The Rich man being led to Hell

StormyStormyStormyStormy q = 140

The rich man being led to Hell

Oliver Weeks27/3/09

(Rev. 22/12/11)

Flute(doubling Piccolo

& Alto Flute)

Oboe(doubling Cor Anglais)

Clarinet I in A(doubling Eb &

Bass Clarinet II)

Clarinet II in A(doubling

Bass Clarinet I)

Contrabassoon(doubling Bassoon)

2 Horns in F

Trumpet in Bb (doubling

Piccolo Trumpet in Bb)

Trombone

Percussion(3 Players)

Harp

Piano

Violin I

Violin II

Viola

Violoncello

Double Bass

Oboe

ff

Clarinet in A

ff

Contrabassoon

f

f

f

f

Small, hardwood plank (Klepalo) - see preface

ff

Bass Drum - hard sticks

f

C#, Db, E§, F§, G§, Ab, B§

fff

fff

fff

fff

fff

1

7

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Flute

ff

3

3

Clarinet in A ff

3

ff

Trumpet in Bb

3

Plank

B.D.

3

With a hard,bell-like, metallic tone

fff

l.v.

damp all notes

With a hard,bell-like, metallic tone

ff

l.v.

3

3

3

3

3

2

13

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

ff

3 3 3

p

ff

3 3

p

ff

3 3

p

3

ff

3

f

3

p

f

3

3

p

3

f

3 3

sub. p

f

ff

3

f

3

Plank

sub. p

ff

B.D.

3

pp

3 f

3 3 3 3

fff

l.v.

3

3

3

Damp all notes

3

fff

l.v.

3

3

3

3

3

Sul G

3 3

3

3

Sul G

3 3

3

3

Sul G

3

3

3

3

3

33

3

3

33

3

A18

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

3 3 3 ff

3

ff

3

ff

ff

3

sub. mp

3

3

sub. mf

3 3 3 f

3

sub. mp

3

3

(Force note down with lips - note can be very flat)

ff

3

f

naturale

3

sub. mp

3

Plank

B.D.

3 3

3

3 3 3 3

3

3

3

3 3 3

3

3

3

3 3 3

3 3 3 fff

3

3

3 3 3 fff

3

3

3

3 3 fff

3

3

sub. f

3 3

3 3 3 3 3

sub. f

3 3

3 3 3 3 3

4

24

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

p

ff

3

3

3

3

ff

3

3

f

3

f

3

f

3

f

ff

3

3

f

f

Plank

B.D.

3 3

3

3 3 3

3

Damp all notes

3

fff

3

3

fff

3 3

fff

3 3

fff

3

3

3

3 3 3

fff

3

3

3 3 3

5

30

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

sfz

3

mf

sfz

ff

33

3

mf

sfz

ff

3

3

3

3

mf

sfz

ff

3 3

3 3

sfz

3

mf

sfz

ff

3 3

3

mf

3

f

3

sfz

3

mf

f

3

mf

3

f

3

ff

mf

3

ff

sub. p 3

3

mf

3

f

3

3

Plank h.

mf3

ff

3 3

B.D.

3

mp

3 3

f

3 3 3 3 3 3

fff

3

3

3

3

3

3

3

3

3

fff

3

3

3

3

3

3

3

3

3

pizz.

fff

3

arco p

fff

3 3

3

pizz.

fff

3

arco p

fff

3 3

3

pizz.

fff

3

arco p

fff

3 3

3

3

3

3

3

3

3

3

3

33

3

3

3

3

3

3

3

3

33

6

35B

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

3

mp

Bell-like

p

3

mp

sub. p

mp

p

3

3

mp

3

p

mf

pp

Bell-like

33

p

mf

pp

Bell-like

mf

pp

Bell-like

33

mp

mf

pp

Bell-like

3

3

Plank

p

3 5

B.D.

pp L.v.

