The Sketches of Seymour (Illustrated), Part 3

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  • 8/12/2019 The Sketches of Seymour (Illustrated), Part 3

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    The Sketches of Seymour (Illustrated), Part 3.

    Robert Seymour

    SKETCHES BY SEYMOUR, Part 3.

    The Project Gutenber EBoo! o" The S!etche# o" Seymour $%&&u#trate'(, Part3., by Robert Seymour

    Th)# eBoo! )# "or the u#e o" anyone any*here at no co#t an' *)tha&mo#t no re#tr)ct)on# *hat#oe+er. You may coy )t, )+e )t a*ay orre-u#e )t un'er the term# o" the Project Gutenber )cen#e )nc&u'e'*)th th)# eBoo! or on&)ne at ***.utenber.net

    T)t&e/ The S!etche# o" Seymour $%&&u#trate'(, Part 3.

    0uthor/ Robert Seymour

    Re&ea#e 1ate/ 2u&y 4, 4556 7EBoo! 89:6;6K(

    EBOOK E1%TORS %ATRO1UCT%OA/

    DS!etche# by SeymourD *a# ub&)#he' )n +ar)ou# +er#)on# about =3:. The coy u#e' "or th)#PG e')t)on ha# no 'ate an' *a# ub&)#he' by Thoma# @ry, on'on. Some o" the >5 &ate# noteon&y Seymour# name, many are )n#cr)be' DEnra+)n# by H. a&&)# "rom #!etche# by Seymour.DThe r)nte' boo! aear# to be a com)&at)on o" ")+e #ma&&er +o&ume#. @rom the con"u#e' chatert)t&e# the rea'er may *e&& #u#ect the r)nter m)e' u the or'er o" the chater#. The com&eteboo! )n th)# '))ta& e')t)on )# #&)t )nto ")+e #ma&&er +o&ume#Fthe )n')+)'ua& +o&ume# are o" moremanaeab&e #)e than the ;mb com&ete +er#)on.

    The )mortance o" th)# co&&ect)on )# )n the enra+)n#. The tet )# o"ten mun'ane, )# "u&& o"conun'rum# an' un# ou&ar )n the ear&y =55#Fan' )# merc)"u&&y #hort. Ao author )# )+en cre')t"or the tet thouh the #ect)on t)t&e', DThe 0utob)orahy o" 0n're* Mu&&)n#D may )+e u# at &ea#t

    h)# en-name.

    1

    COATEATS/M%SCE0AEOUS.P0TE %. THE 2OY 0AGERS.P0TE %%. THE B%-ST%CKER.

    P0TE %%%. O1 @OOE.P0TE %I. THE DCR0CK-SHOTS.D Ao. %.P0TE I. THE DCR0CK-SHOTS.D Ao. %%.P0TE I%. THE DCR0CK-SHOTS.D Ao. %%%.P0TE I%%. 1OCTOR SPR0GGS.P0TE I%%%. 7SCEAE %J.$b(< e&&, B)&&, 'ye et any b)te#FP0TE %J. THE POUTER 0A1 THE 1R0GOA.P0TE J. THE P%C-A%C. Ao. %.P0TE J%. THE P%C-A%C. Ao. %%.P0TE J%%. THE BUMPK%A.

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    THE 2OY 0AGERS.

    O'' 2o&&y 0n&er#.j $=3K(

    On a ra##y ban!, be#)'e a mean'er)n #tream, #at t*o ent&emen a+era)n "orty year# o" ae.The 'ay *a# #u&try, an', *eary o" ca#t)n the)r &)ne# *)thout e""ect, they ha' #tuc! the)r ro'# )n theban!, an' #ouht, )n a *e&&-")&&e' ba#!et o" ro+)#)on# an' co)ou# &)bat)on# o" bott&e' orter, to')##)ate the)r ')#ao)ntment.

    D0)nt th)# jo&&yF an' 'ont you &)!e a 'ay# ")#h)n, SamFD

    DO *erry much, *erry much,D emhat)ca&&y re&)e' h)# "r)en', ta!)n h)# )e "rom h)# mouth.

    D0h but #ome eo&e 'ont !no* ho* to o a-")#h)nL, Sam they are #uch "oo.D

    DThat# a *erry oo' remar! o yourn,D ob#er+e' Sam D% 'are#ay a# ho* han&)n )# *erry'e&)ht"u& +hen the ")#he# +)&& b)te but +hen they +ont, +hy they +ont, an' +ot# the u#e ocom&a)n)n. Han&)n )# ju#t &)!e *r)t)n/ "or )n#tanceFyou be)n# +)th, % #en'# you th)# ere &)neho)n, an' they 'ont n)bb&e +e&& that# ju#t the #ame a# not han#*er)n an', a# % ta!e# )t, therethe corre#on'ence en'#D

    DEact&y %m Lu)te o your o)n)on,D re&)e' h)# coman)on, to##)n o"" a bumer o" Barc&ay# be#t D%#ay, Sammy, *e mu#tnt emty tother bott&e tho.D

    DIhy notFD

    DCo#, 'o you #ee, %m ju#t th)n!)n +e #ha&& +ant a &)tt&e orter to carry u# home/ "or, by 2)no % 'ontth)n! a# ho* e)ther o" u# can to''&eFthat )# re#ectab&yD

    DAon#en#e %' hun'erta!e to *a&! a# #tra)ht a# a harro* ony, % mu#t con"e##, % #hou&' &)!e toha+e a #nooe ater my )e %m u#e' to )t, 'ye #ee, an' &oo! "or )t a# natra&&y a# a babby 'oe#.D

    DIe&&, but ta!e tother &a## "or a n)htca "or you !no*, Sammy, )" you #&ee +)thout, you maycatch co&'/ an', +hate+er you 'o, 'ont #nore, or you&& "r)hten the ")#h.D

    DAauhty ")#hD re&)e' Sammy, Dthey !no* theyre nauhty too, or ee they +ou'nt be #o a"ear'o the ro'Fhere# your hea&thD an' he to##e' o"" the ro""ere' bumer.

    DEcu#e me a-r)#)n to return than!#,D re&)e' h)# "r)en', ra#)n Sammy# han', an' &oo!)n ath)m *)th that ")e' an' &a##y ae *h)ch )n')cate# the hay #tate o" )nebr)ety, terme' mau'&)n D%!no* youre a #)ncere "r)en', an' there a)nt nobo'y a# % +a&ue more/ man an' boy ha+e % !no*e'you youre unchane' youre the #ame there a)nt no ')""erence an' % hoe you may &)+e manyyear# to o a-")#h)n, an' % may &)+e to #ee )t, Sammy. Ye#, o&' boy, th)# here# one o" them 'ay#that *ont be "orotten/ )t# enra+e' on my memory 'ee a# the *or'# on a tomb#tone, Here he&)e# Here he &)e#D he reeate' *)th a h)ccu, an' ro&&e' at "u&& &enth acro## h)# 'ear "r)en'.

