
And
in
who
se m
elan
chol
y th
ou m
ay'st
see
T
hy h
ate,
his
love
; thy
flig
ht, h
is fo
llow
ing
thee
.
57 m
eanl
y by
a m
an o
f lo
w r
ank
64 f
orge
d de
vise
d an
d ex
ecut
ed t
his
cour
se o
f ac
tion;
wit
h an
iron
ic
hint
of
the
mod
ern
sens
e of
dec
eit
70 e
xasp
erat
e m
ade
hars
her
72 g
ive
his
fury
pla
ce a
llow
his
wra
th t
o ex
pend
its
elf
harm
less
ly
75 A
etna
the
volc
ano
in S
icily
57 s
o m
eanl
y ac
com
pani
ed H
orat
io's
inf
erio
r so
cial
sta
ndin
g is
fre
quen
tly
emph
asis
ed.
BEL-
IMPE
RIA
B
roth
er, y
ou a
re b
ecom
e an
ora
tor-
I kno
w n
ot, I
, by
wha
t exp
erie
nce-
To
o po
litic
for
me,
pas
t all
com
pare
, Si
nce
last
I saw
you
; but
con
tent
you
rsel
f, T
he p
rince
is m
edita
ting
high
er th
ings
. BA
LTH
AZA
R 'T
is o
f th
y be
auty
, the
n, th
at c
onqu
ers
king
s;
Of
thos
e th
y tre
sses
, Aria
dne's
twin
es,
Whe
rew
ith m
y lib
erty
thou
has
t sur
pris
ed;
Of
that
thin
e iv
ory
fron
t, m
y so
rrow
's m
ap,
Whe
rein
I se
e no
hav
en to
res
t my
hope
. BE
L-IM
PERI
A
To
love
and
fear
, and
bot
h at
onc
e, m
y lo
rd,
In m
y co
ncei
t, ar
e th
ings
of
mor
e im
port
Tha
n w
omen
's w
its a
re to
be
busie
d w
ith.
BALT
HA
ZAR
'Tis
I th
at lo
ve.
BEL-
IMPE
RIA
W
hom
? BA
LTH
AZA
R Be
l-im
peria
. B
EL-I
MPE
RIA
B
ut I
that
fear
. BA
LTH
AZA
R W
hom
? BE
L-IM
PERI
A Be
l-im
peria
. LO
REN
ZO
Fear
you
rsel
f?
BEL
-IM
PER
IA
Ay,
bro
ther
. LO
REN
ZO
HO
W?
BEL
-IM
PERI
A A
s th
ose
Tha
t wha
t the
y lo
ve a
re lo
ath
and
fear
to lo
se.
89 t
wine
s th
read
s, c
ords
90
sur
prise
d ca
ptur
ed
91 f
ront
for
ehea
d 94
In
my
conc
eit t
o m
y m
ind,
in
my
judg
men
t 98-9
lin
eatio
n ed
. (on
e lin
e 15
92)
85 T
oo ~
olit
ic refe
rs to
the
'ora
tor'
(who
has
bec
ome
tooc
unni
ng),
and
not
tt) 'ex
perie
nce'.
89
Ari
adne
's K
yd p
roba
bly
has
in m
ind
here
Ara
chne
, the
Lyd
ian
wea
ver
who
m A
then
e ch
ange
d to
a s
pide
r; A
riadn
e, d
augh
ter
of K
ing
Min
os
of C
rete
, di
d, h
owev
er,
use
a th
read
in
guid
ing
The
seus
thr
ough
the
la
byrin
th.
Nei
ther
is
espe
cial
ly a
pt h
ere.
91
sor
row'
s m
ap th
e fo
rehe
ad w
as s
uppo
sed
to re
flect
feel
ings
; it
is a
'map
' be
caus
e B
alth
azar
see
ks it
s aid
in d
isco
verin
g th
e su
cces
s of h
is p
ropo
sal.
SCEN
E x]
i T
HE
SPA
NIS
H T
RAG
EDY
BALT
HA
ZAR
Then
, fai
r, le
t Bal
thaz
ar y
our
keep
er b
e.
[ L B
EL-I
MPE
RIA
N
o, B
alth
azar
dot
h fe
ar a
s w
ell a
s w
e:
Et tr
emul
o m
etui p
avid
um ju
nxer
e tim
orem
, Et
van
um s
tolid
ae p
rodi
tioni
s opu
s. LO
REN
ZO
Nay
, and
you
arg
ue th
ings
so c
unni
ngly
, W
e'll
go c
ontin
ue th
is d
iscou
rse
at c
ourt.
BA
LTH
AZA
R Le
d by
the
load
star
of h
er h
eave
nly
look
s, W
ends
poo
r op
pres
sed
Balth
azar
, A
s o'er
the
mou
ntai
ns w
alks
the
wan
dere
r, In
certa
in to
effe
ct h
is pi
lgrim
age.
Ex
eunt
Exit
105
Act
111, Scene xi
Enter
two
PORT
ING
ALE
S, a
nd H
IER
ON
IMO
mee
ts th
em
1 PO
RTI
NG
ALE
By
you
r lea
ve, s
ir.
, /',,
I 1
. L
HIE
RO
NIM
O
Goo
d le
ave
have
you
: nay
, I p
ray
you
go:
For
I'll
leav
e yo
u; if
you
can
leav
e m
e, so
. 2
POR
TIN
GA
LE
Pray
you
, whi
ch is
the
next
way
to m
y lo
rd th
e du
ke's?
H
IER
ON
IMO
T
he n
ext w
ay fr
om m
e. 1
POR
TIN
GA
LE
To
his
hous
e, w
e m
ean.
H
IER
ON
IMO
0
, har
d by
, 'tis
yon
hou
se th
at y
ou s
ee.
2 PO
RTI
NG
ALE
Y
ou c
ould
not
tell
us if
his
son
wer
e th
ere?
102
Et e
d. (
Est
159
2)
106
load
star
a st
ar t
o st
eer
by, u
sual
ly in
ref
eren
ce t
o th
e po
le-s
tar
109
Ince
rtain
to
effe
ct w
ith n
o co
nfid
ence
of
bein
g ab
le t
o co
mpl
ete
3 m
e, so
ed.
(m
e so
159
2)
4 ne
xt n
eare
st
102-
3 'T
hey
yoke
d cr
aven
fea
r to
tre
mbl
ing
drea
d: a
nd th
at a
fru
itles
s w
ork
of d
oltis
h tre
ason
'. It
is d
iffic
ult t
o m
ake
of th
ese
lines
a m
ore
than
ve
ry g
ener
al se
nse.
1-
8 H
iero
nim
o's
inco
nseq
uent
ial
talk
, lik
e H
amle
t's '
wild
and
whi
rling
w
ords
', is
mea
nt t
o co
nvey
the
ten
sion
he
is su
ffer
ing
unde
r. T
he
'Thi
rd A
dditi
on',
inse
rted
afte
r 1.1
, m
uch
expa
nds
this
sta
te o
f m
ind.
80
TH
OM
AS
KY
D
[AC
T II
I
HIE
RO
NIM
O
Who
, my
lord
Lor
enzo
? 1
POR
TIN
GA
LE
Ay,
sir.
He
goet
h in
at o
ne d
oor a
nd c
omes
out
at a
noth
er
HIE
RON
IMO
0
, for
bear
, Fo
r ot
her
talk
for
us fa
r fitt
er w
ere.
Bu
t if
you
be im
portu
nate
to k
now
10
T
he w
ay t
o hi
m, a
nd w
here
to fi
nd h
im o
ut,
The
n lis
t to
me,
and
I'll
res
olve
you
r do
ubt.
Ther
e is
a pa
th u
pon
your
left-
hand
sid
e,
That
lead
eth
from
a g
uilty
con
scie
nce
Unt
o a
fore
st of
dis
trust
and
fear
, 15
A
dar
ksom
e pl
ace,
and
dan
gero
us to
pas
s: Th
ere
shal
l you
mee
t with
mel
anch
oly
thou
ghts
, W
hose
bal
eful
hum
ours
if y
ou b
ut u
phol
d,
It w
ill c
ondu
ct y
ou to
des
pair
and
deat
h;
Who
se ro
cky
cliff
s w
hen
you
have
onc
e be
held
, 20
W
ithin
a h
ugy
dale
of
lasti
ng n
ight
, Th
at, k
indl
ed w
ith th
e w
orld
's in
iqui
ties,
Dot
h ca
st up
filth
y an
d de
teste
d fu
mes
, N
ot fa
r fro
m th
ence
, whe
re m
urde
rers
hav
e bu
ilt
A h
abita
tion
for
thei
r cu
rsed
sou
ls,
25
Ther
e, in
a b
raze
n ca
uldr
on, f
ixed
by
Jove
In
his
fell
wra
th u
pon
a su
lphu
r fla
me,
Y
ours
elve
s sha
ll fin
d Lo
renz
o ba
thin
g hi
m
In b
oilin
g le
ad a
nd b
lood
of
inno
cent
s. 1
POR
TIN
GA
LE
Ha,
ha,
ha!
H
IER
ON
IMO
H
a, h
a, h
a!
30
Why
, ha,
ha,
ha!
Far
ewel
l, go
od, h
a, h
a, h
a!
2 PO
RTI
NG
ALE
D
oubt
less
this
man
is p
assin
g lu
natic
,
Exit
8-9
linea
tion
ed. (
one
line
1592
) 10
be
impo
rtuna
te i
nsis
t 18
bal
eful
hum
ours
evi
l ten
denc
ies,
hab
its o
f m
ind
18 z
lpho
ld p
ersi
st in
21
hicg
y hu
ge, p
rofo
und
22 k
indl
ed s
et o
n fir
e 27
fel
l cru
el
30-1
lin
eatio
n ed
. (on
e lin
e 15
92)
32 p
assin
g ex
ceed
ingl
y -
13 C
ompa
re I
, i, 6
3-71
and
not
e. L
oren
zo is
, acc
ordi
ng t
o H
iero
nim
o, in
'th
e de
epes
t hel
l'.
SCEN
E XI
] T
HE
SPA
NIS
H T
R4G
EDY
81
O
r im
perfe
ctio
n of
his
age
dot
h m
ake
him
dot
e.
Com
e, le
t's a
way
to se
ek m
y lo
rd th
e du
ke.
[Exe
unt]
Act
111, Scene
xii
Enter
HIE
RO
NIM
O, w
ith a
pon
iard
in o
ne h
and,
and
a r
ope
in th
e ot
her
HIE
RO
NIM
O
Now
sir,
per
haps
I co
me
and
see
the
king
, T
he k
ing
sees
me,
and
fain
wou
ld h
ear m
y su
it:
Why
, is
not t
his
a st
rang
e an
d se
ld-s
een
thin
g,
That
stan
ders
-by
with
toys
shou
ld s
trike
me
mut
e?
Go
to, I
see
thei
r shi
fts, a
nd s
ay n
o m
ore.
H
iero
nim
o, 't
is tim
e fo
r the
e to
trud
ge:
Dow
n by
the
dal
e th
at fl
ows w
ith p
urpl
e go
re
Stan
deth
a fi
ery
tow
er; t
here
sits
a ju
dge
Upo
n a
seat
of
stee
l and
mol
ten
bras
s, A
nd 't
wix
t hi
s te
eth
he h
olds
a fi
re-b
rand
, T
hat l
eads
unt
o th
e la
ke w
here
hel
l dot
h st
and.
A
way
, Hie
roni
mo,
to h
im b
e go
ne:
He'l
l do
thee
justi
ce fo
r H
orat
io's
deat
h.
Tur
n do
wn
this
pat
h, th
ou sh
alt b
e w
ith h
im st
raig
ht;
Or t
his,
and
then
thou
nee
d'st
not t
ake
thy
brea
th.
This
way
or t
hat w
ay? S
oft a
nd fa
ir, n
ot s
o:
For
if I
hang
or
kill
mys
elf,
let's
kno
w
33 i
mpe
rfec
tion
of hi
s age
dec
repi
tude
, the
dec
linin
g po
wer
s of o
ld a
ge
1 s.
d. p
onia
rd d
agge
r 3
seld
sel
dom
4
toys
trifl
es;
trivi
al b
usin
ess
5 sh
ifts t
ricks
6
trudg
e ge
t mov
ing
(not
slo
w,ly
) 7
pztrp
le bl
ood-
red
11 l
eads
sho
ws
the
way
to
14 s
traig
ht r
ight
aw
ay
17 k
ill s
tab
1 s.
d. H
iero
nim
o ca
rrie
s, a
s B
oas
rem
arks
, 'th
e st
ock
"pro
perti
es"
of a
w
ould
-be
suic
ide'
in E
lizab
etha
n dr
ama.
7
ff. H
iero
nim
o's
sear
ch fo
r ju
stic
e ta
kes
plac
e in
a la
ndsc
ape
that
dire
ctly
re
calls
And
rea's
sea
rch
for
a re
stin
g -pl
ace
in t
he a
ftenv
orld
(se
e I,
i);
K
yd is
anx
ious
to d
raw
out
the
anal
ogie
s bet
wee
n th
e tw
o qu
ests
. 14-1
5 th
is pa
th . .
. Or
this
by k
illin
g hi
mse
lf w
ith p
onia
rd o
r ro
pe. S
chic
k I t
poin
ts o
ut t
hat 1
1.14-
19
pres
ent
the
sam
e id
eas
as t
he l
ast three l
ines
of
the
Lat
in d
irge
(11,
v, 7
8-80
). i
OL
THO
MA
S K
YD
[ACT I
II
Who
will
reve
nge
Hor
atio
's m
urde
r the
n?
No,
no I
fie,
no!
pard
on m
e, I
'll n
one
of th
at:
He flings
away
the d
agge
r and
hal
ter
Thi
s way
I'll
take
, and
this
way
com
es th
e ki
ng:
20
- -
He
take
s t&m
up
aga
in
And
her
e 1'1
1 ha
ve a
flin
g at
him
, tha
t's f
lat;
And
, Bal
thaz
ar, I
'll b
e w
ith th
ee to
brin
g,
And
thee
, Lor
enzo
! Her
e's th
e ki
ng; n
ay, s
tay,
A
nd h
ere,
ay h
ere;
ther
e go
es th
e ha
re a
way
. En
ter K
ING,
AM
BASS
AD
OR,
CAS
TILE,
and
LORE
NZO
K
ING
N
ow s
how
, Am
bass
ador
, wha
t our
vic
eroy
sai
th:
25
Hat
h he
rece
ived
the
artic
les
we s
ent?
H
IER
ON
IMO
Ju
stic
e, 0
, jus
tice
to H
iero
nim
o.
LORE
NZO
Ba
ck, s
ee'st
thou
not
the
king
is b
usy?
H
IER
ON
IMO
0
, is
he so
? K
ING
W
ho is
he
that
inte
rrup
ts o
ur b
usin
ess?
3 0
H
IER
ON
UlO
N
ot I.
Hie
roni
mo,
bew
are:
go
by, g
o by
. AM
BASS
ADOR
Re
now
ned
king
, he
hath
rec
eive
d an
d re
ad
Thy
kin
gly
prof
fers
, and
thy
prom
ised
leag
ue,
And
, as
a m
an e
xtre
mel
y ov
erjo
yed
To
hear
his
son
so p
rince
ly e
nter
tain
ed,
35
Who
se d
eath
he
had
so so
lem
nly
bew
aile
d,
Thi
s for
thy
furth
er s
atis
fact
ion
And
kin
gly
love
, he
kind
ly le
ts th
ee k
now
: Fi
rst,
for t
he m
arria
ge o
f hi
s pr
ince
ly so
n W
ith B
el-im
peria
, thy
bel
oved
nie
ce,
40
The
new
s are
mor
e de
light
ful t
o hi
s sou
l, T
han
myr
rh o
r inc
ense
to th
e of
fend
ed h
eave
ns.
21 t
hnt's
fit
I h
ave
mad
e up
my
min
d 22
I'll
. . . b
ring
1'11
get e
ven
with
you
24
the
re .
. . aw
ay E
dwar
ds e
xpla
ins
the
phra
se r
efer
s to
los
ing
som
ethi
ng o
ne h
as t
ried
to
achi
eve
or h
old:
Hie
roni
mo
sees
the
ki
ng p
assi
ng b
y, p
reoc
cupi
ed b
y bu
sine
ss
31 g
o by
, go
by b
ewar
e, d
on't
get i
nto
trou
ble
25-3
0 H
iero
nim
o is
thw
arte
d by
the
day
-to-
day
preo
ccup
atio
ns o
f co
urt
busi
ness
; as
he fo
resa
w a
t 11.1
-5.
SCEN
E XI
I]
THE
SPA
NIS
H T
RA
GED
Y
In p
erso
n, th
eref
ore,
will
be
com
e hi
mse
lf,
To
see
the
mar
riage
rite
s so
lem
nise
d;
And
, in
the
pres
ence
of t
he c
ourt
of S
pain
, T
o kn
it a
sure
, ine
xplic
able
ban
d Of
kin
gly
love
, and
eve
rlast
ing
leag
ue,
Betw
ixt t
he c
row
ns of
Spa
in a
nd P
ortin
gale
, Th
ere
will
he g
ive
his c
row
n to
Bal
thaz
ar,
And
mak
e a
quee
n of
Bel
-impe
ria.
KIN
G
Bro
ther
, how
like
you
this
our
vic
eroy
's lo
ve?
CAST
ILE
No
doub
t, m
y lo
rd, i
t is
an a
rgum
ent
Of
hono
urab
le ca
re to
kee
p hi
s frie
nd,
And
won
drou
s zea
l to
Bal
thaz
ar h
is so
n;
Nor
am
I le
ast i
ndeb
ted
to h
is g
race
, T
hat b
ends
his
liki
ng to
my
daug
hter
thus
. A
MBA
SSA
DO
R N
ow la
st. d
read
lord
, her
e ha
th h
is h
ighn
ess s
ent
(~lt
ho
u~
h
he se
nd n
ot th
at h
is so
n re
turn
) H
is ra
nsom
due
to D
on H
orat
io.
I IIE
RO
NIM
O
Hor
atio
! who
cal
ls H
orat
io?
KIN
G
And
wel
l rem
embe
red,
than
k hi
s m
ajes
ty.
Her
e, se
e it
give
n to
Hor
atio
. H
IER
ON
IMO
Ju
stic
e, 0
just
ice,
just
ice,
gen
tle k
ing!
K
ING
W
ho is
that
? Hie
roni
mo?
H
IER
ON
IMO
Ju
stic
e, 0
, jus
tice!
0 m
y so
n, m
y so
n,
My
son,
who
m n
augh
t can
ran
som
or
rede
em!
46 i
nerp
licab
le e
d. (
inex
ecra
ble
1592
) whi
ch c
anno
t be
unt
ied
argu
men
t dem
onst
ratio
n, p
roof
b
ed
dire
cts
58 t
hat i
n or
der
that
inex
plic
able
159
4's
read
ing,
uni
que
in t
hat
text
for
the
ext
ent
of i
ts
depa
rtur
e fr
om t
he e
arlie
r ed
ition
, is
here
pre
ferr
ed t
o 15
92's
'inex
ec-
rabl
e', o
n gr
ound
s of m
eani
ng. E
dwar
ds p
oint
s out
that
159
4 m
ight
hav
e be
en s
et u
p fr
om a
cop
y of
159
2 w
hich
con
tain
ed a
cor
rect
ed f
orm
e of
in
ner
G (
and
this
rea
ding
); th
e so
le s
urvi
ving
cop
y of
159
2 w
ould
on
-
that
sup
pbsi
tion
cont
ain
an u
ncor
rect
ed in
ner
G.
62 T
he K
ing
alon
e se
ems
unaw
are
that
Hor
atio
is
dead
; an
ext
rem
ely
impl
ausi
ble
situ
atio
n.
84
TH
OM
AS
KY
D
[AC
T 1
11
LOK
ENZO
H
iero
nim
o, y
ou a
re n
ot w
ell-a
dvise
d.
HIF
XO
NIM
O
Aw
ay, L
oren
zo, h
inde
r m
e no
mor
e,
For
thou
has
t mad
e m
c ba
nkru
pt o
f m
y bl
iss.
Giv
e m
e m
y so
n, y
ou sh
all n
ot r
anso
m h
im!
70
.\way
! I'l
l rip
the
bow
els o
f th
e ea
rth,
He
digg
eth w
ith h
is da
gger
A
nd fe
rry o
ver t
o th
' Ely
sian
plai
ns,
And
brin
g m
y so
n to
sho
w h
is de
adly
wou
nds.
Stan
d fr
om a
bout
me!
1'1
1 m
ake
a pi
ckax
e of
my
poni
ard,
7 5
A
nd h
ere
surr
ende
r up
my
mar
shal
ship
: Fo
r 1'11
go
mar
shal
up
the
fiend
s in
hel
l, T
o be
hve
nged
on
you
all f
or th
is.
KIN
G
Wha
t mea
ns th
is o
utra
ge?
Will
non
e of
you
res
train
his
fury
? 80
H
lER
ON
IMO
N
ay, s
oft a
nd fa
ir: y
ou s
hall
not n
eed
to st
rive,
N
eeds
mus
t he
go th
at th
e de
vils
driv
e.
Exit
KIN
G
Wha
t acc
iden
t hat
h ha
pped
Hie
roni
mo?
1
have
not
see
n hi
m to
dem
ean
him
so.
LORE
NZO
M
y gr
acio
us lo
rd, h
e is
with
ext
rem
e pr
ide,
8 5
Co
ncei
ved
of y
oung
Hor
atio
his
son,
A
nd c
ovet
ous o
f ha
ving
to h
imse
lf T
he ra
nsom
of
the
youn
g pr
ince
Bal
thaz
ar,
Dis
tract
, and
in a
man
ner l
unat
ic.
HlN
G
Belie
ve m
e, n
ephe
w, w
e ar
e so
rry
for't
: 90
Th
is is
the
love
that
fath
ers
bear
thei
r son
s. B
ut, g
entle
bro
ther
, go
give
to h
im th
is g
old,
T
he p
rince
's ra
nsom
; let
him
hav
e hi
s du
e.
For
wha
t he
hath
Hor
atio
shal
l not
wan
t: H
aply
Hie
roni
mo
hath
nee
d th
ereo
f. 9 5
70
you
. . . h
im i.
e., f
rom
dea
th
72 t
h'E
ysia
n pl
ains
see
111
, viii
, 9 an
d no
te
74-5
line
atio
n ed
. (on
e lin
e 15
92)
79 o
utra
ge v
iole
nt o
utbu
rst
79-8
0 lin
eatio
n ed
. (on
e lin
e 15
92)
83 h
appe
d ha
ppen
ed t
o 84
dem
ean
him
beh
ave
him
self
95 H
aply
per
haps
SCENE X
I]
TH
E S
PAN
ISH
TR
AG
EDY
85
LO
RENZ
O
But i
f he
be
thus
hel
ples
sly d
istra
ct,
'Tis
req
uisit
e hi
s of
fice
be re
signe
d,
And
giv
en to
one
of
mor
e di
scre
tion.
K
ING
W
e sh
all i
ncre
ase
his
mel
anch
oly
so.
'Tis
bes
t tha
t we
see
furth
er in
it f
irst;
Till
whe
n, o
urse
lf w
ill e
xem
pt th
e pl
ace.
A
nd b
roth
er, n
ow b
ring
in th
e am
bass
ador
, Th
at h
e m
ay b
e a
witn
ess o
f th
e m
atch
'T
wix
t Ba
lthaz
ar a
nd B
el-im
peria
, A
nd th
at w
e m
ay p
refix
a c
erta
in ti
me,
W
here
in t
he m
arria
ge sh
all b
e so
lem
nise
d,
That
we
may
hav
e th
y lo
rd th
e vi
cero
y he
re.
AMBA
SSAD
OR
Ther
ein
your
hig
hnes
s hi
ghly
shal
l con
tent
H
is m
ajes
ty, t
hat l
ongs
to h
ear f
rom
hen
ce.
KIN
G
On,
then
, and
hea
r you
, I~
rd
A
mba
ssad
or.
Exeu
nt
1 I
.,'
l\tj
.Wb
>.