3

3 3 3

3

f

33

3

3

3

p

f

p

3

3

3

3

p

mf

f

mf

p

mf

f

3

3

mf

f

mf

f

mf

f

3

7

42C

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mp

3

3

ff

3

ff

3

mf

ff

mf

ff

mf

f

f

f

ff

mf

3

f

ff

3

3

mf

mf

f

ff

mf

3

3

f

ff mf

3

Plank

3

ff 3

B.D.

3

3

f

3

3

3 3

damp all notes

3

f

p

f

p

3

fff

3

3

3 3

3

3

fff

3

3

3 3

3

fff

3

3

3

3

fff

3

3

3

3

fff

3

3

3

3

8

49

Fl.

Ob.

Cl. I

Cl. II

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Bell-like

p

3

3

3

Bell-like

p

3

3

3

Bell-like

p

3

3

3

p

ff

sub. p

Bell-like

pp

ff

Bell-like

pp

ff

sub. pp

Bell-like

3

3

3

ff

sub. pp

Bell-like

3

3

3

p

Plank

B.D.

pp

L.v.

3

3

f

L.v.

3

3

3

33

33

3 3

3

33

33

p

3

3

3

33

3 3

L.v.

p

mp

p

mp

mp

9

56

D

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

3

p

ff

3

ff

3

3

ff

3

f

mp

f

ff

3

sub. f

f

mf

ff

sub. f

p

f

ff

f

ff

mp

Plank

ff

B.D.

f

3 3 3

fff

3

damp all notes

3

fff

3

fff

3

fff

3

fff

3

fff

3

fff

3

10

61

Fl.

Ob.

Cl. I

Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

ff

3

3

3

3

Take Bass Clarinet I3

f

f

f

f

f

3

ff

3

f

3

Plank

3

5

B.D.

3

3

3 3 3

fff

ff

3

fff

ff

fff

3

3

3 3 3

3

3

3 3 3

11

EFree TempoFree TempoFree TempoFree Tempo

c. 5"

67

A TempoA TempoA TempoA Tempo

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

XXXXffff

niente

XXXXffff

niente

XXXX f

XXXX

Bass Clarinet

f

XXXX

f

XXXX fff

mf

staccato, crisp

XXXX

fff

mf

staccato, crisp

XXXX

Plank

XXXX

4 Tom-Toms & Bass Drum: notated thus:

I

II

III

IV

B.D.

Hard sticks

fff

mp

XXXX

C§, Eb, Bb

Arpeggiate

f

XXXX

XXXX f

XXXX

XXXXffff

niente

XXXXffff

niente

XXXX f

XXXX f

XXXX f

12

73

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

pp

f

ff

pp

f

ff

mf

3

3

mp

f

mf

3 3

f

f

p

3

3

3

3

p

3

3

3

3

Plank

ff

p

Toms & B.D.

f

p

3 3

3 33

Non arp.

fff

E§, B§

Cb, Bb

Arpegg.

fff

f

Sul G

3 3

f

Sul G

3 3

Sul G

3

3

3

3

mp

13

78

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

pp ff

pp

ff

pp ff

3

pp

ff

f

3

3

ff

3

f

3

mf

ff

f

3

mf

ff

3

f

3

ff

f

3

3

f

ff

3

f

3 3

3 3 3

3

f

3

3

3 3 3

Plank

ff

Toms & B.D.

3

f

3

3

3 3 3

Non arpegg. fff

3

3

ff

(Hold down pedal until * )

3

ff

3

ff

3

ff

3

ff

3

ff

3

3

3

ff

3

3

f

3

mf

ff

14

83

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

pp

ff

3

pp

ff

3

ff

3 3

3

f

f

3

f

f

f

3

f 3

Plank

Toms & B.D.

3

3 33 3

3

3

fff

3 ff

Arpegg.

3

3

fff

3

f

3

3

3

3

3

3

3

3

3

3

15

88

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

pp

f

3

3

f

3

3

3

3 3

3

3

f

3

f

3

f

3

3

3 3 3

3

3 3

3

33

Plank

h.

3

3

3

3

3 3 3 3 3

Toms & B.D.