    Sammy, near&y a# much o+ercome a# h)# "r)en', &)"te' u h)# hea', an' #t)c!)n h)# hat uon )t,!noc!e' )t o+er h)# eye#, an' &e"t h)m to reo#e an', &ac)n h)# o*n bac! aa)n#t anaccommo'at)n tree, he 'roe' h)# )e, an' then "o&&o*e' the eam&e o" h)# coman)on.

    0"ter a "e* hour# 'ee #&umber, they a*o!e. The #un ha' one 'o*n, an' e+en)n ha' a&rea'y'ra*n her #tar-be#an&e' mant&e o+er the #cene o" the)r "e#t)+e #ort.

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    0rou#)n them#e&+e#, they #ouht "or the)r ro'#, an' the remnant# o" the)r ro+)#)on#, but they*ere a&& one.

    DMy hey Sammy, )" #omebo'y ba#nt ta!en a'+antae o" u#. My *atch too ha# one, % 'ec&are.D

    D0n' #o# m)neD ec&a)me' Sammy, "ee&)n h)# emty "ob. DIe&&, )" th)# a)nt a o, ne+er tru#t me.D

    D% te&& you +ot )t )#, Sammy #ome c&e+er hart)#t or another ha# #een u# #&ee)n, &)!e the babe# )nthe *oo', an' ha# 'ra*n u# at "u&& &enthD

    THE B%-ST%CKER.

    O''4 B)&& St)c!er.j $:=K(

    hat a my#ter)ou# be)n )# the b)&&-#t)c!er Ho* #e&'om 'oe# he ma!e h)m#e&" +)#)b&e to the eye# o"the eo&e. Aay, % +er)&y be&)e+e there are thou#an'# )n th)# reat metroo&)# that ne+er #a* a#ec)men. e #ee the e""ect, but th)n! not o" the cau#e.

    He mu#t *or! at h)# +ocat)on e)ther at n)ht or at ear&y 'a*n, be"ore the *or&' )# #t)rr)n.

    That he )# an )n'u#tr)ou# be)n, an' #t)c!# to bu#)ne##, there cannot be the #ha'o* o" a 'oubt, "ore+ery 'ea'-*a&& )# ma'e &)+e&y by h)# oerat)on#, an' e+ery hoar' a "un' o" )n"ormat)onF)n #uchtye, too, that he *ho run# may rea'. hat an )n'e"at)ab&e ob#er+er he mu#t be "or there )#

    #carce&y a br)c! or boar' )n c)ty or #uburb, ho*e+er ne*&y erecte', )n h)h*ay or bye*ay, but )##ee')&y a'orne' by h)# han')*or!Faye, an' "reLuent&y too )n 'e")ance o" the threaten)nFDB%-ST%CKERS, BE0REDF#tar)n h)m )n the "ace. )!e nature, he aear# to abhor a +acuum. hen*e beho&' the )ant)c #)e o" #ome o" the mo'ern arche#, *e are a&mo#t &e' to #uo#e that theb)&&-#t)c!er carr)e# about h)# &acar'# )n a "our-*hee&e' *aon, an' that h)# a#te-ot )# a huecau&'ron Ho* he contr)+e# to a#te an' #t)c! #uch an enormou# #heet #o neat&y aa)n#t therue' #)'e o" a hou#e, )# rea&&y a#ton)#h)n. hether three or "our #tor)e# h)h, the #amerec)#)on )# remar!ab&e. e cannot but *on'er at the 'eter)ty o" h)# ract)#e' han'/ The un)on )#a# er"ect a# )" 1an Hymen, the #a""ron-robe' 2o)ner, ha' er#ona&&y #uer)nten'e' theer"ormance.

    The *)n' )# erha# the on&y rea& enemy he ha# to "ear. Ho* h)# heart an' h)# "&)m#y aer mu#t

    "&utter )n the unru&y u#t# o" a March *)n' e on&y )ma)ne h)m a#t)n u a DSa&e o" Hor#e#,D )n aret)re' noo!, an' #ee)n h)# b)&& carr)e' a*ay on an e''y

    e once ha' the oo' "ortune to *)tne## a u#ty "rea! o" th)# !)n'. The b)&&-#t)c!er ha' a"")e' a b)&&uon the hoo!# o" h)# #t)c!, ')#&ay)n )n rom)nent &are character#FDS0E BY 0UCT%OAFMr.GEO. ROB%ASFCa)ta& %n+e#tment,DFan' #o "orth, *hen a #u''en *h)r&*)n' too! the b)&& o"" thehoo!#, be"ore )t *a# #tuc!, an' "a)r&y en+e&oe' the countenance o" a 'an'y ent&eman *hohaene' at the moment to be turn)n the corner.

    Such a DCa)ta& %n+e#tmentD *a# certa)n&y &u')crou# )n the etreme.

    The oor b)&&-#t)c!er *a# rather a&arme', "or he ha' ne+er #tuc! a b)&& be"ore on any "ront that *a#

    occu)e'.

    He ee&e' the ent&eman a# Lu)c!&y a# o##)b&e, an' #tammere' out an ao&oy. The #u""erer,

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    carr)e' )nto eecut)on, or he *a# #at)#")e' *)th the 'amae# a&rea'y rece)+e', *e !no* not.

    O1 @OOE.

    O''3 O&' @ooe&.j $;3K(

    There )# a certa)n er)o' o" &)"e beyon' *h)ch the &a#t)c m)n' o" man become# )ncaab&e o"acLu)r)n any ne* )mre##)on#. He mere&y e&aborate# an' ')#&ay# the #tore# he ha# arnere' u)n h)# youth. There are )n'ee' #ome rare ecet)on# to the ru&e but "e*, +ery "e*, can &earn a&anuae a"ter the ae o" "orty. T)# true that Co*er ')' not commence the como#)t)on o" h)#'e&)ht"u& oem# t)&& he ha' atta)ne' that ae but then )t mu#t be remembere' that he ha'

    re+)ou#&y a##e' a &)"e o" #tu'y an' rearat)on, an' that he mere&y a+e the honey to the *or&'*h)ch he ha' h)+e' )n h)# youth, br)n)n to the ta#! a m)n' o&)#he' an' mature' by ju'ment an'eer)ence. But, enera&&y #ea!)n, *e rather eect rea#on than rhyme "rom an e&'er&yent&eman an' *hen the re+er#e )# the ca#e, the ur#u)t ")t# them a# r)')cu&ou#&y a# *ou&' ahumm)n-to or a hoo. Yet there are many *ho, ha+)n a##e' a &)"e )n the #o&e occuat)on o"ma!)n moneyFthe mo#t unoet)ca& o" a&& a+ocat)on#Fthat )n the)r ret)rement enterta)n them#e&+e#*)th #uch "anta#t)c ran!# an' ant)c#, a# on&y #er+e to amu#e the &oo!er#-on. 0 ret)re' tra'e#man,)t )# true, may cha#e ennu) an' the tae')um +)tae, by '))n an' &ant)n )n h)# !)tchen-ar'en, ortry h)# han' at rear)n tu&)# an' hyac)nth# but )" he +a)n&y attemt any other art, or 'abb&e )n &)ht&)terature or hea+y h)&o#ohy, he )# &o#t. O&' @oo&e *a# one o" tho#e *ho, ha+)n accumu&ate'*ea&th, ret)re *)th the)r hou#e!eeer# to #en' the remnant o" the)r 'ay# )n #ome #uburban retreat,the monotony o" *ho#e &)"e )# +ar)e' by month&y tr)# to to*n to br)n tea an' rocery, or urcha#e