Act
111
, Scene x
iii
Enter
HIE
RO
NIM
O w
ith a
boo
k in
his
hand
HlE
RO
NIM
O
Vind
icta
mih
i! A
y, h
eave
n w
ill b
e re
veng
ed o
f eve
ry il
l, N
or w
ill th
ey su
ffer m
urde
r un
repa
id:
100
see
furth
er in
it e
xam
ine
the
busi
ness
fur
ther
1
s.p.
HIE
RO
NIM
O e
d. (
not i
n 15
92)
-
101
ours
elf
will
exem
pt t
he p
lace
I h
ave
reta
ined
the
159
2 re
adin
g de
spite
di
ffic
ultie
s ov
er t
he m
eani
ng o
f 'ex
empt
' an
d de
spite
the
lin
e's b
eing
on
e sy
llabl
e sh
ort.
The
latte
r di
ffic
ulty
may
not
be
a re
al o
ne:
the
line
wou
ld a
ct p
erfe
ctly
wel
l as i
t sta
nds.
'Exe
mpt
' I
take
to m
ean
som
ethi
ng
like
'hol
d in
susp
ense
': th
e K
ing
will
avo
id th
e ind
igni
ty, f
or H
iero
nim
o,
of
repl
acin
g hi
m (
Lore
nzo'
s su
gges
tion
at 1
1.96-
8),
and
inst
ead
will
co
ntin
ue
the
crow
n's
judi
cial
fu
nctio
ns w
ithou
t an
act
ive
Kni
ght
Mar
shal
. Col
lier's
em
enda
tion,
'exe
cute
', is
attr
activ
e in
that
it p
rese
nts
the
sam
e id
ea m
ore
expl
icitl
y.
1 s.d
. Hie
roni
mo
carr
ies a
cop
y of
Sen
eca,
as l
ater
quo
tatio
ns sh
ow.
1 Vi
ndic
ta m
ihi H
iero
nim
o qu
otes
the
Bib
lical
adm
oniti
on 'v
enge
ance
is
min
e; I
will
repa
y, s
aith
the
Lord
' (R
oman
s xi
i. 19
), a
stat
emen
t muc
h us
ed b
y El
izab
etha
n w
rite
rs t
o re
serv
e th
e ex
ecut
ion
of v
enge
ance
to
God
. The
nex
t fou
r lin
es e
xpan
d th
is a
ttitu
de.
- ---a.a
nu
A\ 1 u
[AC
T 11
1 Th
en st
ay, H
iero
nim
o, a
ttend
thei
r will
, Fo
r mor
tal m
en m
ay n
ot a
ppoi
nt th
eir t
ime.
5
'Per s
celu
s sem
per t
utum
est
scele
ribus
itm
.' St
rike,
and
strik
e ho
me,
whe
re w
rong
is o
ffere
d th
ee;
For e
vils
unto
ills
cond
ucto
rs b
e,
And
dea
th's
the
wor
st of
res
olut
ion.
Fo
r he
that
thin
ks w
ith p
atie
nce
to c
onte
nd
10
TO
quie
t life
, his
life
shal
l eas
ily e
nd.
'Fat
a si
mise
ros j
uvan
t, ha
bes s
alutem
; Fa
ra s
i da
m ne
gant
, hab
es se
pulch
rum
.' If
desti
ny th
y m
iserie
s do
ease
, Th
en h
ast t
hou
heal
th, a
nd h
appy
sha
lt th
ou b
e;
15
If d
estin
y de
ny th
ee li
fe, H
iero
nim
o,
Yet
shal
t tho
u be
ass
ured
of
a to
mb;
If
nei
ther
, yet
let t
his
thy
com
fort
be,
Hea
ven
cove
reth
him
that
hat
h no
bur
ial.
And
to c
oncl
ude,
I w
ill re
veng
e hi
s de
ath!
20
Bu
t how
? not
as
the
vulg
ar w
its of
men
, W
ith o
pen,
but
inev
itabl
e ill
s, A
s by
a s
ecre
t, ye
t a c
erta
in m
ean,
W
hich
und
er k
inds
hip
will
be
cloa
ked
best.
4
atte
nd th
eir 7oill a
wai
t Hea
ven'
s pl
easu
re
9 de
ath'
s . . .
reso
lutio
n de
ath
is th
e w
orst
tha
t ca
n fo
llow
bol
d co
nduc
t 10
cont
end
striv
e, m
ake
one's
way
21
mlrr
ar c
omm
on
- -
----
- 22
inev
itabl
e in
evita
bly
succ
essf
ul
23 m
ean
cour
se o
f ac
tion
22 i
lls il
l pra
ctic
es
..
--
24 k
inds
hip
kind
ness
24
clo
aked
hid
den
6 'T
he s
afe
way
for
crim
es is
thro
ugh
(fur
ther
) crim
es'.
Hie
roni
mo
read
s fr
om t
he S
enec
a he
hol
ds i
n hi
s ha
nd (
the
Latin
is
an a
dapt
atio
n of
Se
neca
's Ag
omen
uton
, 1.1
15).
Prom
pted
by
the
Sene
can
tag,
he
refle
cts
that
Lor
enzo
sil
l pr
obab
ly t
ry t
o se
cure
his
ow
n sa
eq
by
addi
ng a
cr
ime
agai
nst
him
self
to t
he c
rime
agai
nst
Hor
atio
(se
e 11
.10 -
11).
It i
s th
is r
efle
ctio
n th
at p
rom
pts
his
aban
doni
ng t
he a
rgum
ent
for
Chr
istia
n pa
tienc
e of t
he fi
rst f
ive l
ines
. 12
-13
Aga
in H
iero
nim
o re
ads
from
Sen
eca
(her
e Tr
oade
s,' U
.511
-12)
. T
he n
ext f
our l
ines
giv
e a
loos
e tra
nsla
tion.
18
nei
ther
Pre
sum
ably
Hie
roni
mo
mea
ns n
eith
er h
ealth
nor
tom
b.
22-3
rat
her
clum
sily
exp
ress
ed.
Hie
roni
mo
mea
ns p
erha
ps t
hat
sim
plr-
m
inde
d m
en (
'vul
gar
nits
') se
ek v
enge
ance
by
met
hods
whi
ch a
re b
old
and
obvi
ous
('ope
n'),
yet
desp
ite t
his
effe
ctiv
e; h
e, h
owev
er, w
ill u
se
subt
lety
, tho
ugh
the
subt
lety
will
not
end
ange
r hi
s pl
an's
effe
ctiv
enes
s. T
he m
ain
cont
rast
is b
etw
een
crud
e fo
rce
and
the
witt
y de
vice
s H
iero
n-
imo
is c
onsi
derin
g.
[ SC
ENE
XII
~]
THE
SPA
NIS
H T
RA
GE
DY
b
Wise
men
will
take
thei
r opp
ortu
nity
, Cl
osel
y an
d sa
fely
fitti
ng th
ings
to ti
me.
Bu
t in
extre
mes
adv
anta
ge h
ath
no ti
me;
A
nd th
eref
ore
all t
imes
fit n
ot fo
r re
veng
e..
Thu
s th
eref
ore
will
I re
st m
e in
unr
est,
Diss
embl
ing
quie
t in
unqu
ietn
ess,
Not
see
min
g th
at I
kno
w th
eir
villa
inie
s; T
hat m
y sim
plic
ity m
ay m
ake
them
thin
k T
hat i
gnor
antly
I w
ill le
t all
slip-
Fo
r ign
oran
ce, I
wot
, and
wel
l the
y kn
ow,
Rem
ediu
m m
aloru
m i
ws e
st.
Nor
aug
ht a
vails
it m
e to
men
ace
them
, W
ho, a
s a
win
try st
orm
upo
n a
plai
n,
Will
bea
r me
dow
n w
ith th
eir
nobi
lity.
N
o, n
o, H
iero
nim
o, th
ou m
ust e
njoi
n Th
ine
eyes
to o
bser
vatio
n, a
nd th
y to
ngue
T
o m
ilder
spe
eche
s tha
n th
y sp
irit a
fford
s, T
hy h
eart
to p
atie
nce,
and
thy
hand
s to
res
t, T
hy ca
p to
cou
rtesy
, and
thy
knee
to b
ow,
Till
to re
veng
e th
ou k
now
, whe
n, w
here
and
how
. A
noise
with
in
How
now
, wha
t noi
se? w
hat c
oil i
s tha
t you
kee
p?
4 5
Elzte
r a SER
VANT
SERV
ANT
Her
e ar
e a
sort
of po
or p
etiti
oner
s, T
hat a
re im
portu
nate
, and
it sh
all ?
leas
e yo
u, si
r, T
hat y
ou s
houl
d pl
ead
thei
r ca
ses t
o th
e ki
ng.
26 C
lose
ly w
ith s
ubtle
ty
26 t
im o
ppor
tuni
v 32
sim
plic
ity a
ppar
ently
und
esig
ning
beh
avio
ur
38 n
obili
ty n
oble
ran
k 44
s.d
. fol
lows
1.4
5 in
1592
45
wha
t coi
l . . .
keep
? w
hat i
s al
l tha
t noi
se y
ou a
re m
akin
g?
46 s
ort g
roup
, com
pany
47
and
if
27-8
'B
ut'
here
mea
ns 'o
nly'
; H
iero
nim
o sa
ys th
at o
nly
cris
es ('
exue
mes
') ex
dude
the
poss
ibili
ty of
wai
ting
for a
favo
urab
le m
omen
t ('ad
vmta
ge') ;
reve
nge,
bei
ng c
onsi
dere
d an
d de
liber
ate,
requ
ires
that
one
wai
ts o
ne's
oppo
rtuni
ty.
29-3
3 H
iero
nim
o's
prop
osed
ste
alth
nee
d no
t co
nflic
t with
his
sen
se th
at
Hea
ven
prom
pts
and
supp
orn
him
(se
e e.
g. I
V, i
, 32
-4 a
nd 1
11, v
ii,
45-5
6). J
ohns
on (p
. 29)
quo
tes
Cal
vin'
s re
mar
k th
at in
dea
ling
with
the
wic
ked
'God
she
wed
him
self
a re
veng
er b
y lit
tle a
nd l
ittle
, an
d it
wer
e fa
ire an
d so
ftly'
(i.e
. ste
alth
ily).
35 '
is
an u
nski
lful
antid
ote
to e
vils.
' A
fur
ther
quo
tatio
n fr
om S
enec
a (a
dapt
ed fr
om O
edip
us 1
.515
) but
not
, I t
hink
, rea
d fr
om th
e book.
88
TH
OM
AS
KY
D
[AC
T
111
HIE
RO
NIM
O
Tha
t I sh
ould
ple
ad th
eir s
ever
al a
ctio
ns?
Why
, let
them
ent
er, a
nd le
t me
see
them
. En
ter th
ree
CIT
IZEN
S an
d an
OLD
MA
N
1 C
ITIZ
EN
So, I
tell
you
this
, for
lear
ning
and
for l
aw,
Ther
e's
not a
ny a
dvoc
ate
in S
pain
T
hat c
an p
reva
il, o
r w
ill ta
ke h
alf
the
pain
T
hat h
e w
ill, i
n pu
rsui
t of
equi
ty.
HIE
RO
NIM
O
Com
e ne
ar, y
ou m
en, t
hat t
hus
impo
rtune
me.
[Asid
e] N
ow m
ust
I bea
r a fa
ce o
f gr
avity
, Fo
r th
us I
used
, bef
ore
my
mar
shal
ship
, T
o pl
ead
in c
ause
s as
corre
gido
r.-
Com
e on
sirs
, wha
t's t
he m
atte
r?
2 CI
TIZE
N
Sir,
an a
ctio
n.
HIE
RO
NIM
O
Of
batte
ry?
1 C
ITIZ
EN
Min
e of
deb
t. H
IER
ON
IMO
G
ive
plac
e.
2 C
ITIZ
EN
No
sir,
min
e is
an a
kion
of t
he c
ase.
3
CIT
IZEN
M
ine
an e
jectio
ne Ji
rmae
by
a le
ase.
H
IER
ON
IMO
C
onte
nt y
ou s
irs, a
re y
ou d
eter
min
ed
Tha
t I sh
ould
ple
ad y
our s
ever
al a
ctio
ns?
1 C
ITIZ
EN
Ay s
ir, a
nd h
ere's
my
decl
arat
ion.
2
CIT
IZEN
A
nd h
ere
is m
y ba
nd.
49 a
ctio
ns c
ases
in l
aw
58 c
oweg
idor
adv
ocat
e. S
trict
ly,
Edw
ards
not
es, t
he c
hief
mag
istra
te
of a
Spa
nish
tow
n 61
act
ion
of t
he c
ase
An
actio
n no
t w
ithin
the
lim
ited
juris
dict
ion
of t
he C
omm
on P
leas
nee
ded
a sp
ecia
l w
rit t
o co
ver
it. T
hese
sp
ecia
l w
rits
wer
e kn
own
as 'a
ctio
ns o
f tre
spas
s on
the
cas
e' or
'ac
tions
on
the
case
' (Ed
war
ds)
62 e
jectio
ne j
irmae
'a w
rit t
o ej
ect
a te
nant
fro
m h
is h
oldi
ng b
efd~
e th
e' e
xpira
tion
of
his
leas
e' (E
dwar
ds).
Kyd
's 'b
y a
leas
e' is
diff
icul
t to
acco
unt f
or
62 ji
rmae
ed.
(fir
ma
1592
) 65
dec
lara
tion
in la
w, t
he p
lain
tiff's
sta
tem
ent o
f cl
aim
66
ban
d bo
nd; t
he s
peci
al w
rit r
efer
red
to a
t 1.6
1 an
d no
te
SCEN
E X
III]
T
HE
SPA
NIS
H T
RA
GED
Y
89
3 C
ITIZ
EN
And
her
e is
my
leas
e.
They
giy
e hi
m p
aper
s H
IER
ON
IMO
Bu
t whe
refo
re st
ands
yon
sill
y m
an s
o m
ute,
W
ith m
ourn
ful e
yes a
nd h
ands
to h
eave
n up
rear
ed?
Com
e hi
ther
, fat
her,
let m
e kn
ow th
y ca
use.
SE
NEX
0 w
orth
y si
r, m
y ca
use,
but
slig
htly
kno
wn,
M
ay m
ove
the
hear
ts o
f w
arlik
e M
yrm
idon
s A
nd m
elt t
he C
orsic
rock
s with
rut
hful
tear
s. H
IER
ON
IMO
'
Say,
fath
er, t
ell m
e w
hat's
thy
sui
t?
SEN
EX
No
sir,
coul
d m
y w
oes
Giv
e w
ay u
nto
my
mos
t dist
ress
ful w
ords
, T
hen
shou
ld I
not i
n pa
per,
as y
ou se
e,
With
ink
bew
ray
wha
t blo
od b
egan
in m
e. H
IER
ON
IMO
W
hat's
her
e? 'T
he h
umbl
e su
pplic
atio
n O
f D
on B
azul
to fo
r hi
s m
urde
red
son.
' SE
NEX
Ay
sir.
H
IER
ON
IMO
NO
sir,
it w
as m
y m
urde
red
son,
0 m
y so
n, m
y so
n, 0
my
son
Hor
atio
! Bu
t min
e, o
r thi
ne, B
azul
to, b
e co
nten
t. H
ere,
take
my
hand
kerc
her,
and
wip
e th
ine
eyes
, W
hile
s w
retc
hed
I in
thy
mish
aps
may
see
The
live
ly p
ortra
it of
my
dyin
g se
lf.
He
draw
eth o
ut a
blo
ody
napk
in
0 n
o, n
ot th
is: H
orat
io, t
his
was
thin
e,
And
whe
n I
dyed
it in
thy
dear
est
bloo
d,
67 s
illy
sim
ple,
piti
able
71
Myr
mid
ons A
chill
es' f
ollo
wer
s; a
The
ssal
ian
trib
e no
ted
for
thei
r fie
rcen
ess
72 C
orsic
of
Cor
sica
; Sen
eca's
Oct
avia
(1I.i
. in
New
ton'
s ed
., 15
81)
has
a re
fere
nce
to t
he 'c
ragg
y co
rsic
ke r
ocke
s' am
ong
whi
ch
Sene
ca li
ved
in e
xile
77
blo
od p
assi
on
80-1
line
atio
n ed
. (m
y m
urdr
ed s
onne
, oh
my
sonn
e. /
My
sonn
e . . .
Hor
atio
. 159
2)
85 l
ivel
y liv
ing
78-9
Sha
kesp
eare
use
s si
mila
r pa
ralle
ls (
of s
ons
who
hav
e lo
st f
athe
rs)
in
Ham
let.
Hie
roni
mo'
s sh
ame
(see
11.9
5 ff.
) pa
ralle
ls H
amle
t's
afte
r w
atch
ing
the
Firs
t Pla
yer
act t
he ta
le o
f Pria
m.
.-
'I'H
OM
AS KYD
[ACT 111
Thi
s w
as a
toke
n 'tw
ixt
thy
soul
and
me
Tha
t of
thy
deat
h re
veng
ed I
shou
ld b
e.
But
her
e, ta
ke th
is, a
nd th
is-w
hat,
my
purs
e?-
90
Ay,
this
, and
that
, and
all
of t
hem
are
thin
e;
For a
ll as
one
are
our
ext
rem
ities
. 1 C
ITIZ
EN
0 se
e th
e ki
ndne
ss o
f H
iero
nim
o!
2 CI
TIZE
N T
his
gent
lene
ss sh
ows
him
a g
entle
man
. H
IERO
NIM
O
See,
see
, 0 se
e th
y sh
ame,
Hie
roni
mo,
95
Se
e he
re a
lovi
ng fa
ther
to h
is s
on!
Beh
old
the
sorr
ows
and
the
sad
lam
ents
T
hat h
e de
liver
eth
for
his
son'
s de
ceas
e!
If lo
ve's
effe
cts s
o st
rives
in le
sser
thin
gs,
If lo
ve e
nfor
ce s
uch
moo
ds in
mea
ner w
its,
100
If lo
ve e
xpre
ss su
ch p
ower
in p
oor
esta
tes-
H
iero
nim
o, w
hena
s a
ragi
ng se
a To
ssed
with
the
win
d an
d tid
e, o
'ertu
rnet
h th
en
The
upp
er b
illow
s, co
urse
of
wav
es to
kee
p,
Whi
lst l
esse
r w
ater
s la
bour
in th
e de
ep,
105
The
n sh
am'st
thou
not
, Hie
roni
mo,
to n
egle
ct
The
swee
t re
veng
e of
thy
Hor
atio
? T
houg
h on
thi
s ea
rth
just
ice
will
not
be
foun
d,
1'11
dow
n to
hel
l, an
d in
this
pas
sion
K
nock
at t
he d
ism
al g
ates
of
Plut
o's
cour
t, 11
0 G
ettin
g by
forc
e, a
s on
ce A
lcid
es d
id,
90 t
his t
his
coin
92
ext
rem
ities
ext
rem
e su
ffer
ings
10
0 m
eone
r of
low
er s
ocia
l ran
k 10
2 w
hena
s ed.
(w
hen
as 1
592)
10
3 o'
ertu
rnet
h ed
. (or
e tu
rnes
t 159
2)
109
pass
ion
suff
erin
g, d
eep
emot
inn
110
Plut
o go
d of
the
und
erw
orld
11
1 A
lcid
es H
erac
les o
r Her
cule
s, w
ho in
his
twel
fth la
bour
des
cend
ed
to th
e un
derw
orld
and
con
quer
ed C
erbe
rus
102-
7 A
diff
icul
t pa
ssag
e to
exp
lain
. H
iero
nim
o m
ay m
ean
that
in
stor
m
cond
ition
s (i.
e. i
n a
time
of g
rief
) th
e su
rfac
e of
the
sea
is d
riven
int
o gr
eat
wav
es (
the
resp
onse
of
the
'upp
er w
ater
s' to
the
grie
f -st
orm
), w
hile
oth
er a
nd l
ess
maj
estic
wat
ers
('les
ser
wat
ers')
are
tro
uble
d to
o.
I th
ink
Hie
roni
mo
sees
him
self
as, i
n so
cial
sta
ndin
g, e
quiv
alen
t to
the
'upp
er
billo
ws'
and
is a
sham
ed h
e ha
s no
t ke
pt h
is 'c
ours
e of
wav
es';
the
Old
Man
has
res
pond
ed a
s les
ser w
ater
s sh
ould
. (Fo
r an
alte
rnat
ive
expl
anat
ion,
rev
ersi
ng t
he r
oles
, see
Edw
ards
.) 'In
the
dee
p' n
eed
not
mea
n 'in
th
e de
pths
' bu
t m
erel
y 'in
the
sea
'.
SCENE X
III]
T
HE
SPA
NIS
H T
RA
GED
Y
A tr
oop
of F
urie
s an
d to
rmen
ting
hags
T
o to
rtur
e D
on L
oren
zo a
nd t
he re
st.
Yet
lest
the
tripl
e -he
aded
por
ter
shou
ld
Den
y m
y pa
ssag
e to
the
slim
y st
rond
; T
he T
hrac
ian
poet
thou
sha
lt co
unte
rfei
t: C
ome
on, o
ld fa
ther
, be
my
Orp
heus
, A
nd if
thou
can
st n
o no
tes
upon
the
harp
, T
hen
soun
d th
e bu
rden
of
thy
sore
hea
rt's
grie
f, Ti
ll w
e do
gai
n th
at P
rose
rpin
e m
ay g
rant
R
even
ge o
n th
em th
at m
urde
red
my
son.
T
hen
will
I re
nt a
nd te
ar th
em th
us a
nd th
us,
Shiv
erin
g th
eir
limbs
in p
iece
s w
ith m
y te
eth.
Tear
the
pape
rs
1 CI
TIZE
N 0 si
r, m
y de
clar
atio
n!
Exit
HIE
RO
NIM
O a
nd th
ey a
ftm
2 CI
TIZE
N Sa
ve m
y bo
nd!
Enter
HIE
RONI
MO
2
CITI
ZEN
Save
my
bond
! 3
CITI
ZEN
Ala
s, m
y le
ase!
it c
ost m
e te
n po
und,
A
nd y
ou, m
y lo
rd, h
ave
torn
the
sam
e.
HIE
RONI
MO
1
.
Tha
t can
not b
e, I
gav
e it
neve
r a
wou
na;
Show
me
one
drop
of
bloo
d fa
ll fr
om t
he sa
me:
13
0 H
ow is
it p
ossi
ble
I sho
uld
slay
it th
en?
Tus
h, n
o; r
un a
fter,
catc
h m
e if
you
can.
Ex
eunt
all
but t
he O
LD M
AN
114
tripl
e-he
aded
por
ter
the
thre
e-he
aded
mon
stro
us d
og C
erbe
rus,
m
ardi
an o
f th
e un
derw
orld
11
5 sli
my
stro
nd se
e I,
i, 2
7-9
- -- 11
6 Th
raci
an p
oet O
rphe
us (
see
next
not
e)
117
Orp
heus
the
lege
ndar
y po
et a
nd m
aste
r of
mus
ic w
ho fo
llow
ed h
is
dead
wife
Eur
ydic
e to
the
und
erw
orld
and
ind
uced
Per
seph
one
(Pro
serp
ine)
by
his
play
ing
to le
t her
go
(see
follo
win
g lin
es)
119
burd
en t
he th
eme
or r
efra
in o
f a
song
12
2 re
nt r
end
--. .
120-
1 T
he a
udie
nce
know
s th
at P
rose
rpin
e ha
s al
read
y gr
ante
d hi
s re
ques
t --
(I, i
, 78
ff.).
132
The
sim
ilarit
y to
Ham
let's
beh
avio
ur a
fter
the
killi
ng o
f Po
loni
us i
s st
rikin
g (H
amle
t, IV
, ii).
Hie
roni
mo'
s m
ista
king
the
Old
Man
in
the
follo
win
g lin
es is
per
haps
mor
e ac
cept
able
to m
oder
n ta
ste,
as
a w
ay o
f ex
pres
sing
obs
essi
on,
than
Ham
let's
vis
ion
of t
he G
host
in
the
Clo
set
scen
e.
92
TH
OM
AS
KY
D
[AC
T
III
BA
ZULT
O re
mai
ns ti
ll H
IERO
NIM
O en
ters
agai
n, w
ho, s
tarin
g him
in
the f
ace,
spe
aks
HIE
RO
NIM
O
And
art
thou
com
e, H
orat
io, f
rom
the
dept
h,
To
ask
for
just
ice
in th
is u
pper
ear
th?