3

3 3

3 3 3 3 3 3 3 3 3

3

3

3

3

3

3

3

3

3 3

(secco)

3

3

3 33

3 3 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

16

93

FStringendoStringendoStringendoStringendo

Fl.

Ob.

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

pp

3

f 3

3

ff

pp

3

f3

ff

sub. f

ff

sub. f

ff

f

3

3 3 3

f

3

3

3

3

3 3

3 3

33

3

3

33

Plank

3

Toms & B.D.

3

3

3 3

3 3 3 3 3 3 3 3

3

3

3 3

3

3

3 3 3 3

3

3

3

3

3

3

3

3

3

33 3

f 3

3

ff

pp

3

f 3

3

ff

pp

3

f3

ff

f

3 ff

f

ff

17

97

Fl.

Ob.

Cl. I

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

ff

Take Piccolo

3

ff

3

ff

3

3

3 f

f

3

f

3

33

3 3

3

3

33 3

Toms & B.D.

3

3

3 3 3 3 3 3

3 3

fff

fff

fff

3

3

3

3

3

3

3

3 3

3

3

3

33

3

33

3

f

3

ff

3

f

3

ff

3

f

3

3

3

3

3

3

3

f

3

3 3

3 3 3 3

18

101

< iiq = jjq >

< q = e. >

K

G

q = 108

Cl. I

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

Take Bass Clarinet II

fff

p

fff

p

fff

3

fff

3

fff

3 3

33

ff

Suspended Cymbal - fat end of snare stickL.v.

Toms & B.D.

3 3

3

f

3 3

33 3

f

C§, Db, Eb, F§, G§, A#, B§

ff

ff

3

3

3

3

3

3

3

3

3

3

3

3

f

3

3

f

3 3

3

3

3

3

3

p

fff

pizz.

f

p

fff

pizz.

f

19

105

Ob.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

Toms & B.D.

20

108

Ob.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

ff

Toms & B.D.

Fb

ff

ff

ff

21

111

Picc.

Ob.

B. Cl. II

Cbsn.

Perc.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mp

Piccolo

mf

mp

mf

mp

Bass Clarinet II

mf

mp

mp

mf

mp

pp

Tam-Tam - normal beaterL.v.

mp

Toms & B.D.

mf

f

D§

mf

mp

mf

mp

mf

mp

mf

mf

mf

22

114

Picc.

Ob.

B. Cl. I

B. Cl. II

Cbsn.

Hn.

Perc.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

mf

p

mf

p

mf

p

mf

p

mf

I.

p

mf

Tam-Tam

pp L.v.

Toms & B.D.

F#

Db

p

p

p

23

H117

Picc.

Ob.

B. Cl. I

B. Cl. II

Cbsn.

Hn.

Perc.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

p

p

p

mf

p

mf

I.

p

Tam-Tam

pp L.v.

Toms & B.D.

mp

D§, F§

C#

p

p

p

p

p

mp

24

120

Picc.

Ob.

B. Cl. I

Hn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mf

p

mf

p

mf

p

mf

I. p

Toms & B.D.

mf

f

A§

ff

f

mf

p

mf

mf

p

mf

mf

p

mf

f

f

25

123

Picc.

Ob.

B. Cl. I

Hn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mf

f

p

mf

f

p

mf

mf

f

p

I.

mf

f

p

Toms & B.D.

G§

A#

Bb

A§

Gb

F§

Fb

f

f

f

26

126

Picc.

Ob.

B. Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mf

f

mf

f

mf

f

mf

f

mf

f

mf

p

mf

mf

p

mf

pp

Tam-Tam

L.v.

Toms & B.D.

f

F§

ff

f

f

ff

ff

27

129

Picc.

Ob.

B. Cl. II

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

f

ff

Take Cor Anglais

ff

mp

ff

Take Bassoon

mp

mf

ff

mf

ff mp

mf

ff

mf

ff mp

f

p

mf

ff

f

p

mf

ff

Toms & B.D.

C#, D§, Eb, Fb, B§

ff

ff

ff

ff

28

I< jjq = iiq >

< e. = q >

q = 144

K

131

Picc.