    #ome )n"a&&)b&e reme'y "or the)r o*n out, or the)r hou#e!eeer# rheumat)#m. Un"ortunate&y "or h)#eace, O&' @oo&e acc)'enta&&y ')e' )nto a tattere' tome o" Da&ton# Com&ete 0n&erD an' the+)+)' 'e#cr)t)on o" )#cator)a& &ea#ure# there)n #et "orth #o *on uon h)# m)n', that he "orth*)thre#o&+e' to ta#te them. %n +a)n *ere the remon#trance# o" h)# nur#e, "r)en', an' "actotum. Theeer)ment mu#t be tr)e'. Ha+)n more money than *)t to #are, he re#ent&y #u&)e' h)m#e&" *)three an' ro'# an' tac!&e, &an')n-net# an' ent&e-boe#, an' a&& the other nece##aryaraherna&)a o" the art.

    1onn)n h)# be#t *) an' #ectac&e#, he #a&&)e' "orth, 'e"en'e' "rom the *eather by a #hortSencer buttone' roun' h)# &o)n#, an' a a)r o" 'oub&e-#o&e' #hoe# an' #hort a)ter#. So eaer*a# he to commence, that he no #ooner e#)e' a )ece o" *ater, than, *)th tremb&)n han'#, heut h)# ro' toether, an' ')#&aye' h)# net#, &ay)n h)# ba#!et, a)n "or the ")nny rey, on the

    mar)n o" the &ac)' *ater#. )th eaer ae he *atche' h)# ne*&y-+arn)#he' an' many-co&oure'"&oat, eect)n e+ery-moment to beho&' )t #)n!, the )n+)t)n ba)t be)n reare' #ecun'um artem.He ha' certa)n&y t)me "or re"&ect)on, "or h)# "&oat ha' been ca#t at &ea#t an hour, an' #t)&& rema)ne'#tat)onary "rom *h)ch he *)#e&y auure' that he *a# mo#t certa)n&y ne)ther ")#h)n )n a runn)n#tream nor )n troub&e' *ater#.

    Pre#ent&y a rae' urch)n came #aunter)n a&on, an' +ery &e)#ure&y #eate' h)m#e&" uon a ban!near the 'e+ote' an&er. Cur)o#)ty )# natura& to youth, thouht @oo&eFho* % #ha&& ma!e the &a'*on'er *hen % u&& out a *r)&)n ")#h

    But #t)&& another *eary hour a##e', an' the o&' ent&eman# arm# an' &o)n# bean to ache "romthe no+e& an' con#tra)ne' o#ture )n *h)ch he #too'. He re* ner+ou# an' unea#y at the *ant o"

    #ort an' th)n!)n that erha# the &)tt&e "e&&o* *a# acLua)nte' *)th the &oca&)ty, he turne' to*ar'#h)m, #ay)n, )n the b&an'e#t but #t)&& mo#t )n')""erent tone he cou&' a##ume, &e#t he #hou&'comrom)#e h)# ')n)ty by eo#)n h)# )noranceF

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    D% #ay, 2ac!, are there any ")#h )n th)# on'FD

    DThere may be, #)r,D re&)e' the boy, u&&)n h)# rae' "ore&oc! mo#t 'e"erent)a&&y, "or O&' @oo&eha' an a*"u& church*ar'en-&)!e aearance Dthere may be, but % #hou&' th)n! they *ere *eary#ma&&, cau#e there +o# no +ater )n th)# here on' a"ore that there ra)n ye#ter'ay.D

    The #a&&o* chee!# o" the o&' an&er *ere t)ne' *)th a ru''y &o*, ca&&e' u by the con#c)ou#ne##

    o" h)# r)')cu&ou# o#)t)on. Ta!)n a enny "rom h)# oc!et, he ba'e the boy o buy #ome ca!e#/ an'no #ooner ha' he a&&oe' o"", than the ')#ao)nte' a&ton)an ha#t)&y ac!e' u h)# tac!&e, an'turne' h)# #te# home*ar' an' th)# *a# the ")r#t an' &a#t e##ay o" O&' @oo&e.

    THE DCR0CK-SHOTS.D Ao. %.

    O''6 Crac! Shot# .j $;:K(

    0 c&ub, un'er the )mo#)n #ty&e o" the DCrac!-Shot#,D met e+ery e'ne#'ay e+en)n, 'ur)n the#ea#on, at a hou#e o" ub&)c enterta)nment )n the #a&ubr)ou# #uburb# o" on'on, !no*n by thec&a##)ca& #)n o" the DMaye an' Stum.D Be#)'e# a tr)m ar'en an' a #ma&& c&o#e-#ha+en ra##-&at )n the rear $*here e&'er&y ent&emen "oun' a cure "or tae')um +)tae an' the rheumat)#m )n a#oc)a& ame o" bo*(, there *a# a mea'o* o" about ")+e or #) acre#, *here)n a taret *a#erecte' "or the e#ec)a& bene")t o" the member# o" th)# ce&ebrate' c&ub *e #ay ce&ebrate',becau#e, o" a&& c&ub# that e+er ma'e a no)#e )n the *or&', th)# bore a*ay the a&m-accor')n to thereort# )n the ne)hbourhoo'. Emu&at)on natura&&y cau#e' ec)tement, an' the etraor')nary 'ee'#

    they er"orme' un'er )t# )n"&uence *e #hou&' ne+er ha+e cre')te', ha' *e not rece)+e' the+erac)ou# te#t)mony o"Fthe member# them#e&+e#.

    0"ter the tr)a o" #!)&&, they enera&&y #ent the e+en)n# toether.

    2ac! Saer# *a# the hero o" the arty or erha# he m)ht be more aror)ate&y terme' theDreat un,D an' *a# )n+ar)ab&y +ote' to the cha)r. He ma'e #eeche#, *h)ch *ent o"" a'm)rab&yan' he eretrate' un# *h)ch, &)!e h)# 2oe Manton, ne+er m)##e' ")re, be)n unan)mou#&y +ote'a'm)rab&e h)t# by the joyou# a##emb&y.

    The)r &ea#ure# an' the)r con+er#at)on m)ht tru&y be #a)' to be o" a )ece.