To
tell
thy
fath
er th
ou a
rt un
reve
nged
, 13
5 T
o w
ring
mor
e te
ars
from
Isab
ella
's ey
es,
Who
se li
ghts
are
dim
med
with
ove
r-lo
ng la
men
ts?
Go
back
my
son,
com
plai
n to
Aea
cus,
For h
ere's
no
just
ice;
gen
tle b
oy b
e go
ne,
For j
ustic
e is
exile
d fro
m t
he e
arth
; 14
0 H
iero
nim
o w
ill b
ear
thee
com
pany
. T
hy m
othe
r crie
s on
rig
hteo
us R
hada
man
th
For j
ust r
even
ge a
gain
st th
e m
urde
rers
. SE
NEX
A
las
my
lord
, whe
nce
sprin
gs th
is tr
oubl
ed sp
eech
? H
IER
ON
IMO
Bu
t let
me
look
on
my
Hor
atio
. 14
5 Sw
eet b
oy, h
ow a
rt th
ou c
hang
ed in
dea
th's
blac
k sh
ade!
H
ad P
rose
rpin
e no
pity
on
thy
yout
h,
But s
uffe
red
thy
fair
crim
son-
colo
ured
spr
ing
With
with
ered
win
ter
to b
e bl
aste
d th
us?
Hor
atio
, tho
u ar
t old
er th
an th
y fa
ther
; 15
0 A
h ru
thle
ss f
ate,
that
favo
ur th
us tr
ansf
orm
s!
SEN
EX
Ah
my
good
lord
, I a
m n
ot y
our y
oung
son.
H
IER
ON
IMO
W
hat,
not m
y so
n? th
ou, t
hen,
a F
ury
art,
Sent
from
the
empt
y ki
ngdo
m o
f bl
ack
nigh
t T
o su
mm
on m
e to
mak
e ap
pear
ance
15
5 Be
fore
grim
Min
os a
nd ju
st R
hada
man
th,
To
plag
ue H
iero
nim
o th
at is
rem
iss,
And
see
ks n
ot v
enge
ance
for
Hor
atio
's de
ath.
137
light
s eye
s 13
8 Ae
acus
a ju
dge
of t
he u
nder
wor
ld; s
ee I
, i, 3
3 14
2 cr
ies o
n pl
eads
to
142
Rhad
aman
th a
judg
e of
the
und
erw
orld
; see
I, i
, 33
149
blas
ted
blig
hted
15
1 fa
te e
d. (F
athe
r 15
92)
151
favo
ur a
ppea
ranc
e, lo
oks
153
Fury
ave
ngin
g sp
irit
156
Min
os t
he t
hird
jud
ge o
f th
e un
derw
orld
; 'g
rim
' ap
pear
s to
co
ntra
dict
the
estim
ate
of M
inos
giv
en a
t I,
i, 5
0
SCEN
E X
III]
T
HE
SPA
NIS
H T
RA
GE
DY
93
SE
NEX
I
am a
grie
ved
man
, and
not
a g
host
, Th
at c
ame
for j
ustic
e fo
r m
y m
urde
red
son.
16
0 H
IER
ON
IMO
A
y, n
ow I
kno
w th
ee, n
ow th
ou n
am'st
thy
son;
Th
ou a
rt th
e liv
ely
imag
e of
my
grie
f: W
ithin
thy
face
my
sorro
ws
I m
ay se
e.
Thy
eyes
are
gum
med
with
tear
s, th
y ch
eeks
are
wan
, T
hy fo
rehe
ad t
roub
led,
and
thy
mut
terin
g lip
s 16
5 M
urm
ur s
ad w
ords
abr
uptly
bro
ken
off
By fo
rce
of w
indy
sig
hs th
y sp
irit b
reat
hes;
A
nd a
ll th
is so
rrow
ris
eth
for t
hy so
n:
And
sel
fsam
e so
rrow
feel
I fo
r m
y so
n.
Com
e in
old
man
, tho
u sh
alt t
o Is
abel
; 17
0 Le
an o
n m
y ar
m: I
thee
, tho
u m
e sh
alt s
tay,
A
nd th
ou, a
nd I
, and
she,
will
sing
a so
ng,
Thre
e pa
rts in
one
, but
all
of d
isco
rds
fram
ed-
Talk
not
of
cord
s, bu
t let
us
now
be
gone
, Fo
r with
a c
ord
Hor
atio
was
slai
n.
Exeu
nt
17 5
Act
111, Scene xiv
Ente
r KIN
G of
SPA
IN, t
he D
UK
E, V
ICER
OY
, and
LO
REN
ZO,
BALT
HA
ZAR,
D
ON
PED
RO
, and
BEL
-IMPE
RIA
KIN
G
Go
brot
her,
it is
the
Duk
e of
Cas
tile's
cau
se,
Salu
te th
e vi
cero
y in
our
nam
e.
CAST
ILE
I go
. V
ICER
OY
G
o fo
rth, D
on P
edro
, for
thy
neph
ew's
sake
, A
nd g
reet
the
Duk
e of
Cas
tile.
PE
DRO
It
shal
l be
so.
KIN
G
And
now
to m
eet t
hese
Por
tugu
ese,
Fo
r as
we
now
are
, so
som
etim
es w
ere
thes
e,
161
thy
ed. (
my
1592
) 16
2 liv
ely
livin
g 17
1 st
ay s
usta
in, p
rop
up
174
cord
s pu
nnin
g on
the
mus
ical
'ch
ord'
and
cor
d m
eani
ng r
ope
1 -2
linea
tion
ed. (
as p
rose
159
2)
6 -7
Free
man
(pp.
53-
4) s
ays
that
'wes
tern
Ind
ies'
her
e re
fers
to P
ortu
- gu
ese
Braz
il, a
pri
ze ta
ken
by S
pain
dur
ing
the q
uarr
els w
ith P
ortu
gal o
f th
e la
te s
ixte
enth
cent
ury.
94
THO
MA
S K
YD
[A
CT
111
Kin
gs a
nd c
omm
ande
rs of
the
wes
tern
Indi
es.
Wel
com
e, br
ave
vice
roy,
to th
e co
urt o
f Sp
ain,
A
nd w
elco
me
all h
is ho
nour
able
trai
n.
'Tis
not
unk
now
n to
us,
for w
hy y
ou c
ome,
10
Or
have
so k
ingl
y cr
osse
d th
e se
as:
Suffi
ceth
it, i
n th
is w
e no
te th
e tro
th
And
mor
e th
an c
omm
on lo
ve y
ou le
nd to
us.
So is
it th
at m
ine
hono
urab
le n
iece
, (F
or it
bes
eem
s us
now
that
it b
e kn
own)
15
A
lread
y is
bet
roth
ed to
Bal
thaz
ar,
And
by
appo
intm
ent a
nd o
ur c
onde
scen
t To
-mor
row
are
they
to b
e m
arrie
d.
To
this
inte
nt w
e en
terta
in th
ysel
f, T
hy fo
llow
ers,
thei
r pl
easu
re a
nd o
ur p
eace
. 20
Sp
eak,
men
of P
ortin
gale
, sha
ll it
be so
? If
ay, s
ay s
o; if
not
, say
flat
ly n
o.
VICE
ROY
Reno
wne
d ki
ng, I
com
e no
t as t
hou
thin
k'st
, W
ith d
oubt
ful f
ollo
wer
s, un
reso
lved
men
, B
ut s
uch
as h
ave
upon
thin
e ar
ticle
s 25
C
onfir
med
thy
mot
ion
and
cont
ente
d m
e. K
now
sove
reig
n, I
com
e to
sole
mni
se
The
mar
riage
of t
hy b
elov
ed n
iece
, Fa
ir B
el-i
mpe
ria, w
ith m
y Ba
lthaz
ar-
With
thee
, my
son;
who
m si
th I
live
to se
e,
3 0
Her
e ta
ke m
y cr
own,
I gi
ve it
her
and
thee
; A
nd le
t me
live
a so
litar
y lif
e,
In ce
asel
ess p
raye
rs,
To
thin
k ho
w st
rang
ely
heav
en h
ath
thee
pre
serv
ed.
KIN
G
See
brot
her,
see,
how
nat
ure
striv
es in
him
! 3 5
C
ome,
wor
thy
vice
roy,
and
acc
ompa
ny
9 tr
ain
com
pany
, fol
low
ers
12 t
roth
loya
lty
17 c
onde
scen
t agr
eem
ent
20 t
heir
i.e. B
el-im
peri
a and
Bal
thaz
ar
26 m
otio
n pr
opos
al
34 s
trang
ely
won
derf
ully
35
nat
ure
striv
es in
him
he
wee
ps
11 T
his
look
s lik
e an
abs
urd
erro
r, th
ough
Fre
eman
(p.
12)
sug
gest
s th
at
the
play
may
be
set i
n Se
ville
, fre
quen
tly th
e se
at o
f the
Spa
nish
cour
t;
in t
his
case
a P
ortu
gues
e de
puta
tion
mig
ht w
ell
trav
el pa
rtly
by
sea
(via
Cad
iz).
TH
E S
PAN
ISH
TR
AG
EDY
Th
y fri
end
with
thin
e ex
trem
ities
; A
pla
ce m
ore
priv
ate
fits t
his
prin
cely
moo
d.
VICE
ROY
Or
here
or w
here
you
r hig
hnes
s thi
nks
it go
od.
Exeu
nt a
ll bu
t CAS
TILE
and
LO
RENZ
O
CAST
ILE
Nay
sta
y, L
oren
zo, l
et m
e ta
lk w
ith y
ou.
See's
t tho
u th
is en
terta
inm
ent o
f th
ese
king
s?
LORE
NZO
I
do, m
y lo
rd, a
nd jo
y to
see
the
sam
e.
CAST
ILE
And
kno
wes
t tho
u w
hy th
is m
eetin
g is
? LO
RENZ
O
For h
er, m
y lo
rd, w
hom
Bal
thaz
ar d
oth
love
, A
nd to
con
firm
thei
r pr
omise
d m
arria
ge.
CAST
ILE
She
is th
y si
ster
? LO
REN
ZO
Who
, Bel
-impe
ria?
Ay,
my
grac
ious
lord
, and
this
is th
e da
y Th
at I
have
long
ed s
o ha
ppily
to se
e. CA
STIL
E Th
ou w
ould
st be
loat
h th
at a
ny fa
ult o
f th
ine
Shou
ld in
terc
ept h
er in
her
hap
pine
ss.
LORE
NZO
H
eave
ns w
ill n
ot le
t Lor
enzo
err
so m
uch.
CA
STIL
E W
hy th
en, L
oren
zo, l
iste
n to
my
wor
ds:
It is
susp
ecte
d an
d re
porte
d to
o,
That
thou
, Lor
enzo
, wro
ng'st
Hie
roni
mo,
A
nd in
his
suits
tow
ards
his
maj
esty
St
ill k
eep's
t him
bac
k, a
nd s
eeks
to c
ross
his
suit.
LO
RENZ
O
That
I, m
y lo
rd-
? CA
STIL
E I
tell
thee
son,
mys
elf h
ave
hear
d it
said
, W
hen,
to m
y so
rrow
, I h
ave
been
ash
amed
T
o an
swer
for t
hee,
thou
gh th
ou a
rt m
y so
n.
Lore
nzo,
kno
wes
t tho
u no
t the
com
mon
love
37
ext
rem
ities
ext
rem
e em
otio
ns
41 e
nter
tain
men
t gre
etin
g, h
ospi
tabl
e re
cept
ion
46-8
line
atio
n ed
. (Sh
e . . .
Siste
r? / W
ho . .
. Lor
d, /
And
. . .
1592)
50 in
terc
ept o
bstr
uct
56 c
ross
inte
rrup
t, pr
even
t 61
com
mon
wid
espr
ead
96
THO
MA
S K
YD
[A
CT
1x1
And
kin
dnes
s tha
t Hie
roni
mo
hath
won
By
his
des
erts
with
in th
e co
urt o
f Sp
ain?
O
r se
est t
hou
not t
he k
ing
my
brot
her's
car
e In
his
beh
alf,
and
to p
rocu
re h
is h
ealth
? 6 5
Lo
renz
o, s
houl
dst t
hou
thw
art h
is p
assio
ns,
And
he
excl
aim
aga
inst
thee
to th
e ki
ng,
Wha
t hon
our w
ere't
in th
is a
ssem
bly,
O
r wha
t a sc
anda
l wer
e't a
mon
g th
e ki
ngs
To
hear
Hie
roni
mo
excl
aim
on
thee
? Te
ll m
e, an
d lo
ok th
ou te
ll m
e tru
ly to
o,
Whe
nce
grow
s the
gro
und
of t
his
repo
rt in
cou
rt?
LORE
NZO
M
y lo
rd, i
t lie
s not
in L
oren
zo's
pow
er
To
stop
the
vulg
ar, l
iber
al of
the
ir to
ngue
s:
A sm
all a
dvan
tage
mak
es a
wat
er-b
reac
h,
And
no
man
live
s tha
t lon
g co
nten
teth
all.
CA
STIL
E M
ysel
f hav
e see
n th
ee b
usy
to k
eep
back
H
im a
nd h
is su
pplic
atio
ns fr
om th
e ki
ng.
LORE
NZO
Y
ours
elf,
my
lord
, hat
h se
en h
is p
assio
ns,
That
ill b
esee
med
the
pres
ence
of a
kin
g;
80
And
for I
piti
ed h
im in
his
dis
tress
, I
held
him
then
ce w
ith k
ind
and
cour
teou
s wor
ds,
As f
ree
from
mal
ice
to..H
iero
nim
o A
s to
my
soul
, my
lord
. CA
STIL
E H
iero
nim
o, m
y so
n, m
istak
es th
ee th
en.
LORE
NZO
M
y gr
acio
us fa
ther
, bel
ieve
me
so h
e do
th.
But
wha
t's a
silly
man
, dis
tract
in m
ind,
T
o th
ink
upon
the
mur
der o
f his
son?
A
las,
how
eas
y is
it fo
r him
to e
rr!
But
for h
is sa
tisfa
ctio
n and
the
wor
ld's,
90
'T
wer
e go
od, m
y lo
rd, t
hat H
iero
nim
o an
d I
Wer
e re
conc
iled,
if h
e m
iscon
ster m
e.
66 p
assio
ns la
men
ts, c
ompl
aint
s 67
exc
laim
aga
inst
deno
unce
74
vul
gar,
liber
al ed
. (vu
lgar
liber
al1
1592
) com
mon
peo
ple,
free
with
75
adv
anta
ge o
ppor
tuni
ty (f
or e
xplo
itatio
n), w
eakn
ess
75 w
ater
-bre
ach
a ga
p in
wal
l or
dyk
e ca
used
by
wat
er-p
ress
ure
80 i
ll be
seem
ed fi
tted
ill w
ith
87 s
illy
simpl
e, p
oor
92 m
iscon
ster m
iscon
stru
e, w
ilful
ly m
isint
erpr
et
SCEN
E X
IV]
TH
E S
PAN
ISH
TR
AG
EDY
97
CA
STIL
E Lo
renz
o, th
ou h
ast s
aid;
it sh
all b
e so
; G
o on
e of
you
and
cal
l Hie
roni
rno.
En
ter B
ALTH
AZAR
and
BEL
-IMPE
RIA
BALT
HAZ
AR
Com
e, B
el-im
peria
, Bal
thaz
ar's
cont
ent,
My
sorr
ow's
ease
and
sove
reig
n of
my
bliss
, Si
th h
eave
n ha
th o
rdai
ned
thee
to b
e m
ine;
D
ispe
rse
thos
e cl
ouds
and
mel
anch
oly
look
s, A
nd c
lear
them
up
with
thos
e th
y su
n -br
ight
eye
s, W
here
in m
y ho
pe a
nd h
eave
n's fa
ir be
auty
lies
. BE
L-IM
PERI
A M
y lo
oks,
my
lord
, are
fitti
ng fo
r my
love
, W
hich
new
beg
un, c
an sh
ow n
o br
ight
er y
et.
B AL
THAZ
AR
New
kin
dled
flam
es sh
ould
bur
n as
mor
ning
sun.
BE
L-IM
PERI
A B
ut n
ot to
o fa
st, l
est h
eat a
nd a
ll be
don
e.
I see
my
lord
my
fath
er.
BALT
HAZ
AR
Truc
e, m
y lo
ve;
I w
ill g
o sa
lute
him
. CA
STIL
E W
elco
me,
Bal
thaz
ar,
Wel
com
e br
ave
prin
ce, t
he p
ledg
e of
Casti
le's
peac
e;
And
wel
com
e Be
l-im
peria
. How
now
, girl
? W
hy c
om'st
tho
u sa
dly
to sa
lute
us
thus
? C
onte
nt th
ysel
f, fo
r I a
m sa
tisfie
d;
It is
not
now
as w
hen
And
rea
lived
, W
e ha
ve fo
rgot
ten
and
forg
iven
that
, A
nd th
ou a
rt gr
aced
with
a h
appi
er lo
ve.
But B
alth
azar
, her
e co
mes
Hie
roni
mo,
I'l
l hav
e a
wor
d w
ith h
im.
102
no b
right
er e
d. (b
righ
ter
1592
) 10
5 -7
linea
tion
ed. (I s
ee . .
. Fat
her.
I Tru
ce . .
. him
. I W
elco
me . .
Prin
ce, I
The
. . . p
eace
: 159
2)
109
sadl
y w
ith se
riou
s loo
ks
102
no b
right
er 1
594'
s em
enda
tion
(159
2 om
its '
no')
mus
t be
rig
ht;
1592
m
akes
sen
se (
'ther
e's
time
for
them
to
get
brig
hter
') bu
t as
ks B
el-
impe
ria to
be
coyl
y en
cour
agin
g, an
impr
obab
le at
titud
e her
e. 11
0 -13
yet
ano
ther
ref
eren
ce t
o th
e di
sapp
rova
l fe
lt fo
r Be
l-im
peri
a's
liaiso
n w
ith A
ndre
a (s
ee I,
i, 1
0-11
and
not
e).
70
TH
OM
AS
KY
D
Enter
HIE
RO
NIM
O an
d a
SERV
ANT
HIE
RONL
MO
A
nd w
here
's th
e du
ke?
SERV
ANT
Yon
der.
HIE
RONI
MO
Ev
en S
O :
Wha
t new
dev
ice
have
they
dev
ised,
trow
? Po
cas p
alab
ras!
mild
as
the
lam
b,
Is't
I will
be
reve
nged
? No,
I am
not
the
man
. CA
STIL
E W
elco
me
Hie
roni
mo.
LO
RENZ
O
Wel
com
e H
iero
nim
o.
BALT
HAZ
AR
Wel
com
e H
iero
nim
o.
HIE
RONI
MO
M
y lo
rds,
I th
ank
you
for H
orat
io.
CAST
ILE
Hie
roni
mo,
the
reas
on th
at I
sen
t T
o sp
eak
with
you
, is t
his.
HIE
RON
LMO
W
hat,
so sh
ort?
Th
en I'
ll be
gon
e, I
than
k yo
u fo
r't.
CAST
ILE
Nay
, sta
y, H
ieron
imo-
go c
all h
im, s
on.
LORE
NZO
H
iero
nim
o, m
y fa
ther
cra
ves a
wor
d w
ith y
ou.
HIE
RONI
MO
W
ith m
e si
r? w
hy, m
y lo
rd, I
thou
ght y
ou h
ad d
one.
LORE
NZO
[A
side]
No,
wou
ld h
e ha
d.
CAS
TILE
H
iero
nim
o, I
hear
13
0 Y
ou fi
nd y
ours
elf a
ggrie
ved
at m
y so
n Be
caus
e you
hav
e no
t acc
ess u
nto
the
king
, A
nd sa
y 'ti
s he
that
inte
rcep
ts y
our s
uits
.
116-
17 l
inea
tion
ed. (
one
line
1592
) 11
7 de
vice
plo
t 11
7 tro
w? d
o yo
u think?
118
Poca
s pal
obra
s fe
w w
ords
(Spa
nish
) 12
8 s.p
. LO
RE
N20
ed.
(not
in 1
592)
13
0 -1
linea
tion
ed. (
No,
. . . ha
d. I H
iero
nim
o . . .
Sonn
e, 1
592)
13
3 in
terc
epts
obst
ruct
s, th
war
ts
117-
19 H
iero
nim
o no
w f
eels
thre
aten
ed, l
ike
Ham
let
late
r, by
plo
ts (
'de-
vi
ces')
on
all s
ides
.
TH
E S
PAN
ISH
TR
AG
EDY
p
HIE
RONI
MO
1
Why
, is
not t
his a
mise
rabl
e th
ing,
my
lord
? +
CAST
ILE
Hie
roni
mo,
I ho
pe y
ou h
ave
no c
ause
, e
And
wou
ld b
e lo
ath
that
one
of y
our d
eser
ts
Shou
ld o
nce
have
reas
on to
susp
ect m
y so
n,
Con
side
ring
how
I th
ink
of yo
u m
ysel
f. H
IERO
NIM
O
You
r son
Lor
enzo
! who
m, m
y no
ble
lord
? T
he h
ope
of Sp
ain,
min
e ho
nour
able
frie
nd?
Gra
nt m
e th
e co
mba
t of
them
, if
they
dar
e:
Draw
s out
his
swor
d I'l
l m
eet h
im fa
ce to
face
, to
tell
me
so.
Thes
e be
the
scan
dalo
us re
ports
of
such
A
s lov
e no
t me,
and
hate
my
lord
too
muc
h.
Shou
ld I
sus
pect
Lor
enzo
wou
ld p
reve
nt
Or c
ross
my
suit,
that
love
d m
y so
n so
wel
l?
My
lord
, I a
m a
sham
ed it
sho
uld
be sa
id.
LORE
NZO
H
iero
nim
o, I
neve
r gav
e yo
u ca
use.
HIE
RONI
MO
.M
y go
od lo
rd, I
kno
w y
ou d
id n
ot.
CAST
ILE
Ther
e th
en p
ause
, A
nd fo
r the
satis
fact
ion
of t
he w
orld
, ,
150
Hie
roni
mo,
freq
uent
my
hom
ely
hous
e,
The
Duk
e of
Cas
tile,
Cyp
rian's
anc
ient
seat
, A
nd w
hen
thou
wilt
, use
me,
my
son,
and
it.
But
her
e, b
efor
e Prin
ce B
alth
azar
and
me,
Em
brac
e ea
ch o
ther
, and
be
perfe
ct fr
iend
s. H
IERO
NIM
O
Ay m
arry
, my
lord
, and
shal
l. Fr
iend
s, qu
oth
he? s
ee, I
'll b
e fr
iend
s w
ith y
ou a
ll:
Spec
ially
with
you
, my
love
ly lo
rd;
For
dive
rs ca
uses
it is
fit f
or u
s Th
at w
e be
frie
nds-
the
wor
ld is
susp
icio
us,
160
And
men
may
thin
k w
hat w
e im
agin
e no
t.
141
the
com
bat
of t
hem
the
rig
ht t
o m
eet
them
in
(han
d-to
-han
d)
com
bat
144
love
ed.
(lou
es 1
592)
14
5 pr
even
t for
esta
ll, o
bstr
uct
146
eros
s th
war
t 14
9 -50
line
atio
n ed
. (Th
ere . . .
world
one
line
159
2)
151
hom
ely w
elco
min
g, h
ospi
tabl
e, 'h
ome-
like'
15
3 us
e m
ake
use
of, a
sk t
he se
rvic
es o
t
100
TH
OM
AS
KY
D
[AC
T 11
1
BALT
HAZ
AR
Why
, thi
s is f
riend
ly d
one,
Hie
roni
mo.
LO
RENZ
O
And
thus
I ho
pe o
ld g
rudg
es a
re fo
rgot
. H
IER
ON
IMO
W
hat e
lse? i
t wer
e a
sham
e it
shou
ld n
ot b
e so:
CA
STIL
E Co
me
on, H
iero
nim
o, a
t my
requ
est;
165
Let u
s in
treat
you
r com
pany
toda
y.