B. Cl. I

B. Cl. II

Perc.

Hp.

Pno.

(sempre f)

3

Bass Clarinet I

pp

Robotic

pp

Bass Clarinet II

Robotic

Tam-Tam

pp

ff

3 3 3 3 3 3

ff

3

ppp

L.v.

Hold down pedal until all resonace has faded away

33

3 3 3 3 3

134

Picc.

B. Cl. I

B. Cl. II

Perc.

Mar.

Hp.

Pno.

Take Alto Flute

pp

Tam-Tam

mf

L.v.

ppp

L.v.

3 3 3 3

mf

A major

L.v.

mp

(Hold down pedal until * at end of bar 161)

L.v.

29

138

B. Cl. I

B. Cl. II

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Bell-like

mp

Bell-like

mp

Bell-like

mp

3

3

Bell-like

mp

3

3

3

Tam-Tam

3

3 3

3 3

3

3 3

3 3

3

30

142

B. Cl. I

B. Cl. II

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

3

3

3

3

3

3

Plank

mf

Tam-Tam

3

3

3

3

3

3

3

3

3

3

3

3

3

31

146

A. Fl.

C. A.

B. Cl. I

B. Cl. II

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Alto Flute

RoboticVery breathy sound

mp

Cor Anglais

Robotic

p

p

mp

p

Bassoon

Robotic

p

mp

3

3

3

3

Plank

Tam-Tam

3

3

3

3

3 3

3

3

3 3

3

32

150

A. Fl.

C. A.

B. Cl. I

B. Cl. II

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

f

mf

f

f

Take Piccolo

ff

mp

f

ff

mf

f

f

ff

mp

f

ff

Take Clarinet in A

mf

f

f

ff

pp

3

pp

3

3

3

Plank

Tam-Tam

3 3 3

3 3 3

33

J154

Picc.

C. A.

Cl. I

B. Cl. I

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Db.

Piccolo

mp

mp

Clarinet I in A

p

mp

mf

mf

pp

pp

mp

mf

mp

mf

3

pp

mp

mf

Tam-Tam

mf

L.v.

Tremolo on single notes,bisbigliando on chords.

mp

Pedal changes whilst playing.Maximise string buzz - hold half-pedal as long as possible (i.e. for duration of arrow).

F§

Fb

mp

3

3 3 3

3 3

3

pizz.

mp

34

161

K< h = q >

q = 72

Picc.

A. Fl.

C. A.

Cl. I

Bsn.

Hn.

Tpt.

Tbn.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Db.

p

Take Alto Flute

p

Alto Flute

p

mp

pp

mp

pp

p

p

mp

pp

mp

pp

mp

pp

mp

3

3

3

pp

mp

3

pp

p

p

mp

p

p

pp

Eb

Db

D§

p

Cb

C§ C#

Db

E§

mp

mp

(Hold down pedal until * at bar 183)

Rapid pizz. tremolo (quasi strum)

pp


pp

35

168

< qqq = iiq >K h = q.

q = 54

A. Fl.

C. A.

Cl. I

B. Cl. I

Bsn.

Hn.

Tpt.

Tbn.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

3

3 mp

3

3

3

3

3

p

p

3

3

p

mp

3

3

3

mp

3

3

3

3

3

3

3

mp3

mp

mp

3

3

3

3

3

3

35

mp

3

mp

3 mp

3

3

3

3

3

3

3

3 3

p

p

p

3

Fb, E§

F§

E#

3

p

arco

p

36

L< qqq = iiq >K

q = 54

h = q.

175

A. Fl.

C. A.

Cl. I

B. Cl. I

Bsn.

Hn.

Tpt.

Tbn.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

mp

3

3

mp

mp

p

5

mf

Take Oboe

mf

mp

Take Eb Clarinet

3

mp

mp

5 mp

mp

3

3

mp

mp

5 5

mp

mp

mp

5

pp

5

5

mp

3

mp

mp

pp

3

3

5

mp

mp

mp

mp

3

mp

3 5

Bb

B§, A#

B§, Cb

A§

3 5

mf


pp

mf

37

181

Mpoco rit. poco rit. poco rit. poco rit. q = 52

< e = q >Alla MarciaAlla MarciaAlla MarciaAlla Marcia

q = 104

N

Picc.