    DGent&emenDF#a)' 2ac!, one e+en)n r)#)n uon h)# &e#FD1o me the "a+our to chare. 0re you a&&r)me' an' &oa'e'F % am about to roo#e the hea&th o" a ent&eman, *ho )# not on&y an honour to#oc)ety at &are, but to the Crac!-Shot# )n art)cu&ar. Gent&emen, the mere ment)on o" the name o"Brother Sn)#F$hear hear(F% !no* *)&& ca&& "orth a +o&&eyF$Hear hear( Gent&emen, % )+e you thehea&th o" Brother Sn)# ma!e rea'y, re#ent an' ")reD

    U *ent the &a##e#, an' 'o*n *ent the &)Luor )n a tr)ce, "o&&o*e' by three t)me# three, 2ac!Saer# )+)n the t)me, an' act)n a# D"u&e-man.D

    Sn)#, ner+ou#&y ")ner)n h)# tumb&er o" Dha&" an' ha&",D a# )" he *ante' the #)r)t to be)n,hemme' au')b&y, an'DHa+)n three t)me# #hoo! h)# hea'

    To #t)r h)# *)t, thu# he #a)',D

    DGent&emen, % 'ont !no* ho* )t )#, but #omeho*# the more a man ha# to #ay, the more he cant %

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    r)m)nFFD

    DPr)meD ec&a)me' 2ac! Saer# an' there *a# a enera& t)tter, an' then he cont)nue' Da# *ecannot &et you o"" Sn)#, you mo#t o on, you !no*.D

    DGent&emen,D re#ume' Sn)#, D% "ee& )n'ee' #o o+er&oa'e' by the honor# you ha+e con"erre' onme, that % cannot ")n' *or'# to ere## my rat)tu'e. % can on&y than! you, an' ere## my #)ncere

    *)#h that your #hot# may a&*ay# te&&.D

    0n' he #at 'o*n am)'#t unboun'e' a&au#e. DBy no mean# a-m)##D cr)e' 2ac! Saer#.

    D0 jo!e o" m)ne, *hen % !noc!e' 'o*n a b)r' the other morn)n,D #a)' Sn)#/ Dyou mu#t !no* %*a# out ear&y, an' ha' ju#t brouht 'o*n my b)r', *hen &ea)n )nto the a'jo)n)n ")e&' to )c! )t u,a b)r'-catcher, *ho ha' #rea' h)# net# on the 'e*y ra##, *a&!e' r)ht u to me.D

    D%+e a +)#er "or you, S)r,D #ay# he, a# coo& a# a cucumber D% 'ont +)#h to be )mer&)te, but nett)me you #hoot# a b)r' +ot %+e brouht to my ca&&, %&& #hoot you )nto a c&ay-)t, that# a&&D

    D0n' ray *hat ')' you #ay, Sn)#FD a#!e' 2ac! Saer#.

    DSayFFnoth)n but % &oo!e' unutterab&e th)n#, an'F#hou&'er)n my )eceF*a&!e' o""D

    THE DCR0CK-SHOTS.D Ao. %%.

    O''9 Crac! Shot# 4.j $;;K(

    DSn)## rencontre *)th the b)r'-catcher rem)n'# me o" Tom S*)+e meet)n *)th the 1octor,Dob#er+e' Smart.

    DMa!e a reort,D cr)e' 2ac! Saer#.

    De&&, you mu#t !no*, that % ha' &ent h)m my )ece "or a 'ay# #hoot)n an' ju#t a# he *a##aunter)n a&on by a 'ea' *a&& near Ham#tea', &oo!)n both *ay# at once "or a Luarry $"or heha# a art)cu&ar #Lu)nt(, a #tout ent&eman )n re#ectab&e b&ac!, an' toe' by a #ho+e&-hat,haene' to be com)n )n the oo#)te ')rect)on. )th an ere##)on o" terror, the o&' ent&eman

    're* h)m#e&" u aa)n#t the uny)e&')n br)c!#, an' author)tat)+e&y eten')n h)# *a&!)n-#t)c!,a''re##e' our #ort#man )n an anry tone, #ay)n/ Ho* 'are you carry a &oa'e' un o)nte' ateo&e# +)#cera, you boobyF Ao* Tom )# a booby, an' no m)#ta!e, an' #o 'ro)n h)# un'er ja*an' #tar)n at the re+eren', he an#*ere'/ % 'ont !no* +ot you mean by a *)#erar. % ne+er #hot a*)#erarD

    D1e+)&)#h oo'D ec&a)me' Saer# an', a# a matter o" cour#e, e+erybo'y &auhe'.

    Pa##)n about the bott&e, the c&ub no* became h)&ar)ou# an' no)#y *hen the hammer o" there#)'ent rae' them to or'er, an' !noc!e' 'o*n Sn)# "or a #on, *ho, a"ter humm)n o+erthe tune to h)m#e&", #truc! u the "o&&o*)n/

    CH0UAThen the #no*# on the roun' an' the tree# are a&& bare,0n' r)+er# an' utter# are turne' )nto )ce,

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    0n' )+e# them a ta#te o" h)# #!)&& )n a tr)ce.Ban ban oe# h)# 2oe,0n' the b)r'# "a&& &)!e #no*,0n' he ba# a&& he !)& )n a tr)ce.

    CHORUS.Ban ban oe# h)# 2oe,

    0n' the b)r'# "a&& &)!e #no*,0n' he ba# a&& he !)& )n a tr)ce.

    %%.%" he ut# u a artr)'e or hea#ant or 'uc!,He mar!# h)m, an' *)n# h)m, an' br)n# h)m to earthHe &et# noth)n "&yFbut h)# )eceFan' oo' &uc!H)# ba ")& *)th ame an' h)# bo#om *)th m)rth.

    Ban ban oe# h)# 2oe,0n' the b)r'# "a&& &)!e #no*,0n' oo' #ort ")& h)# bo#om *)th m)rth.

    CHORUS.Ban ban et. etc.

    %%%.hen at n)ht he unben'# an' encounter# h)# a,Ho* 'e&)hte' he boa#t# o" the #ort he ha# ha'h)&e a !)n' o" roun' ame# on the boar', an' are toa#te' )n bumer# by e+ery &a'.0n' 2ac!, 2)m, an' 2oeG)+e the ma)' cha#te a# #no*That )# true a# a #hot to her &a'

    CHORUS.0n' 2ac!, 2)m an' 2oeG)+e the ma)' cha#te a# #no*That )# true a# a #hot to her &a'

    The cu#tomary a&au#e ha+)n "o&&o*e' th)# +oca& attemt o" Sn)#, he *a# a#!e' "or a toa#t ora #ent)ment.

    DHere#FMay the char)tab&e man ne+er !no* the *ant o"F#hot.D #a)' Sn)#.

    DEce&&entD ec&a)me' Saer#, aro+)n&y DBy 2u)ter Tonan#, Sn)#, youre a true #on o"Fa

    unD

    THE DCR0CK-SHOTS.DFAo. %%%.