Exeu
nt [
all b
ut H
IERO
NIM
O]
HIE
RO
NIM
O
You
r lo
rdsh
ip's
to co
mm
and.-
Pha!
kee
p yo
ur w
ay:
Chi
mi f
a pi
h ca
rezz
e ch
e no
n m
ole,
Trad
ito m
i ha,
o tr
adir
vuol
e. Ex
it
Act
111,
Scen
e xv
G
host
[of A
NDRE
A] a
nd R
EVEN
GE
ANDR
EA
Aw
ake,
Eric
htho
! Cer
beru
s, aw
ake !
So
licit
Plut
o, g
entle
Pro
serp
ine;
T
o co
mba
t, A
cher
on a
nd E
rebu
s !
For
ne'er
by
Styx
and
Phl
eget
hon
in h
ell
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
.a
Nor
ferr
ied
Cha
ron
to th
e fie
ry la
kes
163
thus
ed.
(th
at 1
592)
16
7 Ph
a! a
n ex
clam
atio
n of
con
tem
pt o
r di
sgus
t 16
8 C
hi . .
. suo
le e
d. (
Mi.
Chi
, mi f
a? P
ui C
orre
zza
Che
non
sul
e 15
92)
169
Trad
ito . .
. vuo
le e
d. (
Trad
ito v
iha
otra
de v
ule.
159
2)
1 s.d
. G
host
ed.
(En
ter
Gho
ast 1
592)
1
s.p. ANDRE
A ed
. (G
host
159
2 th
roug
hout
this
scen
e)
1 Er
icht
ho e
d. (
Eric
tha
1592
) 'th
e Th
essa
lian
sorc
eres
s' (S
chic
k)
3 A
cher
on e
d. (
Ach
inon
159
2) se
e 11
1, i,
55
and
note
3
Ereb
us e
d. (
Eric
us 1
592)
prim
aeva
l dar
knes
s, c
hild
of
chao
s 4
ne'er
ed.
(ne
ere
1592
) 4
Styx
and
Phl
eget
hon
river
s of
the
und
erw
orld
4
in h
ell (
end
of 1.3
in 1
592)
6
Cha
ron
see
I, i,
20
and
note
at
I, i,
19
168-
9 'H
e w
ho g
ives
me
mor
e ca
ress
es t
han
usua
l ha
s be
traye
d m
e or
w
ishe
s to
bet
ray
me.
' 4-
7 I
acce
pt E
dwar
ds's
supp
ositi
on t
hat
a lin
e ha
s dr
oppe
d ou
t aft
er 1.
4 (h
e su
gges
ts i
t m
ight
hav
e be
en s
omet
hing
like
'Was
I d
istre
ssed
with
ou
trag
e so
re a
s th
is').
Onl
y on
thi
s ba
sis
can
the
pass
age
be m
ade
to
give
rea
sona
ble
sens
e.
SCEN
E X
V]
TH
E S
PAN
ISH
TR
AG
EDY
10
1 Su
ch fe
arfu
l sig
hts,
as p
oor A
ndre
a se
es!
Reve
nge,
awak
e!
REVE
NGE
Aw
ake?
for w
hy?
ANDR
EA
Aw
ake,
Reve
nge,
for t
hou
art i
ll-ad
vise
d T
o sle
ep a
way
wha
t tho
u ar
t war
ned
to w
atch
! RE
VENG
E Co
nten
t thy
self,
and
do
not t
roub
le m
e. AN
DREA
A
wak
e, Re
veng
e, if
love
, as l
ove
hath
had
, H
ave
yet t
he p
ower
or p
reva
lenc
e in
hel
l! H
iero
nim
o w
ith L
oren
zo is
join
ed in
leag
ue,
And
inte
rcep
ts o
ur p
assa
ge to
reve
nge:
A
wak
e, Re
veng
e, o
r we
are
woe
-beg
one!
RE
VENG
E T
hus w
orld
lings
gro
und,
wha
t the
y ha
ve d
ream
ed, u
pon.
Co
nten
t thy
self,
And
rea:
tho
ugh
I sle
ep,
Yet
is m
y m
ood
solic
iting
thei
r sou
ls;
Suffi
ceth
thee
that
poo
r Hie
roni
mo
Cann
ot fo
rget
his
son
Hor
atio
. N
or d
ies
Reve
nge a
lthou
gh h
e sle
ep a
whi
le,
7 se
es!
ed. (
see?
159
2)
11 T
o sle
ep e
d. (
Thsl
eep
1592
) 11
aw
ay e
d. (
away
, 159
2)
11 s
leep
aw
ay s
leep
out
11
wat
ch s
tay
awak
e 14
pre
vale
nce
ed. (
preu
aila
nce
1592
) 17
beg
one
ed. (
dego
ne 1
592)
20
moo
d Ed
war
ds th
inks
'ang
er'
just
pos
sibl
e; a
mor
e ge
nera
l sen
se
such
as
'atti
tude
', 'p
urpo
ses'
seem
s re
quir
ed
8 ff.
The
repe
titio
ns o
f 'A
wak
e' m
ay se
em c
rude
, and
ther
e is
con
side
rabl
e su
spic
ion
that
the
text
of
this
sce
ne a
s a
who
le i
s a
deba
sed
one
(see
Ed
war
ds,
esp.
pp.
xxx
iii a
nd x
xxvi
ii-xx
xix)
, ye
t th
e ac
tion
does
hav
e dr
amat
ic p
oint
in
givi
ng e
mph
atic
exp
ress
ion
to A
ndre
a's s
ense
tha
t ve
ngea
nce
is be
com
ing
less
and
less
pro
babl
e - ev
en H
iero
nim
o se
ems
to h
ave
betra
yed
the
caus
e (s
ee 1
.15)
. El
izab
etha
ns w
ould
hav
e un
der -
st
ood
the
scen
e as
ref
erri
ng t
o th
e 'w
orld
ling'
s' (s
ee 1
.18)
fa
ithle
ss
supp
ositi
on t
hat
dela
y is
equi
vale
nt t
o th
e ab
ando
ning
of
God
's (o
r R
even
ge's)
pur
pose
s.
11 a
way
Edw
ards
may
be
corr
ect
in a
ccep
ting
Haw
kins
's em
enda
tion
'awak
e!'
in p
lace
of
1592
's 'aw
ay';
but
the
text
mak
es g
ood
sens
e as
it
stan
ds a
nd I
see
no
com
pelli
ng g
roun
ds f
or e
men
datio
n.
18 w
orld
lings
. . . up
on 'm
orta
ls b
ase
thei
r bel
iefs
on
wha
t the
y ha
ve m
erel
y dr
eam
ed (o
r fan
cied
)'.
1 uz
THO
MA
S KYD
[ACT
IV
For i
n un
quie
t, qu
ietn
ess i
s fei
gned
, A
nd sl
umbe
ring
is a
com
mon
wor
ldly
wile
. Be
hold
, And
rea,
for a
n in
stanc
e ho
w
Reve
nge
hath
slep
t, an
d th
en im
agin
e th
ou
Wha
t 'tis
to b
e su
bjec
t to
desti
ny.
Enter
a D
umb
Show
[; th
ey a
ct a
nd e
xeun
t] AN
DREA
A
wak
e, Re
veng
e, re
veal
this
mys
tery
. RE
VENG
E T
he tw
o fir
st, th
e nu
ptia
l tor
ches
bor
e,
30
As
brig
htly
bur
ning
as
the
mid
-day
's su
n;
But
afte
r the
m d
oth
Hym
en h
ie a
s fas
t, Cl
othe
d in
sab
le, a
nd a
saffr
on ro
be,
And
blo
ws t
hem
out
, and
que
nche
th th
em w
ith b
lood
, A
s di
scon
tent
that
thin
gs c
ontin
ue so
. 35
AN
DREA
Su
ffice
th m
e; th
y m
eani
ng's
unde
rsto
od;
And
than
ks to
thee
and
thos
e in
fern
al p
ower
s T
hat w
ill n
ot to
lera
te a
love
r's w
oe.
Res
t the
e, fo
r I w
ill si
t to
see
the
rest.
RE
VENG
E T
hen
argu
e no
t, fo
r tho
u ha
st th
y re
ques
t. 40
Ex
eunt
A
ct IV
, Scene i
Enter
BEL
-IMPE
RIA
and
HIE
RO
NIM
O
BEL-
IMPE
RIA
Is
this
the
love
thou
bea
r'st
Hor
atio
? Is
this
the
kind
ness
that
thou
cou
nter
feits
? A
re th
ese
the
frui
ts o
f th
ine
ince
ssan
t tea
rs?
Hie
roni
mo,
are
thes
e th
y pa
ssio
ns,
Thy
pro
test
atio
ns a
nd th
y de
ep la
men
ts,
Tha
t tho
u w
ert w
ont t
o w
eary
men
with
al?
0 u
nkin
d fa
ther
, 0 d
ecei
tful w
orld
! 29
rev
eal t
his
mys
tery
exp
lain
the
secr
et m
eani
ng o
f th
is a
ctio
n (th
e du
mb
show
) 32
Hym
en g
od b
f m
arria
ge
32 h
ie ru
n 33
sab
le bl
ack
33 s
aflro
fl ye
llow
, the
usu
al c
olou
r of
Hym
en's
robe
4
pass
ions
pas
sion
ate e
xcla
mat
ions
7
unki
nd u
nnat
ural
THE S
PAN
ISH
TRAGEDY
1 W
ith w
hat e
xcus
es c
anst
thou
show
thys
elf,
$ W
ith w
hat.
. . . . . .
. . . . . .
. . . . . .
. . . . . .
. . . . . .
. Fr
om th
is d
ishon
our
and
the
hate
of
men
?-
Thu
s to
neg
lect
the
loss
and
life
of
him
W
hom
bot
h m
y le
tters
and
thin
e ow
n be
lief
Ass
ures
thee
to b
e ca
usel
ess s
laug
hter
ed.
Hie
roni
mo,
for
sham
e, H
iero
nim
o,
Be n
ot a
hist
ory
to a
fter
times
O
f suc
h in
grat
itude
unt
o th
y so
n.
Unh
appy
mot
hers
of s
uch
child
ren
then
- B
ut m
onst
rous
fath
ers,
to fo
rget
so
soon
T
he d
eath
of t
hose
, who
m th
ey w
ith c
are
and
cost
Hav
e te
nder
ed so
, thu
s car
eles
s sho
uld
be lo
st.
Mys
elf a
stra
nger
in r
espe
ct o
f th
ee,
So lo
ved
his l
ife, a
s stil
l I w
ish th
eir d
eath
s;
Nor
sha
ll hi
s dea
th b
e un
reve
nged
by
me,
A
lthou
gh I
bea
r it o
ut fo
r fas
hion
's sa
ke:
For
here
I sw
ear i
n si
ght o
f he
aven
and
ear
th,
Shou
ldst
thou
neg
lect
the
love
thou
sho
ulds
t ret
ain
And
giv
e it
over
and
dev
ise n
o m
ore,
M
ysel
f sho
uld
send
thei
r hat
eful
sou
ls to
hel
l, Th
at w
roug
ht h
is do
wnf
all w
ith e
xtre
mes
t dea
th.
HIE
RONL
MO
Bu
t may
it b
e th
at B
el-i
mpe
ria
Vow
s suc
h re
veng
e as s
he h
ath
deig
ned
io sa
y?
Why
then
, I se
e th
at h
eave
n ap
plie
s our
drif
t
9 W
ith
wha
t. . .
ed. (
With
wha
t di
shon
our,
and
the
hate
of
men
15
92)
15 h
istor
y ex
ampl
e, ta
le
20 t
ende
red
care
d fo
r, ch
eris
hed
21 i
n re
spec
t of
com
pare
d to
24
bea
r it . .
. sake
'mak
e a
pret
ence
of a
ccep
ting
the
situ
atio
n fo
r the
sa
ke o
f ap
pear
ance
s' (E
dwar
ds)
27 d
evise
plo
r 29
ext
rem
est m
ost c
ruel
32
app
lies
our
drift
bl
esse
s ou
r en
terp
rise
(drif
t, 'w
hat
we
are
driv
ing
at')
9 T
he d
ots
repr
esen
t m
ater
ial p
resu
med
lost
whe
n th
e 15
92 c
ompo
sito
r in
adve
rtent
ly in
clud
ed i
n 1.9
the
las
t si
x w
ords
of
1.10
(see
tex
tual
gl
oss a
bove
). T
he fi
rst t
wo
wor
ds (a
s prin
ted)
may
be
eith
er th
e co
rrec
t fir
st w
ords
of th
e (n
ow m
issi
ng) 1
.9 or
a m
ista
ken
repe
at of
the
begi
nnin
g of
1.8.
Bun
glin
g of
som
e ki
nd h
as c
erta
inly
take
n pl
ace,
and
sin
ce th
e tru
e or
igin
al c
anno
t be
rec
over
ed i
t se
ems
best
to
indi
cate
thi
s by
in
serti
ng do
ts.
17-2
0 an
inc
ompl
ete
sent
ence
; ju
st p
laus
ible
dra
mat
ical
ly as
ref
lect
ing
in
its la
ck o
f gr
amm
atic
al st
ruct
ure
Bel
-impe
ria's
unse
ttled
stat
e of
min
d.
104
TH
OM
AS
KY
D
[AC
T I
V
And
all
the
sain
ts d
o sit
sol
iciti
ng
For v
enge
ance
on
thos
e cu
rsed
mur
dere
rs.
Mad
am 't
is tr
ue, a
nd n
ow I
fin
d it
so;
I fo
und
a le
tter,
writ
ten
in y
our
nam
e,
And
in th
at le
tter,
how
Hor
atio
die
d.
Pard
on, 0
par
don,
Bel
-impe
ria,
My
fear
and
car
e in
not
bel
ievi
ng it
, N
or th
ink
I th
ough
tless
thin
k up
on a
mea
n T
o le
t his
dea
th b
e un
reve
nged
at f
ull;
And
her
e I
vow
, so
you
but g
ive
cons
ent,
And
will
con
ceal
my
reso
lutio
n,
I w
ill e
re lo
ng d
eter
min
e of
the
ir de
aths
T
hat c
ause
less
thus
hav
e m
urde
red
my
son.
BE
L-IM
PER
IA
Hie
roni
mo,
I w
ill c
onse
nt, c
once
al;
And
aug
ht th
at m
ay e
ffect
for
thin
e av
ail
Join
with
thee
to re
veng
e H
orat
io's
deat
h.
HIE
RO
NIM
O
On
then
; wha
tsoev
er I
dev
ise,
Let m
e en
treat
you
, gra
ce m
y pr
actic
es.
For w
hy, t
he p
lot's
alre
ady
in m
ine
head
. H
ere
they
are
. Enter
BAL
THAZ
AR a
nd L
ORE
NZO
BALT
HAZ
AR
How
now
, Hie
roni
mo?
W
hat,
cour
ting
Bel-i
mpe
ria?
HIE
RON
IMO
A
y, m
y lo
rd,
Such
cou
rting
as,
I pr
omise
you
, Sh
e ha
th m
y he
art,
but y
ou, m
y lo
rd, h
ave
hers
. 5 5
LO
RENZ
O
But n
ow, H
iero
nim
o, o
r ne
ver,
We
are
to e
ntre
at y
our
help
.
39 c
are
caut
ion
40 t
houg
htles
s un
conc
erne
d 44
det
erm
ine
of br
ing
abou
t 47
ava
il as
sista
nce
50 g
race
sup
port
, inv
olve
you
rsel
f in
51 F
or w
hy b
ecau
se
52-6
1 lin
eatio
n ed
. (H
eere
. . . ar
e. /
How
. .. . Be
l-Im
peri
a. /
I . . . y
ou
/ Sh
e.. . h
ers.
/ But
. . . he
lpe.
/ M
y. . . m
e. /
For
.. . yo
u. /
It. . .
Em
bass
adou
r. 1
592)
52 ff
. K
yd h
ere
allo
ws
his
acto
rs a
n ex
celle
nt o
ppor
tuni
ty fo
r ex
pres
sing
, th
roug
h hy
pocr
itica
l pol
itene
ss, t
he t
ensi
ons
betw
een
the
thre
e m
en.
SCEN
E I]
T
HE
SP
AN
ISH
TR
AG
ED
Y
105
HIE
RON
IMO
M
y he
lp?
Why
, my
good
lord
s, as
sure
you
rsel
ves o
f m
e,
For
you
have
giv
en m
e ca
use,
A
y, b
y m
y fa
ith h
ave
you.
BA
LTH
AZA
R
It p
leas
ed y
ou
60
At t
he e
nter
tain
men
t of
the
amba
ssad
or
To
grac
e th
e ki
ng s
o m
uch
as w
ith a
show
: N
ow w
ere
your
stu
dy so
wel
l fur
nish
ed,
As,
for
the
pass
ing
of t
he fi
rst n
ight
's sp
ort,
To
ente
rtain
my
fath
er w
ith th
e lik
e,
65
Or a
ny s
uch-
like
plea
sing
mot
ion,
A
ssur
e yo
urse
lf it
wou
ld c
onte
nt th
em w
ell.
HIE
RO
NIM
O
Is th
is a
ll?
BALT
HAZ
AR
Ay,
'this
is a
ll.
HIE
RO
NIM
O
Why
then
I'll
fit y
ou; s
ay n
o m
ore.
W
hen
I w
as y
oung
I ga
ve m
y m
ind
And
plie
d m
ysel
f to
fruitl
ess
poet
ry:
Whi
ch th
ough
it p
rofit
the
prof
esso
r nau
ght,
Yet
is it
pas
sing
plea
sing
to th
e w
orld
. LO
RENZ
O
And
how
for
that
? H
IERO
NIM
O
Mar
ry, m
y go
od lo
rd, t
hus-
A
nd y
et, m
ethi
nks,
you
are
too
quic
k w
ith u
s- W
hen
in T
oled
o th
ere
I st
udie
d,
It w
as m
y ch
ance
to w
rite
a tra
gedy
- Se
e he
re m
y lo
rds-
H
e sh
ows t
hem
a b
ook
Whi
ch lo
ng fo
rgot
, I f
ound
this
oth
er d
ay.
80
Now
wou
ld y
our
lord
ship
s fav
our
me
so m
uch
As
but t
o gr
ace
me
with
you
r act
ing
it-
I m
ean
each
one
of
you
to p
lay
a pa
rt-
62 g
race
hon
our
63 f
urni
shed
sto
cked
66
mot
ion
ente
rtai
nmen
t 70
I'll
fit
you
(a) '
I'll
prov
ide
you
wha
t yo
u ne
ed' (
b) 'I
'll p
ay y
ou
out'
or 'I
'll 'p
unish
you
as
you
dese
rve'
(Edw
ards
) 73
pro
fess
or th
e m
an w
ho 'p
rofe
sses
' or
prac
tises
it
76 t
oo q
uick
too
pres
sing
; per
haps
with
a p
un o
n qu
ick
mea
ning
aliv
e
76 u
ncle
ar. P
erha
ps t
he li
ne i
s m
eant
to
conv
ey t
hat
Hie
roni
mo'
s an
ger
is on
ly ju
st u
nder
con
trol
.
I uo
TH
OM
AS
KY
D
Ass
ure
you
it w
ill p
rove
mos
t pas
sing
stra
nge
And
won
drou
s pl
ausib
le to
that
ass
embl
y.
BALT
HA
ZAR
Wha
t, w
ould
you
hav
e us
pla
y a
trage
dy?
IIIE
RO
NIM
O
Why
, Ner
o th
ough
t it n
o di
spar
agem
ent,
And
kin
gs a
nd e
mpe
rors
hav
e ta
'en d
elig
ht
To
mak
e ex
perie
nce
of th
eir w
its in
pla
ys!
LORE
NZO
N
ay, b
e no
t ang
ry g
ood
Hie
roni
mo,
T
he p
rince
but
ask
ed a
que
stio
n.
BALT
HA
ZAR
In fa
ith, H
iero
nim
o, a
nd y
ou b
e in
ear
nest,
I'l
l m
ake
one.
LO
REN
ZO
And
I a
noth
er.
HIE
RO
NIM
O
Now
my
good
lord
, cou
ld y
ou e
ntre
at
You
r sis
ter
Bel -i
mpe
ria to
mak
e on
e?
For w
hat's
a p
lay
with
out a
wom
an in
it?
BEL-
IMPE
RIA
Li
ttle
entre
aty
shal
l ser
ve m
e, H
iero
nim
o,
For
I m
ust n
eeds
be
empl
oyed
in y
our
play
. H
IER
ON
IMO
W
hy, t
his
is w
ell;
I te
ll yo
u lo
rdin
gs,
It w
as d
eter
min
ed to
hav
e be
en a
cted
By
gen
tlem
en a
nd sc
hola
rs to
o Su
ch a
s cou
ld te
ll w
hat t
o sp
eak.
84 s
trang
e re
mar
kabl
e, w
onde
rful
85
pla
usib
le ag
reea
ble
87 d
ispar
agem
ent l
oss
of d
igni
ty
89 e
xper
ience
tria
l 92
and
if
101
dete
rmin
ed in
tend
ed, a
rran
ged
103
coul
d te
ll kn
ew, w
ere
skilf
ul
87 N
ero
Hie
roni
mo
is c
orre
ct in
indi
catin
g th
at th
e R
oman
em
pero
r N
ero
patro
nise
d pl
ays
and
acte
d in
the
m h
imse
lf; a
t th
e sa
me
time
he w
as
asso
ciat
ed w
ith v
iole
nce a
nd d
eeds
of
bloo
d, a
nd t
he a
udie
nce
wou
ld n
o do
ubt
pick
up
the
allu
sion
. B
alth
azar
's ne
rvou
snes
s (1
.155
) is
fully
ju
stifi
ed.
103 -
5 wh
at t
o sp
eak . .
. how
to
spea
k no
t cle
ar.
Bal
thaz
ar m
ay m
ean
only
th
at c
ourti
ers
are
as sk
illed
as '
gent
lem
en a
nd s
chol
ars'
in th
ese
mat
ters
. So
me
cont
rast
may
be
inte
nded
bet
wee
n sc
hola
rs w
ho a
re g
ood
at
inve
ntio
n an
d co
urtie
rs w
ho a
re g
ood
at e
locu
tion.
SCEN
E I]
T
HE
SPA
NIS
H T
RA
GED
Y
107
BALT
HA
ZAR
And
now
it sh
all b
e pl
ayed
by
prin
ces
and
cour
tiers
, Su
ch a
s can
tell
how
to sp
eak,
10
5 If
, as i
t is o
ur c
ount
ry m
anne
r, Y
ou w
ill b
ut le
t us k
now
the
argu
men
t. H
IER
ON
IMO
Th
at sh
all I
rou
ndly
. The
chro
nicl
es o
f Sp
ain
Reco
rd th
is w
ritte
n of
a kn
ight
of
Rhod
es:
He
was
bet
roth
ed, a
nd w
edde
d at
the
leng
th
To
one
Pers
eda,
an
Italia
n da
me,
W
hose
bea
uty
ravi
shed
all
that
her
beh
eld,
Es
peci
ally
the s
oul o
f So
liman
, W
ho a
t the
mar
riage
was
the
chie
fest
gues
t. By
sun
dry
mea
ns so
ught
Sol
iman
to w
in
Pers
eda's
love
, and
cou
ld n
ot g
ain
the
sam
e. Th
en g
an h
e br
eak
his
pass
ions
to a
frie
nd,
One
of h
is b
asha
ws w
hom
he
held
full
dear
; H
er h
ad th
is b
asha
w lo
ng so
licite
d,
And
saw
she
was
not
oth
erw
ise to
be
won
Bu
t by
her h
usba
nd's
deat
h, th
is k
nigh
t of
Rhod
es,
Who
m p
rese
ntly
by
treac
hery
he s
lew
. Sh
e, s
tirre
d w
ith a
n ex
ceed
ing
hate
ther
efor
e,
As'c
ause
of t
his s
lew
Sol
iman
; A
nd to
esc
ape
the
bash
aw's
tyra
nny
Did
sta
b he
rsel
f: an
d th
is th
e tra
gedy
. LO
REN
ZO
0 ex
celle
nt !
BEL-
IMPE
RIA
But s
ay, H
iero
nim
o,
Wha
t the
n be
cam
e of
him
that
was
the
bash
aw?