A. Fl.

Ob.

Eb Cl.

B. Cl. I

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Piccolo

pointed, military, jaunty

pppp

Take Flute

Take Piccolo

Oboe

pppp


Eb Clarinet

pppp


mp

3

3

3

pppp


mp

3

3

3

pppp

pointed, military, jaunty Take Contrabasson

mp

3

pppp


mp

pppp


mp

3

pppp


mp pointed, military, jaunty

pppp

Snare Drum

pppp

Snare Drum

p

Tam-Tam - with the fat end of a snare drum stick

p

Bass Drum (as damped as possible) - with a hard stick

Suspended Cymbal - on the bell with a medium-soft stick

mp

C§, D§, Eb, F§, G#, A#, B§

Pedal off. Damp all notes

if any still ringing

p

secco

mp

arco sul tasto (quasi sord.)

mp


mp


mp

pizz.

p

mp

arco

pizz.

p

38

187

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

p

Contrabassoon

p

p

mf

fp

TT

S.D.

B.D.

Cymb.

A§

A#

fp

arco naturale

f

fp

arco naturale

f

fp

arco naturale

f

39

(2 + 2 + 2 + 3 + 2 e)

191

Fl.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Flute

p

p

p

f

p

f

p

f

p

f

p

f

p

f

p

S.D.

TT mp

Cymb.

B.D.

mp

mf

Db

mp

p

p

p

mp

mp

40

195

(2 + 2 + 2 + 3 + 2 e)

Fl.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

f

f

f

p

f

p

f

p

f

p

S.D.

TT

Cymb.

B.D.

F#

D§, F§

C#

A§

f

p

f

p

f

p

41

199O

Fl.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

p

Take Piccolo

ff

p

ff

p

p

ff

p

ff

p

ff

p

ff

p

ff

p

ff

ffp

TT

S.D.

B.D.

Cymb.

A#

G§

Gb

F§

Fb

F§

p

p

p

42

203

(2 + 2 + 2 + 3 + 2 e)

Picc.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Piccolo

ff

p

f

p

ff

p

p

ff

p

p

ff

p

p

ff

p

ff

ff

ff

TT

S.D. mf

Cymb.

B.D.

mf

Bb

E§

f

Eb, Fb, B#

mf

ff

ff

ff

mf

mf

43

207

Picc.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

f

ff

ff

f

ff

p

ff

p

ff

p

ff

p

ff

p

ff

p

ff

TT

S.D.

Cymb.

B.D.

Bass Drum like a heartbeat.Absolutely regular - don’t change tempo or dynamic until Q

like a heartbeatabsolutely regular - don’t change tempo or dynamic until Q


cresc.

fff

cresc.

fff

cresc.

fff



44

P212

(Non rit.)(Non rit.)(Non rit.)(Non rit.)

Picc.

Ob.

Eb Cl.

B. Cl. I

Cbsn.

Hn.

Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

pppp

pppp

pppp

Take Clarinet II in A

pppp

pppp

pppp

pppp

Take Piccolo Trumpet

pppp

TT

S.D. l.v.

damp TT

Cymb.

B.D.

Damp Bass Drum heavily but allow Cymbal to ring

pppp

pppp

pppp

45

Q UrgentUrgentUrgentUrgent

220

q = 140

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Picc. Tpt.

Tbn.

Vc.

Db.

ff

Non vib.

Grace notes always before the beat.Plenty of vibrato. Very fruity sound.

ff

Non vib.

Grace note groups always on the beat.Plenty of vibrato. Very fruity sound.

Non vib.

ff

quasi gliss.

Plenty of vibrato. Very fruity sound.

quasi gliss.

ff

Non vib.


ff

Grace notes always crisp and before the beat.Very vulgar sound.