    O'': Crac! Shot# 3.j $>6K(

    DS)ch a &ar!D #a)' B)&& Sorre&, brea!)n abrut&y )n uon the no)#y choru#, m)#ca&&e' a enera&

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    DhereFD 'eman'e' Saer#.

    DYou+e j)#t h)t )t,D re&)e' Sorre&, D"or )t +ere *orry near Iare +here )t haene'. %' one houthear&y, you !no*, an' ha' j)#t cotche' #)ht o" a b)r' a-+)#t&)n on a t*), an' uttere' the +or'#,%&& #)&e your #)n)n, my t)ht un, an' &e+e&&e' o" my un, +en a he&'er&y ent&eman, on tother #)'eo" the ban! +)ch +o# at*een me an' the b)r', o# u h)# o*'ere' no''&e )n a j)""y, an' o&)n

    at me +)th a&& h)# eye#, ba* out )n a tant)+y o" a "r)ht, You nee'nt be a"ear', #)r, #ay# %, % a)nta-ha)m)n at you, an' +)th that % u& my tr)er-ban Ie&&, % &o#t my ')c!y an' +en % &oo!# "or theo&' un, by 2)no %' &o#t h)m too. So % mount# the ban! +ere he #ot, but he +a#nt there #o % &oo!#about, an' hob#er+e# a 'ry ')tch at the "oot, an' coc!)n my eye a&on )t, +hy, %m b&e##e', )" %')'nt #ee the o&' "e&&o* a-#camer)n a&on a# "a#t a# h)# &e# cou&' carry h)m. 1)'nt % &auh,rea'y to #&)tFthat# a&&D

    D% te&& you *hat, Sorre&,D #a)' the re#)'ent, *)th moc! ra+)ty, D% con#)'er the *ho&e a""a)r, ho*e+err)')cu&ou#, mo#t )mmora& an' rerehen#)b&e. hat, #ha&& a crac!-#hot ma!e a taret o" an e&'erFAe+er et u# #ee! more aror)ate butt# "or our barre You may erha# &oo! uon the *ho&ea# a )ece o" &ea#antry but &et me te&& you that you ran a narro* chance o" be)n )n')cte' "or abreach o" the eace 0n' remember, that e+en #hoot)n a 'eer may not ro+e #o 'ear a #hot a#

    br)n)n 'o*n an o&' buc!D

    Th)# humorou# reroo" *a# a&au'e' by a Dbra+oD "rom the *ho&e c&ub.

    Sorre& #anF#ma&&, an' Sn)# #an another #ort)n ')tty.

    DOur net meet)n,D re#ume' Saer#, D)# on Thur#'ay net *hen the )eon-match ta!e# &ace"or a #)&+er-cuFthe Crac! Shot# aa)n#t the Or)enta& C&ub. % th)n! *e #ha&& )+e them % ta#te o"our Lua&)ty, a&thouh *e 'o not )nten' that they #ha&& &)c! u#. The #)&+er-cu )# the)r o*n roo#a&.The conte#t be)n a )eon-match, % humb&y roo#e', a# an amen'ment, that the r)e #hou&' bea tumb&erF*h)ch % &o#t by a m)nor)ty o" three. %n return)n than!#, % too! occa#)on to a&&u'e to the)rreject)on o" my roo#)t)on, an' )ron)ca&&y than!e' them "or ha+)n cut my tumb&er.D

    Derry oo'D #houte' Sorre&.

    D0'm)rab&eD ec&a)me' Sn)# an', r)#)n *)th 'ue #o&emn)ty, he roo#e' the hea&th o" theD*orthy re#)'ent,D re"ac)n h)# #eech *)th the mo'e#t a+o*a& o" h)# )nab)&)ty to 'o *hat he #t)&&er#)#te' )n 'o)n an' ')'.

    DBrother Shot#D #a)' Saer#, a"ter the u#ua& honour# ha' been 'u&y er"orme', D% am #ounaccu#tome' to #ea!)n $a &auh(, that % r)#e *)th a "ee&)n o" t)m)')ty to than! you "or the')#t)nu)#he' honour you ha+e con"erre' on me. Pra)#e, &)!e *)ne, e&e+ate# a man, but )t &)!e*)#eth)c!en# an' ob#truct# h)# #eech there"ore, *)thout attemt)n any rhetor)ca& "&our)#h, % *)&& #)m&y#ay, % #)ncere&y than! you a&& "or the +ery han'#ome manner )n *h)ch you ha+e re#on'e' to the

    "r)en'&y *)#he# o" Brother Sn)# an', no* a# the hour o" m)'n)ht )# at han', % b)' you "are*e&&. %t)# )n'ee' ')"")cu&t to art "rom #uch oo' comany but, a&thouh )t )# mora&&y )mo##)b&e there e+ercan be a ')+)#)on amon #uch cor')a& "r)en'#, both 'run! an' #ober may at &ea#t #earateF)n#)r)t#,Fan' % tru#t *e #ha&& a&& meet aa)n )n hea&thF@are*e&&D

    1OCTOR SPR0GGS.

    O''; 1octor Sra#.j $::K(

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    O&' 1octor Sra# "ame' 1octor Sra#a# both *e&& "ee' an' "e',0n', tho no #o&')er, 1octor Sra#Ha' "or h)# country-b&e'.

    H)# at)ent# &)+)n "ar an' *)'e

    He *a# come&&' to buy0 hor#e an' "oun' no troub&e, "orHe' ot one )n h)# eye

    He *a# a ta&& an' bony #tee'0n' *arrante' to trot,0n' #o he bouht the trotter, an'O" cour#e "our trotter# ot.

    Nuoth he/ D%n #un#h)ne Lu)c! he boun'#D0cro## the +er'ant &a)n,D0n', een *hen #ho*er# "a&&, he ro+e#

    DHeF'oe#nt m)n' the ra)nD

    But, oh one morn, *hen 1octor Sra#a# trott)n on h)# *ay,0 ")e&' o" #ort#men came )n +)e*,0n' ma'e h)# cour#er ne)h.

    DAay you may ne)h,D Luoth 1octor Sra#,DBut run not, % 'ec&areD% ')' not come to cha#e the "o,D% came to ta!e theFa)r

    But a&& )n +a)n he tu' the re)n,The #tee' *ou&' not be #tay'The D1octor# #tu""D *a# #ha!en, an'0 tune the +)a &ay'.

    @or )n h)# oc!et# he ha' #to*'Some hy#)c "or the #)c!0non, Dcrac!D *ent the bott&e# a&&,0n' "orma a Dm)tureD Lu)c!.

    H)# hat an' *) "&e* o"", but #t)&&The re)n# he hu' an' hau&'

    0n', tho no cry the hunt#men hear',They #a* the 1octorFba&'

    They &ou'&y &auh' an' cheer' h)m on,h)&e Sra#, Lu)te out o" breath,St)&& a&&o' on aa)n#t h)# *)&&,0n' came )n at the 'eath.