107
argu
men
t plo
t, na
rrat
ive
108
roun
dly
plai
nly;
at o
nce
114
was e
d. (
wav
159
2)
117
brea
k di
sclo
se, c
onfe
ss
118
bash
aws '
pash
as, ~
Grk
ish of
ficer
s of
high
ran
k; c
ourti
ers
127 -
8 lin
eatio
n ed
. (0 ex
celle
nt. /
But
. . . hi
m/T
hat . .
. Bas
haw
? 159
2)
107
let
us k
now
the
argu
men
t A
ppar
ently
we
shou
ld t
hink
of
the
play
as
unsc
ripte
d: H
iero
nim
o w
ill s
ketc
h in
the
plo
t an
d on
tha
t ba
sis
the
acto
rs w
ill im
prov
ise
thei
r ow
n lin
es. K
yd a
void
s re
peat
ing
the
'argu
- m
ent'
(or
plot
) by
pro
vidi
ng t
he K
ing
with
a w
ritte
n co
py (
IV,
iii,
6-5';
IV
, iv,
9-1
0).
The
'abs
tract
s' re
ferr
ed t
o at
1. 1
41 w
ould
per
haps
ou
tline
the
play
's na
rrat
ive
a lit
tle m
ore
fully
. 10
840
The
pla
ylet
of
Solim
an a
nd P
erse
da, a
s w
ell a
s pr
ovid
ing
the
mec
h-
anis
m o
f di
sast
er,
repr
esen
ts s
ever
al o
f th
e m
ain
rela
tions
hips
of
the
larg
er p
lay.
See
Int
rodu
ctio
n, p
. xxv
i.
TH
OM
AS
KY
D
HIE
RONI
MO
M
arry
thus
: mov
ed w
ith r
emor
se of
his
misd
eeds
, Ra
n to
a m
ount
ain -
top
and
hung
him
self.
13
0 BA
LTH
AZAR
B
ut w
hich
of u
s is
to p
erfo
rm th
at p
art?
H
IER
ON
IMO
0. t
hat w
ill I
my
lord
s, m
ake
no d
oubt
of
it:
- 7 I'll
play
the
mui
dere
r, I
war
rant
you
, Fo
r I
alre
ady
have
con
ceite
d th
at.
BALT
HAZ
AR
And
wha
t sha
ll I?
13
5 H
IER
ON
IMO
G
reat
Sol
iman
the
Turk
ish
empe
ror.
LORE
NZO
A
nd I
? H
IER
ON
IMO
Er
astu
s th
e kn
ight
of
Rhod
es.
BEL-
IMPE
RI A
A
nd I
? H
IER
ON
IMO
Pe
rsed
a, c
haste
and
res
olut
e.
140
And
her
e, m
y lo
rds,
are
seve
ral a
bstra
cts
draw
n,
For e
ach
of yo
u to
not
e yo
ur p
arts
, A
nd a
ct it
, as o
ccas
ion's
offe
red
you.
Y
ou m
ust p
rovi
de a
Tur
kish
cap
, A
bla
ck m
usta
chio
and
a fa
uchi
on.
145
Give
s a
pape
r to
BALT
HAZ
AR
You
with
a c
ross
like
to a
kni
ght o
f ~
hddi
s.
Give
s ano
ther
to L
ORE
NZO
A
nd m
adam
, you
mus
t atti
re y
ours
elf
He f
ivet
h BE
L-IM
PERI
A an
othe
r Li
ke P
hoeb
e, F
lora
, or t
he H
untre
ss,
Whi
ch to
you
r di
scre
tion
shal
l see
m b
est.
And
as f
or m
e, m
y lo
rds,
I'll l
ook
to o
ne;
And
, with
the
rans
om th
at th
e vi
cero
y se
nt
So fu
rnis
h an
d pe
rform
this
trag
edy,
A
s al
l the
wor
ld sh
all s
ay H
iero
nim
o W
as li
bera
l in
grac
ing
of it
so.
134
conc
eited
env
isag
ed, f
orm
ed a
con
cept
ion
of
141
abstr
acts
outli
nes
141
draw
n dr
awn
up, w
ritte
n ou
t 14
5 fa
uchi
on a
bro
ad c
urve
d sw
ord
(als
o sp
elle
d 'fa
lchi
on')
148
Hun
tress
Dia
na, g
odde
ss o
f hu
ntin
g 15
0 look t
o pr
epar
e 15
4 gr
acin
g se
tting
it o
ut, a
dorn
ing
it
BALT
HAZ
AR
Hie
roni
mo,
met
hink
s a
com
edy
wer
e be
tter.
HIE
RO
NIM
O
A c
omed
y?
Fie,
com
edie
s are
fit f
or c
omm
on w
its:
But t
o pr
esen
t a k
ingl
y tro
op w
ithal
, G
ive
me
a sta
tely
-writ
ten
trage
dy,
Trag
edia
cot
hurn
ata,
fitti
ng k
ings
, C
onta
inin
g m
atte
r, an
d no
t com
mon
thin
gs.
My
lord
s, al
l thi
s m
ust b
e pe
rform
ed,
As f
ittin
g fo
r the
firs
t nig
ht's
reve
lling
. T
he It
alia
n tra
gedi
ans w
ere
so sh
arp
of w
it,
Tha
t in
one
hour
's m
edita
tion
They
wou
ld p
erfo
rm a
nyth
ing
in a
ctio
n.
LORE
NZO
A
nd w
ell i
t may
; for
I h
ave s
een
the
like
In P
aris,
'mon
gst t
he F
renc
h tra
gedi
ans.
HIE
RONI
MO
In
Par
is? m
ass,
and
wel
l rem
embe
red!
Th
ere's
one
thin
g m
ore
that
rests
for
us to
do.
BA
LTH
AZAR
W
hat's
tha
t, H
iero
nim
o? fo
rget
not
any
thin
g.
HIE
RONI
MO
Ea
ch o
ne o
f us
mus
t act
his
part
In u
nkno
wn
lang
uage
s,
156-
7 lin
eatio
n ed
. (A
. . . w
its o
ne li
ne 1
592)
15
8 ki
ngly
troo
p ro
yal a
udie
nce
160
Trag
edia
cot
hum
ata
in a
ncie
nt A
then
s tra
gedy
per
form
ed b
y an
ac
tor
wea
ring
busk
ins
(thic
k-so
led
boot
s); t
he m
ost s
erio
us k
ind
of d
ram
a 16
0 co
thur
nata
ed.
(co
ther
nat
o 15
92)
161
mat
ter s
ubst
ance
, ser
ious
con
tent
17
0 re
sts re
mai
ns
173
unkn
own
i.e.
not i
n ou
r ow
n to
ngue
16
4-6
The
ref
eren
ce i
s to
the
per
form
ers
of
the
Corn
med
ia d
ell'
Art
e,
who
impr
ovis
ed p
lays
from
sce
nario
s.
172
ff. I
t is
not
clear w
heth
er t
he 's
undr
y la
ngua
ges'
will
eve
r ha
ve b
een
used
on
stag
e. T
he n
ote
to th
e re
ader
at I
V, i
v, 1
0 s.
d. s
eem
s to
sugg
est
they
wer
e, a
nd t
hat
the
pres
ent
text
of
the
play
let
is a
tra
nsla
tion,
pe
rhap
s ex
pand
ed, f
rom
the
orig
inal
. Sin
ce t
he a
udie
nce
has
alre
ady
hear
d th
e pl
ay's
'arg
umen
t' th
ey m
ight
wel
l ha
ve b
een
cont
ent
to
liste
n to
'unk
now
n la
ngua
ges',
pro
vide
d th
ey w
ere
not g
iven
too
muc
h of
the
m a
nd p
rovi
ded
the
actio
n th
at a
ccom
pani
ed t
hem
was
hig
hly
I ex
plic
it an
d st
ylis
ed.
110
THO
MA
S K
YD
T
hat i
t may
bre
ed th
e m
ore
varie
ty.
As
you,
my
lord
, in
Latin
, I in
Gre
ek,
You
in I
talia
n; a
nd fo
r bec
ause
I kn
ow
TKat
Bel
-im
peria
hat
h pr
actis
ed th
e Fr
ench
, In
cou
rtly
Fren
ch s
hall
all h
er p
hras
es b
e.
BEL-
IMPE
RIA
You
mea
n to
try
my
cunn
ing
then
, Hie
roni
mo.
BA
LTH
AZAR
B
ut th
is w
ill b
e a
mer
e co
nfus
ion,
A
nd h
ardl
y sh
all w
e al
l be
unde
rsto
od.
HIE
RONI
MO
It
mus
t be
so, f
or th
e co
nclu
sion
Shal
l pro
ve th
e in
vent
ion
and
all w
as g
ood.
A
nd I
mys
elf
in a
n or
atio
n,
And
with
a st
rang
e an
d w
ondr
ous s
how
bes
ides
, T
hat I
will
hav
e th
ere
behi
nd a
cur
tain
, A
ssur
e yo
urse
lf, sh
all m
ake
the
mat
ter
know
n.
And
all
shal
l be
conc
lude
d in
one
scen
e,
For
ther
e's n
o pl
easu
re ta
'en i
n te
diou
snes
s. BA
LTH
AZAR
[A
side t
o LO
REN
ZO]
How
like
you
this
? LO
RENZ
O
Why
, thu
s m
y lo
rd,
We
mus
t res
olve
to so
othe
his
hum
ours
up.
BA
LTH
AZAR
O
n th
en H
iero
nim
o, fa
rew
ell t
ill so
on.
HIE
RONI
MO
Y
ou'll
ply
this
gea
r?
LORE
NZO
I
war
rant
you
. Exeu
nt a
ll bu
t HIE
RO
NIM
O
HIE
RONI
MO
W
hy SO
. N
ow sh
all I
see
the
fall
of B
abyl
on,
179
cunn
ing
skill
18
3 in
vent
ion
basic
idea
19
5 18
5 sh
ow ta
blea
u (in
fact
Hor
atio
's bo
dy)
185-
b tr
ansp
osed
in I
592
192
We m
ust r
esol
ve (e
nds 1
.191
in 1
592)
19
2 so
othe
. . . up
indu
lge
his w
him
s 19
4 pl
y th
is g
ear
carr
y ou
t thi
s bu
sines
s 19
45 li
neat
ion
ed. (
one
line
in 1
592)
18
5 str
ange
and
won
drot
rs s
how
Hor
atio
's bo
dy:
the
embl
em t
hat
just
ifies
an
d ex
plai
ns th
e who
le el
abor
ate b
usin
ess.
195
fall
of B
abyl
on J
ohns
on (
pp.
24 ff
.) ex
plai
ns t
hat
the
Gen
eva
Bibl
e (in
use
at
Kyd
's da
te o
f w
ritin
g) u
ses
'Bab
el' b
oth
for
the
Tow
er o
f Ba
bel
and
for
the
wic
ked
city
of
Baby
lon:
the
two
wou
ld b
e cl
osel
y as
soci
ated
in t
he a
udie
nce'
s m
ind.
For
the
des
truc
tion
of B
abyl
on s
ee
Isai
ah x
iii, J
erem
iah l
i, an
d R
evel
atio
n xv
iii.
SCEN
E I]
TH
E S
PAN
ISH
TR
AG
EDY
W
roug
ht b
y th
e he
aven
s in
this
con
fusio
n.
And
if th
e w
orld
like
not
this
trag
edy,
H
ard
is th
e ha
p of
old
l&ro
nim
o.
Act
IV, Sc
ene
ii En
ter IS
ABEL
LA w
ith a
wea
pon
ISAB
ELLA
Te
ll m
e no
mor
e! 0
mon
stro
us h
omic
ides
!
Exit
Sinc
e ne
ither
pie
ty n
or p
ity m
oves
T
he k
ing
to ju
stic
e or c
ompa
ssio
n,
I w
ill re
veng
e m
ysel
f up
on th
is p
lace
W
here
thus
they
mur
dere
d m
y be
love
d so
n.
5 Sh
e cu
ts do
wn th
e ar
bour
D
own
with
thes
e br
anch
es a
nd th
ese
loat
hsom
e bo
ughs
O
f thi
s un
fortu
nate
and
fata
l pin
e:
Dow
n w
ith th
em, I
sabe
lla, r
ent t
hem
up
And
bur
n th
e ro
ots f
rom
whe
nce
the
rest
is s
prun
g,
I w
ill n
ot le
ave
a ro
ot, a
sta
lk, a
tree
, A
bou
gh, a
bra
nch,
a b
loss
om, n
or a
leaf
, N
o, n
ot a
n he
rb w
ithin
this
gar
den-
plot
. A
ccur
sed
com
plot
of
my
mise
ry,
Frui
tless
for e
ver
may
this
gar
den
be!+
B
arre
n th
e ea
rth, a
nd b
lissle
ss w
hoso
ever
Im
agin
es n
ot to
kee
p it
unm
anur
ed!
An
east
ern
win
d co
mm
ixed
with
noi
som
e ai
rs
Shal
l bla
st th
e pl
ants
and
the
youn
g sa
plin
gs;
The
earth
with
ser
pent
s sh
all b
e pe
ster
ed,
And
pas
seng
ers,
for f
ear
to b
e in
fect
, Sh
all s
tand
alo
of, a
nd, l
ooki
ng a
t it,
tell,
'T
here
, m
urde
red,
die
d th
e so
n of
Isab
el.'
Ay,
her
e he
die
d, a
nd h
ere
I hi
m e
mbr
ace:
1
s.p. I
SAB
ELLA
ed. (
not i
n 15
92)
7 un
fortu
nate
om
inou
s 8
rent
ren
d, te
ar
13 c
ompl
ot p
lot
16 u
nman
ured
unc
ultiv
ated
, bar
ren
17 n
oiso
me p
estil
ent
20 p
asse
nger
s pas
sers
-by
20 i
nfec
t inf
ecte
d 5
s.d. I
sabe
lla m
ay m
erel
y st
rip
the
leav
es a
nd b
ranc
hes f
rom
the
arbo
ur;
or s
he m
ay t
oppl
e a
prop
erty
tre
e if
one
was .
used
. See
11,
iv, 5
3 s.d
. an
d no
te.
112
THO
MA
S K
YD
Se
e w
here
his
ghos
t sol
icits
with
his
wou
nds
Reve
nge o
n he
r tha
t sho
uld
reve
nge
his
deat
h.
Hie
roni
mo,
mak
e ha
ste to
see
thy
son,
Fo
r sor
row
and
des
pair
hath
cite
d m
e T
o he
ar H
orat
io p
lead
with
Rha
dam
anth
: M
ake
haste
, Hie
roni
mo,
to h
old
excu
sed
Thy
neg
ligen
ce in
pur
suit
of th
eir d
eath
s, W
hose
hat
eful
wra
th b
erea
ved
him
of
his
brea
th.
Ah
nay,
thou
dos
t del
ay th
eir
deat
hs,
Forg
ives
the
mur
dere
rs o
f th
y no
ble
son,
A
nd n
one
but I
bes
tir m
e -to
no e
nd.
And
as
I cu
rse
this
tree
from
furth
er
. fr
uit,
- So
shal
l my
wom
b be
cur
sed
for
his s
ake;
A
nd w
ith th
is w
eapo
n w
ill I
wou
nd th
e br
east,
Sh
e sta
bs h
erse
lf T
he h
aple
ss b
reas
t tha
t gav
e H
orat
io su
ck.
Act
IV, S
cene
iii
Enter
HIE
RON!
MO
; he
kno
cks u
p th
e cu
rtain
En
ter th
e D
UKE
OF C
ASTI
LE
CAST
ILE
How
now
Hie
roni
mo,
whe
re's
your
fello
ws,
Tha
t you
take
all
this
pai
n?
HIE
RONI
MO
0 si
r, it
is fo
r the
aut
hor's
cre
dit
To
look
that
all
thin
gs m
ay g
o w
ell.
But
, goo
d m
y lo
rd, l
et n
le e
ntre
at y
our g
race
[Exi
t]
27 c
ited
sum
mon
ed
28 R
hada
ttt~n
th on
e of
the
judg
es o
f th
e un
derw
orld
- -
29 h
old
excu
sed
to h
ave
it he
ld e
xcus
ed
34 m
e-to
ed.
(m
e to
159
2)
1 fe
llows
fello
w a
ctor
s
32-4
Eve
n Is
abel
la i
s de
ceiv
ed b
y H
iero
nim
o's
plan
of
stea
lthy
and
circ
umsp
ect r
even
ge.
s.d.,
38 s
.d.
The
sta
ge h
as t
o be
cle
ared
, tho
ugh
ther
e is
no o
ne t
o re
mov
e Is
abel
la's
body
. Pre
sum
ably
she
stum
bles
off,
wou
nded
. s.d
. Hie
roni
mo
prob
ably
han
gs a
cur
tain
ove
r one
of t
he la
rge
entra
nce-
do
ors
at th
e re
ar o
f th
e El
izab
etha
n st
age.
We
can,
it s
eem
s cl
ear,
take
it
that
the
re w
as n
o pe
rman
ent
inne
r -st
age,
at
leas
t at
thi
s th
eatre
, si
nce
such
a s
tage
wou
ld h
ave
been
the
obv
ious
pla
ce t
o us
e on
thi
s oc
casi
on, a
nd s
tage
-car
pent
ry w
ould
hav
e be
en u
nnec
essa
ry.
SCEN
E 1
111
TH
E S
PAN
ISH
TR
AG
EDY
11
3 T
o gi
ve th
e ki
ng th
e co
py o
f th
e pl
ay:
This
is th
e ar
gum
ent o
f w
hat w
e sh
ow.
CAST
ILE
I w
ill, H
iero
nim
o H
IERO
NIM
O
One
thin
g m
ore,
my
good
lord
. CA
STIL
E W
hat's
tha
t?
10
HIE
RONI
MO
Le
t me
entre
at y
our g
race
Th
at, w
hen
the
train
are
pas
sed
into
the
galle
ry,
You
wou
ld v
ouch
safe
to th
row
me
dow
n th
e ke
y.
CAST
ILE
I w
ill, H
iero
nim
o.
HIE
RONI
MO
W
hat,
are
you
read
y, B
alth
azar
? Br
ing
a ch
air a
nd a
cus
hion
for t
he k
ing.
Exit
CAST
ILE
Enter
BAL
THAZ
AR w
ith a
chai
r W
ell d
one,
Bal
thaz
ar; h
ang
up th
e tit
le.
Our
scen
e is
Rhod
es-
wha
t, is
you
r be
ard
on?
ZALT
HAZ
AR
Hal
f on,
the
othe
r is i
n m
y ha
nd.
HIE
RONI
MO
D
espa
tch
for s
ham
e, a
re y
ou s
o lo
ng?
20
- -
Exit
BALT
HAZ
AR
'Bet
hink
thys
elf,
Hie
roni
mo,
Re
call
thy
wits
, rec
ompt
thy
form
er w
rong
s Th
ou h
ast r
ecei
ved
by m
urde
r of
thy
son;
A
nd la
stly,
not
leas
t, ho
w Is
abel
, 7
argu
men
t plo
t, na
rrat
ive
20 D
espa
tch
hurr
y 22
rec
ompt
cal
l to
mem
onr
12-1
3 It
wou
ld s
eem
nat
ural
to
use
the
uppe
r st
age
for
the
Kin
g an
d co
urtie
rs w
atch
ing
the
play
; su
bseq
uent
act
ion
show
s, ho
wev
er,
that
al
l the
act
ors
rem
aine
d on
the
mai
n st
age.
The
'gal
lery
' m
ust
refe
r to
th
e 'h
all'
or 'lo
ng g
alle
ry' o
f a la
rge
Eliz
abet
han
hous
e. 'T
hrow
dow
n' is
ex
plai
ned
by E
dwar
ds as
'thr
ow th
e ke
y do
wn
[on
the
floor
] for
me.'
17
-18
title
. . .
scen
e T
here
is
som
e ev
iden
ce t
hat
Eliz
abet
han
thea
tres
used
bot
h tit
le-b
oard
s and
loca
lity-
labe
ls to
giv
e au
dien
ces i
nfor
mat
ion
they
mig
ht o
ther
wis
e m
iss.
18-1
9 be
ard . .
. Hal
f on
Kyd
del
iber
atel
y, a
nd w
ith s
ome
fines
se, m
akes
th
e pl
ay-o
ccas
ion
as a
uthe
ntic
as
poss
ible
, and
so
prov
ides
the
grea
test
de
gree
of
cont
rast
bet
wee
n th
e su
rfac
e no
rmal
ity a
nd t
he h
orro
r to
co
me:
an
inte
nsifi
catio
n of
the
pla
y's
cont
inui
ng ir
ony.
114
THO
MA
S K
YD
[A
CT
IV
Onc
e hi
s m
othe
r an
d th
y de
ares
t wife
, 25
Al
l woe
-beg
one
for h
im, h
ath
slai
n he
rsel
f. Be
hove
s the
e th
en, H
iero
nim
o, to
be
reve
nged
. T
he p
lot i
s la
id o
f dir
e re
veng
e:
On
then
, Hie
roni
mo,
pur
sue
reve
nge,
Fo
r no
thin
g w
ants
but
act
ing
of re
veng
e.
3 0
Exit
HIE
RO
NIM
O
Act
IV, Se
ene
iv
Ente
r SP
AN
ISH
KIN
G,
VIC
ERO
Y,
the
DU
KE
OF
CA
STIL
E, a
nd t
heir
train
K
ING
N
ow, V
icer
oy, s
hall
we
see
the
trag
edy
Of S
olim
an th
e Tur
kish
em
pero
r, Pe
rfor
med
of p
leasu
re b
y yo
ur s
on th
e pr
ince
, M
y ne
phew
Don
Lor
enzo
, and
my
niec
e.
VIC
ERO
Y W
ho, B
el-im
peri
a?
KIN
G
Ay,
and
Hie
roni
mo,
our
mar
shal
, At
who
se r
eque
st th
ey d
eign
to d
o't t
hem
selv
es:
Thes
e be
our
pas
times
in th
e co
urt o
f Spa
in.
Her
e, b
roth
er, y
ou s
hall
be th
e bo
ok-k
eepe
r:
This
is th
e ar
gum
ent o
f tha
t the
y sh
ow.
10
He
give
th h
im a
boo
k
Gen
tlem
en, t
his
play
of
Hie
roni
mo,
in s
undr
y la
ngua
ges,
was
thou
ght g
ood
to b
e se
t do
wn in
Eng
lish
more
lar
gely
, for
, the
easie
r un
ders
tand
ing
to e
very
pub
lic re
ader
.
Ente
r BA
LTH
AZAR
., BE
L-IM
PER
IA,
and
HIE
RO
NIM
O
BALT
HAZ
AR
Bash
aw, t
hat R
hode
s is o
urs,
yield
hea
vens
the
hono
ur,
And
holy
Mah
omet
, our
sac
red
prop
het;
And
be t
hou
grac
ed w
ith e
very
exc
ellen
ce
That
Sol
iman
can
give
, or
thou
des
ire.
i3ut
thy
dese
rt in
conq
uerin
g Rh
odes
is le
ss 15
3
of pl
easu
re a
t th
eir
plea
sure
9
book
-kee
per
in t
he E
lizab
etha
n th
eatr
e re
ferr
ing
to t
he b
ook-
ho
lder
and
pro
mpt
er
1Q s.
d. S
ee I
V, i
, 172
ff. a
nd n
ote.
SCEN
E IV
] T
HE
SPA
NIS
H T
RA
GED
Y
Than
in re
serv
ing
this
fair
Chris
tian
nym
ph,
Pers
eda,
bliss
ful l
amp
of ex
celle
nce,
Who
se ey
es c
ompe
l, lik
e po
werfu
l ada
man
t, Th
e wa
rlike
hea
rt of
Solim
an to
wai
t. K
ING
Se
e, V
icer
oy, t
hat i
s Ba
lthaz
ar, y
our
son,
Th
at r
epre
sent
s the
em
pero
r So
liman
: H
ow w
ell h
e ac
ts hi
s am
orou
s pa
ssio
n.
VIC
ERO
Y Ay
, Bel
-impe
ria h
ath
taug
ht h
im th
at.
CAS
TILE
Th
at's
bec
ause
his
min
d ru
ns a
ll on
Bel
-impe
ria.