Piccolo Trumpet in Bb

ff Headless notes - fake an extremely fast and light rising scale up to the high sustained pitch.Execute a rapid, random movement of the fingers on the instrument's keys to create a fast-moving series of pitches. Each "fake scale" scale should start approximately around the (written) D above middle C.


ff

Vulgar.

gliss.

ff

arco

Dig into the strings heavily

ff

arco

If lacking low C, play gliss. on A & E strings - whatever the lowest two strings are.The actual open strings, if they sound, should sound very fleetingly - hence the brackets. They are simply approximate starting points for the glissandi.

Dig into the strings heavily

gliss.

gliss.

46

R229

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vc.

Db.

simile

blaring

fff

blaring

fff

gliss.

gliss.

Plank

fff

fff

C#, D§, E§, F#, G#, A#, B§

fff

3

3

3 3

3

3

3

fff

3

3

3 3

3

3

3

gliss.

47

234

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Mar.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

niente

niente

gliss.

Plank

niente

niente

3 niente

Arpeggiate chords

C§

mp

3

3 niente

mp

3

p

p

p

gliss.

gliss.

48

238

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Picc. Tpt.

Tbn.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

gliss. gliss.

f

f

f

f

f

gliss.

49

243

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

p

p

gliss.

fff

Suspended cymbal - soft sticks

p

ff

Mark Tree - Standard Andrew Lloyd Webber-style key change upward sweep or an approximation thereof.

ff

f

Tom-Toms (hard / kit sticks)

3

3

Non arp.

C major(F§, G§, A§)

mp

p

Play with the worst possible taste

gliss

.

p cresc.

6

6

p cresc.

6

6

p cresc.

6

6

p

p

naturale

50

S246

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

fff

fff

fff

fff

fff

ff

ff

fff

gliss.

Cymbal

L.v.

Mark Tree

L.v.

Bass Drum - hard stick. Damp to get as close to a kit Bass Drum sound as possible.

f

Rim click

fff

Bb

ff

fff

fff

fff

fff

fff

pizz.

ff

51

249

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

3

3

3

3

gliss.

Suspended Cymbal

ff L.v.

B.D.

Rim click

Ab

3

3

3

3

3

arco(as before)

fff

gliss.

52

252T

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

fff

fff

gliss.

Tom-Toms III & IV - damped

p

ff

f

Non Arp.

Let top stave notes ring. Lower stave notes sould be quite a dry, damped sound.

Db major

f

staccato

mf cresc.

sub. f

ff

staccato

Al tallone

mf cresc.

sub. f

ff

staccato

Al tallone

mf cresc.

sub. f

ff

staccato

Al tallone

gliss.

53

255

Picc.

Ob.

Eb Cl.

Cl. II

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

gliss.

gliss.

54

257

Free TempoFree TempoFree TempoFree Tempo

c. 10"

Picc.

Ob.

Eb Cl.

Cl. II

B. Cl. I

Bsn.

Cbsn.

Hn.

Picc. Tpt.

Tbn.

Perc.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

XXXX Conductor: The Bass Clarinet and Conductor: The Bass Clarinet and Conductor: The Bass Clarinet and Conductor: The Bass Clarinet and Bassoon runs must be together.Bassoon runs must be together.Bassoon runs must be together.Bassoon runs must be together.

XXXX

XXXX

XXXX

Take Bass Clarinet I

XXXX Bass Clarinet I

free - but as fast and light as possible, like water going down a plughole

p niente

XXXX Bassoon

free - but as fast and light as possible,like water going down a plughole

p niente

XXXX

Take Bassoon

gliss.

XXXXgliss.

XXXXgliss.

XXXX

gliss.

XXXXgliss.

Snare Drum

ffff

XXXX pppp

Bass Drum - normal sticks

ffff

XXXX pppp

Damp quickly

XXXX

XXXX

XXXX

XXXX

XXXX XXXX

XXXX XXXX

gliss.

gliss.

XXXX

gliss.

gliss.

55

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The Rich man being led to Hell