    To #ee the 1octor r)')n thu#To #ort#men *a# a treat,0n' &ou'&y they a&au'e' h)mF$Tho mounte'( on h)# "eat

    MOR0.Ye 1octor# bo&', o" th)# rou' &an'

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    Ao hunter# r)'e, or you *)&& o)!e oor Sra#Fto the 'o#

    SCEAE %J. $b(

    O''= Scene>b.j $;5K(

    De&&, B)&&, 'ye et any b)te# o+er thereFD DAo, but %m a"ear' % #ha&&, #oon ha+e one.D

    T*o youth#, by "a+our o" the)r #on#or#, bear)n the ar)#tocrat)c name# o" )&&)am an' 2o#eh,

    #tarte' ear&y one morn)n 'u&y eLu)e', on )#cator)a& #ort )ntent. They tru'e' a)&y "or*ar'to*ar'# a ne)hbour)n r)+er, &oo!)n r)ht an' &e"t, an' aroun' them, a# #har a# t*o cro*# thatha+e #cente' a"ar o"" the carca#e o" a 'e"unct na.

    0t &enth they arr)+e' at a &o"ty *a&&, on the *ron #)'e o" *h)ch, mu#)ca&&y mean'ere' the #treamthey #ouht. 0"ter a 'e&)berate con#u&tat)on, the +a&)ant )&&)am re#o&+e' to #ca&e the )me')ment,an' ca#t the &)ne. 2o#eh ru'ent&y rema)ne' on the other #)'e rea'y to catch the ")#hFh)#coman)on #hou&' thro* to h)m Pre#ent&y an ec&amat)on o" DOh myD attracte' h)# attent)on.

    DHa+e you ot a b)teFD eaer&y 'eman'e' 2oe.

    DAo by o#h but % th)n! % #ha&& #oonD cr)e' B)&&. Hereuon the eectant 2o#eh mounte', an'

    #eat)n h)m#e&" uon the *a&&, behe&' to h)# horror, Ma#ter B)&& !ee)n a ")erce bu&&-'o at bay *)ththe butt en' o" h)# ")#h)n-ro'.

    DGo )t, B)&&D ec&a)me' 2oe, D)tch )nto h)m an' #cramb&e u.D

    The 'o ran at h)m.F2oe )n h)# a)tat)on "e&& "rom h)# o#)t)on, *h)&e B)&& thre* h)# ro' at the bea#t,ma'e a 'e#erate &ea, an' c&utche' the to o" the *a&& *)th h)# han'#.

    DEa' %+e &o#t my #eat,D cr)e' 2oe, ro&&)n uon the ra##.

    D0n' #o ha+e %D roare' B)&&, #cramb&)n )n a""r)ht o+er the *a&&.

    0n' true )t *a#, that he *ho ha' not ot a b)te be"ore, ha' ot a b)teFbeh)n'

    B)&& anathemat)#e' the 'o, but the &u')crou# berea+ement he ha' #u#ta)ne' ma'e h)m &auh, )n#)te o" h)# teeth

    2oe jo)ne' )n h)# merr)ment.

    Dhat a burn)n #hame )t )#FD #a)' he Dtru&y there ouht to be breache# rea'y ma'e )n the#e *a&,B)&&, that one m)ht e#cae, )" not rea)r the#e 'amae#.D

    DAo matter,D re&)e' B)&&, #ha!)n h)# hea', D% !no* the o*nerFhe# a Member o" Par&)ament. Stot)&& the net e&ect)on, that# a&&.D

    Dhy, *hat ha# that to 'o *)th )tFD 'eman'e' 2oe.

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    D0n' *hat thenFD

    DThen % #ha&& ha+e the &ea#ure o" #er+)n h)m a# h)# 'o ha# #er+e' me. Ye# 2oe, the M. P. *)&&&o#e h)# #eat to a 'ea' certa)ntyD

    THE POUTER 0A1 THE 1R0GOA.

    D0nother )eon ea', %m )n &uc!# *ay th)# morn)n.D

    O''> Pouter.j $;;K(

    Roun' an' re', throuh the morn)n "oThe #un# br)ht "aceShone, &)!e #ome jo&&y to)n 'oO" Bacchu# race.

    hen 2en!)n#, *)th h)# un an' curOn #ort )ntent,Throuh ")e&'#, an' mea'o*#, many "urF

    F&on# a)&y *ent.

    He o' at b)r'# both reat an' #ma&&,But noth)n h)tOr )" he h)t, they *ou&'nt "a&&FAo, not a b)t

    D%t# *ery #trane, % 'o 'ec&are% ne+er #ee% o at #!y-&ar!# )n the ha)rOr on a tree.D

    D%t# a&& the #ame, they "&y a*ayHa# % &et "&yFThe b)r'# )# "r)htene', % 'are #ay,0n' +)&& not ')e.D

    DIhy, here# a o % ha+nt ramm'%n any #hotThe b)r'# mu#t th)n! % on&y #hamm',0n' none ha+e ot.D

    D%&& un'ece)+e em Lu)c!&y no*,% bet a cro*n

    0n' *hether ")e&'"are, t)t, or cro*,I)&& br)n em 'o*n.D

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    0cro## h)# *ayFBan *ent h)# )eceFan' 2en!)n# #&e*The "&uttr)n rey.

    He ba' h)# ame, an' on*ar' *ent,hen to h)# +)e*0nother ro#e, by "ortune #ent

    To ma!e u t*o.

    He ")re', an' behe&' )t "a&&)th )n*ar' &ee,0n' "or a m)nute neath a *a&&Stoo' a)n he.

    hen "rom beh)n', ")erce, hea+y b&o*#@e&& on h)# hat,0n' !noc!' h)# bea+er oer h)# no#e,0n' &a)' h)m "&at.

    Dhat "or,D cr)e' 2en!)n#, Dam % m)&&',S)r, &)!e th)# ereFDDYou +)&&a)n, you, *hy you ha+e !)&&'My outer rare.D

    The #tur'y !na+e *ho #truc! h)m 'o*n)th "ro*n re&)e'/FD@or *h)ch %&& ma!e you ay a cro*nAor be 'en)e'.D

    Poor 2en!)n# #a* )t *a# )n +a)nTo ban'y *or'#

    So a)' the ca#h an' +o*', aa)nHe' not #hoot b)r'#F

    0t &ea#t o" that #ame "eather, &e#t@or Pouter #hotSome 1raon ")erce #hou&' h)m mo&e#tF0n' "&e' the #ot.

    THE P%C-A%C. Ao. %.

    O''5 P)cn)c.j $>3K(

    0 merry ho&)'ay arty, "orm)n a to&erab&e boat-&oa', an' *e&& ro+)'e' *)th ba#!et# o" ro+)#)on#,*ere ro*)n a&on the beaut)"u& an' )cture#Lue ban!# that "r)ne the r)+er# #)'e nearT*)c!enham, eaer&y &oo!)n out "or a #ot *here they m)ht enjoy the)r D)c-n)cD to er"ect)on.