H
IERO
NIM
O
Wha
teve
r joy
ear
th yi
elds
betid
e yo
ur m
ajes
ty.
BALT
HAZ
AR
Eart
h yi
elds
no
joy w
ithou
t Per
seda
's lo
ve.
HIE
RON
IMO
Le
t the
n Pe
rsed
a on
you
r gra
ce a
ttend
. BA
LTH
AZAR
Sh
e sh
all n
ot w
ait o
n m
e, b
ut I
on
her:
D
rawn
by
the
influ
ence
of h
er li
ghts,
I yi
eld.
Bu
t let
myf
iiend
, the
Rho
dian
kni
ght,
come
for
th,
Eras
to, d
eare
r th
an m
y lif
e to
me,
That
he
may
see
Pers
eda,
my
belo
ved.
, En
ter [
LORE
NZO
as]
ERAS
TO
KIN
G
Her
e co
mes
Lor
enzo
; loo
k up
on th
e pl
ot,
And
tell
me,
bro
ther
, wha
t pa
rt pl
ays h
e?
BEL-
IMPE
RIA
Ah,
my
Eras
to, w
elcor
ne to
Per
seda
. LO
REN
ZO
Thric
e ha
ppy
is Er
asto
that
thou
liv's
t- Rh
odes
' los
s is n
othi
ng to
Era
sto's
joy;
Si
th h
is Pe
rsed
a liv
es, h
is lif
e su
rviv
es.
16 r
eser
ving
pres
ervi
ng, p
rote
ctin
g 18
ada
man
t the
load
ston
e (w
hich
had
mag
netic
pro
pert
ies)
19
wai
t att
end
on h
er
29 l
ight
s ey
es
33 p
lot s
ynop
sis a
nd c
ast-
list
37 t
o co
mpa
red
to
20-4
Kyd
take
s som
e pa
ins
to s
ee th
at t
he a
udie
nce
is aw
are
of t
he p
aral
lels
betw
een
the
acto
r an
d hi
s as
sum
ed p
art.
116
TH
OM
AS
KY
D
BALT
HAZ
AR
Ah, b
asha
w, he
re is
love
betw
een
Eras
to
And
fair
Pers
eda,
sove
reig
n of
my
soul
. H
IERO
NIM
O
Rem
ove
Eras
to, m
ight
y So
liman
, An
d th
en P
erse
da w
ill b
e qu
ickl
y wo
n.
BALT
HAZ
AR
Eras
to is
my
frien
d, a
nd w
hile
he li
ves
Pers
eda
neve
r wi
ll re
mov
e he
r lo
ve.
HIE
RONI
MO
Le
t not
Era
sto li
ve to
grie
ve g
reat
Sol
iman
. BA
LTH
AZAR
De
ar is
Era
sto in
our
prin
cely
eye.
HIE
RO
NIM
O
But i
f he
be yo
ur r
ival
, let
him
die
. BA
LTHA
ZAR
Why
, let
him
die
: so
love
com
man
deth
me.
Yet g
rieve
I th
at E
rasto
shou
ld so
die.
HIE
RONI
MO
Er
asto
, Sol
iman
salu
teth
thee
, 5 0
And
lets
thee
wit
by m
e hi
s hig
hnes
s' w
ill,
Whi
ch is
, tho
u sh
ould
st be
thu
s em
ploy
ed.
Stab
him
BE
L-IM
PERI
A A
y m
e, Er
asto
! se
e, So
liman
, Era
sto's
slain
! BA
LTH
AZAR
Ye
t liv
eth
Solim
an to
com
fort
thee
. Fa
ir qu
een
of be
auty
, let
not f
avou
r di
e, 55
Bu
t with
a g
racio
us e
ye b
ehold
his
grie
f, Th
at w
ith P
erse
da's
beau
ty is
incr
ease
d,
If by
Per
seda
his
grief
be
not r
eleas
ed.
BEL-
IMPE
RIA
Tyra
nt, d
esist
sol
icitin
g va
in s
uits;
Re
lentle
ss a
re m
ine
ears
to th
y la
men
ts,
6 0
As th
y bu
tcher
is p
itiles
s and
bas
e, W
hich
seize
d on
my
Eras
to, h
arm
less k
nigh
t. Ye
t by
thy
powe
r th
ou th
inke
st to
com
man
d,
And
to th
y po
wer
Pers
eda
doth
obe
y:
But w
ere
she
able,
thus
she
woul
d re
veng
e 6 5
52 Ay
me,
ed.
(beg
ins 1
.53 in
159
2)
55 f
avou
r i.e
. you
r lo
ve
58 P
erse
da h
is ed
. (Pe
rsed
aes 1
592)
'his'
mus
t be
hea
vily
elid
ed, a
s th
e 15
92 sp
ellin
g in
dica
tes
SCE
NE
IV
] T
HE
SPA
NIS
H T
RA
GE
DY
11
7 Th
y tre
ache
ries o
n th
ee, i
gnob
le pr
ince
: St
ab h
im
And
on h
erse
lf sh
e wo
uld
be th
us re
veng
ed
Stab
her
self
KIN
G
Wel
l sai
d, ol
d m
arsh
al, t
his
was
brav
ely
done
! H
IERO
NIM
O
But B
el-im
peria
pla
ys P
erse
da w
ell.
VICE
ROY
Wer
e th
is in
ear
nest
, Bel
-impe
ria,
7 0
You
woul
d be
bet
ter
to m
y so
n th
an so
. K
ING
Bu
t now
wha
t fo
llow
s for
Hie
roni
mo?
H
IERO
NIM
O
Mar
ry, t
his
follo
ws f
or H
iero
nim
o :
Her
e br
eak
we
off o
ur s
undr
y la
ngua
ges
And
thus
con
clud
e I i
n ou
r vu
lgar
tong
ue.
Hap
ly y
ou th
ink,
but
boo
tless
are
you
r tho
ught
s,
That
this
is f
abul
ousl
y cou
nter
feit,
An
d th
at w
e do
as
all tr
aged
ians
do:
T
o di
e to
day,
for f
ashi
onin
g our
sce
ne,
The
dea
th o
f Aja
x, o
r so
me
Rom
an p
eer,
And
in a
min
ute
starti
ng u
p ag
ain,
Re
vive
to p
lease
to-m
orro
w's
audi
ence
. N
o, p
rince
s; kn
ow I
am H
iero
nim
o,
The
hope
less
fath
er o
f a h
aple
ss s
on,
Who
se to
ngue
is tu
ned
to te
ll hi
s lat
est t
ale,
8 5
N
ot to
exc
use
gros
s err
ors i
n th
e pl
ay.
I see
you
r lo
oks u
rge
inst
ance
of t
hese
wor
ds;
Beho
ld t
he re
ason
urg
ing
me
to th
is:
Show
s his
dead
son
Se
e he
re m
y sh
ow, l
ook
on th
is sp
ecta
cle.
75 v
ulga
r to
ngue
the
vern
acul
ar, o
ur e
very
day
spee
ch
76 H
aply
per
haps
76
boo
tless
una
vaili
ng
77 f
abul
ously
cou
nter
feit
acte
d in
fict
ion
only
79
for
. . . s
cene
ed.
(for
(fas
hion
ing
our
scen
e) 1
592)
ena
ctin
g ou
r pl
ay
85 l
ates
t las
t 87
ins
tanc
e ex
plan
atio
n, w
hat l
ies b
ehin
d (th
ese
wor
ds)
89 s
how
tabl
eau,
spec
tacl
e 68
Wel
l sa
id T
he K
ing
refe
rs t
o H
iero
nim
o's
succ
ess
in c
ompo
sing
the
piec
e: 'W
ell d
one'
. 76
-86
The
fict
ion-
fact
rel
atio
nshi
p, s
tate
d ve
ry s
impl
y he
re b
y K
yd,
beca
me
a to
pic
for
muc
h m
ore
subt
le e
xplo
ratio
n by
Sha
kesp
eare
and
la
ter
Eliza
beth
an d
ram
atist
s.
118
THO
MA
S K
YD
[A
CT
IV
Her
e la
y m
y ho
pe, a
nd h
ere
my
hope
hat
h en
d;
90
Her
e la
y m
y he
art,
and
here
my
hear
t was
slai
n;
Her
e la
y m
y tre
asur
e, h
ere
my
treas
ure
lost
; H
ere
lay
my
bliss
, and
her
e m
y bl
iss b
eref
t; B
ut h
ope,
hea
rt, tr
easu
re, j
oy, a
nd b
liss,
All
fled,
faile
d, d
ied,
yea
, all
deca
yed
with
this
. 95
Fr
om fo
rth th
ese
wou
nds
cam
e br
eath
that
gav
e m
e lif
e;
They
mur
dere
d m
e th
at m
ade
thes
e fa
tal m
arks
. T
he ca
use
was
love
, whe
nce
grew
this
mor
tal h
ate
The
hat
e, L
oren
zo a
nd y
oung
Bal
thaz
ar,
The
love
, my
son
to B
el-im
peria
. 10
0 B
ut n
ight
, the
cov
erer
of a
ccur
sed
crim
es,
With
pitc
hy s
ilenc
e hu
shed
thes
e tra
itors
' har
ms
And
lent
them
leav
e, fo
r the
y ha
d so
rted
leisu
re
To
take
adv
anta
ge in
my
gard
en-p
lot
Upo
n m
y so
n, m
y de
ar H
orat
io:
105
Ther
e m
erci
less
they
but
cher
ed u
p m
y bo
y,
In b
lack
dar
k ni
ght,
to p
ale
dim
cru
el d
eath
. H
e sh
rieks
, I h
eard
, and
yet
met
hink
s I h
ear,
His
dism
al o
utcr
y ec
ho in
the
air.
With
soon
est s
peed
I h
aste
d to
the
noise
, 11
0 W
here
han
ging
on
a tre
e I
foun
d m
y so
n,
Thro
ugh -
girt
with
wou
nds,
and
slaug
hter
ed a
s yo
u se
e.
And
grie
ved
I, th
ink
you,
at t
his s
pect
acle
? Sp
eak,
Por
tugu
ese,
who
se lo
ss re
sem
bles
min
e :
If th
ou c
anst
wee
p up
on th
y Ba
lthaz
ar,
115
'Tis
like
I w
aile
d fo
r my
Hor
atio
. A
nd y
ou, m
y lo
rd, w
hose
reco
ncile
d so
n M
arch
ed in
a n
et, a
nd th
ough
t him
self
unse
en,
And
rat
ed m
e fo
r br
ains
ick
luna
cy,
With
'God
am
end
that
mad
Hier
onim
o!'--
120
How
can
you
bro
ok o
ur p
lay's
cat
astro
phe?
A
nd h
ere
beho
ld th
is b
lood
y ha
ndke
rche
r, W
hich
at H
orat
io's
deat
h I
wee
ping
dip
ped
102
ha
m th
eir
mal
icio
us a
ctio
ns
103
sorte
d so
ught
out
11
2 Th
roug
h-gi
rt pi
erce
d th
roug
h 11
8 M
arch
ed in
a ne
t kep
t him
self
conc
eale
d, p
ract
ised
dece
it; a
pro
- ve
rbia
l phr
ase
119
rate
d be
rate
d
96 F
rom
fort
h . . .
life i
.e. m
y lif
e-br
eath
left
me
whe
n th
ese
wou
nds
wer
e m
ade
in m
y so
n's
body
. 11
7 re
conc
iled
pres
umab
ly to
Hie
roni
mo
(see
111
, xiv
, 130
-64)
. 11
9 -20
Com
pare
Lor
enzo
's ad
vice
to
the
Kin
g at
111
, xii,
85-
9 an
d 96
-8.
SCENE I
V]
TH
E' S
PAN
ISH
TR
AG
EDY
W
ithin
the
river
of
his
blee
ding
wou
nds:
It
as p
ropi
tious
, see
I ha
ve re
serv
ed,
And
nev
er h
ath
it le
ft m
y bl
oody
hea
rt,
Solic
iting
rem
embr
ance
of
my
vow
W
ith th
ese,
0 th
ese
accu
rsed
mur
dere
rs:
Whi
ch n
ow p
erfo
rmed
, my
hear
t is s
atisf
ied.
A
nd to
this
end
the
bash
aw I
bec
ame
That
mig
ht r
even
ge m
e on
Lor
enzo
's lif
e,
Who
ther
efor
e w
as a
ppoi
nted
to th
e pa
rt,
And
was
to r
epre
sent
the
knig
ht o
f Rh
odes
, Th
at I
mig
ht k
ill h
im m
ore
conv
enie
ntly
. So
, Vic
eroy
, was
this
Bal
thaz
ar, t
hy so
n-
That
Sol
iman
whi
ch B
el-im
peria
In
per
son
of P
erse
da m
urde
red-
So
lely
app
oint
ed t
o th
at tr
agic
par
t Th
at sh
e m
ight
slay
him
that
offe
nded
her
. Po
or B
el-im
peria
miss
ed h
er p
art i
n th
is:
For t
houg
h th
e st
ory
saith
she
shou
ld h
ave
died
, Y
et I
of k
indn
ess,
and
of ca
re to
her
, D
id o
ther
wise
det
erm
ine
of h
er e
nd;
But l
ove
of h
im w
hom
they
did
hat
e to
o m
uch
Did
urg
e he
r re
solu
tion
to b
e su
ch.
And
prin
ces,
now
beh
old
Hie
roni
mo,
A
utho
r an
d ac
tor i
n th
is tr
aged
y,
Bear
ing
his
late
st fo
rtune
in h
is fis
t: A
nd w
ill a
s re
solu
te c
oncl
ude
his
part
As
any
of th
e ac
tors
gon
e be
fore
. 15
0 A
nd, g
entle
s, th
us I
end
my
play
: U
rge
no m
ore
wor
ds; I
hav
e no
mor
e to
say.
H
e ru
ns to
han
g hi
mself
K
ING
0
hea
rken
, Vic
eroy
! Hol
d, H
iero
nim
o !
Brot
her,
my
neph
ew a
nd th
y so
n ar
e sl
ain!
125
prop
itiou
s of
goo
d om
en; a
toke
n pr
ompt
ing
to d
ue r
even
ge
140
miss
ed h
er p
art s
tray
ed fr
om h
er a
ssig
ned
part
15
3 H
old,
Hier
onin
no! e
d. (
hold
e H
iero
nim
o, 1
592)
wai
t, H
iero
nim
o;
'hol
d' in
159
2 m
ight
mea
n 'a
rres
t'
130-
52 T
his
may
be
over
-exp
licit;
but
aud
ienc
es a
re n
otor
ious
ly s
low
at
regi
ster
ing
the
actio
n of
pla
ys, e
spec
ially
whe
n th
ey h
ave m
ore
than
one
gr
oup
of a
ctor
s to
wat
ch, a
s is
the
case
with
Hie
roni
mo'
s pl
ayle
t an
d its
aud
ienc
e.
1 20
TH
OM
AS
KY
D
[ACT
IV
VICE
ROY
We
are
betra
yed!
my
Balth
azar
is
-. sla
in!
Brea
k op
e th
e do
ors,
run,
save
Hie
roni
mo.
[T
hey b
reak
in, a
nd h
old H
IER
ON
IMO
] H
iero
nim
o, d
o bu
t inf
orm
the k
ing
of t
hese
eve
nts;
U
pon
min
e ho
nour
thou
sha
lt ha
ve n
o ha
rm.
HIE
RONI
MO
V
icer
ov. I
will
not
trus
t the
e w
ith m
y lif
e,
whi
chdl
this
day
hav
e of
fere
d to
my
son.
A
ccur
sed
wre
tch,
W
hy s
taye
st th
ou h
im th
at w
as re
solv
ed to
die
? K
ING
Sp
eak,
trai
tor;
dam
ned,
blo
ody
mur
dere
r, sp
eak!
Fo
r no
w I
hav
e th
ee I
will
mak
e th
ee sp
eak-
W
hy h
ast t
hou
done
this
und
eser
ving
dee
d?
165
VICE
ROY
Why
has
t tho
u m
urde
red
my
Balth
azar
? CA
STIL
E W
hy h
ast t
hou
butc
here
d bo
th m
y ch
ildre
n th
us?
HIE
RONI
MO
0
, goo
d w
ords
! A
s de
ar to
me
was
my
Hor
atio
,
, ,
' A
s you
rs, o
r you
rs, o
r you
rs, m
y lo
rd, t
o yo
u.
170
1 M
y gu
iltle
ss so
n w
as b
y Lo
renz
o sla
in,
r A
nd b
y Lo
renz
o an
d th
at B
alth
azar
16
1 A
ccur
sed
wre
tch,
ed.
(be
gins
1.1
62 in
159
2)
168 0. go
od w
ords
ed,
(beg
ins 1
.169
in 1
592)
17
2 b$
i.e. b
y th
e de
aths
of
156
The
doo
rs h
ave
been
loc
ked
by C
astil
e, a
s H
iero
nim
o re
ques
ted
(IV
, iii
, 12-
13).
The
atte
ndan
ts 'b
reak
in'
fro
m o
ff-s
tage
and
gua
rd
Hie
roni
mo.
-7
and
179
-82
Edw
ards
fin
ds t
he q
uest
ions
at
thes
e po
ints
an
'extra
- or
dina
ry in
cons
iste
ncy'
, si
nce
Hie
roni
mo
has
alre
ady
,'tol
d [th
e ki
nd
ever
ythi
ng'.
He
acco
unts
for
the
inc
onsi
sten
cy b
y su
ppos
ing
(with
Sc
hiic
king
) th
at I
V,
iv,
153-
201
repr
esen
ts '
an
alte
rnat
ive
endi
ng
to t
he p
lay'
, re
plac
ing
Hie
roni
mo'
s lo
ng s
peec
h (1
1.73-
152)
' an
d re
quir
ing
ther
efor
e th
e br
ief
expl
anat
ion
at 1
1.169
ff.
Edw
ards
mak
es
out a
goo
d ca
se, b
ut th
e in
cons
iste
ncy
may
be
less
gla
ring than a
t firs
t ap
pear
s, fo
r at
1.1
79 t
he K
ing
is as
king
Hie
roni
mo
to d
iscu
ss h
is c
on-
fede
rate
s (B
el-im
peria
prin
cipa
lly),
whi
ch h
e ha
s no
t ye
t do
ne
in
deta
il; H
iero
nim
o re
fuse
s to
bre
ak th
e vo
w h
e sw
ore
to B
el-im
peria
at
IV, i
, 42-
5 (s
ee 1
1.187-8
). T
he K
ing'
s ea
rlier
que
stio
ning
, and
tha
t of
th
e V
icer
oy a
nd C
astil
e, m
ight
be
expl
aine
d as
the
res
ult
of g
rief-
st
ricke
n be
wild
erm
ent
and
not m
ere
redu
ndan
cy;
they
hav
e no
t tak
en
in w
hat H
iero
nim
o ha
s sai
d.
SCEN
E IV
] T
HE
SPA
NIS
H T
RA
GED
Y
Am I
at l
ast r
even
ged
thor
ough
ly,
Upo
n w
hose
soul
s may
hea
vens
be
yet a
veng
ed
With
gre
ater
far t
han
thes
e af
flict
ions
. CA
STIL
E Bu
t who
wer
e th
y co
nfed
erat
es in
this
? VI
CERO
Y Th
at w
as th
y da
ught
er B
el-im
peria
; Fo
r by
her
han
d m
y Ba
lthaz
ar w
as sl
ain:
I s
aw h
er st
ab h
im.
KIN
G
Why
spe
ak'st
thou
not
? H
IERO
NIM
O
Wha
t les
ser l
iber
ty c
an k
ings
affo
rd
Than
har
mle
ss si
lenc
e? th
en a
fford
it m
e:
Suffi
ceth
I m
ay n
ot, n
or I
will
not
tell
thee
. K
ING
Fe
tch
forth
the
tortu
res.
Trai
tor a
s th
ou a
rt, I
'll m
ake
thee
tell.
H
IERO
NIM
O
Inde
ed,
Thou
may
'st to
rmen
t me,
as
his
wre
tche
d so
n H
ath
done
in m
urde
ring
my
Hor
atio
, Bu
t nev
er s
halt
thou
forc
e m
e to
reve
al
The
thin
g w
hich
I ha
ve v
owed
invi
olat
e.
And
ther
efor
e in
des
pite
of a
ll th
y th
reat
s, Pl
ease
d w
ith th
eir
deat
hs, a
nd e
ased
with
thei
r re
veng
e,
190
Firs
t tak
e m
y to
ngue
, and
afte
rwar
ds m
y he
art.
KIN
G
[Hib
ites o
ut h
is to
ngue
]
0 m
onstr
ous
reso
lutio
n of
a w
retc
h!
See,
Vic
eroy
, he
hath
bitt
en fo
rth h
is to
ngue
R
athe
r tha
n to
reve
al w
hat w
e re
quire
d.
CAST
ILE
Yet
can
he
writ
e.
KIN
G
And
if i
n th
is h
e sa
tisfy
us
not,
184
Inde
ed e
d. (b
egin
s 1.1
85 in
159
2)
191
s.d.
Bar
ish
(p. 8
2) t
hink
s th
is a
ctio
n 'b
etra
ys t
he f
inal
des
pair
at t
he
usel
essn
ess
of
talk
, th
e be
serk
res
olve
to
have
don
e w
ith l
angu
age
fore
ver.'
Joh
nson
(p.
34)
say
s it
'serv
es t
o id
entif
y H
iero
nim
o as
ad -
m
irabl
y st
oic'
sinc
e hi
s ac
tion
imita
tes
Zeno
of
Elea
, the
fam
ous
Stoi
c,
who
und
er t
ortu
re 'b
it of
f hi
s ow
n to
ngue
, and
spa
t it
out
in t
he t
or-
men
tors
' fac
e' (q
uotin
g Will
iam
Bal
dwin
's Tr
eatis
e of
Mor
al1 P
hilo
soph
ie,
9th
ed.,
1579
).
122
THO
MA
S K
YD
[A
CT
IV
We
will
dev
ise th
'extre
mes
t ki
nd o
f de
ath
Tha
t eve
r was
inve
nted
for a
wre
tch.
Th
en h
e mak
es signs
far a
kni
fe to
men
d hi
s pen
CA
STIL
E 0
, he
wou
ld h
ave
a kn
ife to
men
d hi
s pe
n.
VICE
ROY
Her
e; a
nd a
dvise
thee
that
thou
writ
e th
e tro
th.
200
KIN
G
Look
to m
y br
othe
r l sa
ve H
iero
nim
o!
He
&th
a kn
ife st
abs t
he D
UKE
and
him
self
Wha
t age
hat
h ev
er h
eard
suc
h m
onst
rous
dee
ds?
My
brot
her,
and
the
who
le su
ccee
ding
hop
e Th
at S
pain
exp
ecte
d af
ter m
y de
ceas
e!
Go
bear
his
bod
y he
nce,,
that
we
may
mou
rn
205
The
loss
of o
ur b
elov
ed b
roth
er's
deat
h;
Tha
t he
may
be
ento
mbe
d, w
hate
'er b
efal
l: I
am th
e ne
xt, t
he n
eare
st, la
st of
all.
VI
CERO
Y A
nd th
ou, D
on P
edro
, do
the
like
for u
s;
Take
up
our h
aple
ss so
n, u
ntim
ely
slai
n:
21 0
Set m
e w
ith h
im, a
rd h
e w
ith w
oefu
l me,
Upo
n th
e m
ain -
mas
t of
a sh
ip u
nman
ned,
A
nd le
t the
win
d an
d tid
e ha
ul m
e al
ong
To
Scyl
la's
bark
ing
and
unta
med
gulf,
Or
to th
e lo
aths
ome
pool
of
Ach
eron
, 21
5 T
o w
eep
my
wan
t for
my
swee
t Wha
zar:
Sp
ain
hath
no
refu
ge fo
r a P
ortin
gale
. Th
e tru
mpe
ts so
und
a de
ad m
arch
, the
KIN
G o
f SP
AIN
mou
rnin
g af
ter h
is br
other
's bo
dy, a
nd th
e VI
CERO
Y of
PORT
ING
ALE
bear
ing
the
body
of h
is so
n
200
advi
se th
ee b
e ad
vise
d, ta
ke c
are
201
s.p.