    DO unc&e, there# a romant)c &a'eF'o &et u# &an' thereD ec&a)me' a beaut)"u& )r& o" e)hteen#ummer#, to a re#ectab&e o&' ent&eman )n a broa' br)mme' bea+er an' #ectac&e#.

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    D2u#t the th)n, % 'ec&are,D re&)e' heFDthe +ery #otFu&& a*ay, my &a'#Fbut 'ear meD cont)nue'he, a# they neare' the )nten'e' &an')n-&ace, Dhat ha+e *e hereF hat #ay# the boar'FD

    DP0RT%ES 0RE AOT, 0OE1 TO0A1 0A1 1%AE HERED

    Oh oh +ery *e&& then *e&& on&y &an' here, an' ')ne a &)tt&e "urther onD

    Dhat a reu)+e boar'DFcr)e' the youn &a'yFD% 'ec&are no* %m Lu)te +e'DF

    DAe+er m)n', 2u&)a, *e *ont be bore' by any boar'DF#a)' the joco#e o&' ent&eman.

    D%m #ure, unc&eDF#a)' one o" the youth#FD*e 'ont reLu)re any boar', "or *e ro+)'e our#e&+e#.D

    DYoure Lu)te r)ht, Ma#ter 1)c!ey,D #a)' h)# unc&e D"or *e on&y came out "or a &ar!, you !no*, an'no &ar! reLu)re# more than a &)tt&e tur" "or )t# enterta)nment u&& c&o#e to the ban!, an' &et u# &an'.D

    DOh but #uo#e,D #a)' the t)m)' 2u&)a, Dthe #ur&y o*ner #hou&' ounce uon u#, ju#t a# *e areta!)n our *)neFD

    Dhy then, my &o+e,D re&)e' he, D*e ha+e on&y to aban'on our *)ne, an', &)!e #ober member# o"the Temerance Soc)etyFta!e *ater.D

    Pu&&)n the *herry c&o#e a&on #)'e the ra##y ban!, an' "a#ten)n )t care"u&&y to the #tum o" ano&' tree, the *ho&e arty &an'e'.

    DHo* #o"t an' beaut)"u& )# the reen-#*ar' here,D #a)' the romant)c 2u&)a, )n'ent)n the y)e&')nra## *)th her !)'-co+ere' t)ny "eet D1oe# not a ent&eman o" the name o" A)mro' #)n the&ea#ure o" the Tur"FD #a)' Emma/ D% *on'er )" he e+er "e&t )t a# *e 'oFD

    DCerta)n&y not,D re&)e' Ma#ter 1)c!ey, *)n!)n at h)# unc&e D"or the b&a'e# o" the Tur" he 'e#cr)be#,

    are ne)ther #o "re#h nor #o reen a# the#e an' the #ta!e# he ment)on# are rather ')""erent "romtho#e conta)ne' )n our )eon-)e.D

    DBut % 'oubt, 1)c!ey,D #a)' h)# unc&e, D)" h)# en e+er 'e#cr)be' a better race than the re#entcomany. The 2en!)n##, &et me te&& you, come o" a oo' #toc!, an' #ort #ome o" the be#t b&oo' )nthe country.D

    DBeaut)"u& branche# o" a nob&e tree,D ec&a)me' Ma#ter 1)c!y, Dbut, unc&e, a har' ro* ha# ma'e merather ec!)#h &et u# #rea' the ro+en'er. % th)n! there# an hone#t han' o" or! yon'er that )#r)ht *orthy o" a "r)en'&y ra#Fon&y #ee )", by a #)n&e touch o" that ma)ca& han', %m not #ee')&ytran#"orme' )nto a boat.D

    Dhat #ort o" a boatFD cr)e' 2u&)a. D0 cutter, to be #ure,D re&)e' Ma#ter 1)c!y, an' &auh)n he rano"" *)th h)# ma&e coman)on# to br)n the ro+)#)on# a#hore.

    Mean*h)&e the unc&e an' h)# n)ece #e&ecte' a &e+e& #ot beneath the umbraeou# tree#, an'reare' "or the unac!)n o" the e')b&e#.

    THE P%C-A%C. Ao. %%

    O'' P)cn)c4.j $>4K(

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    Aot*)th#tan')n the ro+erb)a& +ar)ety o" the c&)mate, there )# no nat)on un'er the #un #o "on' o"P)c-A)c art)e# a# the En&)#h an' yet ho* #e&'om are the)r &ea#ant 'ream# o" rura& rea#t# )n theoen a)r "ate' to be rea&)e'

    Ho*e+er #nu&y they may ac! the mater)a "or the "ea#t, the ac! enera&&y et# #hu""&e' )n the

    carr)ae, an' con#eLuent&y the)r rom)#e' &ea#ure ro+e# anyth)n but D*)thout m)ture *)thoutmea#ure.D

    The jam-tart# are brouht to &)ht, an' are "oun' to ha+e ot a &)tt&e jam too much. The bott&e# arecrac!e' be"ore the)r t)me, an' the &)bera& #u&)e# o" a&e #herry an' o&' ort are turne' )nto aF&)tt&ecurrent.

    They turn out the)r jar o" h)r!)n#, an' ")n' them m)e', an' a&& the)r #tore )n a #a' )c!&e.

    The &e o" mutton )# the on&y th)n that ha# #too' )n the enera& me&ee.

    The &ate# are a&& ')#he', an' the ')#he# on&y ")t "or a &unat)c a#y&um, be)n a&& &)tera&&y crac!e'.

    E+en the !n)+e# an' "or!# are "oun' to r)'e ru#ty on the occa#)on. The brea' )# become #o an'they ha+e not e+en the #at)#"act)on o" ett)n #a&t to the)r orr)'e, "or that )# ')##o&+e' )nto br)nytear#.

    )!e the ro+)#)on#, they ")n' them#e&+e# uncom"ortab&y hamer' "or they enera&&y chu#e #uch a+ery ret)re' #ot, that there )# noth)n to be ha' "or &o+e or money )n the ne)hbourhoo', "or a&& the#ho# are a# ')#tant a#Fn)nety-n)nth cou#)n#

    Ho*e+er 'e&)ht"u& the #cenery may be, )t )# counterba&ance' by the ro#ect o" #tar+at)on.

    0&thouh on the bor'er# o" a #tream aboun')n )n ")#h, they ha+e ne)ther hoo! nor &)ne an' e+en

    the youn ent&emen *ho #)n "a)& )n a catch "or *ant o" the nece##ary ba)t. The)r #)r)t# arenatura&&y 'ame' by the)r ')#ao)ntment, an' the)r ho&)'ay arment# by a #ummer #ho*er an'thouh the 'uc!# o" the ent&emen ta!e the *ater a# "a+ourab&y a# o##)b&e, e+ery *h)te mu#&)nre#ent&y a##ume# the aearance o" a 'rab, an', becom)n a &)tt&e &)m an' ')rty, &oo!# a#m)#erab&e a# a &ame bear

    %n ")ne, )t )# on&y a 'on!ey or a oo#e that can rea#onab&y eect to obta)n a com"ortab&e "ee' )n a")e&'. %t may be +ery oet)ca& to ta&! o" DAature# tab&e-c&oth o" emera&' +er'ureD but 'een' on )t, a'ama#! one, #rea' o+er that "u&&-ro*n +eetab&eFa mahoany tab&eF)# "ar re"erab&e.

    THE BUMPK%A.

    O''4 Bum!)n.j $9=K(

    G%ES *a# the e&'e#t #on an' he)r o" 2erem)ah Sty&e#Fa cu&t)+ator o" the #o)&F*ho, &o#)n h)# ")r#t*)"e, too! unto h)m#e&", at the mature ae o" ")"ty, a #econ', ca&&e' by the ne)hbour#, by rea#on o"

    the narro*ne## o" her economy, an' the #&en'erne## o" her bo'y, 2erem)ah# Sare-r)b.

    G)&e# *a# a DcuteD &a', an' h)# aet)te #oon became, un'er h)# #te-mother# manaement, a#

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    chance' to "orm a ort)on o" her ')etary, )t *a# e+)'ent to a&& h)# acLua)ntance that he rea&&y ot&ean H)# &e#, )n'ee', became #o #&)ht, that many o" h)# joco#e coman)on# amu#e' them#e&+e#*)th #tr)!)n at them *)th #tra*# a# he a##e' throuh the "armyar' o" a morn)n.

    Dhoy, G)&e#D remar!e' one o" them, Dthee ca&+e# ha one to ra##, &a'.D

    DThee may #ay that, 2eame#,D re&)e' G)&e# Dor 'ye #ee they ')'nt ")n' % reen enouh.D

    D% 'o th)n! no*, G)&e#,D #a)' 2ame#, Dthat Mother Sty&e# 'o "ee' thee on noth)n, an' !ee# her caton the &ea+)n#.D

    DAoa, #he 'ont,D #a)' G)&e#, D"or *e boath 'o et *hat *e can catch, an' noth)n more. hoy,no*, *hat 'o you th)n!, 2eame# &a#t Satur'ay, )" the o&' ooman ')'nt #ar+e me out a ')#h o b)&e'hor#e-bean#FD

    DHor#e-bean#FD cr)e' 2ame# D&ac!-a-'a)#y me, an' *hat ')' you 'oFD

    Dhoy, ju#t *hat a hor#e *ou&' ha 'one, to be #ureFD

    DEat emFD

    DAoaF% !)c!e', an' #a)' Aay, an' #o the o&' ooman ut her#e&" )nto a *oun'y a##)on *) %. Aotma!e a ')nner o" hor#ebean#, you 'a)nty 'o, #ay# #he % *)#h you may ne+er ha+e a*or#e.FAoa, mother, #ay# %, % hoe % ne+er #ha&&. 0n' #he ')' ut her#e&" )nto #uch a tantrum, tobe #ureF#o % bo&te' *hereby, 'ye #ee, % #a+e' my bacon, an' the o&' ooman her bean#. But )t*ont 'o. 2eame#, %+e a not)on % #ha&& o a recru)t, an' them %m th)n!)n % #ha&& et )nto a re&arme##, an' et #hut o" a re&ar ro*.D

    D1an )t, )t# too ba'D #a)' the #ymath)#)n 2ame# Dan' *hen 'o thee oFD

    DAet March, to be #ure,D re&)e' G)&e#, *)th a #)r)t *h)ch *a# natura& to h)mF)n'ee', a# to any

    art)")c)a& #)r)t, )t *a# rea&&y "ore)n to h)# &)#.

    DBut thee are #uch a #care-cro*, G)&e#,D #a)' 2ame# Dthee are th)n a# a *ea#e&.D

    DMy 'rum#t)c!#,D an#*ere' he, #m)&)n, Dmay recommen' me to the ban'FmayhaF"or % 'o th)n!they&& beat anyth)n.D

    D% 'ont &)!e #oer)n ne)ther,D #a)' 2ame#, thouht"u&&y. DSuo#e the @rench ma!e a ho&e )n thee*)th a banetFD

    Dhoy, then, % #ha&& be #e*e' u, thee !no*.D

    DThat# m)hty "o)ne,D re&)e' 2ame#, #ha!)n h)# hea' Dbut %' rather not, than!ye.D

    DOh 2eame#, a mother-)n-&a*# a reater bore than a banet, 'een' ont an' )t# my m)n', )t#better to ')e )n a trench than a"ore an emty trencherF%&& &)#tD

    0n' *)th th)# una&terab&e 'eterm)nat)on, the ha&"-#tar+e', thouh #t)&& merry G)&e#, Lu)tte' h)#coman)on an' the "o&&o*)n month, )n ur#uance o" the re#o&+e he ha' ma'e, he en&)#te' )n h)#Maje#ty# #er+)ce. @ortunate&y "or the youth, he rece)+e' more b)&&et# than bu&&et#, an'con#eLuent&y re* out o" !no*&e'e, a&thouh he obta)ne' a *or&' o" )n"ormat)on )n h)# tra+ean', at the e)rat)on o" the *ar, returne' to h)# nat)+e +)&&ae co+ere' *)th &aure, an' )n the2oyment o" the ha&"-ay o" a corora&, to *h)ch ran! he ha' been romote' )n con#eLuence o" h)#mer)tor)ou# con'uct )n the Pen)n#u&a. H)# "ather *a# #t)&& &)+)n, but h)# #te-nother *a# &y)n Lu)et&y

    )n the church-yar'.

    D% hoe, "ather,D #a)' the a""ect)onate G)&e#, Dthat thee #a* her bur)e' )n a 'ee ra+e, an' &a)' a

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    D% ')', my #on.D

    DThen % am hay,D re&)e' G)&e#.

    %n#)'e Paer#.j $=;K(

    En' o" the Project Gutenber EBoo! o" The S!etche# o" Seymour $%&&u#trate'(,Part 3., by Robert Seymour

    ??? EA1 O@ TH%S PRO2ECT GUTEABERG EBOOK SKETCHES O@ SEYMOUR ???

    ????? Th)# ")&e #hou&' be name' 9:6;-h.htm or 9:6;-h.) ?????Th)# an' a&& a##oc)ate' ")&e# o" +ar)ou# "ormat# *)&& be "oun' )n/ htt/***.utenber.net9:69:6;

    Pro'uce' by 1a+)' )'er

    U'ate' e')t)on# *)&& re&ace the re+)ou# one--the o&' e')t)on#*)&& be rename'.

    Creat)n the *or!# "rom ub&)c 'oma)n r)nt e')t)on# mean# that noone o*n# a Un)te' State# coyr)ht )n the#e *or!#, #o the @oun'at)on$an' you( can coy an' ')#tr)bute )t )n the Un)te' State# *)thout

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  • 8/12/2019 The Sketches of Seymour (Illustrated), Part 3

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