KIN
G e
d. (
not i
n 15
92)
213
haul
dri
ve; h
ale;
pos
sibl
y, su
gges
ts E
dwar
ds, a
wor
d w
ith n
autic
al
asso
ciat
ions
for
Kyd
21
4 gu
lf ed
. (gr
eefe
159
2)
215
Ache
ron
see
I, i,
19
and
note
21
6 m
y wa
nt fo
r my
loss
of
217
s.d. V
ICER
OY
OF
POR
TIN
GA
LE e
d. (
Kin
g of
Porti
ngal
e 15
92)
202-
4 Pa
triot
ic f
eelin
gs m
ay b
e in
volv
ed h
ere:
Eng
lish
audi
ence
s w
ould
be
delig
hted
by
Spai
n's
disc
omfit
ure.
21
4 Sc
ylla
's . . .
gulf
Scyl
la w
as o
ne o
f a p
air
of d
ange
rous
rock
s (t
he o
ther
w
as C
hary
bdis
) be
twee
n Ita
ly a
nd S
icily
; Jo
seph
say
s th
at H
omer
re
fers
to
Scyl
la,
the
godd
ess
of t
he r
ock,
as
'bar
king
', w
hile
lat
er
writ
ers
desc
ribed
her
as
acco
mpa
nied
by
bark
ing
dogs
.
SCEN
E V]
TH
E S
PAN
ISH
TR
AG
EDY
Act
IV, S
cene
v
Ghos
t [o
f AND
REA
] an
d RE
VEN
GE
ANDR
EA
Ay,
now
my
hope
s hav
e en
d in
thei
r effe
cts,
Whe
n bl
ood
and
sorro
w fi
nish
my
desi
res:
H
orat
io m
urde
red
in h
is fa
ther
's bo
wer
, V
ild S
erbe
rine
by P
edrin
gano
slai
n,
Fals
e Pe
drin
gano
han
ged
by q
uain
t dev
ice,
Fair
Isab
ella
by
hers
elf m
isdon
e,
Prin
ce B
alth
azar
by
Elel
-impe
ria st
abbe
d,
The
Duk
e of
Cas
tile a
nd h
is w
icked
son
Bo
th d
one
to d
eath
by
old
Hie
roni
mo,
M
y %
el-im
peria
falle
n as
Did
o fe
ll,
And
goo
d H
iero
nim
o sla
in b
y hi
mse
lf:
Ay,
thes
e w
ere
spec
tacl
es to
ple
ase
my
soul
. N
ow w
ill I
beg
at lo
vely
Pro
serp
ine,
Th
at, b
y th
e vi
rtue
of h
er p
rince
ly d
oom
, I
may
con
sort
my
frie
nds i
n pl
easin
g so
rt,
And
on
my
foes
wor
k ju
st a
nd sh
arp
reve
nge.
.I'll
lead
my
frie
nd H
orat
io th
roug
h th
ose
field
s W
here
nev
er-d
ying
war
s are
still
inur
ed;
I'll l
ead
fair
Isab
ella
to th
at tr
ain
Whe
re p
ity w
eeps
but
nev
er fe
elet
h pa
in:
I'll l
ead
my
Bel-i
mpe
ria to
thos
e jo
ys
That
ves
tal v
irgin
s and
fair
quee
ns p
osse
ss;
I'll
lead
Hie
roni
mo
whe
re O
rphe
us p
lays
,
1 s.p
. A
ND
REA
ed.
(G
hoas
t. 15
92 th
roug
hout
this
scen
e)
1 s.
d. G
host
ed. (
Ente
r Gho
ast 1
592)
4
Vjld
vile
5
quai
nt c
unni
ng
6 kd
one
slai
n 14
doo
m ju
dgm
ent
15 c
onso
rt ac
com
pany
, tre
at
18 i
nure
d ca
rrie
d on
19
tra
in c
ompa
ny
22 v
esta
l vi
rgin
s vi
rgin
s co
nsec
rate
d to
the
Rom
an g
odde
ss V
esta
, an
d vo
wed
to c
hast
ity
23 O
rphe
us se
e 11
1, x
iii, 1
17 a
nd n
ote
1-2
Com
pare
Rev
enge
at
11, v
i, 7-
8. 10
as
Did
o fe
ll V
ergi
l (A
enei
d IV
) re
cord
s th
at D
ido
kille
d he
rsel
f af
ter
Aen
eas's
de
part
ure
from
Car
thag
e. T
he l
egen
d V
ergi
l ad
apte
d al
so
spea
ks o
f D
ido
as a
sui
cide
, ki
lling
her
self
to a
void
mar
riage
with
Ia
rbas
.
124
TH
OM
AS
KY
D
[.4
c~
IV, SC
ENE V]
Add
ing
swee
t ple
asur
e to
ete
rnal
day
s. Bu
t say
, Rev
enge
, for
thou
mus
t hel
p, o
r no
ne,
2 5
Aga
inst
the
rest
how
sha
ll m
y ha
te b
e sh
own?
RE
VEN
GE
This
han
d sh
all h
ale
them
dow
n to
dee
pest
hell,
W
here
non
e bu
t Fur
ies,
bug
s an
d to
rture
s dw
ell.
AN
DRE
A
Then
, sw
eet R
even
ge, d
o th
is a
t my
requ
est;
Let m
e be
judg
e, a
nd d
oom
them
to u
nres
t: Le
t loo
se p
oor T
ityus
from
the
vultu
re's
grip
e,
And
let D
on C
ypria
n su
pply
his
room
; Pl
ace
Don
Lor
enzo
on
Ixio
n's
whe
el,
And
let t
he lo
ver's
end
less
pai
ns su
rcea
se-
Juno
for g
ets o
ld w
rath
, and
gra
nts
him
eas
e;
Han
g Ba
lthaz
ar a
bout
Chi
mae
ra's
neck
, A
nd le
t him
ther
e be
wai
l his
bloo
dy lo
ve,
Repi
ning
at o
ur jo
ys th
at a
re a
bove
; Le
t Ser
berin
e go
rol
l the
fata
l sto
ne,
And
take
from
Sis
yphu
s hi
s en
dles
s m
oan;
40
Fa
lse P
edrin
gano
for
his
treac
hery
, Le
t him
be
drag
ged
thro
ugh
boili
ng A
cher
on,
And
ther
e liv
e, d
ying
stil
l in
endl
ess
flam
es,
Blas
phem
ing
gods
and
all
thei
r ho
ly n
ames
. RE
VEN
GE
The
n ha
ste w
e do
wn
to m
eet t
hy fr
iend
s an
d fo
es:
, T
o pl
ace
thy
frie
nds
in e
ase,
the
rest
in w
oes.
For
here
, tho
ugh
deat
h ha
th e
nd th
eir
mise
ry,
1 I'l
l the
re b
egin
thei
r en
dles
s tra
gedy
. Ex
eunt
28 b
ugs
bugb
ears
, hor
rors
32
sup
ply
his
room
take
his
pla
ce
34 t
he lo
ver
Ixio
n, w
ho h
ad t
ried
to se
duce
Jun
o 34
sur
ceas
e ce
ase
36 C
him
aera
a f
ire-b
reat
hing
mon
ster
of
Gre
ek m
ytho
logy
, w
ith
head
of a
lion
, bod
y of
a g
oat,
tail
of a
dra
gon
40 S
isyph
us a
lege
ndar
y ki
ng o
f C
rete
, con
dem
ned
for
his
mis
deed
s to
roll
a lar
ge s
tone
ete
rnal
ly u
phill
in th
e un
derw
orld
43
stil
l con
tinua
lly, f
or e
ver
47 e
nd e
nded
32 D
on C
ypri
an t
he
Duk
e of
C
astil
e;
he
had
frow
ned
on
And
rea's
re
latio
nshi
p w
ith B
el-i
mpe
ria (s
ee 1
1, i,
45-8
).
AD
DIT
ION
S]
TH
E S
PAN
ISH
TR
AG
EDY
12
5
Scen
es a
dded
to
THE
SPA
NIS
H TRAGEDY
in th
e ed
ition
of 1
602
Firs
t Add
ition
, betw
een 1
1, v
, 45
and
46. (
p. 4
5)
[For
out
rage
fits
our c
urse
d w
retc
hedn
ess.]
A
y m
e, H
iero
nim
o, s
wee
t hus
band
spea
k.
HIE
RO
NIM
O
He
supp
ed w
ith u
s to
nigh
t, fro
lic a
nd m
erry
, A
nd s
aid
he w
ould
go
visit
Bal
thaz
ar
At t
he d
uke's
pal
ace:
ther
e th
e pr
ince
dot
h lo
dge.
H
e ha
d no
cus
tom
to st
ay o
ut so
late
, H
e m
ay b
e in
his
cha
mbe
r; so
me
go se
e.
Rode
rigo,
ho !
En
ter P
EDRO
and
JAQ
UES
ISA
BELL
A
Ay
me,
he
rave
s. Sw
eet H
iero
nim
o !
HIE
RO
NIM
O
True
, all
Spai
n ta
kes
note
of
it.
Besid
es, h
e is
so g
ener
ally
bel
oved
10
His
maj
esty
the
othe
r day
did
gra
ce h
im
With
wai
ting
on h
is c
up: t
hese
be
favo
urs
Whi
ch d
o as
sure
he
cann
ot b
e sh
ort-
lived
. IS
ABE
LLA
Sw
eet H
iero
nim
o !
HIE
RO
NIM
O
I w
onde
r how
this
fello
w g
ot h
is cl
othe
s?
15
Sirr
ah, s
irrah
, I'll
kno
w th
e tr
uth
of a
ll:
Jaqu
es, r
un to
the
Duk
e of
Cas
tile's
pre
sent
ly,
And
bid
my
son
Hor
atio
to c
ome
hom
e:
I an
d hi
s m
othe
r ha
ve h
ad st
rang
e dr
eam
s ton
ight
. D
o yo
u he
ar m
e, s
ir?
JAQU
Es
Ay,
sir.
2 fr
olic
frol
icso
me,
gay
7
Rode
rigo,
ho!
(end
s L6
in 1
602)
10
gen
eral
ly b
y ev
eryo
ne
13 a
ssur
e en
sure
, pro
ve
13 h
e ed
. (m
e 16
02)
17 p
rese
ntly
at o
nce
11-1
2 Se
e I,
iv, 1
30.
126
THO
MA
S K
YD
H
IERO
NIM
O
Wel
l sir,
beg
one.
Pedr
o, c
ome
hith
er:
kmw
est t
hou
who
this
is?
PEDR
O
Too
wel
l, sir
. H
IERO
NIM
O
Too
wel
l? W
ho? W
ho is
it? P
eace
, Isa
bella
: N
ay, b
lush
not
, man
. PE
DRO
It
is m
y lo
rd H
orat
io.
HIE
RONI
MO
H
a, h
a! S
aint
Jam
es, b
ut th
is d
oth
mak
e m
e la
ugh,
T
hat t
here
are
mor
e de
lude
d th
an m
ysel
f. PE
DRO
D
elud
ed?
HIE
RONI
MO
A
y, I
wou
ld h
ave
swor
n m
ysel
f with
in th
is h
our
Tha
t thi
s ha
d be
en m
y so
n H
orat
io,
His
gar
men
ts a
re so
like
. H
a! a
re th
ey n
ot g
reat
per
suas
ions
? IS
ABEL
LA
0, w
ould
to G
od it
wer
e no
t so!
H
IERO
NIM
O
Wer
e no
t, Is
abel
la? D
ost t
hou
drea
m it
is?
Can
thy
soft
boso
m e
nter
tain
a th
ough
t Th
at s
uch
a bl
ack
deed
of
misc
hief
sho
uld
be d
one
On
one
so p
ure
and
spot
less
as o
ur s
on?
Aw
ay, I
am
ash
amed
. IS
ABEL
LA
Dea
r H
iero
nim
o,
Cas
t a m
ore
serio
us e
ye u
pon
thy
grie
f: W
eak
appr
ehen
sion
giv
es b
ut w
eak
belie
f. H
IERO
NIM
O
It w
as a
man
, sur
e, th
at w
as h
ange
d up
her
e;
A y
outh
, as
I re
mem
ber:
I cut
him
dow
n.
If it
shou
ld p
rove
my
son
now
afte
r all-
Say
you,
say
you
, lig
ht! L
end
me
a ta
per,
Let m
e lo
ok a
gain
. 0 G
od!
Con
fusio
n, m
ischi
ef, t
orm
ent,
deat
h an
d he
ll,
20-4
line
atio
n ed
. (pr
ose
in 1
602)
30
-1 li
neat
ion
ed. (
one l
ine
1602
) 31
per
suas
ions
evi
denc
es, m
eans
of p
ersu
asio
n 36
pur
e ed
. (po
ore
1602
) 37
Dea
r H
iero
nim
o ed
. (be
gins
1.38
in 1
602)
39
app
rehe
nsio
n un
ders
tand
ing,
gra
sp o
f w
hat's
hap
peni
ng
44 0
God
! ed
. (be
gins
1.4
5 in
160
2)
AD
DIT
ION
S]
TH
E S
PAN
ISH
TR
AG
EDY
D
rop
all y
our s
tings
at o
nce
in m
y co
ld b
osom
, Th
at n
ow is
stif
f w
ith h
orro
r; ki
ll m
e qu
ickl
y:
Be g
raci
ous
to m
e, th
ou in
fect
ive
nigh
t, A
nd d
rop
this
dee
d of
mur
der
dow
n on
me;
G
ird in
my
was
te of
grie
f w
ith th
y la
rge
dark
ness
, A
nd le
t me
not s
urvi
ve to
see
the
light
M
ay p
ut m
e in
the
min
d I
had
a so
n.
ISAB
ELLA
0, s
wee
t Hor
atio
. 0, m
y de
ares
t son
! H
IERO
NIM
O
How
stra
ngel
y ha
d I l
ost m
y wa
y to
grie
f! [S
wee
t lov
ely
rose
, ill
pluc
ked
befo
re th
y tim
e,]
Seco
nd A
dditi
on, r
epla
cing
III
, ii,
65 a
nd p
art o
f 66
. (p.
55)
[L
ORE
NZO
W
hy s
o, H
iero
nim
o? us
e m
e.]
HIE
RONI
MO
W
ho, y
ou, m
y lo
rd?
I re
serv
e yo
ur fa
vour
for a
gre
ater
hon
our;
This
is a
ver
y to
y m
y lo
rd, a
toy.
. L
ORE
NZO
A
ll's
one,
Hie
roni
mo,
acq
uain
t me.
with
it.
HIE
RONI
MO
I'f
aith
, my
lord
, 'tis
an
idle
thin
g.
'
I m
ust c
onfe
ss, I
ha'
been
too
slack
, To
o ta
rdy.
Too
rem
iss u
nto
your
hon
our.
LORE
NZO
H
ow n
ow, H
iero
nim
o?
HIE
RONI
MO
In
trot
h, m
y lo
rd, i
t is
a th
ing
of n
othi
ng,
The
mur
der o
f a
son,
or s
o:
A th
ing
of no
thin
g, m
y lo
rd.
[LO
RENZ
O
Why
then
, far
ewel
l.]
48 i
nfec
tive
bear
ing
infe
ctio
n 50
Gir
d in
con
fine,
lim
it 50
was
te a
vas
t, em
pty
area
(with
a p
lay
on 'w
aist
') 3
toy
trifl
e, tr
ivia
l thi
ng
5-7
linea
tion
ed. (
pros
e in
160
2)
128
TH
OM
AS
KY
D
[AD
DIT
ION
S
Third
Add
ition
, betw
een
III,
xi,
1 an
d 2.
(p. 7
9)
[l P
OR
TIN
GA
LE
By y
our l
eave
, sir.
] H
IER
ON
IMO
'T
is n
eith
er a
s yo
u th
ink,
nor
as
you
thin
k,
Nor
as
you
thin
k: y
ou're
wid
e al
l: Th
ese
slip
pers
are
not
min
e, th
ey w
ere
my
son
Hor
atio
's.
My
son,
and
wha
t's a
son
? A th
ing
bego
t W
ithin
a p
air o
f m
inut
es, t
here
abou
t: 5
A lu
mp
bred
up
in d
arkn
ess,
and
doth
ser
ve
To
balla
ce th
ese
light
cre
atur
es w
e ca
ll w
omen
; A
nd, a
t nin
e m
onet
hs' e
nd, c
reep
s for
th to
ligh
t. W
hat i
s th
ere
yet i
n a
son
To
mak
e a
fath
er d
ote,
rav
e or
run
mad
? 10
Be
ing
born
, it p
outs
, crie
s, an
d br
eeds
teet
h.
Wha
t is
ther
e ye
t in
a so
n? H
e m
ust b
e fe
d,
Be ta
ught
to g
o, a
nd sp
eak.
Ay,
or y
et?
Why
mig
ht n
ot a
man
love
a c
alf a
s w
ell?
O
r m
elt i
n pa
ssio
n o'
er a
fris
king
kid
, 15
A
s for
a so
n? M
ethi
nk a
you
ng b
acon
O
r a fi
ne li
ttle
smoo
th h
orse
-col
t Sh
ould
mov
e a
man
as
muc
h as
dot
h a
son:
Fo
r one
of
thes
e in
ver
y lit
tle ti
me
Will
gro
w to
som
e go
od u
se, w
here
as a
son,
T
he m
ore
he g
row
s in
sta
ture
and
in y
ears
, T
he m
ore
unsq
uare
d, u
nbev
elle
d he
app
ears
, Re
ckon
s hi
s pa
rent
s am
ong
the
rank
of
fool
s, St
rikes
car
e up
on th
eir h
eads
with
his
mad
rio
ts,
Mak
es th
em lo
ok o
ld b
efor
e th
ey m
eet w
ith a
ge:
2 w
ide
wid
e of
the
mar
k, q
uite
wro
ng
4 A
thin
g be
got e
d. (
begi
ns 1
.5 in
160
2)
7 ba
llace
bal
last
, wei
gh d
own
8 m
onet
hs m
onth
s (m
etre
req
uire
s a
diss
ylla
ble)
11
bre
eds
teet
h cu
ts te
eth
13 g
o w
alk
16 y
oung
bac
on p
igle
t -
-
13 A
y, o
r yet
? H
iero
nim
o m
eans
'Yes
, or w
hat e
lse?
', 'W
hat
can
I ad
d?'
22 u
nsqu
ared
, un
beve
lled
Boa
s sa
ys '
unev
en a
nd u
npol
ishe
d':
the
auth
or
of t
his
Add
ition
has
in
min
d th
e ro
ugh
man
ners
of
youn
g bl
oods
. 'B
evel
ling'
is a
dec
orat
ive
proc
ess i
n ca
rpen
try p
erfo
rmed
with
a 'b
evel
' or
'bev
el-s
quar
e'.
ADDIT
IONS]
TH
E S
PAN
ISH
TR
AG
EDY
129
This
is a
son:
A
nd w
hat a
loss
wer
e th
is, c
onsid
ered
trul
y?
Oh,
but
my
Hor
atio
G
rew
out
of
reac
h of
the
se in
satia
te h
umou
rs:
He
love
d hi
s lov
ing
pare
nts,
30
He
was
my
com
fort,
and
his
mot
her's
joy,
T
he v
ery
arm
that
did
hol
d up
our
hou
se:
Our
hop
es w
ere s
tore
d up
in h
im,
Non
e bu
t a d
amne
d m
urde
rer
coul
d ha
te h
im.
He
had
not s
een
the
back
of
nine
teen
yea
r, 3 5
W
hen
his s
trong
arm
unh
orse
d th
e pr
oud
Prin
ce B
alth
azar
, A
nd h
is g
reat
min
d, to
o fu
ll of
hon
our,
Took
him
unt
o m
ercy
, Th
at v
alia
nt b
ut ig
nobl
e Po
rting
ale.
W
ell,
heav
en is
hea
ven
still
, 40
A
nd th
ere
is N
emes
is an
d Fu
ries,
And
thin
gs c
alle
d w
hips
, A
nd th
ey so
met
imes
do
mee
t with
mur
dere
rs:
They
do
not a
lway
s 'sc
ape,
that
's so
me
com
fort.
A
y, a
y, a
y, a
nd th
en ti
me
stea
ls o
n:
45
And
ste
als,
and
stea
ls, t
ill v
iole
nce
leap
s for
th
Like
thun
der w
rapp
ed in
a b
all o
f fir
e,
And
so
doth
brin
g co
nfus
ion
to th
em a
ll.
[Goo
d le
ave
have
you
: nay
, I p
ray
you
go,]
26-3
0 lin
eatio
n ed
. (T
his .
. . tru
ly. / 0 . . .
of th
ese
/ Ins
atia
te . . .
pa
rent
s, 1
602)
29
ins
atia
te h
umou
rs u
nsat
isfie
d w
him
s an
d ca
pric
es
35 t
he b
ack
of i.e
. he
was
stil
l nin
etee
n 38
unt
o ed
. (vs
to 1
602)
38-9
lin
eatio
n ed
. (on
e lin
e 16
02)
41 N
emes
is a
pers
onifi
catio
n of
the
gods
' ang
er a
t hum
an p
resu
mp -
tio
n, a
nd th
eir p
unis
hmen
t of i
t 41
Fur
ies
lege
ndar
y av
enge
rs o
f cr
ime
in a
ncie
nt G
reec
e 45-7
lin
eatio
n ed
. (I
, . . .
stea
les,
and
ste
ales
/Til
l . . .
thund
er /
Wra
pt . .
. fire
, 160
2)
I 48
con
fusio
n de
stru
ctio
n 1
36-9
The
syn
tax
is un
clea
r at t
his
poin
t. Pr
esum
ably
1.3
9 si
mpl
y ex
pand
s 1
'the
prou
d Pr
ince
Bal
thaz
ar'
(1.3
6).
Shou
ld 1
.39
follo
w 1
.36 i
rnm
edi-
I at
ely?
I
Four
th A
dditi
on, b
etwee
n II
I, x
ii an
d xi
ii (p.
85)
En
ter J
AQ
UES
and
PED
RO
J AQ
UES
I
won
der,
Pedr
o, w
hy o
ur m
aste
r thu
s A
t m
idni
ght s
ends
us
with
our
torc
hes'
light
, W
hen
man
and
bird
and
bea
st ar
e al
l at r
est,
Save
thos
e th
at w
atch
for r
ape
and
bloo
dy m
urde
r?
PED
RO
0 Ja
ques
, kno
w th
ou th
at o
ur m
aste
r's m
ind
5 Is
muc
h di
stra
ught
sin
ce h
is H
orat
io d
ied,
A
nd n
ow h
is ag
ed y
ears
shou
ld s
leep
in re
st,
His
hea
rt in
qui
et; l
ike
a de
sper
ate
man
, G
row
s lun
atic
and
chi
ldish
for
his
son:
So
met
imes
, as
he d
oth
at h
is ta
ble s
it,
10
He
spea
ks a
s if
Hor
atio
stoo
d by
him
; T
hen
star
ting
in a
rage
, fal
ls on
the
earth
, C
ries o
ut 'H
orat
io,
whe
re is
my
Hor
atio
?' So
that
with
ext
rem
e gr
ief a
nd c
uttin
g so
rrow
, Th
ere
is no
t lef
t in
him
one
inch
of
man
: 15
Se
e, w
here
he
com
es. En
ter
HIE
RO
NIM
O
HIE
RO
NIM
O
I pr
y th
roug
h ev
ery
crev
ice
of e
ach
wal
l, Lo
ok o
n ea
ch tr
ee, a
nd s
earc
h th
roug
h ev
ery
brak
e,
Beat
at t
he b
ushe
s, st
amp
our g
rand
am e
arth
, D
ive
in th
e w
ater
, and
sta
re u
p to
hea
ven,
20
Y
et c
anno
t I b
ehol
d m
y so
n H
orat
io.
-.
How
now
, who
's th
ere,
spr
ites,
sprit
es?
PED
RO
We
are
your
serv
ants
that
atte
nd y
ou, s
ir.
HIE
RO
NIM
O
Wha
t mak
e yo
u w
ith y
our t
orch
es in
the
dark
? PE
DRO
Y
ou b
id u
s lig
ht th
em, a
nd a
ttend
you
her
e.
HIE
RO
NIM
O
No,
no,
you
are
dec
eive
d, n
ot I
, you
are
dec
eive
d:
12 s
tarti
ng s
tart
ing
up
17
crev
ice
(cre
uie 1
602)
18
bra
ke th
icke
t 22
spr
ites,
sprit
es?
ed. (
sprit
s, s
prits
? 160
2) sp
irits
, dem
ons
24 W
hat m
ake
you
Wha
t are
you
doi
ng?
Wha
t is
your
pur
pose
?
AD
DIT
ION
S]
TH
E S
PAN
ISH
TR
AG
EDY
W
as I
so m
ad to
bid
you
ligh
t you
r tor
ches
now
? Li
ght m
e yo
ur to
rche
s at t
he m
id o
f no
on,
Whe
nas t
he su
n-go
d rid
es in
all h
is g
lory
: Li
ght m
e yo
ur to
rche
s the
n.
PED
RO
The
n w
e bu
rn d
aylig
ht.
HIE
RO
NIM
O
Let i
t be
burn
t: ni
ght i
s a m
urde
rous
slu
t, T
hat w
ould
not
hav
e he
r tre
ason
s to
be
seen
; A
nd y
onde
r pal
e -fa
ced
Hec
ate
ther
e, th
e m
oon,
D
oth
give
con
sent
to th
at is
don
e in
dar
knes
s;
And
all
thos
e st
ars
that
gaz
e up
on h
er fa
ce,
Are
agl
ets o
n he
r sle
eve,
pin
s on
her t
rain
; A
nd th
ose
that
shou
ld b
e po
wer
ful a
nd d
ivin
e,
Do
sleep
in d
arkn
ess
whe
n th
ey m
ost s
houl
d sh
ine.
PE
DRO
Pr
ovok
e th
em n
ot, f
air s
ir, w
ith te
mpt
ing
wor
ds:
The
hea
vens
are
gra
ciou
s, an
d yo
ur m
iserie
s A
nd s
orro
w m
akes
you
spea
k yo
u kn
ow n
ot w
hat.
HIE
RO
NIM
O
Vill
ain,
thou
lies
t, an
d th
ou d
oest
naug
ht
But t
ell m
e I
am m
ad: t
hou
liest,
I a
m n
ot m
ad.
I kn
ow th
ee to
be
Pedr
o, a
nd h
e Ja
ques
. I'
ll p
rove
it to
thee
, and
wer
e I m
ad, h
ow c
ould
I?
45
Whe
re w
as s
he th
at sa
me
nigh
t whe
n m
y H
orat
io
Was
mur
dere
d? S
he s
houl
d ha
ve s
hohe
: se
arch
tho
u th
e bo
ok.
Had
the
moo
n sh
one,
in m
y bo
y's
face
ther
e w
as a
kin
d of
grac
e,
That
I kn
ow (n
ay, I
do
know
) had
the
mur
dere
r see
n hi
m,
29 W
hena
s whe
n 30
bur
n da
ylin
ht a
phr
ase
mea
ning
to
was
te t
ime;
her
e us
ed a
lso
in
the
1ite
;als
ense
33
Hec
ate
ed,
(Hee
-cat
160
2) i
n G
reek
tho
ught
a g
odde
ss a
ssoc
i-
ated
with
nig
ht a
nd t
he l
ower
wor
ld;
Eliz
abet
hans
ass
ocia
ted
her
with
the
moo
n. H
ere,
two
sylla
bles
onl
y 36
agl
ets e
d. (
aggo
ts 1
602)
spa
ngle
s ('p
rope
rly,
the
orna
men
tal
tags
of
lace
s', E
dwar
ds)
36 p
ins s
pang
les,
orn
amen
ts
41 A
nd s
orro
w ed
. (en
ds 1
.40
in 1
602)
47
Was
mur
dere
d ed
. (en
ds 1
.46
in 1
602)
47
bo
ok a
lman
ac, r
ecor
ding
the
pha
ses
of t
he m
oon
49 T
hat
I kn
ow e
d. (e
nds 1
.48
in 1
602)
45 p
rove
it
i.e.
prov
e th
e H
eave
ns n
eglig
ent
in t
he m
atte
r of
H
orat
io's
mur
der.
132
THO
MA
S K
YD
[A
DD
ITIO
NS
His
wea
pon
wou
ld h
ave f
alle
n an
d cu
t the
ear
th,
50
Had
he
been
fram
ed o
f na
ught
but
blo
od a
nd d
eath
. A
lack
, whe
n m
ischi
ef d
oth
it kn
ows
not w
hat,
Wha
t sha
ll we
say
to m
isch
ief?
En
ter IS
ABEL
LA
ISAB
ELLA
D
ear
Hie
roni
mo,
com
e in
a-d
oors
. 0
, see
k no
t mea
ns so
to in
crea
se th
y so
rrow
. H
IER
ON
IMO
In
deed
, Isa
bella
, we
do n
othi
ng h
ere;
I
do n
ot c
ry; a
sk P
edro
, and
ask
Jaq
ues;
N
ot I
inde
ed, w
e ar
e ve
ry m
erry
, ver
y m
erry
. IS
ABEL
LA
How
? be
mer
ry h
ere,
be
mer
ry h
ere?
Is
not
this
the
plac
e, an
d th
is th
e ve
ry tr
ee,
Whe
re m
y H
orat
io d
ied,
whe
re h
e w
as m
urde
red?
H
IER
ON
IMO
W
as-
do n
ot sa
y w
hat:
let h
er w
eep
it ou
t. Th
is w
as th
e tre
e, I
set
it o
f a
kern
el,
And
whe
n ou
r ho
t Spa
in c
ould
not
let i
t gro
w,
But t
hat t
he in
fant
and
the
hum
an sa
p Be
gan
to w
ither
, dul
y tw
ice
a m
orni
ng
Wou
ld I
be
sprin
klin
g it
with
foun
tain
wat
er.
At l
ast i
t gre
w, a
nd g
rew
, and
bor
e an
d bo
re,
Till
at th
e le
ngth
It
gre
w a
gal
low
s, an
d di
d be
ar o
ur s
on.
70
It b
ore
thy
frui
t and
min
e: 0
wic
ked,
wick
ed p
lant
. On
e kn
ocks
with
in a
t the
doo
r Se
e w
ho k
nock
ther
e.
PED
RO
It is
a p
aint
er, s
ir.
HIE
RO
NIM
O
Bid
him
com
e in
, and
pai
nt s
ome
com
fort,
Fo
r sur
ely
ther
e's n
one
lives
but
pai
nted
com
fort.
Le
t him
com
e in
. One
kno
ws n
ot w
hat m
ay c
hanc
e:
51 f
ram
ed m
ade,
cre
ated
61
died
ed.
(hie
d 16
02)
69 T
ill . .
. leng
th e
d. (b
eg&
1.7
0 in
160
2)
74 p
aint
ed fa
lse, m
erely
app
aren
t -
. -
- - - -
64 ff.
our
hot S
pain
a m
uch
stron
ger
sens
e of
act
ual l
ocal
ity th
an in
Kyd
's te
xt.
ADD
ITIO
NS]
TH
E SP
AN
ISH
TRAGEDY
133
God
's w
ill th
at I
shou
ld se
t thi
s tre
e-bu
t eve
n so
M
aste
rs u
ngra
tefu
l ser
vant
s rea
r fro
m n
augh
t, A
nd th
en th
ey h
ate
them
that
did
brin
g th
em u
p.
Enter
the P
AINT
ER
PAIN
TER
God
ble
ss y
ou, s
ir.
HIW
ON
IMO
W
here
fore
? why
, tho
u sc
ornf
ul v
illai
n,
How
, whe
re, o
r by
wha
t mea
ns sh
ould
I b
e bl
esse
d?
ISAB
ELLA
W
hat w
ould
st th
ou h
ave,
good
fello
w?
PAIN
TER
Just
ice,
mad
am.
HIW
ON
IMO
0 am
bitio
us b
egga
r, w
ould
st th
ou h
ave
that
Th
at li
ves n
ot in
the
wor
ld?
Why
, all
the
unde
lved
mines c
anno
t buy
A
n ou
nce o
f ju
stic
e, 'ti
s a
jew
el so
ines
timab
le:
I tel
l the
e,
God
hat
h en
gros
sed
all j
ustic
e in
his
hand
s, A
nd th
ere
is n
one,
but
wha
t com
es fr
om h
im.
PAIN
TER
0 th
en I
see
That
God
mus
t rig
ht m
e fo
r my
mur
dere
d so
n.
HIE
RONI
MO
H
ow, w
as th
y so
n m
urde
red?
PA
INTE
R A
y si
r, no
man
did
hol
d a
son
so d
ear.
HIE
RONI
MO
W
hat,
not a
s thi
ne? t
hat's
a li
e A
s mas
sy a
s the
ear
th :
I ha
d a
son,
76
but
men
so e
d. (b
egin
s 1.77
in
1602
) 80
Whe
refo
re?
Why
? 85
und
elved
unw
orke
d 87
I
tell t
hee e
d. (b
egin
s 1.88
in 1
602)
88
eng
ross
ed taken
up
90 0 th
en I
see
ed. (
begi
ns 1
.91 in
160
2)
95 m
asv
huge
, wei
ghty
76
-7 T
he d
ash
in 1
.76 r
epre
sent
s the
ang
uish
ed q
uest
ion
impl
ied
in t
he
prec
edin
g ph
rase
: 'C
an i
t al
so b
e G
od's
will
tha
t it
shou
ld g
row
to
such
tem
ble
uses
?'
90-4
The
writ
er o
f th
is A
dditi
on d
evel
ops
Kyd
's de
vice
of
incl
udin
g a
surr
ogat
e fo
r H
iero
nim
o, 'T
he l
ivel
y po
rtra
it of
my
dyin
g se
lf' (
111,
xiii, 8
5).
137
THO
MA
S K
YD
W
hose
leas
t unv
alue
d ha
ir di
d w
eigh
A
thou
sand
of
thy
sons
: and
he
was
mur
dere
d.
PAIN
TER
Al
as s
ir, I
had
no
mor
e bu
t he.
HIE
RO
NIM
O
Nor
I, n
or I
: but
this
sam
e on
e of
min
e W
as w
orth
a le
gion
: bu
t all
is o
ne.
Pedr
o, J
aque
s, go
in a
-doo
rs:
Isab
ella
go,
A
nd th
is g
ood
fello
w h
ere
and
I W
ill ra
nge
this
hid
eous
orc
hard
up
and
dow
n,
Like
to tw
o lio
ns re
aved
of
thei
r yo
ung.
G
o in
a-d
oors
, I sa
y.
105
Exeu
nt [I
SABE
LLA,
PE
DRO
, JAQ
UES]
Th
e PA
INTE
R an
d he
sits
dow
n C
ome,
let's
tal
k w
isely
now
. Was
thy
son
mur
dere
d?
PAIN
TER
A
y si
r. H
IER
ON
IMO
So
was
min
e. H
ow d
ost
take
it?
Art
thou
not
som
etim
es
mad
? Is
ther
e no
tric
ks th
at c
omes
bef
ore
thin
e ey
es?
PAIN
TER
0 L
ord,
yes
sir.
110
HIE
RO
NIM
O
Art
a pa
inte
r? C
anst
pai
nt m
e a te
ar, o
r a w
ound
, a g
roan
, or
a si
gh?
Can
st p
aint
me.
such
a tr
ee a
s th
is?
PAIN
TER
Si
r, I
am s
ure
you
have
hea
rd o
f m
y pa
intin
g, m
y na
me's
Ba
zard
o.
HIE
RO
NIM
O
Baz
ardo
! af
ore
God
, an
exce
llent
fello
w!
Look
you
sir,
do
115
you
see,
I'd
hav
e yo
u pa
int
me
in m
y ga
llery
, in
your
oil
colo
urs
mat
ted,
and
dra
w m
e fiv
e ye
ars y
oung
er th
an I
am.
Do
you
see s
ir, le
t fiv
e yea
rs g
o, le
t the
m g
o, li
ke th
e mar
shal
of
Spa
in. M
y w
ife Is
abel
la st
andi
ng b
y m
e, w
ith a
spea
king
lo
ok to
my
son
Hor
atio
, whi
ch sh
ould
Inte
nd to
this
or s
ome
120
100
all i
s on
e no
mat
ter
103
rang
e w
alk
up a
nd d
own
104
reav
ed b
eref
t, ro
bbed
11
6 m
e in
my
ed. (
me
my
1602
) 11
7 m
atte
d pe
rhap
s 'm
ade
dull
or m
att';
but
Boas
may
be
righ
t in
su
gges
ting
'set i
n a
mat
or
mou
nt'
119
spea
king
elo
quen
t, fu
ll of
mea
ning
12
0 in
tend
to
signi
fy
ADD
ITIO
NS]
T
HE
SPA
NIS
H T
RA
GED
Y
such
like
pur
pose
: 'G
od b
less
thee
, my
swee
t son
': an
d m
y ha
nd le
anin
g up
on h
is h
ead,
thu
s, s
ir, d
o yo
u se
e? m
ay it
be
don
e?
PAIN
TER
Ver
y w
ell s
ir.
HIE
RONI
MO
N
ay, I
pra
y m
ark
me
sir. T
hen
sir,
wou
ld I
hav
e yo
u pa
int
125
me
this
tree
, thi
s ve
ry tr
ee. C
anst
pai
nt a
dol
eful
cry
? PA
INTE
R
Seem
ingl
y, s
ir.
HIE
RO
NIM
O
Nay
, it s
houl
d cr
y: b
ut a
ll is
one
. Wel
l sir,
pai
nt m
e a
yout
h ru
n th
roug
h an
d th
roug
h w
ith v
illai
ns'
swor
ds,
hang
ing
upon
this
tree
. Can
st th
ou d
raw
a m
urde
rer?
13
0 PA
INTE
R I'l
l war
rant
you
sir,
I ha
ve th
e pa
ttern
of t
he m
ost n
otor
ious
vi
llain
s th
at e
ver l
ived
in a
ll Sp
ain.
H
IERO
NIM
O
0, l
et th
em b
e w
orse
, wor
se: s
tretc
h th
ine
art,
and
let t
heir
bear
ds b
e of
Jud
as h
is o
wn
colo
ur,
and
let
thei
r ey
ebro
ws
jutty
ove
r: in
any
cas
e ob
serv
e th
at. T
hen
sir,
afte
r so
me
135
viol
ent n
oise
, brin
g m
e for
th in
my
shirt
, and
my
gow
n un
der
min
e ar
m, w
ith m
y to
rch
in m
y ha
nd, a
nd m
y sw
ord
rear
ed
up th
us: a
nd w
ith th
ese
wor
ds:
Wha
t nois
e is t
his?
who
calls
Hier
onim
o?
May
it b
e do
ne?
PAIN
TER
Yea
sir.
HIE
RONI
MO
W
ell s
ir, th
en b
ring
me
forth
, brin
g m
e th
roug
h al
ley
and
alle
y, s
till
with
a d
istra
cted
cou
nten
ance
goi
ng a
long
, and
le
t m
y ha
ir he
ave
up m
y ni
ght-c
ap. L
et th
e cl
ouds
scow
l, m
ake
the
moo
n da
rk, t
he s
tars
ext
inct
, the
win
ds b
low
ing,
14
5 th
e be
lls to
lling
, the
ow
l shr
ieki
ng, t
he to
ads
croa
king
, the
m
inut
es ja
rrin
g, a
nd t
he c
lock
stri
king
twel
ve. A
nd th
en a
t
127
Seem
ingl
y in
illu
sion
131
patte
rn m
odel
, por
trai
t 13
4 Ju
das . .
. col
our
red
(Jud
as Is
cari
ot w
as a
llege
d to
be r
ed-h
aire
d)
135
jutty
pro
ject
14
2 s.
p. H
IER
ON
IMO
ed.
(not
in 1
602)
14
7 ja
rrin
g ed
. (ie
ring
160
2) ti
ckin
g aw
ay
135 -
9 Th
ese
lines
may
pro
vide
us
with
a g
ood
indi
catio
n of
Eliz
abet
han
prac
tice
in s
tagi
ng t
he fi
rst l
ines
of
11, v
in th
e m
ain
play
.
136
THO
MA
S K
YD
[A
DD
ITIO
NS
last,
sir,
star
ting,
beh
old
a m
an h
angi
ng: a
nd to
tterin
g, a
nd
totte
ring
as y
ou k
now
the
win
d w
ill w
eave
a m
an,
and
I w
ith a
tric
e to
cut
him
dow
n. A
nd lo
okin
g up
on h
im b
y th
e 15
0 ad
vant
age
of m
y to
rch,
find
it to
be
my
son
Hor
atio
. The
re
you
may
sho
w a
pas
sion,
the
re y
ou m
ay s
how
a p
assio
n.
Dra
w m
e lik
e old
Pria
m o
f Tro
y, cr
ying
'The
hou
se is
a-fir
e,
the
hous
e is
a-fir
e as
the
torc
h ov
er m
y he
ad!'
Mak
e m
e cu
rse,
mak
e m
e ra
ve, m
ake
me
cry,
mak
e m
e m
ad, m
ake
me
155
wel
l aga
in, m
ake
me
curs
e he
ll, in
voca
te h
eave
n, a
nd in
the
end
leav
e m
e in
a tr
ance
; and
so
forth
. PA
INTE
R A
nd is
this
the
end?
H
IERO
NIM
O
0 n
o, th
ere
is n
o en
d: th
e en
d is
deat
h an
d m
adne
ss!
As
I am
nev
er b
ette
r tha
n w
hen
I am
mad
, the
n m
ethi
nks
I am
a
160
brav
e fe
llow
, the
n I d
o w
onde
rs: b
ut re
ason
abus
eth
me,
and
ther
e's th
e tor
men
t, th
ere's
the
hell.
At t
he la
st, si
r, br
ing
me
to o
ne o
f th
e m
urde
rers
, wer
e he
as
stro
ng a
s H
ecto
r, th
us
wou
ld I
tear
and
dra
g hi
m u
p an
d do
wn.
H
e be
ats t
he P
AIN
TER
in, t
hen
com
es o
ut a
gain
with
a b
ook
in h
is
+
hand
Fifth
Add
ition
, rep
laci
ng IV
, iv,
168
to 1
90. (
pp. 1
20- 1
) [C
ASTI
LE
Why
has
t tho
u bu
tche
red
both
my
child
ren
thus
?]
HIE
RO
NIM
O
But a
re y
ou s
ure
they
are
dea
d?
CAST
ILE
Ay,
slav
e, to
o su
re.
HIE
RONI
MO
W
hat,
and
your
s to
o?
VICE
ROY
Ay,
all
are
dead
, not
one
of
them
surv
ive.
148
totte
ring
dang
ling,
swin
ging
to a
nd fr
o 14
9 we
ave
wea
ve a
bout
, mak
e hi
m s
win
g (O
.E.D
. doe
s no
t' giv
e th
is tr
ansit
ive s
ense
) 15
0 w
ith a
tric
e in
stan
tly
151
adva
ntag
e as
sista
nce
152
show
ed.
(not
in 1
602)
16
1 br
ave
glor
ious
, spl
endi
d 16
1 ab
uset
h de
ceiv
es
153-
7 T
he c
lose
nese
of
thes
e lin
es t
o th
e Fi
rst
Play
er's
spee
ch (
Ham
let
11, ii
) is
intr
igui
ng.
AD
DIT
ION
S]
TH
E S
PAN
ISH
TR
AG
EDY
13
7 H
IERO
NIM
O
Nay
then
, I c
are
not,
com
e, a
nd w
e sh
all b
e fr
iend
s:
Let u
s la
y ou
r he
ads
toge
ther
; 5
See
here
's a
good
ly n
oose
will
hol
d th
em a
ll.
VICE
ROY
0 d
amne
d de
vil,
how
sec
ure
he is
. H
IERO
NIM
O
Secu
re, w
hy d
ost t
hou
won
der a
t it?
I
tell
thee
Vic
eroy
, thi
s day
I h
ave s
een
reve
nge,
A
nd in
that
sig
ht a
m g
row
n a
prou
der
mon
arch
T
han
ever
sat
und
er th
e cr
own
of S
pain
: H
ad I
as
man
y liv
es a
s th
ere
be s
tars
, A
s m
any
heav
ens
to g
o to
as t
hose
live
s, I'd
giv
e th
em a
ll, a
y, a
nd m
y so
ul to
boo
t, Bu
t I w
ould
see
thee
rid
e in
this
red
pool
. CA
STIL
E Sp
eak,
who
wer
e th
y co
nfed
erat
es in
this
? VI
CERO
Y Th
at w
as th
y da
ught
er B
el-im
peria
, Fo
r by
her
han
d m
y Ba
lthaz
ar w
as sl
ain:
I
saw
her
sta
b hi
m.
HIE
RONI
MO
O
h, g
ood
wor
ds :
As d
ear
to m
e w
as m
y H
orat
io,
As y
ours
, or y
ours
, or y
ours
, my
lord
, to
you.
M
y gu
iltle
ss so
n w
as b
y Lo
renz
o sla
in,
And
by
Lore
nzo,
and
that
Bal
thaz
ar,
Am I
at l
ast r
even
ged
thor
ough
ly,
Upo
n w
hose
soul
s m
ay h
eave
ns b
e ye
t rev
enge
d W
ith g
reat
er fa
r tha
n th
ese
affli
ctio
ns.
Met
hink
s sin
ce I
gre
w in
war
d w
ith r
even
ge,
I can
not l
ook
with
sco
rn e
noug
h on
dea
th.
KIN
G
Wha
t, do
st th
ou m
ock
us, s
lave
? Brin
g to
rture
s fo
rth.
7 se
cure
con
fiden
t 9
reve
nge
ed. (
reue
ng'd
160
2)
14 t
o bo
ot in
add
ition
19
Oh,
goo
d wo
rds:
ed.
(beg
ins 1
.20
in 1
602)
27
inw
ard
with
clo
sely
acq
uain
ted
with
29
tor
ture
s in
stru
men
ts o
f tor
ture
138
TH
OM
AS
KY
D
[AD
DIT
ION
S
HIER
ONLM
O D
o, d
o, d
o, a
nd m
eant
ime
I'll t
ortu
re y
ou.
30
You
had
a so
n, a
s I
take
it: a
nd y
our s
on
Shou
ld h
a' be
en m
arrie
d to
you
r dau
ghte
r: H
a, w
as't
not s
o? Y
ou h
ad a
son
too,
H
e w
as m
y lie
ge's
neph
ew. H
e w
as p
roud
, A
nd p
oliti
c. H
ad h
e liv
ed, h
e m
ight
ha'
com
e 35
T
o w
ear t
he c
row
n of
Spai
n, I
thin
k 'tw
as so
: 'T
was
I th
at k
illed
him
; loo
k yo
u, th
is sa
me
hand
, 'T
was
it th
at s
tabb
ed h
is h
eart;
do
you
see,
this
han
d?
For o
ne H
orat
io, i
f you
eve
r kne
w h
im, a
you
th,
One
that
they
han
ged
up in
his
fath
er's
gard
en,
40
One
that
did
forc
e yo
ur v
alia
nt so
n to
yie
ld,
Whi
le y
our m
ore
valia
nt so
n di
d ta
ke h
im p
rison
er.
VICEROY
Be d
eaf
my
sens
es, I
can
hea
r no
mor
e. K
ING
Fa
ll he
aven
, and
cov
er u
s w
ith th
y sa
d ru
ins.
CAST
ILE
Roll
all t
he w
orld
with
in th
y pi
tchy
clo
ud.
- -
HIER
ONIM
O N
ow d
o I
appl
aud
wha
t I h
ave a
cted
. Nu
nc in
as ca
dat m
anus
. N
ow to
exp
ress
the
rupt
ure
of m
y pa
rt,
[Firs
t ta
ke m
y to
ngue
, and
afte
rwar
d m
y he
art.]
END
35 h
a' ed
. (a
1602
) 47
iners
cada
t ed.
(mers
cada
e 16
02)
48 t
he . .
. par
t the
brea
king-
off o
f m
y ro
le -- - - --
31-3
Hier
onim
o sp
eaks
firs
t to
the
vicero
y an
d th
en (
'your
dau
ghter
') to
Cas
tile.
The
son
(1.33
) is
Lore
nzo.
47 'N
ow l
et m
y ha
nd fa
ll id
le'.
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